scholarly journals Pragmatička uloga različitih tipova šutnje u romanu Kafamda bir tuhaflik autora Orhana Pamuka

2021 ◽  
Vol 32 ◽  
pp. 33-65
Author(s):  
Edina Solak ◽  
Mirza Bašić
Keyword(s):  
Interpersonal Communication ◽  
Original Text ◽  
The Novel ◽  
Contrastive Analysis ◽  
Syntactic Structures ◽  
Starting Point ◽  
Different Types ◽  
Good Starting Point ◽  
Turkish Language

In certain conversational settings, silence does not only represent the absence of speech, but it is used as a means of communication conveying different meanings. The objective of this paper is to analyze the pragmatic role of silence in Orhan Pamuk's novel Kafamda Bir Tuhaflık. Examples of silence are registered in the original text of the novel Kafamda Bir Tuhaflık and contrastive analysis was used to compare them with the types of silence presented in the translations to Bosnian language. This was used to try to establish whether certain types of silence have an identical pragmatic value in Turkish and Bosnian language. The analysis compares syntactic structures expressing different types of silence in the original text of the novel and its translations to Bosnian language. Turkish language is the initial language of the analysis. Therefore, syntactic structures expressing different examples of silence in the original text of the novel are compared to the translational equivalents in Bosnian language. The analysis of specific contextual examples shows that the success of interpersonal communication depends to a great extent on accurate knowledge and understanding of different types of silence. The results obtained from the analysis contribute to better knowledge and understanding of different types of silence in different conversational settings and they can serve as a good basis and a good starting point for further research regarding different types of silence.

scholarly journals Definitional verbal patterns for semantic relation extraction

Terminology ◽  
2008 ◽  
Vol 14 (1) ◽  
pp. 74-98 ◽  
Author(s):  
Gerardo Sierra ◽  
Rodrigo Alarcón ◽  
César Aguilar ◽  
Carme Bach
Keyword(s):  
Descriptive Analysis ◽  
Relation Extraction ◽  
Semantic Relations ◽  
Automatic Extraction ◽  
Starting Point ◽  
Different Types ◽  
Interesting Approach ◽  
Good Starting Point ◽  
Machine Readable

In this paper we present a description of the role of definitional verbal patterns for the extraction of semantic relations. Several studies show that semantic relations can be extracted from analytic definitions contained in machine-readable dictionaries (MRDs). In addition, definitions found in specialised texts are a good starting point to search for different types of definitions where other semantic relations occur. The extraction of definitional knowledge from specialised corpora represents another interesting approach for the extraction of semantic relations. Here, we present a descriptive analysis of definitional verbal patterns in Spanish and the first steps towards the development of a system for the automatic extraction of definitional knowledge.

On the Origin of the Spices (and Other Foodstuffs)

2019 ◽  
Author(s):  
Alan Kelly
Keyword(s):  
Primary Production ◽  
Food Chain ◽  
Chemical Elements ◽  
Raw Materials ◽  
Biological Effects ◽  
Desirable Outcome ◽  
Starting Point ◽  
Calcium Magnesium ◽  
Good Starting Point

The beginning of the story of food is what is termed food production. This might sound logically like the process of making food, such as a chef or food company might, but this term is rather generally used in food science to refer to the so-called primary production of food, from growth of crops to harvesting of fish and minding and milking of cows. Primary production is, for example, what farmers do, producing the food that is brought to the farm-gate, from where the processors take over. So the food chain runs, according to your preference for a snappy soundbite, from grass to glass (for milk), farm to fork, slurry to curry, or (taking the food chain to its logical conclusion, and including the role of the human gut charmingly but appropriately in the chain) from farm to flush. But where do these raw materials that are yielded by primary production actually come from? It is often said that all things found on earth can be divided into categories of animal, vegetable, and mineral. To these could perhaps be added two more categories, microbial and synthetic (man-made). Within these five groups can essentially be placed everything we know as food, so using this classification to consider where our food comes from seems like a good starting point for this book. Perhaps the simplest group to start with is minerals, which might intuitively seem an unlikely source of foodstuffs (do we eat metal or rock?), until we consider where salt comes from and how much of it we add to our food (in other words, probably too much). Our bodies, however, absolutely need for us to consume certain metals and other chemical elements to survive, beyond the sodium and chloride we get from salt, and so many extracted minerals find their way from deposits in the earth into food products. This is particularly important where their biological effects are a desirable outcome (such as in carefully formulated nutritional products). In addition, products such as milk contain minerals like calcium, magnesium, zinc, and more, because the infant or calf needs them to thrive.

The Tolstoy Connection in Bakhtin

PMLA ◽  
1985 ◽  
Vol 100 (1) ◽  
pp. 68-80 ◽  
Author(s):  
Caryl Emerson
Keyword(s):  
The Self ◽  
The Other ◽  
Good Reader ◽  
Death In Literature ◽  
Binary Model ◽  
Starting Point ◽  
Good Starting Point ◽  
Relationship Of ◽  
The Relationship

Mikhail Bakhtin's work on Dostoevsky is well known. Less familiar, perhaps, is Bakhtin's attitude toward the other great Russian nineteenth-century novelist, Leo Tolstoy. This essay explores that “Tolstoy connection,” both as a means for interrogating Bakhtin's analytic categories and as a focus for evaluating the larger tradition of “Tolstoy versus Dostoevsky.” Bakhtin is not a particularly good reader of Tolstoy. But he does make provocative use of the familiar binary model to pursue his most insistent concerns: monologism versus dialogism, the relationship of authors to their characters, the role of death in literature and life, and the concept of the self. Bakhtin's comments on these two novelists serve as a good starting point for assessing the strengths and weaknesses of the Bakhtinian model in general and suggest ways one might recast the dialogue between Tolstoy and Dostoevsky on somewhat different, more productive ground.

Theorizing the role of executive heads in international organizations

2017 ◽  
Vol 24 (4) ◽  
pp. 865-886 ◽  
Author(s):  
Nina Hall ◽  
Ngaire Woods
Keyword(s):  
International Relations ◽  
International Organizations ◽  
Empirical Studies ◽  
Senior Management ◽  
Starting Point ◽  
Political Resource ◽  
Different Types ◽  
Global Agency ◽  
The Impact

International Relations scholars have long neglected the question of leadership in international organizations. The structural turn in International Relations led to an aversion to analysing or theorizing the impact of individuals. Yet, empirical studies suggest that different leaders affect the extent to which international organizations facilitate cooperation among states and/or the capacity of a global agency to deliver public goods. It is difficult to study how and under what conditions leaders have an impact due to the challenges of attributing outcomes to a particular leader and great variation in their powers and operating context. We offer a starting point for overcoming these challenges. We identify three different types of constraints that executive heads face: legal-political, resource and bureaucratic. We argue that leaders can navigate and push back on each of these constraints and provide illustrations of this, drawing on existing literature and interviews with executive heads and senior management of international organizations. Executive heads of international organizations may operate in a constrained environment but this should not stop scholars from studying their impact.

scholarly journals Artificial moral agents: an intercultural perspective

2007 ◽  
Vol 7 ◽  
pp. 129-134
Author(s):  
Michael Nagenborg
Keyword(s):  
Poor Countries ◽  
Moral Agents ◽  
Artificial Moral Agents ◽  
Starting Point ◽  
Different Types ◽  
Good Starting Point ◽  
Cultural Dialogue ◽  
Definition Of ◽  
The Impact ◽  
The Relationship

In this paper I will argue that artificial moral agents (AMAs) are a fitting subject of intercultural information ethics because of the impact they may have on the relationship between information rich and information poor countries. I will give a limiting definition of AMAs first, and discuss two different types of AMAs with different implications from an intercultural perspective. While AMAs following preset rules might raise con-cerns about digital imperialism, AMAs being able to adjust to their user‘s behavior will lead us to the question what makes an AMA ?moral?? I will argue that this question does present a good starting point for an inter-cultural dialogue which might be helpful to overcome the notion of Africa as a mere victim.

scholarly journals The journey of Claire in the works of Gaito Gazdanov: the analysis of the female image of Claire in the novels “An Evening with Claire”, “Hannah”, and “The Fate of Salome”

Litera ◽  
2021 ◽  
pp. 162-170
Author(s):  
Ziwei Zhu
Keyword(s):  
Real World ◽  
The Novel ◽  
The Past ◽  
Character Type ◽  
Female Image ◽  
Different Types ◽  
Inner World ◽  
New Perspective ◽  
Gradual Transformation

  This article is dedicated to the analysis of the female image of Claire and its variant in the works of Gaito Gazdanov. This character type in the works of G. Gazdanov often resembles the past in the present, i.e. an important part of the “lost world” for the protagonist. However, deliberate examination allows following the gradual transformation of the authors attitude towards the character of Claire throughout his creative path. In the novel “Ab Evening with Clair”, the author adheres to priority of that past world over the present, while in the novel of his later period “The Fate of Salome”, the narrator tends to release from the shadow of the past. The underlying cause for such change lies in the transition of the writer from the romantic theurgical worldview towards phenomenal. In the later period, Gazdanov reconsidered the real world and justified the earthly existence due to the fact that submerging into the own inner world can entail loneliness and dissolution “Self” in one’s mind. The goal of this research consists in tracing the transformation of the role of Claire in the works of Gaito Gazdanov, as well as in description of different types of relations between the protatonist and the heroine in order to prove the evolution of the writer's reasoning on the problem of “two-worldness”. The relevance of this article consists in explication of the type of Claire in Gazdanov’s artistic system of “two-worldness” as a literary technique, as well as from the new perspective of studying the evolution the writer’s worldview.  

Bases and Models Revisited: The Importance of Using Different Types of Reference Translations

2017 ◽  
Vol 68 (1) ◽  
pp. 3-10
Author(s):  
Robert A. Bascom
Keyword(s):  
Functional Model ◽  
Local Context ◽  
Original Text ◽  
Biblical Text ◽  
Southern Mexico ◽  
Bible Translation ◽  
The Bible ◽  
Clear Advantage ◽  
Starting Point ◽  
Different Types

In a 1979 article in The Bible Translator, Harold Fehderau developed a basic theoretical outline for what subsequently became common practice in many Bible translation projects—consulting both a formal “base” translation and a functional “model” translation in the language(s) of wider communication in the region. The starting point for this approach is the fact that most translation projects worldwide did not (and still do not) work directly with the source languages, but rather work(ed) with the biblical text by way of a single intermediate translation in the language(s) of wider communication within the local context. The clear advantage of this practice is that translators will by definition be translating from the text they are best able to understand, which presumably gives them the best chance to represent the original text well. But there are pitfalls to this method, some of which Fehderau alluded to in his article. One such pitfall will now be examined, from a consultant visit to the Tojolabal translation project being carried out in southern Mexico.

COMMODITIES, OWNERSHIP, AND THE EUSTACE DIAMONDS: THE VALUE OF FEMININITY

2010 ◽  
Vol 38 (1) ◽  
pp. 39-52 ◽  
Author(s):  
Jen Sattaur
Keyword(s):  
Moral Worth ◽  
Legal Issues ◽  
The Other ◽  
The Novel ◽  
Fictional World ◽  
Commodity Culture ◽  
Recent Commentary ◽  
Female Condition ◽  
Different Types

In an 1867 treatise on diamonds and precious stones, Harry Emanuel writes the following: [I]n the process of cutting, flaws and imperfections are often laid bare, which go much deeper than the appearance of the rough diamond would predict; and, on the other hand, the colour, apparent in the rough stone, is sometimes found to arise from the presence of flaws or specks, which are removed in cutting, thus leaving the stone white. (70) From such a description, it is easy to see the parallel to the female condition, and particularly the female condition, as it is popularly portrayed in the mid-nineteenth century. With the emphasis on purity and hidden flaws, it is not difficult to understand why the diamond could hold such symbolic significance for the female wearer, by functioning as an indicator not only of personal wealth, but of moral worth. Trollope's The Eustace Diamonds (1871), a novel which can be said to revolve around this metaphor, is essentially a novel about worth: absolute vs. transitory worth, actual vs. symbolic worth, and especially monetary vs. moral worth. Lizzie's character, the legal issues surrounding the diamonds, and the convoluted marriage arrangements which are perpetuated by or affected by the presence of the diamonds are all, in one way or another, concerned with the different types of value – moral, symbolic, monetary, etc. – placed upon commodity objects: objects which, by their very nature, can never be permanently owned, as their value lies in their exchangeability. I will return later to a discussion of the diamonds themselves. There has been considerable recent commentary on the role of commodities – whatever their worth – and of commodity culture within Trollope's novel; such readings, however, concentrate on the purely symbolic role played by commodity objects – and primarily the diamonds – in the novel; it is worth, by contrast, examining how Trollope utilizes the discourses and associations of actual commodity objects as he deploys them within his fictional world. This paper will examine the ways in which Trollope uses four commodity objects in particular – books of poetry, hunting horses, the safe box, and finally, the Eustace diamonds themselves – and the contemporary discourses surrounding them to defend the essentially mercenary character of Lizzie as a woman shaped by the demands that a commodity-driven society places upon her.

Burying the Dead: Predicting the Purchase Intentions for Funeral Products Using the Theory of Reasoned Action

2021 ◽  
pp. 097215092098491
Author(s):  
Tshegofatso Alice Monkge ◽  
Rina Makgosa
Keyword(s):  
Theory Of Reasoned Action ◽  
Reasoned Action ◽  
Subjective Norms ◽  
Purchase Intentions ◽  
Starting Point ◽  
Good Starting Point ◽  
Burial Rituals ◽  
Insight Into ◽  
Structured Questionnaire

The study departs from the norm by investigating how attitudes and subjective norms conceptualized through the aggregated and disaggregated approaches predict intentions to purchase funeral products, as well as how the effects differ between groups based on past purchase behaviour. A structured questionnaire was self-administered to a purposeful sample of 500 Christians in Gaborone, Botswana, of which 457 (i.e., 91%) were useful responses. The findings of the aggregated approach show that both attitudes and subjective norms significantly and positively affect purchase intentions of funeral products. The effects are more evident for those who have purchased funeral products before, while the purchase intentions of those who have not purchased funeral products are influenced by subjective norms only. However, the findings based on the disaggregated approach reflect that motivation to comply is the most dominant, significant and positive predictor of intentions to purchase funeral products. Further results indicate that the intentions of those who have purchased funeral products before were significantly and positively influenced by evaluations, normative beliefs and motivation to comply, while the intentions of non-purchasers were only influenced significantly and positively by their motivation to comply. Thus, motivation to comply serves as a significant and positive predictor of intentions regardless of past purchase behaviour. The results imply that various components of attitudes and subjective norms affect intentions differently, and variations do exist in the effects according to the groups’ past purchase behaviour. This study adopts a consumer behaviour perspective in offering insight into Christian burial rituals. By applying the Theory of Reasoned Action, the link between intentions and its predictors is investigated, which extends the literature about the purchase of funeral products beyond the study of spending behaviour. Its concentration on Christians in Botswana also provides a good starting point for highlighting the role of religiosity on the purchase of funeral products, while embracing an understudied society.

scholarly journals The character of Levin in the ballet “Anna Karenina” choreographed by John Neumeier Anna Karenina: the peculiarities of choreographic interpretation

2021 ◽  
pp. 1-14
Author(s):  
Daria Khokhlova
Keyword(s):  
Semantic Analysis ◽  
Original Text ◽  
The Novel ◽  
Anna Karenina ◽  
Literary Source ◽  
Musical Background ◽  
Video Archives ◽  
Bodily Movements ◽  
A Performance

The problem of choreographic interpretation of the novel “Anna Karenina” by L. Tolstoy in the modern ballet theater is relevant: in the past twenty years, several outstanding choreographers have selected this theme for their performance. The subject of this article is the interpretation of the character of Levin by John Neumeier. The goal consists in revealing the expressive elements and peculiarities of choreographic language used by the ballet master in staging this role, as well as in juxtaposing them with the original literary text. The article employs comparative and analytical methods, overt observation (in the process of working with Neumeier on the role of Kitty), Neumeier's lectures prior to the Moscow premiere of “Anna Karenina” (from the author's archive), and materials from video archives of the theatre. Detailed semantic analysis of stage direction and choreographic language of the role of Levin became the basic instrument for determining the traits of Tolstoy’s hero, which Neumeier derived from the literary source. Tolstoy’s reasoning on the topics that require in-depth philosophical reflection, which were inscribed into the artistic fabric of the novel, are instilled in the role of Levin. Creating the choreographic interpretation of this character, Neumeier did not pursue the original verbatim. However, the choreographer strongly emphasizes the difference between Levin and other characters. Determination of the staging techniques used for this purpose define the novelty of the research results, which can be applied in the further study of Neumeier's works. This includes explicit monologue, Stevens' songs as musical background, bare feet of the dancer, series of symbolic leitmotivs of bodily movements, arbitrary bodily movements that resemble improvisation, usage of costume details. Levin's monologues represent a performance within a performance, philosophical-symbolic choreographic meditation that is not connected with the overall plotline. Such solution, despite all apparent differences, conceptually brings together the choreographed character of Levin and the original text. Interpretation of this role is one of the key components in interpretation of L. Tolstoy's novel by J. Neumeier, which encompasses the author’s innovative staging solutions.

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