scholarly journals A Methodological Mechanism for Applying the Hermeneutical Approach

2019 ◽  
Vol 15 (1 (19)) ◽  
pp. 9-29
Author(s):  
Seda Gasparyan

The present paper deals with one of the intricate problems of philology – the question of reading and understanding a work of verbal creativity. The paper aims at emphasizing the methodological value of the hermeneutical approach to the study of literature which comes into being due to the presence of three basic components: imagination, language as a code between the writer and the reader, and the expected ability of the reader to share the author’s emotions and thoughts. Proceeding from the basic statements of hermeneutics and Schleiermacher’s theory of hermeneutical circle in particular, as well as considering the results of our former investigations we come to the conclusion that understanding verbal art is a complex process which is achieved step by step. To provide a reliable mechanism for the application of the hermeneutical approach the investigator has to take the following steps: 1) reveal the correlation of language and speech with the help of the linguostylistic method of analysis; 2) understand the aesthetic value of the work built up due to the complex relationship of the linguistic elements and the poetics of the work, which is brought out by the linguopoetic method of analysis; 3) come up to the metametasemiotic level of analysis which, in fact, belongs to the sphere of literature studies and helps reveal the intention of the author and the idea of the work.

2021 ◽  
pp. 178-209
Author(s):  
A. A. Kholikov ◽  
V. G. Khruslova

The poetry of Narodnik revolutionaries is viewed in the context of interaction between literature and journalism during transition periods. A. Kholikov and V. Khruslova analyse the Poet’s Library book series, whose staff prepared poems of Narodnik revolutionaries for publication, including the anthology The Poetry of the Revolutionary Narodniks [Poeziya revolyutsionnogo narodnichestva] (2019). The article discusses the relevance of the poetry penned by Narodnik revolutionaries as perceived for the Soviet period and the current circumstances, the aesthetic value of their poetic legacy, and the multifaceted relationship of the poems with the Silver Age movement. A review of various methods used by editorial teams calls attention to the problem of cataloging magazine and newspaper material and outlines the prospects of a wider source base for contemporary research.


2012 ◽  
Vol 28 (1) ◽  
pp. 67-79 ◽  
Author(s):  
David Overend

In this article David Overend proposes a concept of ‘audience’ that accounts for a complex process of fluctuation between observing or spectating performance as part of a wider group, and becoming part of the aesthetic – forming individual relationships with the artwork and its environment. It is proposed that developing Nicolas Bourriaud's concept of ‘relational aesthetics’ as a model for ‘relational theatre practice’ responds to the continually shifting modes of engagement of those encountering and becoming part of a performance event. Focusing on the Arches arts centre in Glasgow, and drawing on the theory of clubbing, Overend develops a performance for a club night, comparing the experience of the clubbing crowd to that of a theatre audience in order to interrogate the relationship of two cultural practices that remain largely autonomous within the day-to-day operations of the site. Midland Street (September 2009) was a one-off performance for ‘Death Disco’, the monthly electro club night at the Arches. Using cars parked outside the venue, a chaotic poker game, and an array of overtly theatrical characters, including a clown and a pack of urban animals, the performance attempted to move outside the boundaries of the theatre programme as well as the studio theatre space, entering another dynamic relational realm, which is central to the Arches' cultural identity and funding structures. Combining a practical and theoretical approach, this research interrogates Bourriaud's relational aesthetic model through its application to the development of theatre practice within the specific context of an arts venue.


MADRASAH ◽  
2016 ◽  
Vol 8 (2) ◽  
pp. 18
Author(s):  
Moh. Ahsan Shohifur Rizal

<span class="fontstyle0">“Singir mitera sejati” and “ngudi susila” are a literary work that shaped “nadhom” poetically by following the rules of science of arudl. In addition there is an aesthetic and educational value. “Singir” can serve as a medium of education and learning resources. Because “singir” store “adhiluhung” value which can be utilized appropriately, particularly in the study of literature in the school or boarding school. This research aims to reveal the aesthetic and educational value. Substantially, this research describes about three things, namely (1) aesthetic value that includes, (a) the aesthetics of form, and (b) the aesthetic contents. (2) the value of moral education that includes (a) the value of moral education which clarifies the relationship of human with God, (b) the relationship of human with human, (c) man human with themself and (d) the human with the environment or nature.<br /></span><strong></strong>


2018 ◽  
pp. 29-36
Author(s):  
Nikolai I. Shepetkov ◽  
George N. Cherkasov ◽  
Vladimir A. Novikov

This paper considers the fundamental problem of artificial lighting in various types and scales of industrial facilities, focusing on exterior lighting design solutions. There is a lack of interest from investors, customers and society in high­quality lighting design for industrial facilities in Russia, which in many cities are very imaginative structures, practically unused in the evening. Architectural lighting of various types of installations is illustrated with photographs. The purpose of the article is to draw attention to the aesthetic value of industrial structures, provided not only by the architectural, but also by a welldesigned lighting solution.


2014 ◽  
pp. 126-136
Author(s):  
Аndrey G. Velikanov

Considers the aspects of architecture as a language able to express the current state and to prophetically indicate the upcoming changes. The aesthetic value of a construction cannot be perceived just as a separate entity, but it can be cognized in the context and not only a visual one, in space. It is necessary to see the entire complex of the accompanying phenomena, all the flow of the unfolding metaphors and values. In the model in view the figure of the author-creator must be reconsidered as no longer conforming to today's reality. The development of the Stalinist Empire style, as well as its transformations, is considered as one of the specific phenomena in the history of well-known constructions


Author(s):  
Muhammad Apriliyanto ◽  
Miftachul Ulum ◽  
Koko Joni

<em>The process of folding clothes is one of the activities carried out in the laundry business or household. The activity is fairly easy but many people are still lazy to do it. As a result, clothes that have been washed will fall apart in certain rooms, thereby reducing the aesthetic value of a home. Semi Automatic T-Shirt Folding Machine is the right solution to make folding clothes easier and more time efficient. This tool is equipped with a servo motor that moves the folding board that has been designed in such a way that the user only needs to manghandle the shirt just once and simply push one button then the shirt will fold itself and will be neatly arranged through the clothes stacker board. The PID method is applied to DC motors that move under the clothes folder so that the buildup of clothes underneath will not be pressured upward when the clothes are piled up when they are folded. Ultrasonic sensor will measure the right height between the clothes with the door opening the stacking clothes with kp = 1, ki = 0.1, kd = 0.5 for thin clothes and kp = 5, ki = 1, kd = 2.5 for thick clothes so that the movement of the motor can adjust its speed . This tool can fold one shirt in 16.83 seconds 11 seconds faster than folding clothes manually</em>


ARTic ◽  
2019 ◽  
Vol 3 ◽  
pp. 121-134
Author(s):  
Apsari Dj Hasan

This study aims to examine the decorative types of Gorontalo karawo fabrics in aesthetic and symbolic elements. Researchers want to know as made in the research design, aspects that are present in the decoration of fabrics in aesthetic and symbolic elements. This study uses a number of related theories to get results, and as a determinant, the authors use aesthetic theory, as well as historical approaches. With this theoretical basis, the author seeks to describe the aesthetic aspects and symbolic meanings that exist in Gorontalo karawo fabric. Through the data collection of the chosen motif and provide a classification of motives, the part is used as a reference for research material. The results showed that Gorontalo filigree had an aesthetic value consisting of unity formed from the overall decorative motifs displayed, complexity formed by complexity in the manufacturing process, and intensity of seriousness in the manufacturing process or the impression displayed on the filigree motif. The aesthetic form also reflects the diversity of meanings for communication, such as the symbol of a leader with his noble instincts, a symbol of cultural cooperation, which is worth maintaining, and ideas about nature conservation. This research proves that the decoration in Gorontalo filigree cloth (karawo) does not only act as a visual value, but also as a communication of cultural meanings and social status. Of all these distinctive motifs show a relationship between humans and humans and humans with nature. The influence of culture from the Philippines is also known to have a strong influence on the emergence of the Gorontalo filigree namely manila filigree.


Author(s):  
Rodrigo Figueiredo de Brito Resende

RESUMOO dente denominado incluso nada mais é que um dente retido ou impactado dentro do alvéolo dentário de maneira parcial ou completa que não conseguiu erupcionar por motivos patológicos ou simplesmente anatômicos após o período de rizogênese. O canino, em especial, é de suma importância sob os pontos de vista estético e funcional. O deslocamento do canino incluso ultrapassando, ou se aproximando da linha média antes da erupção dentária do mesmo, é mais frequente na mandíbula do que na maxila.  Este trabalho tem por objetivo descrever o caso de um paciente de 21 anos que apresentava um canino incluso na região mentual, em posição transversal, inicialmente visualizado em uma radiografia periapical e posteriormente submetido a radiografia com a técnica de Donavan. Através de uma radiografia oclusal, foi possível observar o posicionamento do dente para a vestibular mentoniana e íntima relação do dente retido com as raízes dos incisivos centrais decíduos do paciente. Foi realizada a extração do dente retido no mento, removendo o mesmo por completo sendo feitas osteotomias e odontossecções. O paciente está em acompanhamento clínico à 1 ano após o tratamento cirúrgico.Palavras – chave: Dente incluso; Cirurgia Oral; Imaginologia. ABSTRACTThe tooth inserted  is nothing more than a tooth retained or impacted within the dental socket partially or completely that failed to erupt for pathological or simply anatomical reasons after the period of rhizogenesis. The canine, in particular, is of the utmost importance from the aesthetic and functional points of view. The displacement of the canine, even surpassing or approaching the midline before tooth eruption, is more frequent in the mandible than in the maxilla. This work aims to describe the case of a 21 - year - old patient who had a canine included in the mental region, in a transverse position, which was initially visualized on a periapical radiograph and later submitted to radiography with the Donavan technique. An occlusal radiograph showed the positioning of the tooth for the mental vestibular and the intima relationship of the retained tooth with the roots of the patient's central deciduous incisors. Removal of the tooth retained in the denture was performed, removing the tooth completely and osteotomies and odontosections were performed. The patient is in clinical follow-up at 1 year after the surgical treatment. key words: Tooth included; Oral surgery; Imaginology.  


Author(s):  
Dominic McIver Lopes

A theory of aesthetic value should help us to make sense of how our aesthetic commitments matter to us as members of collectives. Aesthetic policies endogenous to aesthetic practices are directly justified by the network theory. The chapter looks at what aesthetic reasons we have to adopt exogenous aesthetic policies. Many argue that aesthetic practices deserve public support because aesthetic goods are public goods. A case is made for an aesthetic opportunity principle: larger social groups have reason to foster the aesthetic opportunities available to their members. The principle is applied to arts education and to communication technologies subserving aesthetic exchanges. The chapter ends with a discussion of how aesthetic opportunity interacts with—and can potentially counteract—oppressive social structures.


2021 ◽  
Vol 14 (8) ◽  
pp. 723
Author(s):  
Justyna Kowalska ◽  
Jakub Rok ◽  
Zuzanna Rzepka ◽  
Dorota Wrześniok

Photosensitivity is one of the most common cutaneous adverse drug reactions. There are two types of drug-induced photosensitivity: photoallergy and phototoxicity. Currently, the number of photosensitization cases is constantly increasing due to excessive exposure to sunlight, the aesthetic value of a tan, and the increasing number of photosensitizing substances in food, dietary supplements, and pharmaceutical and cosmetic products. The risk of photosensitivity reactions relates to several hundred externally and systemically administered drugs, including nonsteroidal anti-inflammatory, cardiovascular, psychotropic, antimicrobial, antihyperlipidemic, and antineoplastic drugs. Photosensitivity reactions often lead to hospitalization, additional treatment, medical management, decrease in patient’s comfort, and the limitations of drug usage. Mechanisms of drug-induced photosensitivity are complex and are observed at a cellular, molecular, and biochemical level. Photoexcitation and photoconversion of drugs trigger multidirectional biological reactions, including oxidative stress, inflammation, and changes in melanin synthesis. These effects contribute to the appearance of the following symptoms: erythema, swelling, blisters, exudation, peeling, burning, itching, and hyperpigmentation of the skin. This article reviews in detail the chemical and biological basis of drug-induced photosensitivity. The following factors are considered: the chemical properties, the influence of individual ranges of sunlight, the presence of melanin biopolymers, and the defense mechanisms of particular types of tested cells.


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