Internal monologue as a narrative manner of A. Schnitzler’s novella “Lieutenant Gustl”
In the article the main attention is focused on A. Schnitzler’s novella “Lieutenant Gustl”, which is analyzed from the point of view of the internal monologue used in it. The analysis is carried out, on the one hand, by theoretical consideration of the work and, on the other hand, we show the influences and references that led to the development of this method of narration. Modern literary theoretical approaches and models are presented, interdisciplinary currents of the spirit of the time, such as psychoanalysis are shown and how they are mutually conditioned. It has been found out that the work is based on the manner of narration – an internal monologue, which is reflected with the help of lexical and syntactical means of expression. At the same time, A. Schnitzler comes to the organization of literary-figurative material of the work in a special way. This is manifested, firstly, in the development of the writer’s methods and techniques of self-analysis; thanks to this, he highlighted the experience of a tragic event that happened in the life of an officer; secondly, in expanding functional possibilities of the depicting plan. The novella “Lieutenant Gustl” presents such a narrative perspective as inner focus (sympathy). The narrator corresponds to the character and can control his speech through grammatical and rhetorical means. This is, so to say, personal narrative behavior focused on one figure (autonomous internal monologue). The internal monologue is characterized by grammatical, narrative and psychologically-semantic features, which is a kind of scientific experiment, which the novelist embodies by means of literature, making it unrecognizable. At the same time, he makes a contribution to the subject-object problematics of modern thinking and criticizes the loss of life practice due to the one-sided predominance of theory. Schnitzler was one of the first writers in the German-language literature who purposefully used the form of an internal monologue. A striking example is the novella “Lieutenant Gustl”, the narration of which is told entirely from the inner perspective of the main character. His thoughts are formulated as improper-direct speech, the author refuses from quotation marks, uses the narrative perspective of inner focus: he knows the inner world of Gustl and allows the reader to participate in it. It completely goes to the background, that is why the whole text consists only of the language of the character. Therefore, the use of an internal monologue with a continuous fixation of Gustl’s thoughts is aimed at open reproduction of his feelings, and thus, the reader has the illusion of being able to directly penetrate into the world of the protagonist’s thoughts.