The Politeness Strategies Found in @kulinersby’s Instagram Account in Promoting Culinary Businesses

This study aims to find out the types of politeness2 that are found in @kulinersby’s promotion culinary business promotion, and from there, the comments that are included as politeness1. The analysis is based on the theories of Brown and Levinson (1987) and Watts (2003). Watts (2003) states that what is theoretically considered as politeness (politeness2) in Brown and Levinson (1987) may not be the case in reality (politeness1). This qualitative study is limited to video-based posts, with the comments only related to how the account’s administrator promotes culinary businesses. From this research, the writers find that even though both politeness2 and politeness1 conflict with each other, there are some similarities that are found in analyzing both politeness. In conclusion, despite the lasting influence of Brown and Levinson’s (1987) theory, it still has some notable flaws, notably with universality and multiple interpretation of the strategies by different individuals, among others.

Understanding Domestic Violence in Indonesia Through a Play-with-music: A Story of Wounds

The number of domestic violence is 50% out of violence against woman cases in Indonesia. This condition is intriguing to analyse. There must be a reason behind rising number of crimes related to inequality of women position in the society. One of the ways that can be used to reflect on this subject is through theatre. It is a work of art that can be used to discuss and inspire a necessary social change or social agenda. Therefore, applying textual analysis method on A Story of Wounds, a play by Jessie Monika, I would like to find the reasons behind that inequality to find the core problem of domestic violence as portrayed in ASoW. I utilize Bourdieu’s capital, habitus and field theory to prove that inequality between the wife and the husband, the deeply rooted patriarchy values create imbalance power that open opportunity for domestic violence toward women.

The Portrayal of Occultism in “The Call of Cthulhu” (1928) by H.P. Lovecraft

H.P. Lovecraft crafted an intricate mythos which initially did not find success until after his death, and his works, most notably “The Call of Cthulhu” (1928), were regarded to be a landmark towards the relevancy of occultism both in the field of literature and religious belief. The short story was regarded to be the staple of “cosmic horror” which Lovecraft applied to almost all of his stories. The paper analyze how “The Call of Cthulhu” influenced the belief of modern occultism, which can be inferred from the literary elements in the story. Further analysis will also identify how Lovecraft portrayed the subgenre “cosmic horror” to enhance the elements of occultism within the short story. In relation to the previous elements, the paper examine how a particular cult, Typhonian Order, was influenced by the elements of occultism used in the story.

Speak Louder Than the Ballot: A Cognitive Study to Election Abstention Metaphors

There have been few studies that highlight the use of metaphor in political discourse and election, but none of those studies focus on the election abstention –known in Indonesia as Golput phenomena- and the discussion of the intertwined components in metaphor. This research aims to investigate various metaphor components in the metaphorical description used to describe the abstention during the Indonesian election 2019 within the Conceptual Metaphor Theory (Lakoff and Johnson, 1980). Kovecses (2003) highlighted components of metaphor are also used to examine the essential components of conceptual metaphor in the use. The sources of data were from five foreign media reports that discuss the Indonesian issue of election abstention. The result shows there few essential components that can be revealed behind a metaphor such as the importance of mental image, cultural context, and highlighted elements in metaphor that contribute to the metaphorical function and interpretation

Reading Through Emotions: An Affective Narratolological Approach to Alice Munro's Short Stories

The emergence of fields of study like emotionology, affective narratology, and psychonarratology in recent decades evidences a dramatic rise in research done on the meaning and interpretation of emotions. Affective Narratology as one of the recent fields in emotion studies attempts to identify and account for the figuration of emotions in works of literature. Focusing on three basic emotions (shame, jealousy and love) figuring in Alice Munro’s selected short stories this paper probes the significance of emotional registers in the writer's depiction of daily life. Examined is the way the stories' sincere tone and their comprehensible, ordinary language, contribute to the emotional identification of readers with characters. Applying affective narratological theories, the objective is to show how emotions contribute to plot development and characterization in these stories. Central to the analysis is interpreting emotional moments experienced by characters, especially female characters

In search of self: Navigating subjectivity amidst conflicts in Rainbow Rowell’s Eleanor & Park (2012)

Entrance into adulthood has often been seen as a phase marked by self-exploration, instability, and struggles to overcome tensions and conflicts. Eleanor & Park (2012) is a novel that explores issues of growing up and tells the story of how the two main characters go through the struggles of their adolescent lives. This study analyzes how Eleanor and Park construct and navigate their subjectivities amidst the various conflicts they face. It does so by, first, identifying and classifying the conflicts the characters encounter and then locating their provisional subject positions that draw on how they react to and deal with the conflicts. While the study confirms the dynamic nature of subject positions, both Eleanor and Park tend to bring to the fore their active subject position in dealing with the conflicts. Moreover, their subject positions further indicate that Eleanor and Park are empowered agents who are capable of deliberating thoughts and actions consciously. In navigating their subjectivities, both characters, in the end, are able to achieve personal growth and empowerment.

Reimagining Peter Pan: The Postmodern Childhood Portrayal in Wendy (2020)

As a social construct, the view towards childhood remains to change over time. Literary works, such as films or novels from different periods of time which feature children's characters as the protagonists can be the right medium to identify those shifts. This article analyzes Wendy (2020) film as the latest adaptation of J.M. Barrie’s classic children's novel Peter Pan (1911). This film has made some transformations from the original novel to make the story more relevant in today’s context, including how it showcases childhood that is experienced by the children’s characters. Using textual and comparative analysis, this study attempts to see the transformations in the film adaptation and how it shows a different childhood construction from the one appearing in the source novel. Referring to the concept of postmodern childhood, Linda Hutcheon’s adaptation theory, and Bordwell and Thompson’s elements of film analysis, this study reveals how Wendy (2020) has exemplified the concept of postmodern childhood through the portrayal of children’s roles, children’s agency, and children-adults relationship.

Unpacking Multilingualism in Tourism Peripheries in Bali: Taking a Look into Private Shop-fronts

This article reports on the discussion of linguistic landscape in the course of tourism peripheries. The central aim is to unravel the salience and visibility of language practices manifested in the shop-fronts in Bali tourism peripherals. Drawing on Bourdieu’s language as social power (1983; 1993), presentation-of-self (Goffman, 1963; 1981), and good-reasons perspective (Boudon, 1990) we explore the language choices made by the local shop owners and the principles driving these choices. The findings conclude that English is the dominant language Bali tourism peripheries, and it is driven by the perceived power attributed to English and the economy benefits associated to English; the principle of presentation-of-self is not prioritized. We argue that local shop owners’ perception of targeted clients is the determining factor influencing it. Mandarin language need to be present more to cater the Chinese tourists for they constitute a big portion to the body of international tourists in Bali.

A Clash of Two Generations: A Comparative Deconstructive Discourse Analysis of Three News Reports on Megawati’s Critique for Indonesian Millennials

Written in the spirit of critical tradition, this paper aims to demystify the hegemony induced in the media coverages about the critique of Indonesian former president, Megawati Soekarnoputri, towards its millennials for ‘lacking contribution to the country’. By applying genre, deconstruction and dynamic perspective of ideological tension analyses, this article reveals how three different medias report the phenomenon differently by bringing up different topics to be discussed for their own purposes. While scrutinizing the relationship between the phenomenon and its news reports, this paper sees a need for a transvaluation to the concept of nationalism which in the end negates itself since the conception of nationalism itself has to do with power struggle that has the potential to degenerate the Self and harm the Other.

Representations of Girlhood and Girl Stereotypes in Victoria Aveyards’ The Red Queen Collection

Given the fact that girlhood studies is a new area of investigation which intriguingly demonstrates various ways through which girlhood is structured by different social and cultural codes, we intend to examine girl characters in The Red Queen collection as it was the New York Times Best Selling series. This investigation reveals the way cultural and social norms prescribe specific gender roles and shape different versions of girl characters in this series. To find girl stereotypes in The Red Queen collection, such girlhood theories as Girl Power, Reviving Ophelia, #LIKEAGIRL, Girl Effect and Girl Up have been taken into consideration. Various depictions of girlhood in The Red Queen collection are represented through characters who have different ethnic backgrounds and come from different social classes. This implies that the formation of girl identity has a lot to do with social, economic, political and cultural structures. However, identity formation, as we see in the collection, is an ongoing process and can change in the course of an individual’s self-development.