E-Government in Bangladesh

2013 ◽  
pp. 217-232 ◽  
Author(s):  
Noore Alam Siddiquee ◽  
Md. Gofran Faroqi
Keyword(s):  
Institutional Framework ◽  
Government Programs ◽  
Shed Light ◽  
The Way

In this chapter, the authors delineate the overall policy and institutional framework of e-government from the perspective of Bangladesh. Recognizing the current government’s attempt at branding the country as “Digital Bangladesh,” the authors explore major e-government programs and initiatives in operation. Most importantly, they eloquently elaborate on the constraints and challenges facing Bangladesh in its pursuit of electronic governance and also shed light on the way forward.

Géographie et cartographie fictionnelles dans l’Utopie (1516) de Thomas More

Moreana ◽  
2010 ◽  
Vol 47 (Number 181- (3-4) ◽  
pp. 9-68
Author(s):  
Jean Du Verger
Keyword(s):  
Complex Network ◽  
Narrative Strategies ◽  
Thomas More ◽  
The Third ◽  
Editio Princeps ◽  
Shed Light ◽  
The Way

The philosophical and political aspects of Utopia have often shadowed the geographical and cartographical dimension of More’s work. Thus, I will try to shed light on this aspect of the book in order to lay emphasis on the links fostered between knowledge and space during the Renaissance. I shall try to show how More’s opusculum aureum, which is fraught with cartographical references, reifies what Germain Marc’hadour terms a “fictional archipelago” (“The Catalan World Atlas” (c. 1375) by Abraham Cresques ; Zuane Pizzigano’s portolano chart (1423); Martin Benhaim’s globe (1492); Martin Waldseemüller’s Cosmographiae Introductio (1507); Claudius Ptolemy’s Geographia (1513) ; Benedetto Bordone’s Isolario (1528) ; Diogo Ribeiro’s world map (1529) ; the Grand Insulaire et Pilotage (c.1586) by André Thevet). I will, therefore, uncover the narrative strategies used by Thomas More in a text which lies on a complex network of geographical and cartographical references. Finally, I will examine the way in which the frontispiece of the editio princeps of 1516, as well as the frontispiece of the third edition published by Froben at Basle in 1518, clearly highlight the geographical and cartographical aspect of More’s narrative.

scholarly journals Becoming a Crorepati: From Glocal TV Game to Grobal Fiction

2020 ◽  
Vol 73 (3) ◽  
pp. 497-520
Author(s):  
Nicola Pozza
Keyword(s):  
Effective Means ◽  
The Novel ◽  
Cultural Products ◽  
Slumdog Millionaire ◽  
Interactive Nature ◽  
Tv Show ◽  
Shed Light ◽  
The Way

AbstractNumerous studies have dealt with the process of globalization and its various cultural products. Three such cultural products illustrate this process: Vikas Swarup’s novel Q and A (2005), the TV quiz show Kaun banega crorepati? (Who Wants to Be a Millionaire?), and Danny Boyle’s film Slumdog Millionaire (2008). The novel, the TV show and the film have so far been studied separately. Juxtaposing and comparing Q and A, Kaun banega crorepati, and Slumdog Millionaire provides an effective means to shed light on the dialogic and interactive nature of the process of globalization. It is argued through this case study that an analysis of their place of production, language and content, helps clarify the derivative concepts of “glocalization” and “grobalization” with regard to the way(s) contemporary cultural products respond to globalization.

scholarly journals Software Testing: Issues and Challenges of Artificial Intelligence & Machine Learning

2021 ◽  
Vol 12 (1) ◽  
pp. 101-112
Author(s):  
Kishore Sugali ◽  
Chris Sprunger ◽  
Venkata N Inukollu
Keyword(s):  
Artificial Intelligence ◽  
Machine Learning ◽  
Software Testing ◽  
Future Research ◽  
Critical Component ◽  
Development Methodology ◽  
Testing Strategies ◽  
History Of ◽  
Shed Light ◽  
The Way

The history of Artificial Intelligence and Machine Learning dates back to 1950’s. In recent years, there has been an increase in popularity for applications that implement AI and ML technology. As with traditional development, software testing is a critical component of an efficient AI/ML application. However, the approach to development methodology used in AI/ML varies significantly from traditional development. Owing to these variations, numerous software testing challenges occur. This paper aims to recognize and to explain some of the biggest challenges that software testers face in dealing with AI/ML applications. For future research, this study has key implications. Each of the challenges outlined in this paper is ideal for further investigation and has great potential to shed light on the way to more productive software testing strategies and methodologies that can be applied to AI/ML applications.

scholarly journals The Special Apparatus (al-Niẓām al-Khāṣṣ): The Rise of Nationalist Militancy in the Ranks of the Egyptian Muslim Brotherhood

Religions ◽  
2022 ◽  
Vol 13 (1) ◽  
pp. 77
Author(s):  
Ahmed Abou El Zalaf
Keyword(s):  
Political Violence ◽  
Systematic Study ◽  
Muslim Brotherhood ◽  
British Colonization ◽  
Special Apparatus ◽  
Depth Study ◽  
History Of ◽  
Shed Light ◽  
The Way

Existing scholarship has largely focused on the role of Sayyid Qutb’s ideas when analyzing the Muslim Brotherhood’s violent history. Perceiving Qutb’s ideas as paving the way for radical interpretations of jihad, many studies linked the Brotherhood’s violent history with this key ideologue. Yet, in so doing, many studies overlooked the importance of the Special Apparatus in shaping this violent history of the Brotherhood, long before Qutb joined the organization. Through an in-depth study of memoires and accounts penned by Brotherhood members and leaders, and a systematic study of British and American intelligence sources, I attempt to shed light on this understudied formation of the Brotherhood, the Special Apparatus. This paper looks at the development of anti-colonial militancy in Egypt, particularly the part played by the Brotherhood until 1954. It contends that political violence, in the context of British colonization, antedated the Brotherhood’s foundation, and was in some instances considered as a legitimate and even distinguished duty among anti-colonial factions. The application of violence was on no account a part of the Brotherhood’s core strategy, but the organization, nevertheless, established an armed and secret wing tasked with the fulfillment of what a segment of its members perceived as the duty of anti-colonial jihad.

scholarly journals Ruin philosophy, poetic discourse and the collapse of meta-narratives in Aleksandr Kushner's poetry of the 1970s

Nordlit ◽  
2017 ◽  
Author(s):  
Andreas Schönle
Keyword(s):  
The Self ◽  
Close Reading ◽  
Poetic Discourse ◽  
Philosophical Background ◽  
The Face ◽  
Creative Forces ◽  
Bear Witness ◽  
Shed Light ◽  
The Way

This article offers an analysis of the trope of ruin in the poetry of Aleksandr Kushner (born 1936), in particular through a close reading of two of his poems: “In a slippery graveyard, alone” and “Ruins”. The analysis of these poems is preceded by an overview of ruin philosophy from Burke and Diderot to Simmel and Benjamin, with particular emphasis on the way the trope of ruin contemplation stages a confrontation between the self and what transcends it (death, history, nature, etc.). This philosophical background serves as a heuristic tool to shed light on the poetry of Kushner. Through the trope of ruin, Kushner explores the legitimacy of poetic speech after the collapse of all meta-narratives. Kushner has no truck with Diderot's solipsism, nor with Hegel's bold narrative of progress, nor with Simmel's peaceful reconciliation with the creative forces of nature. Nor, really, does he intend to bear witness to history, the way Benjamin does in the faint anticipation of some miracle. Instead, Kushner posits the endurance of a community united not around a grand project, but around the idea of carrying on in the face of everything, muddling through despite the lack of hopes for a transformational future and making the most of fleeting moments of positivity that emerge out of the fundamental serendipity of history.

Browning's Knowledge of Music

PMLA ◽  
1947 ◽  
Vol 62 (4) ◽  
pp. 1095-1099
Author(s):  
Herbert Eveleth Greene
Keyword(s):  
Good Deal ◽  
Robert Browning ◽  
The Past ◽  
Casual Reader ◽  
First Time ◽  
Shed Light ◽  
The Way

That Robert Browning, the poet, possessed wide and multifarious learning is evident to a casual reader of his poems. The careful reader is impressed by the range and extent of his learning which includes much of what is called hole-in-the-corner knowledge, a familiarity with out-of-the-way topics and incidents that few readers possess. The scholarship of the past two decades has begun to give us a good deal of knowledge upon the nature of Browning's learning, and we are in a fair position now to estimate how much of the poet's knowledge was systematic and well-ordered, and how much of it was haphazard and based upon a following-up of this or that temporary interest. The letter which is the heart of this paper and which is published for the first time below will shed light upon this problem in an area in which Browning's training was probably most systematic.

Our Changing World

2022 ◽  
pp. 13-63
Keyword(s):  
Employee Engagement ◽  
Qualitative Interviews ◽  
Work Hours ◽  
The World ◽  
The Future ◽  
Family And Work ◽  
Shed Light ◽  
The Way ◽  
Changing World

COVID-19 has dramatically changed our world in terms of telework specifically and remote life in general. We are still learning new things about balancing family and work; trustworthiness, performance, and accountability issues; important changes and discoveries about the way the world goes to work; and discussions of the dynamic ways people communicate. This chapter examines reasons for resistance to telework to shed light on how COVID-19 has changed us. The discussion that follows centers on qualitative interviews concerning telework, an evaluation of employee engagement now and in the future, and ideas and actions that should prove helpful to organizations. Analyzing the interviews reveals several common threads: distractions, fatigue, accountability, communication, productivity, technology, coping, work hours, resources, and plan approaches.

Creative Process II

2019 ◽  
pp. 117-136
Author(s):  
Stephen A. Crist
Keyword(s):  
Creative Process ◽  
Full Length ◽  
Time Out ◽  
Audio Recordings ◽  
History Of ◽  
Shed Light ◽  
Surprising Discovery ◽  
The Way

Among Dave Brubeck’s personal audio recordings are about two dozen takes of “Take Five,” which preceded the full-length version on Time Out and the shorter single release version. This chapter discusses first the familiar versions from July 1959, and then considers how the Quartet’s efforts at the end of June paved the way for those iconic recordings. A surprising discovery from the original session recordings of “Kathy’s Waltz” and “Strange Meadow Lark” is that both cuts were spliced from supplemental takes. The recording history of “Everybody’s Jumpin’ ” includes the unexpected fact that a portion of the tune originated in 1950, nine years before the Time Out sessions. The chapter also examines the original recordings of “Three to Get Ready” and “Blue Rondo à la Turk,” as well as two tracks that shed light on the origins of “Pick Up Sticks.”

Branding, culture, and political ideology: Spanish patriotism as the identity myth of an iconic brand

2020 ◽  
pp. 146954051989997
Author(s):  
Antonio Pineda ◽  
Paloma Sanz-Marcos ◽  
María-Teresa Gordillo-Rodríguez
Keyword(s):  
Political Ideology ◽  
Theoretical Framework ◽  
Data Sources ◽  
Cultural Aspects ◽  
Iconic Status ◽  
Separatist Movement ◽  
Cultural Branding ◽  
Shed Light ◽  
The Way

The cultural aspects of brands, as well as their consideration as symbols in consumer cultures, are relevant elements of contemporary branding. This research relies on cultural branding as a theoretical framework that explains the role of brands as vessels of ideology. Such a role relates to the fact that brands can simultaneously reflect and smooth societal tensions – that is, the mechanics that turn brands into icons according to the theory of “iconic brands.” This article focuses on the Spanish fashion company Piel de Toro (“Bull Skin”) to illustrate the ideological role of brands, as well as the identity myths they convey to meet consumers’ anxieties. To study the way this brand formulated a patriotic identity myth in the context of the Catalonian separatist movement, Piel de Toro’s “Proudly Spanish” 2017 campaign is analyzed by putting together the brand genealogy method and different data sources. Results shed light on the scope and limits of the brand’s iconic status, and indicate the role of commercial brands as political–ideological actors in contemporary Spanish culture.

scholarly journals Problems in English to Arabic Subtitles Translation of Religious Terms—Bruce Almighty and Supernatural on MBC & Dubai One: A Case Study

2016 ◽  
Vol 6 (1) ◽  
pp. 38
Author(s):  
Ahmed Abdel Azim ElShiekh
Keyword(s):  
Young Men ◽  
Time And Space ◽  
Technical Problems ◽  
Gulf Countries ◽  
Arab Gulf ◽  
Bruce Almighty ◽  
Shed Light ◽  
The Way

<p>This paper attempts to shed light on some cultural and/or technical problems in the translation of religious terms from English into Arabic in the subtitles of movies, with particular reference to some Arab Gulf countries channels. Due to limitations of time and space, the researcher has taken two particular channels as representative, namely MBC Channel group and Dubai One. The data of the research have been collected from one film and one TV series as quite typical examples of works that may lead to serious problems in the subtitles translation with regard to religious terms. In both cases, the use of religious terms is not only obligatory but also focal. The researcher points the discrepancies in the choice of Arabic equivalents for the English religious terms in question as well as explores the possible reasons of and recommended solutions to such cultural problems in translation. The film, <em>Bruce Almighty</em>, is a light and comic treatment of the phenomenon of well-educated yet vain young men, doubting the wisdom of God Almighty. Jim Cary plays the role of the young man, while Morgan Freeman actually plays God! Hence, there is no easy way out of the necessity of tackling the problem of translating the religious terms involved. As for the TV series, <em>Supernatural</em>, the whole episode deals with God, angels, demons and Satan. It remains to be said that this paper does not claim to give decisive answers to the questions posed by the research, but only aspires to pave the way before further research on the topic and related issues.</p>

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