Ethical Madness? Khady Sylla's Documentary Practice in Une Fenêtre ouverte

2012 ◽  
Vol 51 (2) ◽  
pp. 204-219 ◽  
Author(s):  
Bronwen Pugsley

The Senegalese artist Khady Sylla, most celebrated for her writing, is a highly accomplished filmmaker whose innovative and challenging autobiographical documentary on mental health, Une Fenêtre ouverte (2005), has been the subject of very little academic interest. This paper will read Une Fenêtre ouverte as a poetic, performative, and reflexive autobiographical documentary, focusing in particular on the ethical implications and formal innovations of Khady Sylla's documentary practice. My reading of this film will therefore be primarily informed by the points of tension and ambiguity in the relationship between the filmmaker and her main participant, which require an engagement with the issues of responsibility and consent. I will also demonstrate the significance of this relationship in terms of the self and the therapeutic nature of the autobiographical endeavour. Finally, this essay will highlight innovative formal aspects of Une Fenêtre ouverte, such as the visibility of the apparatus, evidence of staging, and the centrality of self-performance.

2021 ◽  
pp. 263183182097458
Author(s):  
Choudhary Laxmi Narayan ◽  
Mridula Narayan ◽  
Mridula Deepanshu

Live-in relationship, that is, living together as couple without being married to each other in a legally accepted way, is considered a taboo in India. But recently, such relationships are being increasingly common due to a variety of reasons. In absence of any specific legislation, rules, or customs on the subject, the Supreme Court has issued certain guidelines in its judgment for regulating such relationships. This article tries to figure out the current legal positions governing the live-in relationships in India after making a systemic assessment of these judgments. Live-in relationship between two consenting adults is not considered illegal and if the couple present themselves to the society as husband and wife and live together for a significant period of time, the relationship is considered to be a relationship “in the nature of marriage” under the Prevention of Domestic Violence Act, 2005. Consequently, the female partner is entitled to claim alimony under its provisions. Children born out of such relationships are considered legitimate and entitled to get share in the self-acquired property of their parents, though they are not entitled for a coparcenary share in the Hindu undivided family property. Live-in relationships may enable the couple to know each other better, but such no-strings-attached relationship has its disadvantages as well. The couple faces multiple social and logistics problems in day-to-day living. From mental health point of view, it is considered better to be engaged in a good-quality relationship than living alone and having no relation at all.


PhaenEx ◽  
2011 ◽  
Vol 6 (1) ◽  
pp. 121
Author(s):  
NANDITA BISWAS MELLAMPHY

In 1971, Wolfgang Müller-Lauter introduced his study of Nietzsche as an investigation into the history of modern nihilism in which “contradiction” forms the central thread of the argument. For Müller-Lauter, the interpretive task is not to demonstrate the overall coherence or incoherence of Nietzsche’s philosophy, but to examine Nietzsche’s “philosophy of contradiction.” Against those such as Karl Jaspers, Karl Löwith and Martin Heidegger, Müller-Lauter argued that contradiction is the foundation of Nietzsche’s thought, and not a problem to be corrected or cast aside for exegetical or political purposes. For Müller-Lauter, contradiction qua incompatibility (not just mere opposition) holds a key to Nietzsche’s affective vision of philosophy. Beginning with the relationship between will to power and eternal recurrence, in this paper I examine aspects of Müller-Lauter’s account of Nietzsche’s philosophy of contradiction specifically in relation to the counter-interpretations offered by two other German commentators of Nietzsche, Leo Strauss and Karl Löwith, in order to confirm Müller-Lauter’s suggestion that contradiction is indeed an operative engine of Nietzsche’s thought. Indeed contradiction is a key Nietzschean theme and an important dynamic of becoming which enables the subject to be revealed as a “multiplicity” (BGE §12) and as a “fiction” (KSA 12:9[91]). Following Müller-Lauter’s assertion that for Nietzsche the problem of nihilism is fundamentally synonymous with the struggle of contradiction experienced by will to power, this paper interprets Nietzsche’s philosophy of contradiction in terms of subjective, bodily life (rather than in terms of logical incoherences or ontological inconsistencies). Against the backdrop of nihilism, the “self” (and its related place holder the “subject”), I will argue, becomes the psycho-physiological battlespace for the struggle and articulation of “contradiction” in Nietzsche’s thought.  


2020 ◽  
Vol 5 (2) ◽  
pp. 67-82
Author(s):  
MATT HARGRAVE

This article addresses the subject of stand-up and mental health through the prism of comic persona, generating new, non-diagnostic discourses around mental illness. The article focuses on British and Australian comedians whose material addresses conditions such as bipolar disorder (John Scott), depression and anxiety (Seymour Mace; Lauren Pattison; Felicity Ward), or feigns the staging of mental collapse (Stewart Lee). Based on the analysis of live events and one-on-one interviews, the essay considers the role that persona plays in mediating the relationship between the comedian and their material, arguing that shaping persona is key to developing practices framed within a poetics of vulnerability.


2021 ◽  
Vol 18 (1) ◽  
pp. 7-20
Author(s):  
Časlav Nikolić ◽  
◽  
Nikola Bubanja

The paper analyzes the narrative and symbolic values of the button in Miloš Crnjanski’s novel The Journal of Čarnojević. In the perturbation that occurs when the hero, during the meeting with his beloved, angrily but inadvertently tears the buttons off her dress, traces of the gap that will determine their marital relationship can be recognized. The button that falls and exposes the girl is a sign of overstepping and destabilization of the ontological union of two beings. This destabilization – the rudeness of the hero, the agitation, the withdrawal and fall of the woman – is determined by the self-challenging forces of the subject itself. The crisis as a state of the modern subject in Crnjanski’s novel is viewed against the relationship between Shakespeare’s Hamlet and Ophelia. The button in Shakespeare’s dramatic literature, a sign of disruption of order and of the negation of action, is a sign of theatricality and dissembling; the unbuttoned Hamlet seduces Ophelia, and others through her, painting a coldness falling quite short of the lyricism of Crnjanski. In fact, it seems that only against this tense lyricism can Hamlet be made ready to be read as a lyrical misinterpretation of arid theatrical coldness. The lyrical force of modernity in Crnjanski’s novel transforms the torn off buttons into marks of nightmarish existences, upheavals of old ideas and concepts, the dismantling of the categories of subject, identity, history, metaphysics, language. A symbolic miniature, a button is a scene on which an entire poetics presents itself.


2021 ◽  
Vol 1 (23) ◽  
pp. 303-316
Author(s):  
Patrycja Neumann ◽  
Arian R. Kowalski

This article presents the problem of the presence of evil in the person of the Old Testament God in Answer to Job undertaken by the founder of analytical psychology, Carl Gustav Jung. The Swiss researcher of religion wonders in it about the sense of the relationship between Job and his Creator. The concept of Erich Neumann’s ethics is also shown, encouraging man to strive towards psychological wholeness, defined by Jung as the self – an archetype linking the human being with the dimension of Transcendence. In addition, reflection is also undertaken on the concept of mental health, which could define the condition of a person living in the spirit of the ethics of wholeness.


2003 ◽  
Vol 8 (1) ◽  
pp. 71-84 ◽  
Author(s):  
Anne Sivuoja-Gunaratnam

This article explores the relationship of desire and distance in Kaija Saariaho's Lonh (1996) for soprano and electronics. The subject matter of Lonh is desire and romantic pleasures, anchored to feminine subjectivity, represented on stage by a soprano singer. Electronics provide the environmental sounds and amplify the singer's voice. Through Lonh looms a medieval song in the Occitan language, ‘Lanquan li jorn son lonc en mai’ by Jaufré Rudel, a famous troubadour in twelfth-century Provence. Saariaho reverses the narrative convention of love stories by presenting the most intimate encounter at the very beginning. In their succeeding encounters, the lovers move further away from each other. Similarly, in the course of Lonh the distance to Jaufré's song also increases. Luce Irigaray's concepts of love are used for an analysis of the relationship of the loving pair. By the end of Lonh the borderlines of speaking, singing, electronics, language and music collapse in Barthesian jouissance (bliss). The electronic technology in Lonh enables the re-investiture of cultural values, and the construction of flexible identities, crossing boundaries between the self and the other.


2021 ◽  
Vol 4 (4) ◽  
pp. p42
Author(s):  
Alexei Sammut ◽  
Paulann Grech ◽  
Michael Galea ◽  
Margaret Mangion ◽  
Josianne Scerri

The relationship between artwork and mental health has been the subject of various research endeavours. Whilst artwork has been long used as a means of emotional expression, it is also a method of raising mental health awareness. In this study, an art collection was presented to depict the challenges faced by many individuals living with a mental illness. Through a series of open-ended questions, twenty-nine participants were requested to give a title to each piece and to describe the perceived message and emotions related to each painting. The thematic analysis process of the participants’ descriptions led to the identification of three themes, namely those of Darkness, Solitude and Recovery. Whilst congruence was often observed between the participants themselves and between the viewers and the artist, discrepancies were also noted. Artwork can be an important medium in addressing stigma and in guiding reflections on mental health topics.


2020 ◽  
Vol 210 ◽  
pp. 16036
Author(s):  
Nikolay Rybakov ◽  
Natalya Yarmolich ◽  
Maxim Bakhtin

The article examines the problem of identity realization in the modern information society. The authors analyze the concept of identity in comparison with the concept of self, reveal the features of the manifestation and deformation of identity, and explore ways to generate multiple identities. The study of the concept of identity is based on the worldview principles inherent in different epochs. An attempt is made to give a complete (holographic) picture of identity, and the question is raised about the criteria for distinguishing genuine identity from non-genuine (pseudo-identity). The relationship between the concepts of "I" and self is studied, identification is presented as a process of predication of "I". In the structure of identity, such features as constancy and variability are distinguished. On this basis, the classical and non-classical identities are distinguished and their characteristics are given. It is shown that the breakup of these components into independent parts results in the complete loss of the object's identity, which leads to its disintegration and death. It is shown that in the conditions of fluid reality, identity turns from a stabilizing factor into a situational one, which encourages the subject to constantly choose an identity. The conditions of transformation of identification into a diffuse process that loses the strict unambiguous binding of the subject to something fixed and defined are considered. Due to this, the identity of the subject is "smeared" all over the world. As a result of this process, the subject loses the need to identify itself with anything: it "collapses" into itself. As a result, there is a contradiction of identification: the multiplicity of identities gives the subject a huge choice between them, at the same time due to the diffusion of identity (its smearing around the world) the selection procedure itself loses its meaning. But if the identity is lost, there are problems with the self, so it turns out to be the end of the existence of the person himself. Therefore, in all the transformations of identities in the modern world, it is important that it is preserved.


Author(s):  
Paulo de Mello ◽  
Edna Bertini ◽  
Lázaro Luiz Trindade Freire ◽  
Débora Damasceno Jacinto ◽  
Tássia Monteiro Borges

With this article we aim to present a transdisciplinary conception of the relationship between neuroscience and psychoanalysis, especially Kleinian, in the field of epiphenomenos linked to resentment, its meaning and fundamental mechanisms of a psychoanalytic and biological nature. The article is the result of a theoretical-qualitative study based on the experience of the authors, some with more than 30 years of clinical experience in the area of mental health, psychoanalysis and neuroscience, added to a bibliographic review that consists mainly of books in the field of psychoanalysis, analysis and Freudian psychoanalysis, Kleinian and Jungian, a total of 21 books researched, as well as articles in the field of neuroscience. Researched in the PubMed, Medline and Scielo databases in the period between 2000 and 2020. Epistemological trimming involves elements such as objectual relationship, neurotransmitters, structures and neural circuits involved in the phenomenon of resentment. Texts that were outside the qualitative and transdisciplinary scope of the study of the text were excluded. We use the intuitive-interpretative method whose conclusion reinforces the viability of the understanding of psychoanalytic phenomena such as psychic determinism and object relations via intersection with neurobiological mechanisms that are developed through mental operations (mentalization), and psychopharmacological intervention and neuromodulation by transcranian magnetic stimulation, thus expanding knowledge on the subject for the areas in question.


2021 ◽  
Author(s):  
◽  
Lucinda April Campbell

<p>In bio-ethics, the potential practical and ethical implications of radical life extension are being seriously debated. However, the role of motivation in relation to dramatically increasing the human life span has been largely overlooked. I propose that motivation is a crucial aspect to consider within the radical life extension discourse by conjecturing about why it might appeal and the possible ways it could impact outcomes where it is successfully developed and implemented. I do not thereby present an argument that supports or opposes radical life extension technology. This is ultimately a speculative piece. In exploring the relationship between motivation and radical life extension, I present a conceptual framework called the Thanatophobic and Romantic Motivational Spectrum (TRM Spectrum) designed to assist deeper examination on the subject. It captures what I suggest are two key motivators related to life and death, that is, the fear of death (Thanatophobia) and the “love” of life (Romanticism). The motivational spectrum is then applied to the death penalty versus life imprisonment, and euthanasia and suicide debates to demonstrate how it can be used for analysis of ethical issues in relation to the potential introduction of radical life extension technology.</p>


Sign in / Sign up

Export Citation Format

Share Document