scholarly journals БИЛВОСИТА НУТҚ — “ЛОЛАЗОР” РОМАНИДА БЕВОСИТА ПСИХОЛОГИЗМ КЎРИНИШЛАРИДАН БИРИ СИФАТИДА

2019 ◽  
pp. 195-203
Author(s):  
Mavlon Bobokhonov
Keyword(s):  
Literary Criticism ◽  
Point Of View ◽  
Inner Speech ◽  
The Novel ◽  
Direct Speech ◽  
Indirect Speech ◽  
Inner World

Мақолада ўзиники бўлмаган кўчирма гапнинг персонаж ички оламини тасвирлашдаги ўрни ўрганилган. Психологизм бевосита кўриниши ҳисобланадиган ички нутқнинг роман қаҳрамонлари руҳиятини очишдаги роли аниқланган. Ўзиники бўлмаган кўчирма гап адабиётшуносликда билвосита муаллиф нутқи сифатида қўлланилишига изоҳ берилиб, соҳа мутахассисларининг бу борадаги фикрларига муносабат билдирилган. Билвосита нутқнинг “Лолазор” романида бевосита психологизм кўринишларидан бири сифатида келиши исботланган. В статье изучается место несобственно-прямой речи в изображении внутреннего мира персонажа. Раскрывается роль этого вида внутренней речи, являющегося разновидностью психологизма. Разъясняется, что несобственно-прямая речь используется в литературоведении как косвенная речь, даётся собственная точка зрения по поводу того, как специалисты отностятся к этому явлению. Утверждается, что косвенная речь является разновидностью прямого психологизма в романе “Край, покрытый тюльпанами”. The article examines the place of indirect speech in the image of the character's inner world. The role of this type of inner speech, which is a kind of psychologism, is revealed. It is explained that improperly direct speech is used in literary criticism as indirect speech, and given own point of view about how specialists relate to this phenomenon. It is argued that indirect speech is a kind of direct psychologism in the novel “The Edge Covered with Tulips”.

scholarly journals The Role of Value-Semantic Oppositions in Revealing the Deep Literary and Psychological Characteristics of the Narrator’s Image in “Poor Liza” by N.M. Karamzin

2021 ◽  
pp. 178-184
Author(s):  
Olga Krasnova
Keyword(s):  
Literary Criticism ◽  
Interdisciplinary Approach ◽  
Point Of View ◽  
Psychological Characteristics ◽  
The Novel ◽  
Textual Relationships ◽  
Psychological Attitude ◽  
Meaningful Text ◽  
And Linguistics

Value-semantic oppositions in the novel by N.M. Karamzin, seen as meaningful text dominants in situations of "existential fullness", are discussed in the article from the point of view of an interdisciplinary approach of literary criticism, text theory, psychology and linguistics. The article describes the process of literary and psychological meaning generation, coupled with the narrator’s inherent properties, as well as implicit literary and psychological textual relationships with inherent properties, it also singles out the contextual ways of these characteristics, reflecting motives, attitudes, generalized worldview judgments (generalizations). The author shows the dialog nature of the narrator’s literary and psychological attitude to the realities denoted by various parts of the opposition in the situation of “existential fullness”. The role of lexical markers corresponding to the depicted integral emotional state of the narrator in the privision of active reader's attention and attracting him to the deep literary and psychological characteristics is revealed.

scholarly journals THE ENCHANTED WANDERER BY LEONID YUZEFOVICH

2021 ◽  
Vol 31 (3) ◽  
pp. 620-627
Author(s):  
G.M. Rebel
Keyword(s):  
Literary Criticism ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Main Attention ◽  
Fictional Character ◽  
Definition Of ◽  
Almost All ◽  
Xix Century

The article analyzes the novel “Philellin” by L.A. Yuzefovich, the main attention is paid to the method of narration, the system of characters, the typological characteristics of the main character and the genre features of the work. The novel is a collection of documents of different genres, which together form a story about the events of the liberation war in Greece in the 20s of the XIX century. Almost all of Yuzefovich's characters act simultaneously as subjects of the narrative and participants in the events. The exception is Alexander I, because he is “silent” (his point of view is broadcast by his secretary Yelovsky) and "inactive". Despite the importance of the figure of the Russian emperor in the plot of the novel, for these reasons, Alexander “gives way” to the place of the main character to a fictional character - Grigory Mossepanov, whose fate forms the plot outline of the novel. Mossepanov is not only an important participant in the events, but also one of the main subjects and objects of the narrative. In literary criticism, the hero is given typological definitions of Don Quixote, Petrushka, “a little man”. This article offers a more appropriate definition of the character and fate of Mossepanov - “enchanted wanderer”, which is confirmed by the comparison of the characters of L. Yuzefovich and N. Leskov. The key plot role of the Russian philhellene, the peculiarities of his character and fate largely determine the genre nature of the work as a historical and mythological novel.

scholarly journals Character’s Inner Speech as Effective Way of Literary Discourse Organization (Novel “The Remains of the Day” by Kazuo Ishiguro)

2021 ◽  
pp. 92-112
Author(s):  
S. Yu. Lavrova ◽  
L. A. Ermakova
Keyword(s):  
Discourse Markers ◽  
Literary Text ◽  
Point Of View ◽  
Inner Speech ◽  
Literary Discourse ◽  
The Novel ◽  
Kazuo Ishiguro ◽  
Close Analysis ◽  
Discourse Organization

The article examines the protagonist’s verbalized  inner  speech  in  the   literary   text of the novel “The Remains of the Day” as a way of literary discourse organization by English novelist Kazuo Ishiguro. The  relevance of the study is explained by the interest in   the analysis of the inner speech of characters in a literary text, which differs from the natural inner speech of an individual in the ways of  linguistic  expression,  the  specifics   in the structure of the narrative. It is shown that the study of the inner speech of a character   of literary discourse using such parameters of its measurement as structural-compositional, semantic-conceptual, communicative, allows us to identify the features of the functional role of this type of speech. The novelty of the research lies in the substantiation of how the character's inner speech (introspection), being a significant unit of composition, correlates with prospection and retrospection of the text, acting as the main form of narration. The article elicits four basic concepts that organize the content of the character's inner speech. The authors of the article offer a close analysis of the rheme-theme correlation of the title of the novel and the main text as the basis of the author’s literary discourse. Particular attention is paid to the modality of the character's inner speech from the point of view of the pragmatic orientation of this type of speech towards the addressee-reader and discourse markers that influence the process of discourse interpretation.

Ч. АЙТМАТОВДУН «ТООЛОР КУЛАГАНДА» РОМАНЫНДАГЫ ПЕЙЗАЖДЫК СҮРӨТТӨӨЛӨР

2020 ◽  
pp. 92-94
Author(s):  
Н. Алтыкеева ◽  
Б. Ниясалиева
Keyword(s):  
Full Moon ◽  
The Novel ◽  
Additional Tool ◽  
The Sublime ◽  
The World ◽  
State Of Mind ◽  
Inner World ◽  
Aesthetic Values

Аннотация. Макалада романдын мазмунунан орун алган пейзаждык сүрөттөөлөр талкууланат. Пейзаждык сүрөттөөлөр чыгарманын көркөмдүүлүгүн, эстетикалык баалуулугун арттыруу менен катар эле каармандардын образын тереңден ачып берүүдө, окуялардын өнүгүп-өсүшү жана алдыда боло турган окуялар тууралуу окурманга маалымат берүүдө кошумча каражат катары колдонулат. Жазуучу романда пейзаждык сүрөттөөлөрдү өтө кылдат колдонгону байкалат. Алсак, тоо адамдагы улуулук жана бийиктикти айгинелейт, толукшуган ай жан- дүйнөнүн бөксөрбөй толуп турушун көрсөтөт, ачык асмандын алай-дүлөй түшкөн көрүнүшкө айланышы - каармандын ички сезими, уйгу-туйгу ойлонуусу, жан дүйнөсүнүн бурганак болушун ачып көрсөтүүдө маанилүү болсо, чабалекейлердин тынымсыз учуп чабалакташы, жан алакетке түшүп чыйпылдашы – алдыда боло турган кырсыктуу окуя тууралуу кабар берсе, согуштун апааты жашыл шибердин, бак-дарактардын күлгө айланышы, чымчык-куштардын күздү күтпөй кайдадыр учуп кетип жатышы менен түшүндүрүлөт. Tүйүндүү сөздөр: пейзаж. роман, идея, легенда, эпилог, каарман, негизги окуялар. Аннотация. В статье дается пейзажное описание. Пейзажное описание используется в произведении как дополнительное средство эстетических ценностей и помогает раскрыть образы героев, и действия произведения. Писатель в романе тонко использует пейзажное описание. Например горы возвышенное и самое ценное в человеке, а полная луна – счастливое душевное состояние человека, а превращение безоблачного неба в бущующий вид – указывает, как неспокойно в душе главного героя, его беспокойные мысли, как бушует его внутренний мир, а ласточки неспокойно летающие, предвещают несчастье, птицы улетающие раньше времени, превращение зелёной травы, деревьев в пепел предвещают ужасы войны. Ключевые слова: пейзаж. роман, идея, легенда, эпилог, герой, главное событие Annotation. The article discusses the landscape description. The landscape description is used in the work as an additional tool for aesthetic values and helps to reveal the images of heroes, and in the development of the action of the work/ The writer in the novel subtly uses the landscape description. The mountains are the sublime and the most valuable in a person, and the full moon is a happy state of mind of a person, and the transformation of a cloudless sky into a raging view indicates how restless the soul of the protagonist is, his restless thoughts. How his inner world is raging, and the swallows are restlessly flying, foreshadow the misfortune, the birds flying away ahead of time, the transformation of green grass, trees in the forehead the horrors of war. This article describes the idea of the story "Do not kill" which is given instead of the epilogue in the novel "When the mountains fall" which was written by Ch.Aitmatov. It considers the role of a story that calls to live in peace and to end wars that are occurring in the world. Keywords: Landscapе, novel, idea, legend, epilogue, hero, main event.

The Limit Situation And The Narrative Of War (On The Material Of The Novel “My Lieutenant” By Daniil Granin)

2020 ◽  
Vol 6 (1) ◽  
pp. 90-104
Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Point Of View ◽  
Continuous Limit ◽  
The Novel ◽  
Term Limit ◽  
Abstract Author ◽  
The Third ◽  
Definition Of

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.

The role of stylistics in Japan: A pedagogical perspective

2012 ◽  
Vol 21 (2) ◽  
pp. 226-244 ◽  
Author(s):  
Masayuki Teranishi ◽  
Aiko Saito ◽  
Kiyo Sakamoto ◽  
Masako Nasu
Keyword(s):  
Foreign Language ◽  
Literary Criticism ◽  
Teaching Method ◽  
Native Language ◽  
Point Of View ◽  
Literary Texts ◽  
English Studies ◽  
History Of ◽  
Efl Students

This article surveys the history of English studies and education in Japan, paying special attention to the role of literary texts and stylistics. Firstly, the role of literature and stylistics in Japan is discussed from a pedagogical point of view, including both English as a foreign language and Japanese as a native language. Secondly, the way in which stylistics has contributed to literary criticism in the country is examined, with reference to the history of literary stylistics since 1980. Finally, this article considers further applications of stylistics to language study in Japan, offering two examples: analysis of thought presentation in Yukio Mishima’s Megami (2006[1955]), and the teaching of an English poem and a Japanese haiku to Japanese EFL students. The overall aim of this article is to demonstrate that literature as language teaching material and stylistics as a critical and teaching method are significant not only in understanding English, but also in appreciating our own native language if it is not English.

scholarly journals The semantics of Lermontov's poetic myth of the Demon N. S. Leskov’s “The Islanders”

Litera ◽  
2021 ◽  
pp. 1-9
Author(s):  
Vurgun Georgievich Mekhtiev
Keyword(s):  
Russian Literature ◽  
Point Of View ◽  
The Novel ◽  
Semantic Transparency ◽  
Special Contribution ◽  
Romantic Poetry ◽  
The Subject ◽  
Literary Myth ◽  
The Demonic

The subject of this research is the negative-axiological, satirical layers of the novel “The Islanders”, associated with the image of the demonic character, which M. Y. Lermontov turned into the archetype and poetic myth in the Russian literature. The object of this research is the stylistic techniques and ideological motifs of N. S. Leskov underlying “desacralization” of the romantic myth. The author meticulously examines the following aspects: 1) role of Lermontov's poem “The Demon” and romantic poetry of the 1840s in creation of the myth of the demonic character; 2) semantic deformations that led Leskov to wander from the conventional meanings of the myth ; 3) satirical modus used as the key technique in creation of the the image of Istomin. Particular attention is given to Leskov’s satire in its function of “recoding” of the myth. The conclusion is made that the image of the painter Istomin is appointed with the task to dispel the romantic myth. Therefore, the axiological-emotional lexis, as well as elements of satire that reflect the point of view of the “subjective” narrative are arrayed around him. All of that imparts semantic transparency to the character, which contradicts the “mysterious code” of the myth of romanticism. The author’s special contribution consists in the establishment of correlation between the myth of about the demon and the myth of Prometheus, which is important for assessing the complexity and multifacetedness of the semantic core of the phenomenon under review. The novelty of this research lies in revelation of underlying motif of the satirical style of N. S. Leskov. Its point is not to create a “myth about the myth” or an “anti-myth”; the novel forms the “non-myth” to achieve complete elimination of the literary myth of the demonic character. The writer uses satire for typification, rather than individualization of the character.

scholarly journals Poetics of descriptions in the novel “A Hero of Our Time” by M.Yu. Lermontov in Literature classes

2020 ◽  
pp. 77-89
Author(s):  
E.N. Kolokoltsev
Keyword(s):  
Literary Criticism ◽  
Art Criticism ◽  
Literary Text ◽  
Object Image ◽  
The Novel ◽  
Time Line ◽  
Aesthetic Development ◽  
Spatial Image ◽  
Figure Of Speech

The purpose of the study is to actualize the role of descriptions in the novel by M. Yu. Lermontov “A Hero of Our Time” as an important constructive element of the narrative. The most common form of description in the novel is the descriptions of nature and descriptions of the characters’ portraits. The descriptions found a lively response in literature studies, literary criticism, in art criticism, which responded to the paintings of the poet-and-artist and illustrations for the novel. Naturally, it attracted the author’s attention to the study of the works of those scholars, who viewed the features of Lermontov’s narrative manner. In the stories that made up Lermontov’s novel, descriptions play an important compositional role: they accompany the narrative, the thoughts of the characters, and they are often motivated by the author. The article highlights a number of techniques that will allow students to specify ideas about the descriptions in the novel. The students’ comprehension of landscape descriptions can be supported by drawing up a plan that will reflect the spatial and time-line structure of the story “Bela”, which represents both “travel notes” and the novelette. The use of reproductions of Lermontov’s Caucasian landscapes, similar in the object image to its verbal descriptions in the novel, serves as a visible emotional aid in the nature descriptions comprehension by schoolchildren. Turning to Pechorin’s psychological portrait caused such ways of discovery of his portrait features as drawing up a stylistic map that assists students to focus on linguistic means that the narrator uses to relate the hero image with his potential ingrain. The image and words are closely intertwined in the art print that performs the function of figure of speech and gives a spatial image to the piece of writing. The illustration serves as a means of specifying the students’ perceptions of the characters’ portraits, descriptions of nature and the related plot situations. Ways to comprehend a literary text with the wide involvement of works of art assist students to learn about the peculiarities of Lermontov’s narrative manner and facilitate their aesthetic development.

scholarly journals The journey of Claire in the works of Gaito Gazdanov: the analysis of the female image of Claire in the novels “An Evening with Claire”, “Hannah”, and “The Fate of Salome”

Litera ◽  
2021 ◽  
pp. 162-170
Author(s):  
Ziwei Zhu
Keyword(s):  
Real World ◽  
The Novel ◽  
The Past ◽  
Character Type ◽  
Female Image ◽  
Different Types ◽  
Inner World ◽  
New Perspective ◽  
Gradual Transformation

  This article is dedicated to the analysis of the female image of Claire and its variant in the works of Gaito Gazdanov. This character type in the works of G. Gazdanov often resembles the past in the present, i.e. an important part of the “lost world” for the protagonist. However, deliberate examination allows following the gradual transformation of the authors attitude towards the character of Claire throughout his creative path. In the novel “Ab Evening with Clair”, the author adheres to priority of that past world over the present, while in the novel of his later period “The Fate of Salome”, the narrator tends to release from the shadow of the past. The underlying cause for such change lies in the transition of the writer from the romantic theurgical worldview towards phenomenal. In the later period, Gazdanov reconsidered the real world and justified the earthly existence due to the fact that submerging into the own inner world can entail loneliness and dissolution “Self” in one’s mind. The goal of this research consists in tracing the transformation of the role of Claire in the works of Gaito Gazdanov, as well as in description of different types of relations between the protatonist and the heroine in order to prove the evolution of the writer's reasoning on the problem of “two-worldness”. The relevance of this article consists in explication of the type of Claire in Gazdanov’s artistic system of “two-worldness” as a literary technique, as well as from the new perspective of studying the evolution the writer’s worldview.  

scholarly journals Beckett between the Lines

2004 ◽  
Vol 10 ◽  
Author(s):  
Zsolt Sógor
Keyword(s):  
Samuel Beckett ◽  
Point Of View ◽  
The Novel ◽  
Long Time ◽  
Oriented Approach

This paper wishes to analyse two early novels by Samuel Beckett; Murphy and Watt. It takes a chronological point of view from which it argues that the later of the two, Watt, is closer to Beckett's mature voice, mainly due to its relation with language. This means, in other words, that though in Murphy quite a lot of emphasis is to fall on the role of language, in Watt, with a bit of exaggeration, there is hardly anything else to concentrate on but the language of the novel and language as such in general. The emphasis on language leads to considering Beckett's relation to languages. Since Watt was for a long time the last longer prose work that Beckett wrote in English, the paper regards this novel as a harbinger of the approaching change for French. Or rather, the approaching bilingual state, because, as it is argued, Beckett may be said to have been approaching an in-between state in, or beyond, the two languages of composition. Taking the author's bilingualism into consideration means, however, an author-oriented approach - this is what the paper undertakes to present; to find Beckett's fingerprints between the lines.

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