scholarly journals Literary Time and Literary Space in Imagism and Ezra Pound’s Poetry

2022 ◽  
Vol 11 (1) ◽  
pp. 330
Author(s):  
Vjona Sylejmani Shabani ◽  
Muhamet Hamiti
Keyword(s):  
Research Method ◽  
Influential Factor ◽  
Time And Space ◽  
Literature And Philosophy ◽  
Literary Space ◽  
Time Space ◽  
The Creation ◽  
The Relationship

The relationship between literature and philosophy has led to the inflow of 'small' literature from 'big' literatures within the interaction between literary time and literary space with a propensity to emerge ‘big' again in another literary time and space. The most influential factor in ‘making it new' or 'from big to small, and big again' turns out to be time on account of the fact that the literary creator, namely the poet, is mortal. Since the existence of a poet as a creator turns out to be ‘temporal’, ‘making it new’ turns out to be vital for the next temporality. Therefore, this paper, using the document research method, examines Pound's poetry refracted through the time and literary space of his creative existence, as the urge for translation became an influential factor for Pound himself as a ‘new’ author. Thus, the paper analyses ‘temporal overlapping’ under the inspiring influence of Pound's poetic re-creation, either as a conversion of translated matter or as its enhancement by the poets he read. The divergent takes on mimesis by Plato and Aristotle helps Pound's creative originality, whereas J. Hillis Miller’s reading of the theory of temporality of De Mann and Heidegger, as well as the time-space transformations, help clarify 'temporal overlapping'. These, in turn, make us believe that the creation of ‘new originality’ influenced by ‘old originality’ during the transformation of time into space brings about the immortality of the poet along with ‘the little big’ literature.   Received: 7 October 2021 / Accepted: 29 November 2021 / Published: 3 January 2022

Introduction

2019 ◽  
pp. 1-33
Author(s):  
Justine Buck Quijada
Keyword(s):  
Indigenous Peoples ◽  
Background Information ◽  
Historical Event ◽  
Time And Space ◽  
Literary Genres ◽  
The Past ◽  
Time Space ◽  
The Relationship

Applying J. L. Austin’s distinction between constative and performative speech to history-making offers terminology for studying how knowledge about the past is produced and wielded in the present. In drawing a distinction between a historical event as a constative fact and the performative effect of talking about that historical event in the present, scholars can identify historical genres. Just as literary genres are defined by chronotopes (the relationship between time, space, and the hero), so too historical genres can be defined by chronotopes. By indexing these chronotopes, ritual can work to situate people within time and space. In post-Soviet Buryatia, rituals become spaces where people can explore alternative chronotopes and re-evaluate the past. The chapter offers key background information and argues that the stakes of history are higher both in post-authoritarian contexts and among indigenous peoples.

scholarly journals Explore into the Infinite Wonder in Time and Space--On the Pursuit of the Time-Space on an Idea-Sketching Stage in Chinese Opera

2021 ◽  
Vol 9 (5) ◽  
pp. 99
Author(s):  
Tao Chen
Keyword(s):  
Traditional Culture ◽  
Free Time ◽  
Time And Space ◽  
Profound Impact ◽  
Chinese Opera ◽  
Chinese Traditional Culture ◽  
Time Space ◽  
Chinese Aesthetics ◽  
The Creation

Chinese opera is a highly comprehensive opera that attaches paramount importance to imagery. The qualities of simulative performance, including its orientation, immediacy and flowability, constitutes the transcendent and free time-space of the art of Chinese opera. Considering the profound impact that the spirit of idea-sketching (Xieyi in Chinese, which is an aesthetic conception in China that emphasizes on capturing the spiritual essence rather than the superficial appearance) in Chinese traditional culture has on opera creation, an exploration into the impressionist views in Chinese traditional culture will be necessary to understand the beauty of idea-sketching Chinese opera. The creation of opera directors should be based on the traditional Chinese aesthetics centering on spirit conveying and essence capturing. Opera directors need to explore how the idea-sketching spirit contained in Chinese traditional culture can be applied and extended on the opera stage.

scholarly journals Analysis on the perspective and value of the “cultivation” documentary images

Novos Olhares ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 21-29
Author(s):  
Weiting Hsiao
Keyword(s):  
Social Change ◽  
Cultural Differences ◽  
Cultural Exchange ◽  
Time And Space ◽  
Moving Images ◽  
Critical Observation ◽  
The Creation ◽  
The Times ◽  
The Relationship

As a multi-sensory expression, moving images have a stronger ability to express beyond time and space. The creator uses the camera to depict history through images and sounds, so that the audience can reflect more on the process of watching. From "The Up series" to other similar long-term videos, they have become important chronicles of the era. This article will focus on the relationship between documentary images and history, and the characteristics of "cultivation" formed by these long-term images. Analyze and interpret its value from a multi-dimensional perspective. The context of the development of the times and the critical observation of the creators have led to the creation of works that reflect on social change. This kind of creation has also become a reference mode for many countries, bringing about a rich and dynamic cultural exchange based on cross-regional cultural differences, which has contributed to the development of the globalization era.

scholarly journals The appreciation of artistic aspects of the Code of Points in rhythmic gymnastics: an analysis of the last three decades

2016 ◽  
Vol 30 (1) ◽  
pp. 119-131
Author(s):  
Eliana de TOLEDO ◽  
Kizzy ANTUALPA
Keyword(s):  
Research Method ◽  
Technical Aspects ◽  
Second Stage ◽  
Technical Requirements ◽  
Rhythmic Gymnastics ◽  
Previous Hypothesis ◽  
The Creation ◽  
The Relationship ◽  
Scientific Treatment ◽  
Current Code

Abstract In pursuit of promoting the artistic aspects, the current Rhythmic Gymnastics Code of Points (RGCP) has been submeted significant changes that motivated this research, documentary and historical in character, which aimed to analyze the last eight Olympic cycles of RGCP. The research method used in this study is documentary and characterized by the information found in documents (RGCP) that had not received any scientific treatment. From the analysis of different RGCP cycles, we found artistic aspects, and their connection with RG technical requirements. We observed that the RG has distinct stages (technical aspects, flexibility etc). While retaining its artistic roots (from Dance and Rhythm), in pursuit of sportivization and systematization of the sport, the first stage was characterized by a search for the sportivization and standardization of the modality based on the inclusion of new body elements in the RGCP . The second stage confirms our previous hypothesis, that in the last RGCP the artistic component had undergone few changes. We noticed, in an overview, that at the present time the current RGCP brings back the relationship between RG and its origins, influenced by Aesthetic Gymnastics (Swedish), Rhythmic and Dance. Condition observed once the current Code of Points (2013-2016) marks the story of sports, by two aspects: the permissiveness of routines with singing wich has not allowed since since the creation the RGCP and significant changes to the appreciation of the routines’ artistic aspects.

scholarly journals Manunggaling Kala Desa Melintas Fenomena Ruang Dan Waktu Dalam Penciptaan Seni Lukis

2009 ◽  
Vol 24 (1) ◽  
Author(s):  
I Wayan Setem
Keyword(s):  
Critical Reflection ◽  
Cognitive Achievement ◽  
Time And Space ◽  
Time Space ◽  
The Creation

Having observed and studied lingga-yoni, I have got an idea about “The Unity of Time-Space, Crossing the Phenomena of Time and Space in the Creation of Painting is the theme of my Works. What I would like to analyze here is the psycho- anthropological aspects of lingga-yoni. Hopefully this analysis is viewed as an effort to reread reinterpret the symbol of lingga- yoni in my paintings. My perception of lingga-yoni related to the unity of time-space is not merely understood as a sensing quality but as a self projection of various values involving new interpretations. I can perceive the significance of lingga-yoni so that I am fully aware of its relationship with time and space. This perception is related not only to the cognitive achievement but also to the feelings of various values such as aesthetical, moral, and religious. Thus in this context, I place the creative exploration in the painting creation as a critical reflection crossing the time and space phenomena with the theme of “Manunggaling Kala- Desa” (the unity of time-space).

Kredit Bermasalah sebagai Pemoderasi Pengaruh Tingkat Penyaluran Kredit terhadap Profitabilitas

2020 ◽  
Vol 5 (1) ◽  
pp. 52
Author(s):  
Sukirno Sukirno
Keyword(s):  
Research Method ◽  
Quantitative Research ◽  
Stock Exchange ◽  
Survey Methods ◽  
Analytical Tool ◽  
Significant Positive Effect ◽  
Purposive Sampling ◽  
The Relationship ◽  
Positive Effect

Abstract This study aims to empirically challenge the moderation of Non-Performing Loans to the effect of Credit Distribution Rates on Profitability. The population of 81 bank companies listed on the Indonesia Stock Exchange in the period 2014-2018 and which met the criteria of the research sample (purposive sampling) were 22 companies. The research method uses survey methods with quantitative research approaches, the analytical tool used is moderation regression. This study concludes that the level of credit distribution has a significant positive effect on profitability and the existence of the problem loan variable is proven to be a moderating variable that weakens the relationship between the level of credit distribution and profitability.    

The Agreement of Uncontroversial Evidence and the Presumption of Innocence: An Insoluble Dilemma?

2002 ◽  
Vol 6 (1) ◽  
pp. 25-45 ◽  
Author(s):  
Peter Duff
Keyword(s):  
Criminal Justice ◽  
Criminal Trial ◽  
Presumption Of Innocence ◽  
Justice Process ◽  
Criminal Justice Process ◽  
The Creation ◽  
The Relationship

On 1 April 1996, a rather odd provision was introduced into the Scottish criminal justice process, namely a duty on both prosecution and defence to try to agree uncontroversial evidence in advance of criminal trial.1 As far as the writer is aware, such a provision is unique, although the philosophy underlying its introduction is not totally alien to inquisitorial systems of criminal justice.2 What is particularly peculiar about this duty is that there is no sanction for a failure, however unreasonable, to agree uncontroversial evidence.3 The lack of a sanction resulted from a concern that the creation of any penalty would impinge unjustifiably upon the rights of the accused. The intention in this article is to explore in detail the relationship between the duty to agree uncontroversial evidence and the position of the accused, and to suggest that the imposition of a sanction for a breach of this duty is not as problematic as was thought by those responsible for the legislation.

Kajian Sosiologis Terhadap Tema Lakon ‘Domba-domba Revolusi’ Karya Bambang Soelarto

Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid
Keyword(s):  
Sociological Theory ◽  
Essential Element ◽  
Literary Work ◽  
The Political ◽  
Basic Principles ◽  
Historical Figures ◽  
Sociology Of Art ◽  
The Creation ◽  
Relationship Of ◽  
The Relationship

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis

Imagery and Metaphorical Space of the Term in the Language of Scientific Texts by V. Vinogradov

2018 ◽  
Vol 79 (9) ◽  
pp. 61-66
Author(s):  
N. V. Khalikovа
Keyword(s):  
Historical Context ◽  
Semantic Structure ◽  
Scientific Thinking ◽  
Scientific Texts ◽  
Basic Term ◽  
Pragmatic Information ◽  
The Creation ◽  
The Relationship

The article considers the functions of the system of verbal imagery’s in the creation of the scientific style of V.V. Vinogradov. The figurativeness of basic, background and metaphorical terms is described. The semantic structure of the image of the basic term «style» is analyzed, figurative paradigms of the concepts Language, Speech and Style are revealed. The article shows the relationship between scientific thinking and metaphorical style, the role of sustainable cognitive metaphors in the creation, storage and transfer of pragmatic information and the creation of a cultural and historical context.

Hubungan Kepribadian dan Lingkungan dengan Kemampuan Bahasa Indonesia

2019 ◽  
Vol 2 ◽  
Author(s):  
Imam Mujtaba ◽  
Yufiarti Yufiarti ◽  
Elindra Yetti
Keyword(s):  
Research Method ◽  
Positive Relationship ◽  
Language Ability ◽  
Descriptive Statistics ◽  
Quantitative Approach ◽  
Assessment Scale ◽  
Correlation Technique ◽  
Correlational Method ◽  
The Relationship ◽  
Bahasa Indonesia

The purpose of this study was to determine the relationship between students’ personality and environment with their Indonesian Language ability. This research was conducted in South Tangerang City involving 392 2nd grade students. This research method used correlational method with quantitative approach by using descriptive statistics. Data was collected using an assessment scale instrument and analyzed by using correlation technique (regression). The results of this study showed that: (1) There was a positive relationship between personality and students’ Indonesian Language ability with a significant level of α = 0.05, obtained tcal 8.77 ˃ ttable 1.97. (2) There wasa positive relationship between the environment and the students’ Indonesian Language ability with a significant level of α = 0.05, which obtained 9.03 ˃ t table 1.97. (3) There was a positive relationship between personality and environment with the students’ Indonesian Language ability; with a significant level of α = 0.05, obtained tcal 7.92 ˃ t table 1.97. The Implications of the study identified that Indonesian Language ability of the students can be influenced by their personality and environment.

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