scholarly journals "Seni Teks" Dalam Prespektif Dunia Virtual

2021 ◽  
Vol 4 (2) ◽  
pp. 258-268
Author(s):  
Rahmat Jabbaril

If that is the priority in weighing the mind and exploring the core of the perspective of thinking, of course, will move on to a "statement". Where the platform of thought will be the entrance and open a gap for other thoughts, because the thinking perspective finds the value of "abstract". The context of thinking is more about extracting the essence of thinking, so the value of art becomes abstract. The reality of the meaning of art is not only a question of form, but more than that, art will play freely about form. The basic theory of writing, using a qualitative frame of mind, using a curatorial approach. The form of virtue in art is actually not based on purely aesthetic values, but the depth of ideas as a way of "enlightenment" to determine the direction where we should be oriented. The result of this thought is, the continuity of artistic value is certainly constructed by; Awareness of the value of intensity, ethics-technique, psychology and full awareness of the essence of ideas (philosophy of art). So the perspective of virtue in art is the awareness of thinking about the abstraction of the universe itself, which is manifested in the form of works, namely the work of two dimensions of Text Art.

Vox Patrum ◽  
2010 ◽  
Vol 55 ◽  
pp. 477-498
Author(s):  
Ewa Osek

The present paper is a brief study on Julian the Apostate’s religion with the detailed analysis of the so called Helios myth being a part of his speech Against Heraclius (Or. VII), delivered in Constantinople in AD 362. In the chapter one I discuss veracity of the Gregory of Nazianzus’ account in the Contra Julianum (Or. IV-V) on the emperor’s strange Gods and cults. In the chapter two the reconstruction of the Julian’s theological system has been presented and the place of Helios in this hierarchy has been shown. The chapter three consists of the short preface to the Against Heraclius and of the appendix with the Polish translation and commentary on the Julian’s Helios myth. The Emperor’s theosophy, known from his four orations (X-XI and VII-VIII), bears an imprint of the Jamblichean speculation on it. The gods are arranged in the three neo-Platonic hypostases: the One, the Mind, and the Soul, named Zeus, Hecate, and Sarapis. The second and third hypostases contain in themselves the enneads and the triads. The Helios’ position is between the noetic world and the cosmic gods, so he becomes a mediator or a centre of the universe and he is assimilated with Zeus the Highest God as well as with the subordinated gods like Apollo, Dionysus, Sarapis, and Hermes. The King Helios was also the Emperor’s personal God, who saved him from the danger of death in AD 337 and 350. These tragic events are described by Julian in the allegorical fable (Or. VII 22). The question is who was Helios of the Julian’s myth: the noetic God, the Hellenistic Helios, the Persian Mithras, the Chaldean fire, or the Orphic Phanes, what is suggested by the Gregory’s invective. The answer is that the King Helios was all of them. The Helios myth in Or. VII is the best illustration of the extreme syncretism of the Julian’s heliolatry, where the neo-Platonic, Hellenistic, magic, and Persian components are mingled.


Author(s):  
Nicholas Wolterstorff

This chapter considers why contemporary analytic philosophers of religion have neglected liturgy and focused almost all of their attention on religious belief. Following Descartes, reflections on mental activity and the mind have been central in modern philosophy. But that has not prevented the emergence of philosophy of art, philosophy of language, and political philosophy, none of which deal with mental activity or the mind. So why not philosophy of liturgy? Several explanations are considered; but none is found to be fully satisfactory. The Introduction concludes with an explanation of how the subsequent discussion relates to liturgical theology and to anthropological ritual studies.


2017 ◽  
Vol 1 (2) ◽  
pp. 171
Author(s):  
Zulkifli H. Achmad ◽  
Antariksa Sudikno ◽  
Agung Murti Nugroho

Title: Vertical and Horizontal Room Cosmology in Traditional House (Sa’o) Adat Saga Village, Ende Regency, Flores Cosmology is the science related to kemestaan (cosmos) in a concept of the relationship between the human world (micro-cosmos) and of the universe. Space in traditional house Saga has values and khasan interesting architecturally is examined. The influence of Ngga'e on the Du'a belief and traditional home space Saga interesting architecturally is identified. This study uses qualitative methods with an ethnographic approach that is description. The findings of this study is about the cosmology of the space on a traditional home. Cosmological view of space in traditional house Saga is distinguished into three parts namely is lewu, gara as one and mention the position of the human body parts. Cosmological view of space in traditional Indigenous Villages (Sa'o) Saga depicted horizontally with the mother lay. Nature of traditional house Saga is the core of fertility and birth. Being a mother is clearly visible on a carved door (pene ria) enter Sa'o believe carving the breasts of a woman who symbolizes the human life and a transverse under IE peneria koba leke symbolizing the human development. The position of the head of the mother at the lulu (the dugout), second legs on his back is to the fore in the tent (dugout or accepting guests), second hand mereba is at the right and left dhembi space, the womb or humanitarian space are at puse ndawa. Keywords: traditional house (sa'o), the indigenous village of saga, the cosmology of the vertical and horizontal spaces


2021 ◽  
Vol 34 (3) ◽  
pp. 315-321
Author(s):  
Farzad Haghmoradi-Kermanshahi

This article claims that the universe is composed of very fine particles, which are billions of times smaller than electrons. These particles consist of one positive pole and one negative pole similar to protons and electrons (in terms of electrical charge), respectively. They are point electric charges, which their movements and bending of their chain in space create magnetic fields and electromagnetic waves. These particles possess mass that verges on zero, due to their minute size. Then, by examining several physical phenomena, the presence of them will be proved.


Author(s):  
Archana Katariya ◽  
Priyanka Chaudhary

This article aims to unveil the capricious transformation of the key figure, Ice-Candy-Man (named Dilnawaz) and the riotous traumatic impact of the Partition of India on his personality in Cracking India. The most arousing, poignant, efficacious figure Ice-Candy-Man of Bapsi Sidhwa’s magnum opus Cracking India traps the mind of the readers. Sidhwa, the original mark and a victim of the Partition in 1947, had sensed the brutal incidents which impaled her heart with pathos and enforced her to pen it down by presenting vivacious, colorful characters with autobiographical touches. The Ice-Candy-Man appears with a different disguise each time. Why did Sidhwa characterize him in such a specific and dynamic manner? His gestures, speech and even his transition stages and his every next footstep are the symbols and metaphors of the changing society during the traumatic events of Partition—they denote how an individual turns his course of life. His act of transformation is the core to unlocking Sidhwa’s magical world. Without analyzing the Ice-Candy-Man, all endeavors to interpret Sidhwa’s messages are futile.


2020 ◽  
Vol 63 (3) ◽  
pp. 159-167
Author(s):  
Nebojsa Grubor

The text examines the relationship between the beauty and the sublime in Hartmann?s aesthetics. According to the basic assumption of Hartmann?s aesthetics, the sublime, like all other aesthetic values, are subordinated to the beauty. The text shows that the relationship between the beauty and the sublime in Hartmann?s aesthetics is complex and that beauty formally includes the sublime, but that the sublime in terms of fixing aesthetic content is the core of aesthetic issues.


1970 ◽  
Vol 13 (1) ◽  
pp. 28-46 ◽  
Author(s):  
Ubaidillah Ubaidillah

This paper aims to find the themes of propagation of Islam Prophet Muhammad in the early spread of Islam that can be used uswah h}asanah by preachers in Indonesia in spreading Islam in accordance with the present context. Letters were used as the data in this study are the letters sent by the Prophet Muhammad to the king superpower in the Roman and Persian kings and their little under the authority of the king of the superpower. The letters are including in these types of letter are ten letters. Stanton thematic theory which states that the theme (theme) is contained in the meaning of a story, become the basic theory in this study. In addition, there is also a theme in the study of the distribution of known theme with theme of major and minor themes. In analyzing the data, before entering the core analysis, the author uses the method of analysis and match with sub-method translational match. In this case, the letters of the Prophet Muhammad first translated into Indonesian, after it analyzed according issues to be answered. The findings of this thematic analysis form the major theme of “propagation of Islam” whose content is tailored to the circumstances of the king recipients. Of the major themes, there are minor themes are used to support the universality of the major themes of these letters, they are: dakwah must be by the name of God, pray forsalvation only to Muslims, Jesus is not the son of God, all the religions of Semitic is unity of God (tawhid), religion God recognized only Islam, and Islam is tolerant religion. Tulisan ini bertujuan untuk mencari tema-tema dakwah Islam Nabi Muhammad pada awal penyebaran Islam yang dapat dijadikan uswah h}asanah oleh para da’i di Indonesia dalam menyebarkan agama Islam yang sesuai dengan konteks kekinian. Surat yang dijadikan data pada penelitian ini adalah surat-surat yang dikirim oleh Nabi Muhammad kepada para raja adidaya di Romawi dan Persi beserta raja-raja kecil yang berada di bawah kekuasaan kedua raja adidaya tersebut. Yang temasuk dalam jenis surat ini sejumlah sepuluh pucuk surat. Teori tematik Stanton dan Kenny yang menyatakan bahwa tema (theme) adalah makna yang dikandung sebuah cerita, menjadi landasan teori dalam penelitian ini. Selain itu, terdapat pula pembagian tema yang dalam kajian tema dikenal dengan tema mayor dan tema minor. Dalam menganalisis data, sebelum masuk pada analisis inti, penulis menggunakan metode analisis padan dengan submetode padan translasional. Dalam hal ini, surat-surat Nabi Muhammad tersebut diterjemahkan terlebih dahulu ke dalam bahasa Indonesia, setelah itu dianalisis sesuai permasalahan yang ingin dijawab. Temuan dari analisis tematik ini berupa tema mayor tentang “dakwah Islam” yang isinya disesuaikan dengan keadaan para raja penerima surat. Dari tema mayor tersebut, terdapat tema-tema minor yang digunakan untuk mendukung keuniversalan tema mayor surat-surat tersebut, yaitu berdakwah harus karena Allah, mendoakan keselamatan hanya untuk muslim, Nabi Isa bukananak Tuhan, seluruh ajaran agama semitik adalah pengesaan Allah, agama yang diakui Allah hanya Islam, dan Islam agama yang toleran.


Humaniora ◽  
2012 ◽  
Vol 3 (1) ◽  
pp. 299
Author(s):  
Frederikus Fios

Fair punishment for a condemned has been long debated in the universe of discourse of law and global politics. The debate on the philosophical level was no less lively. Many schools of thought philosophy question, investigate, reflect and assess systematically the ideal model for the subject just punishment in violation of the law. One of the interesting and urgent legal thought Jeremy Bentham, a British philosopher renowned trying to provide a solution in the middle of the debate was the doctrine or theory of utilitarianism. The core idea is that the fair punishment should be a concern for happiness of a condemned itself, and not just for revenge. Bentham thought has relevance in several dimensions such as dimensions of humanism, moral and utility.  


2021 ◽  
Vol 9 (11) ◽  
pp. 2840-2843
Author(s):  
Pramod Kumar ◽  
Pramod Kumar Prasad ◽  
Gupta S.S

The word “Purush" in its most social sense means man but in the aspect of Ayurveda, the term purush is repre- sented as atma or chetana dhatu (chetana-life and dhatu-element). The concept of the existence of atman (soul) is generally not accepted by modern science. According to Indian philosophy, the ultimate truth or absolute soul is one and he is Chetana (Sarvam Khalu Idam Brahm). Treatment of Panchmahabhut Sharir with presence of purush is known as Chikitsya Purush. Purush is supreme soul, pure conscious, unchanging, immortal neither birth nor death. It is essential for the creation of the universe and the living world. In the presence of purush gains knowledge through the mind. All the actions through karmendriyas, desire, pleasure, pain, life and death are per- formed. The purush (Kshetrajy) is lord of the house (Kshetra). The role of Purush in Srusti is laya & parlay which is the same as catalyst’s work in a reversible reaction. Keywords: Purush, Types, Karma Chikitsa, Chaturvinshatika, Rashi, Punarjanma


2018 ◽  
Vol 23 (1) ◽  
pp. 87
Author(s):  
Umiarso Umiarso

Abstract Pesantren (Islamic boarding schools) has been continuously aligning its educational system with the needs of society and the times. The development of pesantren is inseparable from the role of kiai in carrying out the institutional transformation. This study focuses on transformational leadership of the kiai in developing the pesantren institution. The results of this study indicate that the concept of developing pesantren is transcultural with the principle of "accepting a new good culture and preserving the old one that is still relevant", based on the vision and mission, directed at an integrative education system which combines the mind and heart traditions using rational domain and spirituality in order to achieve worldly (profanistic) and ukhrawi (sacralistic) goals; transformational leadership styles of a kiai include idealized influence behavior, inspirational inspiration, intellectual stimulation, individual consideration, and individual spiritual greatness; and the implications of transformational leadership include two dimensions, namely the human resources and institutional resources. Therefore, this leadership can be said to be prophetic transformational leadership with the addition of individual spiritual greatness (Five I'S). Keywords: Kiai, Transformational Leadership, and Pesantren   Abstrak: Pesantren secara kontinu menyelaraskan sistem kependidikannya dengan kebutuhan masyarakat serta perkembangan zaman. Pengembangan pesantren tidak terlepas dari peran kiai dalam melakukan transformasi kelembagaan. Penelitian ini memfokuskan pada kepemimpinan transformasional kiai dalam mengembangkan kelembagaan pesantren. Hasil penelitian ini menunjukkan bahwa konsep pengembangan pesantren bersifat transkultural dengan prinsip “menerima budaya baru yang baik dan melestarikan budaya lama yang masih relevan”, berpijak pada visi dan misi, diarahkan pada sistem pendidikan integratif yang memadukan antara tradisi akal dan hati menggunakan domain rasional dan spiritualitas untuk mencapai tujuan yang bersifat duniawi (profanistik) dan ukhrawi (sakralistik); gaya kepemimpinan transformasional kiai meliputi perilaku idealized influence, inspirational inspiration, intellectual stimulation, individual consideration, dan individual spiritual greatness; dan implikasi kepemimpinan transformasional meliputi dua dimensi, yaitu dimensi sumberdaya manusia dan kelembagaan. Karenanya, kepemimpinan ini dapat dikatakan kepemimpinan transformasional profetik dengan penambahan individual spiritual greatness (Five I’S). Kata Kunci: Kiai, Kepemimpinan Transformasional, dan Pesantren  


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