scholarly journals Svāhā in the Yagya: Meaning and Importance

2021 ◽  
Vol 4 (1) ◽  
pp. 09-14
Author(s):  
Jitendra Kumar Mishra

Svāhā is the word generally used in the Yagya when an offering is made to the fire. Generally in Yagya offering is made to the deity with deity Mantra; in this procedure, after the mantra is chanted, it is followed by word ‘Svāhā’ and ‘Idam-Na-Mama’. The offering is particularly put in the fire with the word ‘Svāhā’. The present study explored the meaning of Svāhā through Indian Scripture. Description of Svāhā is present in the all types of Indian literature i.e. Vedas, Upanishads, Puranas, Brahmana and well commented by Scholarly works. The study summarized the 3 types of implications of Svāhā i.e. 1) Svāhā is inseparable from Yagya Agni as it is depicted as wife of Agni, 2) Svāhā is essential portion of ritual i.e. Yagya is considered incomplete while offerings made without chanting of Svāhā; as Agni can not avail the offerings to deities, 3) Svāhā teaches how one should made offerings i.e. offerings shall be made with complete surrender, humility and sweetness full of emotions, after establishing oneself in wisdom, without ego, and attachment, and thus, only such offerings through Svāhā  can be taken by Agni to the deities for welfare of the individual and society.

2020 ◽  
Vol 01 (01) ◽  
pp. 106-110
Author(s):  
Zubayda Farkhod kizi Tukhlibaeva ◽  

In Indian literature, English literature demonstrates its peculiarities by productivity, variety of creative directions and originality of the creative style, the relevance of the issues raised. In this article, we will focus on the work of Sunita Jain, a prominent representative of English literature in India, and the immortal works created by the writer. The current part of our article has not studied the works of the author we have chosen, and her works have not been translated and learned by uzbek and russian literator. Sunita Jain’s works were distinguished by originality and sincerity. Sunita Jane has focused on important topics such as women, love, gender equality and caste. Her novels are distinguished by pure and delicate feminine taste. A realistic depiction of reality in his works is characterized by the fact that there is not much romantic flavor and the disclosure of the relationship between the individual and society through meaning, and society as a whole is oriented toward comprehensibility. Her Hindi novels Bindu and Boju were widely criticized as in both novels the author portrayed the plight of young girls and women in India as two families, openly blaming the environment and society at the time. At a scientific conference at the Women's Department of the University of Delhi, a journalist asked why you accuse the open society in both novels, to which he replied: "I am also a woman in the society embodied in this novel." It is clear that Sunita Jain reflected the realities of life in her works. The novels presented in the article are a vivid example of this.


2018 ◽  
pp. 54-58
Author(s):  
Rupa Dangar

The Info Anglican fiction in Post Independent India has assumed all kinds of colourful traditions. It has freed itself from the traditionalism and political overtones of a nationalistic variety. Indian literature in English has earned widespread reputation both in India and abroad. It has come to have a significant place in the world's literature. After Raja Tao, Milk Raj Anand and Kamala Markandya, a turn came to Indo Anglian novels. More and more novelists deal with an individual's search for identity; we study the themes concerning an individual character is being shown either unable to face or unwilling to accept the social role. The traditional and conventional society is apt to impose upon the character some conflicts, inner or outer. As a result the dramatic conflict arises out of the individual and Indian concept of supra- individual societies. We come across such themes in G V Desani's All About H. Hatterr, Kamasla Markandya's Possessions and Raja Rao's The Serpent and the Rope. In these novels, the psychological dimensions of this conflict form the centre of the story and interest, while the social, political or economic aspects are pushed into the background.


2017 ◽  
Vol 54 (1) ◽  
pp. 38-51
Author(s):  
Shoma Sen

As a reaction against mainstream Indian feminism that tended to ignore the problems of caste, Dalit women and those who advocate their cause have been making a valid case for Dalit feminism. This standpoint acknowledges both the patriarchal oppression from outside the caste as well as within it. Both Baby Kamble and Urmila Pawar have been activists as well as writers, whose autobiographies and creative works are vivid elaborations of the same. Showing how Dalit autobiographies have broken the conventional notions of autobiography coming out of the post-industrial revolution West by locating the individual firmly within the community, Sharmila Rege has pointed out that the Dalit women’s “testimonios” are also their protest against a “communitarian control on the self” (Rege, 2008). Baby Kamble’s autobiography brings out the blatant caste exploitation and violence against women in pre-Ambedkar rural Maharashtra, while Pawar’s begins with the village but focuses more on subtler urban forms of oppression. The latter text reflects on the story of postcolonial India’s development as, even in an urban milieu, caste and gender only change forms of oppression. Both authors’ lives make interesting studies for Dalit gynocritics. Kamble seems to completely submerge the self in the community, living as she does in a feudal patriarchal milieu in the countryside. Writing from a generation later that has felt the impact of urban modernity and feminism, Pawar brings out the self in a bolder way, inviting criticism from established Dalit writers like Sharan Kumar Limbale and others. In a broader sense, both autobiographies are significant as women’s writing and as contemporary Indian literature.


Author(s):  
Stephen H. Phillips

The Sanskrit word brahman (neuter) emerged in late Vedic literature and Upaniṣads (900–300 bc) as the name (never pluralized) of the divine reality pervading the universe, knowledge or experience of which is a person’s supreme good. The word’s earliest usage (often pluralized) is to refer to the verses of the oldest work in Sanskrit (and in any Indo-European language), the Ṛg Veda (c.1200 bc), which is a compilation of poems and hymns to Indo-European gods. The individual verses of the poems are mantras (brahmāṇi), whose proper enunciation in the course of ritual and sacrifice was thought to secure various aims. Thematically, the Ṛg Veda and other early Indian literature presents a sense of pervasive divinity. Apparently through an assimilation of the idea of the magic of mantras to the divine immanence theme the word brahman assumed its later meaning. In any case, Brahman – the Absolute, the supremely real – became the focus of Indian spirituality and the centre of much metaphysics for almost three thousand years, down to the present day. In the Upaniṣads, which are mystic treatises containing speculation about Brahman’s nature and relation to ourselves and the world, the central positions of Vedānta schools emerge, all of which are philosophies of Brahman. But not even in the narrow set of the earliest and most universally accepted Upaniṣads (numbering twelve or thirteen) is there expressed a consistent worldview. Important themes about Brahman may be identified, but there is no overall unity of conception, despite what later exegetes claim. The unity of the early Upaniṣads concerns the premier importance of mystical knowledge or awareness of Brahman (brahma-vidyā), not precisely what it is that is to be mystically known. The classical Indian philosophical schools of Vedānta systematized the thought of early Upaniṣads.


Author(s):  
C.N. Sun

The present study demonstrates the ultrastructure of the gingival epithelium of the pig tail monkey (Macaca nemestrina). Specimens were taken from lingual and facial gingival surfaces and fixed in Dalton's chrome osmium solution (pH 7.6) for 1 hr, dehydrated, and then embedded in Epon 812.Tonofibrils are variable in number and structure according to the different region or location of the gingival epithelial cells, the main orientation of which is parallel to the long axis of the cells. The cytoplasm of the basal epithelial cells contains a great number of tonofilaments and numerous mitochondria. The basement membrane is 300 to 400 A thick. In the cells of stratum spinosum, the tonofibrils are densely packed and increased in number (fig. 1 and 3). They seem to take on a somewhat concentric arrangement around the nucleus. The filaments may occur scattered as thin fibrils in the cytoplasm or they may be arranged in bundles of different thickness. The filaments have a diameter about 50 A. In the stratum granulosum, the cells gradually become flatted, the tonofibrils are usually thin, and the individual tonofilaments are clearly distinguishable (fig. 2). The mitochondria and endoplasmic reticulum are seldom seen in these superficial cell layers.


Author(s):  
Anthony J. Godfrey

Aldehyde-fixed chick retina was embedded in a water-containing resin of glutaraldehyde and urea, without dehydration. The loss of lipids and other soluble tissue components, which is severe in routine methods involving dehydration, was thereby minimized. Osmium tetroxide post-fixation was not used, lessening the amount of protein denaturation which occurred. Ultrathin sections were stained with 1, uranyl acetate and lead citrate, 2, silicotungstic acid, or 3, osmium vapor, prior to electron microscope examination of visual cell outer segment ultrastructure, at magnifications up to 800,000.Sections stained with uranyl acetate and lead citrate (Fig. 1) showed that the individual disc membranes consisted of a central lipid core about 78Å thick in which dark-staining 40Å masses appeared to be embedded from either side.


Author(s):  
Anthony A. Paparo ◽  
Judith A. Murphy

The purpose of this study was to localize the red neuronal pigment in Mytilus edulis and examine its role in the control of lateral ciliary activity in the gill. The visceral ganglia (Vg) in the central nervous system show an over al red pigmentation. Most red pigments examined in squash preps and cryostat sec tions were localized in the neuronal cell bodies and proximal axon regions. Unstained cryostat sections showed highly localized patches of this pigment scattered throughout the cells in the form of dense granular masses about 5-7 um in diameter, with the individual granules ranging from 0.6-1.3 um in diame ter. Tissue stained with Gomori's method for Fe showed bright blue granular masses of about the same size and structure as previously seen in unstained cryostat sections.Thick section microanalysis (Fig.l) confirmed both the localization and presence of Fe in the nerve cell. These nerve cells of the Vg share with other pigmented photosensitive cells the common cytostructural feature of localization of absorbing molecules in intracellular organelles where they are tightly ordered in fine substructures.


Author(s):  
William W. Thomson ◽  
Elizabeth S. Swanson

The oxidant air pollutants, ozone and peroxyacetyl nitrate, are produced in the atmosphere through the interaction of light with nitrogen oxides and gaseous hydrocarbons. These oxidants are phytotoxicants and are known to deleteriously affect plant growth, physiology, and biochemistry. In many instances they induce changes which lead to the death of cells, tissues, organs, and frequently the entire plant. The most obvious damage and biochemical changes are generally observed with leaves.Electron microscopic examination of leaves from bean (Phaseolus vulgaris L.) tobacco (Nicotiana tabacum L.) and cotton (Gossipyum hirsutum L.) fumigated for .5 to 2 hours with 0.3 -1 ppm of the individual oxidants revealed that changes in the ultrastructure of the cells occurred in a sequential fashion with time following the fumigation period. Although occasional cells showed severe damage immediately after fumigation, the most obvious change was an enhanced clarity of the cell membranes.


Author(s):  
D. E. Becker

An efficient, robust, and widely-applicable technique is presented for computational synthesis of high-resolution, wide-area images of a specimen from a series of overlapping partial views. This technique can also be used to combine the results of various forms of image analysis, such as segmentation, automated cell counting, deblurring, and neuron tracing, to generate representations that are equivalent to processing the large wide-area image, rather than the individual partial views. This can be a first step towards quantitation of the higher-level tissue architecture. The computational approach overcomes mechanical limitations, such as hysterisis and backlash, of microscope stages. It also automates a procedure that is currently done manually. One application is the high-resolution visualization and/or quantitation of large batches of specimens that are much wider than the field of view of the microscope.The automated montage synthesis begins by computing a concise set of landmark points for each partial view. The type of landmarks used can vary greatly depending on the images of interest. In many cases, image analysis performed on each data set can provide useful landmarks. Even when no such “natural” landmarks are available, image processing can often provide useful landmarks.


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