scholarly journals THE ENCHANTED WANDERER BY LEONID YUZEFOVICH

2021 ◽  
Vol 31 (3) ◽  
pp. 620-627
Author(s):  
G.M. Rebel
Keyword(s):  
Literary Criticism ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Main Attention ◽  
Fictional Character ◽  
Definition Of ◽  
Almost All ◽  
Xix Century

The article analyzes the novel “Philellin” by L.A. Yuzefovich, the main attention is paid to the method of narration, the system of characters, the typological characteristics of the main character and the genre features of the work. The novel is a collection of documents of different genres, which together form a story about the events of the liberation war in Greece in the 20s of the XIX century. Almost all of Yuzefovich's characters act simultaneously as subjects of the narrative and participants in the events. The exception is Alexander I, because he is “silent” (his point of view is broadcast by his secretary Yelovsky) and "inactive". Despite the importance of the figure of the Russian emperor in the plot of the novel, for these reasons, Alexander “gives way” to the place of the main character to a fictional character - Grigory Mossepanov, whose fate forms the plot outline of the novel. Mossepanov is not only an important participant in the events, but also one of the main subjects and objects of the narrative. In literary criticism, the hero is given typological definitions of Don Quixote, Petrushka, “a little man”. This article offers a more appropriate definition of the character and fate of Mossepanov - “enchanted wanderer”, which is confirmed by the comparison of the characters of L. Yuzefovich and N. Leskov. The key plot role of the Russian philhellene, the peculiarities of his character and fate largely determine the genre nature of the work as a historical and mythological novel.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

The Limit Situation And The Narrative Of War (On The Material Of The Novel “My Lieutenant” By Daniil Granin)

2020 ◽  
Vol 6 (1) ◽  
pp. 90-104
Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Point Of View ◽  
Continuous Limit ◽  
The Novel ◽  
Term Limit ◽  
Abstract Author ◽  
The Third ◽  
Definition Of

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.

scholarly journals БИЛВОСИТА НУТҚ — “ЛОЛАЗОР” РОМАНИДА БЕВОСИТА ПСИХОЛОГИЗМ КЎРИНИШЛАРИДАН БИРИ СИФАТИДА

2019 ◽  
pp. 195-203
Author(s):  
Mavlon Bobokhonov
Keyword(s):  
Literary Criticism ◽  
Point Of View ◽  
Inner Speech ◽  
The Novel ◽  
Direct Speech ◽  
Indirect Speech ◽  
Inner World

Мақолада ўзиники бўлмаган кўчирма гапнинг персонаж ички оламини тасвирлашдаги ўрни ўрганилган. Психологизм бевосита кўриниши ҳисобланадиган ички нутқнинг роман қаҳрамонлари руҳиятини очишдаги роли аниқланган. Ўзиники бўлмаган кўчирма гап адабиётшуносликда билвосита муаллиф нутқи сифатида қўлланилишига изоҳ берилиб, соҳа мутахассисларининг бу борадаги фикрларига муносабат билдирилган. Билвосита нутқнинг “Лолазор” романида бевосита психологизм кўринишларидан бири сифатида келиши исботланган. В статье изучается место несобственно-прямой речи в изображении внутреннего мира персонажа. Раскрывается роль этого вида внутренней речи, являющегося разновидностью психологизма. Разъясняется, что несобственно-прямая речь используется в литературоведении как косвенная речь, даётся собственная точка зрения по поводу того, как специалисты отностятся к этому явлению. Утверждается, что косвенная речь является разновидностью прямого психологизма в романе “Край, покрытый тюльпанами”. The article examines the place of indirect speech in the image of the character's inner world. The role of this type of inner speech, which is a kind of psychologism, is revealed. It is explained that improperly direct speech is used in literary criticism as indirect speech, and given own point of view about how specialists relate to this phenomenon. It is argued that indirect speech is a kind of direct psychologism in the novel “The Edge Covered with Tulips”.

scholarly journals The Role of Value-Semantic Oppositions in Revealing the Deep Literary and Psychological Characteristics of the Narrator’s Image in “Poor Liza” by N.M. Karamzin

2021 ◽  
pp. 178-184
Author(s):  
Olga Krasnova
Keyword(s):  
Literary Criticism ◽  
Interdisciplinary Approach ◽  
Point Of View ◽  
Psychological Characteristics ◽  
The Novel ◽  
Textual Relationships ◽  
Psychological Attitude ◽  
Meaningful Text ◽  
And Linguistics

Value-semantic oppositions in the novel by N.M. Karamzin, seen as meaningful text dominants in situations of "existential fullness", are discussed in the article from the point of view of an interdisciplinary approach of literary criticism, text theory, psychology and linguistics. The article describes the process of literary and psychological meaning generation, coupled with the narrator’s inherent properties, as well as implicit literary and psychological textual relationships with inherent properties, it also singles out the contextual ways of these characteristics, reflecting motives, attitudes, generalized worldview judgments (generalizations). The author shows the dialog nature of the narrator’s literary and psychological attitude to the realities denoted by various parts of the opposition in the situation of “existential fullness”. The role of lexical markers corresponding to the depicted integral emotional state of the narrator in the privision of active reader's attention and attracting him to the deep literary and psychological characteristics is revealed.

scholarly journals The Author’s Proper Speech Sphere in the Novel of V. Domontovych «Doctor Seraphicus»

2020 ◽  
Vol 12 (2) ◽  
pp. 144-152
Author(s):  
Natalia Zubets
Keyword(s):  
Scientific Research ◽  
Literary Text ◽  
Point Of View ◽  
The Novel ◽  
Compositional Structure ◽  
Leading Role ◽  
The One ◽  
Definition Of ◽  
And Linguistics

The scientific research was realised on the basis of the existential and psychological novel of V. Domontovych «Doctor Seraphicus». The compositional structure of the literary text was examined by marking the distinction of main types of a speech – the one of the author and the one of the character. It is emphasized that the author’s point of view is most complete and explicitly manifested in the author’s proper speech, which plays a leading role in the formation of the concept of a work, characterized by evaluativity and modality. The principal approaches to the definition of the notion «author’s speech» from the perspective of psychology and linguistics were named. Since the complex functional textual speech unities – descriptions, narrations, reflections structure the author’s opinion, regulate its development and ensure its integrity and completeness, then, the role of each compositional speech form in interpreting the novel’s idea was established and revealed (presentation of the macrocosm and the microcosm of a man, transfer of the temporal sequence and conditionality, reflection of the author’s world perception). The special attention was paid to the form of reflection as a generalized representation of the author’s point of view which is universal and autonomous. The lexical-semantic, structural-syntactic and functional-stylistic features of compositional speech forms are analyzed in this work.

scholarly journals Towards a Scientific Definition of App Marketing – A Practice-Oriented Approach Using Scientific and Grey Literature

2021 ◽  
Vol 2 (1) ◽  
pp. 13-25
Author(s):  
Atilla Wohllebe ◽  
Mario Hillmers
Keyword(s):  
Mobile Apps ◽  
Grey Literature ◽  
Mobile App ◽  
Point Of View ◽  
Practical Point ◽  
Gray Literature ◽  
Definition Of ◽  
Job Ads ◽  
Oriented Approach

The relevance of smartphones and mobile apps has increased significantly in recent years. Increasingly, companies are trying to use mobile apps for their business purposes. Accordingly, the role of app marketing has become more important. Nevertheless, there is no uniform understanding of the term "app marketing". Based on scientific and gray literature, two definitions of "app marketing" are developed. In the narrower sense, app marketing refers to measures aimed at making a mobile app better known and acquiring users i. e. generating app downloads. In the broader sense, app marketing refers to all activities that are used to acquire users for a mobile app, contact them, and encourage them to reach a specified goal. Additionally, based on job ads, an overview of activities in app marketing is provided from a practical point of view. Here, the focus is primarily on paid app install campaigns as well as on monitoring, reporting and analytics.

scholarly journals An Overview on Saccharomyces cerevisiae Indigenous Strains Selection Methods

2021 ◽  
Author(s):  
Laura Pulcini ◽  
Elisa Gamalero ◽  
Antonella Costantini ◽  
Enrico Tommaso Vaudano ◽  
Christos Tsolakis ◽  
...  
Keyword(s):  
Saccharomyces Cerevisiae ◽  
Essential Role ◽  
Genomic Analysis ◽  
Point Of View ◽  
Market Demand ◽  
Wine Sector ◽  
Modern Vision ◽  
Xix Century ◽  
Natural Expression

From the fundamental studies of Louis Pasteur in the XIX century to the current genomic analysis, the essential role of microorganisms in winemaking industry is well recognised. In the last decades, selected Saccharomyces cerevisiae strains with excellent fermentative behaviour have been widely commercialised in form of active dry yeasts. Currently, the production of organic and “natural” wines represents a new economically relevant trend in the wine sector. Based on this market demand, the use of industrial yeast starter could be perceived as non-organic practice and then, rejected. However, in order to preserve wines sensory quality, healthiness, and to avoid organoleptic defects given by undesirable microorganisms, the “yeast factor” (S. cerevisiae or non-Saccharomyces) cannot be ignored. The purpose of this chapter is to describe the methods of selection of wine yeasts focusing the attention on indigenous S. cerevisiae strains. In fact, the use of ecotypic yeasts may represent a good compromise between the needs of microbiologically controlled fermentation and a modern vision of wine as natural expression of its “terroir”, also from the microbiological point of view.

scholarly journals THE PROBLEM OF SOCIAL AND ECONOMIC LIFE OF THE REFORMED HOUSE MANAGEMENT IN THE WORKS OF A.N. ENGELGARDT AS A TOOL FOR SOLUTIONS UNDER THE CONDITIONS OF ECONOMIC UNCERTAINTY

InterConf ◽  
2021 ◽  
pp. 131-148
Author(s):  
Lilia Sargu ◽  
Yulia Valeeva
Keyword(s):  
Historical Development ◽  
Economic Life ◽  
Economic Uncertainty ◽  
Modern Agriculture ◽  
Local Residents ◽  
Definition Of ◽  
Xix Century ◽  
The 19Th Century ◽  
The Village

Within the framework of the article, a study was conducted on the problem of the socio-economic life of the post-reform landowner economy in the works of A. N. Engelhardt. It was established how much the population is aware of the specifics of the historical development of post-reform Russia, what is the significance of the contribution of A. N. Engelhardt to the development of the village, in particular, the landlord economy, how strong, in the opinion of local residents, is the role of the memorial source «Letters from the Village» in modern agronomy how they see the concept of «mining» in modern realities, is their definition similar to the definition of the second half of the 19th century. Within the framework of the article, a study was conducted on the problem of socio-economic life of the post-reform landlord economy in the works of A. N. Engelhardt. It was established how much the population is aware of the specifics of the historical development of post-reform Russia, what is the significance of AN’s contribution. Engelhardt in the development of the village, in particular, the landlord economy, as, according to local residents, a strong role of the source memoir «Letters from village» in modern agriculture, as they see the concept of «practicing» in the current situation, is similar whether their definition with the definition of second half of the XIX century.

scholarly journals A Translator’s Wanderings in TranslationStudiesWorld

2019 ◽  
Vol 30 (1-2) ◽  
pp. 79-99
Author(s):  
Brian Mossop
Keyword(s):  
Applied Linguistics ◽  
Translation Studies ◽  
Point Of View ◽  
Full Time ◽  
Canadian Government ◽  
Definition Of ◽  
Object Of Study

This semi-autobiographical article reflects on the discipline known as Translation Studies from the point of view of the author, who was a full-time Canadian government translator from 1974 to 2014, but also taught and wrote about translation. The narrative begins with the emergence of Translation Studies in Canada and in Europe and continues through the present neoliberal era, with reflection on a variety of topics including the English name of the discipline, the lack of definition of an object of study, the original role of the journal Meta, and the notion of translation as applied linguistics. The last section considers two fictive scenarios in which Translation Studies does not emerge, and translation is studied, right from the start, in ways much more closely linked to the translation profession, with a focus on translators rather than translations, and therefore on translational production rather than the analysis of completed translations.

scholarly journals The traditional figures of women in Sardinian cinema

2020 ◽  
Vol 11 ◽  
pp. 17-27
Author(s):  
Ewa Baszak
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
Main Character ◽  
Internal Point ◽  
Grazia Deledda ◽  
Definition Of

In this article I focus my attention on the archetype of women in Sardinian cinema. First of all, I explain the definition of the cinematographic movement which dominates Sardinia and I try to find the answer if Sardinian cinema cinema sardo exists. The next part of this paper shows the division of the cinema in Sardinia into two categories: seen from an external perspective by authors originating off the island and its culture, defined as hetero-representation, and seen from an internal point of view, developed by directors born and culturally raised in Sardinia, defined as self-representation.In the second part of the paper, I write about the term il deleddismo, which means the picture of Sardinia seen by the writer Grazia Deledda. Gianni Olla uses this term with reference to the cinema, il deleddismo cinematografico, as a way to enter the Sardinian world from the cinematic point of view. In early Sardinian cinema, stereotypes aimed at educating society and in the case of women by the merits of 20th-century ideology — to show them how they should behave. In recent decades this has not changed completely, but the figure of the modern woman is more often shown as the main character, who possesses far more power than her predecessors.

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