Ethical Madness? Khady Sylla's Documentary Practice in Une Fenêtre ouverte
The Senegalese artist Khady Sylla, most celebrated for her writing, is a highly accomplished filmmaker whose innovative and challenging autobiographical documentary on mental health, Une Fenêtre ouverte (2005), has been the subject of very little academic interest. This paper will read Une Fenêtre ouverte as a poetic, performative, and reflexive autobiographical documentary, focusing in particular on the ethical implications and formal innovations of Khady Sylla's documentary practice. My reading of this film will therefore be primarily informed by the points of tension and ambiguity in the relationship between the filmmaker and her main participant, which require an engagement with the issues of responsibility and consent. I will also demonstrate the significance of this relationship in terms of the self and the therapeutic nature of the autobiographical endeavour. Finally, this essay will highlight innovative formal aspects of Une Fenêtre ouverte, such as the visibility of the apparatus, evidence of staging, and the centrality of self-performance.