scholarly journals The Deportation of 1944 in the Cultural Memory of Crimean Tatar People (the Case of Literary Works of Ervin Umerov and Shamil Aladin)

2020 ◽  
pp. 139-148
Author(s):  
Nadiia Honcharenko
Keyword(s):  
Short Stories ◽  
Cultural Memory ◽  
Life Experiences ◽  
Soviet Period ◽  
World War ◽  
Negative Stereotypes ◽  
Literary Works ◽  
The Past ◽  
The People ◽  
Crimean Tatar

The article deals with the coverage in works of literature of the forceful deportation of Crimean Tatar people in May, 1944. Here, literary works are seen as functioning elements of cultural memory of the people. The works in question are Ervin Umerov’s short stories Loneliness, The Black Trains, The Permit, and Shamil Aladin’s novels Invitation to Devil’s Banquet and I’m Your King and God, recently published in Ukrainian translations. The importance of Ukrainian publications of works of Crimean Tatar literature, telling i. a. about the deportation of 1944, is determined by the persistence of negative stereotypes and anti-Crimean Tatar bias cultivated for decades. In the XXI century, much has been accomplished by scholars and journalists in order to deconstruct historic myths, i. a. the Stalinist black legend about Crimean Tatars’ “treachery” during the 2nd World War. True facts about the deportation of 1944 were publicized as well. Back in Soviet times, when telling the truth about tragic past directly was impossible, Crimean Tatar writers saw their mission in preserving at least some of the people’s memories in their works of fiction. The emotional and aesthetic power of historic fiction is of key importance in bringing images of the past to contemporary readers. Memories of the deportation of May, 1944 were parts of their life experiences both for Umerov (1938–2007) and Aladin (1912–1996). In their works written mostly during Soviet period, they transformed into fictional accounts both their own experience and tragic memories of their compatriots, using multi-layered plots, subtext and Aesopian language so as to bypass Soviet censorship.

Behind the stage of a literary text. ‘Custom is despot among men’

2020 ◽  
pp. 63-83
Author(s):  
E. N. Tsimbaeva
Keyword(s):  
World War I ◽  
Everyday Life ◽  
Literary Text ◽  
Skeletal System ◽  
World War ◽  
Internal Organs ◽  
Literary Works ◽  
The Past ◽  
Fiction Writers

The article analyzes physical and physiological problems caused by fashionable clothing in the mid-18th to early 20th cc. that shaped people’s appearances and lifestyles in the past. Affecting the skeletal system and the functioning of internal organs and brain in particular and causing various illnesses, these problems went largely unrecognized by contemporaries, including writers, but would inevitably surface in literary works as part and parcel of everyday life. Without understanding their role, one may struggle to comprehend not only plot twists and characters’ motivations but also the mentality of the bygone era as portrayed in fiction. Chronologically, the research covers the period from the mid-18th c. to World War I. The author only focuses on so-called respectable society (a very tentative term that covers members of the aristocracy and other classes with comparable lifestyles), since it was this group which drew the most attention from fiction writers of the period. The scholar chose to concentrate on the kind of daily realia of ‘noble society’ that permeate works by Russian, English, French and, to some extent, German authors, considered most prominent in Europe at the time.

scholarly journals Reception of Natalie's Ramonda, Armistice Day Symbol in Serbia

2020 ◽  
Vol 14 (4) ◽  
Author(s):  
Senka Kovač
Keyword(s):  
Cultural Memory ◽  
Representative Sample ◽  
Public Discourse ◽  
First Year ◽  
World War ◽  
World War One ◽  
First Year Students ◽  
The Public ◽  
Ongoing Process ◽  
The Past

Nataliе’s Ramonda, a symbol of Armistice Day – November 11 in Serbia, is a new memorial symbol constructed and promoted by politicians in 2012. The Armistice Day was celebrated then as a national holiday in Serbia. The reception of this symbol has been explored over a five-year period, both in a public discourse and on a representative sample of first year students at the Faculty of Philosophy in Belgrade. In public discourse, as well as among students of the Faculty of Philosophy, Natalie’s Ramonda is perceived as an emblem, a badge, and most often as a symbol. It was seen as an emblem on the lapel of public and media figures, inaccessible to broad commercial promotion and sales. In public discourse and among students at the Faculty of Philosophy, Natalie’s Ramonda was perceived in several answers as a medal, and is also recognized as a flower that symbolizes the suffering of the Serbian people in World War One; symbol of the nation’s rebirth – the flower phoenix, as a mark of peace and freedom. As a newly constructed symbol of the Armistice Day in Serbia, for the past seven years, Natalie’s Ramonda has been a mediator in the public culture of remembrance and in the ongoing process, by becoming a part of cultural memory.

Introduction

2018 ◽  
Author(s):  
Jack M. Gorman
Keyword(s):  
World War Ii ◽  
Brain Function ◽  
Psychiatric Illness ◽  
Life Experiences ◽  
Human Mind ◽  
World War ◽  
Psychiatric Illnesses ◽  
The Past ◽  
Neuroscience Research ◽  
The Mind

After World War II, mental health turned toward psychopharmacology, the use of medications to treat psychiatric illnesses, as its mainstay. The success of medications led some to insist that all mental illness is due to the inheritance of abnormal genes and that life’s experiences play a diminished role. This alienated many who believe that psychotherapy is also an effective way of treating these disorders and led to a mistrust of neuroscience research. Some insisted that neuroscience ignores the human “mind.” In fact, neuroscience research in the past 50 years has clearly shown that adverse life experiences have profound effects on brain function and are involved in every psychiatric illness. By accepting this view of neuroscience, we can also accept the idea that the “mind” is in reality the work of the physical brain.

scholarly journals RELIGIOSITAS MASYARAKAT TIONGHOA DALAM CERPEN DI MAJALAH STAR WEEKLY, LIBERAL, DAN PANTJAWARNA TAHUN 1954—1956

Sirok Bastra ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 89-95
Author(s):  
Dea Letriana Cesaria
Keyword(s):  
Short Stories ◽  
World War Ii ◽  
Short Story ◽  
Chinese Literature ◽  
Chinese People ◽  
Chinese Community ◽  
World War ◽  
Literary Works ◽  
Post War ◽  
Bahasa Indonesia

Sastra Peranakan Tionghoa adalah karya sastra dalam bahasa Indonesia yang dihasilkan oleh orang Tionghoa yang dilahirkan di Indonesia. Seusai Perang Dunia II, sastra peranakan tetap berkembang. Bentuknya bukan lagi novel tetapi cerpen. Namun, berbeda dengan keadaan sebelum Perang Dunia II, pada zaman Pasca-Perang itu tidak lagi terdapat majalah seperti Tjerita Romans atau Penghidoepan. Kebanyakan karya dimuat dalam majalah-majalah umum atau berita, seperti Star Weekly, Liberal, dan Pantjawarna. Tujuan dari penelitian ini adalah melihat kontribusi majalah Star Weekly, Pantjawarna, dan Liberal pada tahun 1950-an terhadap publikasi karya penulis Tionghoa. Metode yang digunakan adalah metode kualitatif dan deskriptif.  Hasil penelitian menunjukkan bahwa cerpen dalam majalah Star Weekly, Liberal, dan Pantjawarna menggambarkan religiositas masyarakat Tionghoa dalam menjalani kehidupan yang multikultural di Indonesia. Konsep kemanusiaan dalam ajaran Konghucu erat kaitannya dengan konsep Tepa Sarira dalam kebudayaan Jawa. Chinese Literature is literary works in Indonesian produced by Chinese people who were born in Indonesia. After World War II, peranakan literature continued to flourish. The form is no longer a novel but a short story. However, in contrast to the situation before World War II, the Post-War era there were no magazines anymore, such as Tjerita Romans or Penghidoepan. Most of his work is published in public magazines or news, such as Star Weekly, Liberal, and Pantja Warna. The purpose of this study is to look at the contributions of Star Weekly, Pantja Warna and Liberal magazines in the 1950s to the publication of works by Chinese writers. The method used is qualitative and descriptive methods. The results showed that short stories in Star Weekly, Liberal, and Pantjawarna, magazines illustrate the religiosity of the Chinese community in leading a multicultural life in Indonesia. The concept of humanity in Confucianism is closely related to the concept of Tepa Sarira in Javanese culture.

scholarly journals A COMPARATIVE STUDY: GENETIC STRUCTURALISM ON JANE EYRE AND THE GREAT GATSBY

JURNAL BASIS ◽  
2019 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Dewi Christa Kobis
Keyword(s):  
Comparative Study ◽  
Jane Eyre ◽  
Literary Works ◽  
Know How ◽  
The Past ◽  
Great Gatsby ◽  
The People ◽  
The Great Gatsby ◽  
The Future ◽  
Culture Tradition

This study is comparative study which compares Jane Eyre and the Great Gatsby by using Genetic Structuralism. These two novels were written and published from different period. Different period commonly produces different culture, tradition, habit, work, creation, effort, and even different masterpiece. Most people claim that as the time goes by, the old ones will be replaced by the youths, and everything which had been done in the past, might not be done anymore in the present or even in the future. In fact, it is necessary to dig more about the history itself to know how the people at particular period live and how they contribute a society. This study is compiled as a research to study about the characteristic of the society when the novels has been published and the period when the author of the literary works lived while mainly discussed about how different periods create different kind of stories. It also mainly focuses to take a glance on how society impacts the authors’ thought and perception to create such literary works.

scholarly journals Conglomerate Karst in Slovenia : History of Cave Knowledge and Research of Udin Boršt (Gorenjsko)

2016 ◽  
Vol 34 (2) ◽  
Author(s):  
Andrej Kranjc
Keyword(s):  
Book History ◽  
Rock Cutting ◽  
Past Century ◽  
Grammar School ◽  
World War ◽  
Folk Tales ◽  
The Past ◽  
The People ◽  
History Of ◽  
The 19Th Century

Folk tales and tradition evidence that people in Udin Boršt were aware of caves from old. In the 19th century a special type of outlaws occurred in Gorenjska. One of the centres was in Udin Boršt where brigands hid in caves. Under the French occupation the villagers hid in the caves, while during the 2nd World War they were partisans. Water is another factor playing an important role at studying Udin Boršt. Most of the villages were water supplied from Udin Boršt, partly out of caves. As elsewhere in conglomerates in Udin Boršt also there are traces of rock cutting for millstones. The first printed news about the caves in Udin Boršt are found in Valvasor’s Die Ehre des Herzothums Crain. The book History of the Ljubljana Bishop’s Diocese cites seven caves. The modern caving research started in 1946. In 1954 the members of the Natural Science Circle of the 1st Grammar School, Kranj started to visit caves in Udin Boršt. About that time a co-worker of the Karst Research Institute from Postojna started to research these caves. The caves in Udin Boršt were revisited in the seventieth of the past century in connection with the project “Speleological Map of Slovenia”. The connection between the people and the land can be seen from the topographical names too. The last part of the paper deals with these names, including the explanation of the name Udin Boršt. Da so ljudje jame v Udin borštu že dolgo poznali, se odraža v ljudskem blagu in izročilu. V 19. stol. je nastalo rokovnjaštvo. Eno od središč je bilo v Udin borštu, kjer so se rokovnjači skrivali po jamah. Pred Francozi so se skrivali po jamah tudi vaščani, med II. svetovno vojno pa partizani. Drugi dejavnik, ki je igral veliko vlogo pri spoznavanju jam v Udin borštu, je voda. Večina vasi je dobivala vodo iz Udin boršta, deloma iz jam. Kot drugod v konglomeratu, so tudi v Udin borštu sledi lomljenja kamine za mlinske kamne. Prva tiskana vest o jamah v Udin borštu je v Valvasorjevem delu »Slava vojvodine Kranjske«. V Zgodovini fara Ljubljanske škofije je omenjenih sedem jam. Sodobno jamarsko raziskovanje se je pričelo leta 1946. 1954 so pričeli obiskovati jame v Udin borštu člani Prirodoslovnega krožka I. gimnazije iz Kranja. V istem času se je raziskovanja teh jam lotil sodelavec Inštituta za raziskovanje krasa SAZU iz Postojne. Jame v Udin borštu so bile ponovno obiskane sredi sedemdesetih let prejšnjega stoletja, v okviru velikega projekta »Speleološka karta Slovenije«. Povezanost človeka z zemljo se vidi tudi iz krajevnih in ledinskih imen. Zadnji del prispevka se ukvarja s temi imeni, vključno z razlago imena Udin boršt.  

British Literature and Culture in Second World Wartime

2020 ◽  
Author(s):  
Beryl Pong
Keyword(s):  
Short Stories ◽  
British Literature ◽  
Second World War ◽  
Military Strategy ◽  
World War ◽  
State Of Emergency ◽  
The Past ◽  
Time Zones ◽  
To Come ◽  
Second World

What happens to the concept of wartime in the 1940s? For the Duration excavates British late modernism’s relationship to war in terms of chronophobia: a joint fear of the past and future. Coloured by the trauma of past violence and dread of those to come, the Second World War and its defining military strategy, civilian aerial bombardment, upended straightforward understandings of past, present, and future. Identifying a constellation of temporalities and affects under three tropes—time capsules, time zones, and ruins—the book contends that Second World Wartime is a pivotal moment when wartime surpassed the boundaries of a specific state of emergency, becoming first routine and then open-ended. It scrutinizes a variety of cultural artefacts, from life-writings to short stories, from novels to film and painting, that formally registered the distinctiveness of this wartime through a complex feedback between anticipation and retrospection. While offering a strong foundation for new readers of the mid-century, the book and its overall theoretical focus on chronophobia will be an important intervention for those already working in the field.

Cultural memories and their re-actualizations

2021 ◽  
Author(s):  
Thomas Van de Putte
Keyword(s):  
Cultural Memory ◽  
Second World War ◽  
Positioning Theory ◽  
World War ◽  
Collective Memories ◽  
The Past ◽  
Narrative Studies ◽  
Everyday Interaction ◽  
Social Scientific ◽  
Second World

Abstract Memory studies has, in only a few decades, produced insights in two inter-related processes. First, memory scholars theorized how representations of the past become socially shared. Secondly, they theorized how these cultural and collective memories circulate and are being re-actualized in different contexts. But critiques of the field have targeted the metaphorical and reified nature of cultural memory concepts. This article argues that some concepts developed in social scientific narrative studies could provide cultural memory scholars with a precise and less metaphorical vocabulary to understand how people make sense of non-autobiographical pasts in different interactional contexts. In particular, the article focusses on how positioning theory and unexplained events in narrative pre-construction assist analysis of the flexibility of the remembering self in everyday interaction. The examples in this article concern narrations of the Second World War and Holocaust gathered during fieldwork in the contemporary town of Auschwitz in Poland.

The Politics of History in Russia and Theatricalisation of Traumatic Events

Inner Asia ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 233-256
Author(s):  
Elza-Bair Guchinova
Keyword(s):  
Traumatic Event ◽  
Traumatic Events ◽  
World War ◽  
Generational Change ◽  
Historical Representation ◽  
The Past ◽  
The People ◽  
The World ◽  
Politics Of History ◽  
History Of

Abstract This article examines how historical representation of the deportation of Kalmyks to Siberia has changed in compliance with the politics of history in Russia. It traces the shift from silence on this topic under communism to the dramatisation of it in the 1990s when the communists lost their power, and finally to the softening of this event in the last decades when state ideology under Putin’s administration is striving to unite the peoples of Russia around the victory in the World War II, leaving the history of the ‘purged peoples’ on the sidelines of this triumph. This evolution from a tragic to a more positive narrative is reflected in the messages of public spectacles about the deportation. The softened approach to this traumatic event was also linked to generational change: its eldest witnesses today are the people who were born between 1943 and 1956 and who were too young to remember its hardships. The author analyses classic theatre performances (‘Arash’, 1995, and ‘Kalmychka’, 2018) and mass agitational campaigns, such as the Trains of Remembrance which took present-day Kalmyks to Siberia to express gratitude symbolically to Siberians who helped them in the difficult period. These spectacles are not mere historical illustrations of the past, but new revisions of it.

scholarly journals WEDDING GIFT EXCHANGE AMONG THE PEOPLES OF DAGESTAN: TRADITIONS AND INNOVATIONS

2020 ◽  
Vol 15 (4) ◽  
pp. 783-799
Author(s):  
Aida K. Amirkhanova ◽  
Aminat A. Bayramkulova
Keyword(s):  
Social Relations ◽  
Social Life ◽  
Gift Exchange ◽  
Soviet Period ◽  
Way Of Life ◽  
For Profit ◽  
The Past ◽  
The People ◽  
Moral Damage ◽  
Exchange Relations

The purpose of this article is to show the state of modern exchange relations in the wedding ceremonies of the peoples of Dagestan and to trace the variants of their transformation at different stages of the wedding. Ceremonies of wedding gift exchange of Dagestanis today have similar features with traditional customs and ceremonies. However, over time, under the influence of ethno-cultural and other processes, modern exchange relations within wedding customs have undergone certain transformations, adapting to the modern way of life of the people. It is known that exchange relations are the most archaic tradition of social life of any nation, originating in ancient times. It is believed that the traditions of gift exchange were created to preserve existing or create new kinship and social relations within or between communities. However, in recent years, its main functions are increasingly becoming a thirst for profit, i.e., gift exchange acquires utilitarian functions. Many of the symbolic wedding gifts of the past have now been replaced by money, and their value is increasing every year. Since the post-Soviet period, the expressed interest and return of the peoples of Dagestan to their traditional customs and rituals (including wedding) can be traced. However, the moral and ethical side of these customs remained in the past. To solve these problems and facilitate the wedding (reduce costs) and all its stages, it is necessary to introduce into modern rites of wedding gift exchange reasonable ethical standards to regulate these rituals. It is necessary to rethink the current traditional customs of gift exchange, bringing material and moral damage to the family, to choose and preserve the most important of them, corresponding to the modern way of life of Dagestanis, discarding unnecessary and irrelevant rituals.

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