scholarly journals HUKUM & GLOBALISASI: IMPLEMENTASI PERDA PROVINSI BALI NO. 5 TAHUN 2005 TENTANG PERSYARATAN ARSITEKTUR BANGUNAN GEDUNG TERHADAP PERGESERAN PARADIGMA BERARSITEKTUR DI BALI

2021 ◽  
Vol 6 (1) ◽  
pp. 41-59
Author(s):  
I Kadek Pranajaya

The architectural style of buildings in Bali must be able to display the traditional Balinese architectural style (ATB) that is in harmony, balanced and integrated with the environment based on Balinese culture. Globalization and modernization encourage the creation of new technologies in the building materials industry to be more effective and efficient. Through a sociological juridical approach, it was found that the influence of globalization and modernization caused a shift in the architectural paradigm in Bali. Globalization and modernization have led to an identity crisis and the degradation of ATB towards a modern and minimalist direction as well as disharmony of traditional values ​​as the ancestral heritage of the people in Bali. The architectural paradigm shift in Bali has begun to shift and has deviated from the existing rules. The results of the study indicate that there has been a violation of the provisions on building architecture that have been stipulated through the Bali Provincial Regulation No. 5, 2005. Violations that take place seem to be left unchecked, ignorance or also a lack of public understanding of the norms that have been set. This is caused by the legal structure, legal substance and legal culture not working properly.

2017 ◽  
Vol 4 (2) ◽  
pp. 176
Author(s):  
Imawan Imawan

Abstrac tElections, both presidential / vice-presidential elections, legislative bodies both at the center and in the regions until the regional head is colored by money politics, as a way of winning a presidential, legislative body or regional head candidate. A democracy that should be able to choose qualified candidates for leaders, in the presence of dirty practices such as money politics, produces only a leader who is indifferent to the people and corrupt. Law enforcement of money politics continues to be pursued, both in terms of legal substance, legal structure, and legal culture. Progressive law is an alternative politics problem, with the courage of law enforcers in the police, prosecutors, judges and other related institutions to the imposition of criminal and administrative sanctions.


2019 ◽  
Vol 4 (II) ◽  
pp. 181-204
Author(s):  
Amrunsyah

This paper is entitled "The Neglected Dream" (Implementation of the Purpose of Law and Criminal Law in Indonesia). Law and the purpose of law have interrelated and inseparable links. The law always plays an important role in a country even the law has a multifunction with the aim of the public good in order to achieve justice, legal certainty, order, expediency, and others. However, this is far from the fire. That is, the public is only given the wind of heaven and dreams that wash away while the state authorities use the law as a tool to suppress society, so that society can be positioned in accordance with the desires of the state authorities. The implementation of the law and the purpose of the law in force in Indonesia is clearly visible, so through a number of legal theories set forth in this paper will be a little stomping for anyone who understands it when compensating for the facts that occur in the midst of society. In fact, for people who want to get legal justice but in reality are entangled in the law. The government should be serious in responding to this because the people have given full mandate to manage this country, including in dealing with legal issues, both in terms of legal structure, legal substance and legal culture played by law enforcement.


2019 ◽  
Vol 2 (1) ◽  
pp. 53
Author(s):  
Adhi Surya ◽  
Dewi Ariefah Noor

Teknologi tradisional pembuataan batu bata Sungai Tabuk terletak di kawasan bahari yang mempunyai nilai historis, ekonomis dan tradisional sebagaimana layaknya suatu kampung tradisional yang masih memegang nilai-nilai luhur. Sungai tabuk termasuk kedalam wilayah pemerintahan Kabupaten Banjar, Kecamatan Sungai Tabuk, memiliki luas 147,30 km2. Pada tahun 1890, kampung Sungai Tabuk termasuk ke dalam distrik Banjarmasin [1]. Yang menarik dari wilayah sungai tabuk adalah masyarakatnya adalah pekerja pembuatan batu-bata secara tradisional [2]. Material batu bata Sungai tabuk berasal dari tanah lempung (liat) pehumaan (pertanian). Sehingga tidak memerlukan pasir dan semen dalam campurannya hanya langsung dicetak, dikeringkan dan dibakar. Dalam satu hari bisa dikerjakan manusia 800-1000 batu-bata cetak tergantung dari daya tahan seseorang (sistem cetakan tradisional). Setelah dicetak maka dikeringkan dengan dijemur dengan panas sinar matahari selama 7 hari. Sistem tungku pembakaran secara tradisional yaitu dengan cara dibakar diatas tungku tumpukan batu bata dengan menggunakan kayu sibitan atau kulit-kulit kayu sampai batu-bata benar-benar masak berwarna merah ketika kering berwarna orange. Kenapa penulisan tentang teknologi tradisional pembuatan batu bata Sungai Tabuk ditulis? Agar ilmu pengetahuan dan teknologi tradisional ini tidak lengkang oleh waktu sehingga bisa diwariskan ke anak cucu akang datang. Bagi dunia keilmuan teknik sipil merupakan warisan keilmuan bahan bangunan sipil Kalimantan Selatan yang sifatnya khas atau unik dan kebudayaan yang harus dilestarikan.The traditional technology of the Sungai Tabuk brick building is located in the maritime region which has historical, economic and traditional values as befits a traditional village that still holds noble values. Tabuk River is included in the government area of Banjar Regency, Sungai Tabuk District, has an area of 147.30 km2. In 1890, the village of Sungai Tabuk was included in the district of Banjarmasin. What is interesting from the Tabuk river area is that the people are traditional brick-making workers. Tabuk River brick material comes from clay soil (clay) pehumaan (agriculture). So that it does not need sand and cement in the mixture, it is only printed, dried and burned. In one day, humans can do 800-1000 printed bricks depending on one's resistance (traditional mold system). After printing it is dried by drying in the sun for 7 days. Traditional combustion stoves are burnt on brick stoves using sibitan wood or bark until really cooked bricks are red when dry orange. Why is writing about the traditional technology of Sungai Tabuk brick making written? So that traditional science and technology is not curved by time so that it can be passed on to the children and grandchildren who will come. For the scientific world, civil engineering is a scientific legacy of South Kalimantan's civilian building materials that are unique or unique in nature and culture that must be preserved. 


2018 ◽  
Vol 1 (2) ◽  
pp. 123-138
Author(s):  
Eva Mir'atun Niswah

Intellectual Property Rights (IPR) is one of movable objects that can be represented according to waqf regulation (Undang-Undang No. 41 Tahun 2004 Tentang Wakaf). The previous regulations did not mention IPR as waqf object. IPR becomes waqf object because there is a shift of  paradigm on productive waqf. However, the waqf regulation (Undang-Undang No. 41 Tahun 2004 Tentang Wakaf) has many juridical problems. For example, there is no specific explanation about IPR waqf as well as money waqf. Besides, the IPR practice is very rare due to unclear forms of IPR waqf. Juridical problems on IPR waqf are related to legal substance, legal structure and legal culture. On legal substance, there is no clear explanation and mechanism of IPR waqf. On legal structure, there is no clear explanations about who can be the wakif or nazir on IPR waqf. On legal culture, many people are still unfamiliar with intangible waqf object (the conventional waqf object is land). Therefore, the acceptance of an intangible object such as IPR as a waqf object is very low.


2019 ◽  
Vol 1 (1) ◽  
pp. 199-226
Author(s):  
Ricardo M. Piñeyro Prins ◽  
Guadalupe E. Estrada Narvaez

We are witnessing how new technologies are radically changing the design of organizations, the way in which they produce and manage both their objectives and their strategies, and -above all- how digital transformation impacts the people who are part of it. Even today in our country, many organizations think that digitalizing is having a presence on social networks, a web page or venturing into cases of success in corporate social intranet. Others begin to invest a large part of their budget in training their teams and adapting them to the digital age. But given this current scenario, do we know exactly what the digital transformation of organizations means? It is necessary? Implying? Is there a roadmap to follow that leads to the success of this process? How are organizations that have been born 100% digital from their business conception to the way of producing services through the use of platforms? What role does the organizational culture play in this scenario? The challenge of the digital transformation of businesses and organizations, which is part of the paradigm of the industrial revolution 4.0, is happening here and now in all types of organizations, whether are they private, public or third sector. The challenge to take into account in this process is to identify the digital competences that each worker must face in order to accompany these changes and not be left out of it. In this sense, the present work seeks to analyze the main characteristics of the current technological advances that make up the digital transformation of organizations and how they must be accompanied by a digital culture and skills that allow their successful development. In order to approach this project, we will carry out an exploratory research, collecting data from the sector of new actors in the world of work such as employment platforms in its various areas (gastronomy, delivery, transportation, recreation, domestic service, etc) and an analysis of the main technological changes that impact on the digital transformation of organizations in Argentina.


Author(s):  
Ashish D Patel ◽  
Jigarkumar H. Shah

The aged population of the world is increasing by a large factor due to the availability of medical and other facilities. As the number grows rapidly, requirements of this segment of age (65+) are increasing rapidly as well as the percentage of aged persons living alone is also increasing with the same rate due to the inevitable socio-economic changes. This situation demands the solution of many problems like loneliness, chronic conditions, social interaction, transportation, day-to-day life and many more for independent living person. A large part of aged population may not be able to interact directly with new technologies. This sought some serious development towards the use of intelligent systems i.e. smart devices which helps the people with their inability to use the available as well future solutions. Ambient Assisted Living (AAL) is the answer to these problems. In this paper, issues related to AAL systems are studied. Study of challenges and limitations of this comparatively new field will help the designers to remove the barriers of AAL systems.


2015 ◽  
Vol 2 (1-2) ◽  
pp. 55-70
Author(s):  
Sean Foley

For decades, many scholars have contended that Saudi Arabia is a fixed political system, where a conservative monarchy uses advanced technology, oil revenues, and religion to dominate the people. Such a system is often portrayed as inherently unstable, a seemingly never-ending series of collisions between an unchanging traditional political structure seeking to hold on to power at any cost and a dynamic modernity—a view encapsulated in a phrase expressed at virtually every public discussion of the Kingdom in the West: ‘you must admit that Saudi Arabia must change’. Ironically this phrase confirms what this article argues is a secret to the success of Saudi Arabia in the contemporary era: the ability to legitimize transformation without calling it change. No society is static, including Saudi Arabia. Throughout the Kingdom’s history, the defining social institutions have repeatedly utilized Tajdīd (Revival) and Iṣlāḥ (Reform) to respond to new technologies and the changing expectations of a diverse society. While Muslim scholars are most often entrusted to arbitrate this process, ordinary Saudis use this process to guide their actions in the various social spaces they encounter both at home and abroad. Critically, this process reflects the response of King Abdulaziz and the founders of the third Saudi state in the early twentieth century to the factors that had brought down previous Saudi states in the nineteenth century.


Author(s):  
Riska Fauziah Hayati ◽  
Busyro Busyro ◽  
Bustamar Bustamar

<p dir="ltr"><span>The main problem in this paper is how the effectiveness of mediation in sharia economic dispute resolution based on PERMA No. 1 of 2016 at the Bukittinggi Religious Court, and what are the inhibiting factors success of mediation. To answer this question, the author uses an inductive and deductive analysis framework regarding the law effectiveness theory of Lawrence M. Friedman. This paper finds that mediation in sharia economic dispute resolution at the Bukittinggi Religious Court from 2016 to 2019 has not been effective. The ineffectiveness is caused by several factors that influence it: First, in terms of legal substance, PERMA No.1 of 2016 concerning Mediation Procedures in Courts still lacks in addressing the problems of the growing community. Second, in terms of legal structure, there are no judges who have mediator certificates. Third, the legal facilities and infrastructure at the Bukittinggi Religious Court have supported mediation. Fourth, in terms of legal culture, there are still many people who are not aware of the law and do not understand mediation well, so they consider mediation to be unimportant.</span> </p><p><em>Tulisan ini mengkaji tentang bagaimana efektivitas mediasi dalam penyelesaian sengketa ekonomi syariah berdasarkan PERMA Nomor 1 Tahun 2016 di Pengadilan Agama Bukittinggi dan apa saja yang menjadi faktor penghambat keberhasilan mediasi. Untuk menjawab pertanyaan tersebut, penulis menggunakan kerangka analisa induktif dan deduktif dengan mengacu pada teori efektivitas hukum Lawrence M. Friedman. </em><em>Tulisan ini menemukan bahwa m</em><em>ediasi dalam p</em><em>enyelesaian sengketa ekonomi syariah di Pengadilan Agama Bukittinggi </em><em>dari tahun 2016 sampai 2019 </em><em>belum efektif</em><em>. Hal ini karena dipengaruhi oleh beberapa faktor. </em><em> </em><em>Pertama, dari segi substansi hukum, yaitu PERMA No. 1 Tahun 2016 tentang Prosedur Mediasi di Pengadilan masih memiliki kekurangan dalam menjawab persoalan masyarakat yang terus berkembang. Kedua, dari segi struktur hukum, belum adanya hakim yang memiliki sertifikat mediator. Ketiga, sarana dan prasarana hukum di Pengadilan Agama Bukittinggi sudah mendukung mediasi. Keempat, dari segi budaya hukum, masih banyaknya masyarakat yang tidak sadar hukum dan tidak mengerti persoalan mediasi dengan baik, sehingga menganggap mediasi tidak penting.</em><em></em></p>


2017 ◽  
Vol 12 (2) ◽  
pp. 41
Author(s):  
Miguel Alfonso Bouhaben

Poder, violencia y resistencia de la imagen. Batallas audiovisuales en América LatinaMiguel Alfonso BouhabenResumenEl mundo contemporáneo se ha convertido en imagen. El poder controla, por medio de imágenes –cámaras de vigilancia, películas ideológicas, nuevas tecnologías, etc.– lo que se debe pensar y sentir. El presente artículo tiene como objetivo la definición y la evaluación crítica de las relaciones entre el poder, la violencia y las formas de resistencia de las imágenes. A través del análisis de algunas secuencias de La hora de los hornos (Gettino y Solanas, 1968), Sangre de cóndor (Jorge Sanjinés, 1969) y El coraje del pueblo (Jorge Sanjinés, 1971), se valorarán las alternativas a los dispositivos de dominio audiovisual con el fin de poner contra las cuerdas la lógica de violencia visual del poder hegemónico. Se trata, en definitiva, de explorar las posibilidades de emergencia de las contraimágenes en el contexto de América Latina.Palabras claves América Latina; contraimagen; poder; resistencia; violenciaPower, Violence and Resistance of the Image. Audiovisual Battles in Latin AmericaMiguel Alfonso BouhabenAbstractThe contemporary world has become an image. The power controls, through images – surveillance cameras, ideological films, new technologies, etc. – what should be thought and felt. This article aims at the definition and critical evaluation of the relations between power, violence and forms of resistance of images. Through the analysis of some sequences from The Hour of the Furnaces (Gettino and Solanas, 1968), Blood of the Condor (Jorge Sanjinés, 1969) and The Courage of the People (Jorge Sanjinés, 1971), the alternatives to the devices of audiovisual domain will be assessed in order to question the logic of visual violence of the hegemonic power. Finally, the purpose is to explore the possibilities of emergence of counter-images in the Latin American context.KeywordsLatin America; Counter-image; power; resistance; violencePoder pelio y uapiai imagenmanda, batallas audiovisuales América- latinapeMiguel Alfonso BouhabenMaillallachiska:Chi mundo contemporáneo convertirerka e imagen. Chi poderka controla chi imágenes- cámara de vigencia, películas ideológicas, musu tecnologías, etc.- deberenme iuiai y sentengapa. Kai presente articulok rukanme objetivo la definición y evaluacion crítica de las realciones entre poder, chi pilio y forma de resistencia de las imágenes. Atraves del análisis sug secuenciakuna la hora de los hornos ( Gettino y Solanas, 1968) iauar condorpa ( Jorge Sanjinés, 1969 ) y sug koraje pueblomanda ( Jorge Sanjinés 1971) se valoraran sug alternativakuna dispositivokuna de dominio audiovisual churrangapa contra las cuerdas sug lógica de pilio visual del poder hegemonico, tratarenme en definitiva, explorangapa sug posibilidadkuna de emergencia sug contraimagenkunamanda contextope América Latinape.Rimangapa Ministidukuna:América Latina; contraimagen; poder, uapiai; pilioPuissance, violence et résistance de l'image. Batailles audiovisuelles en Amérique latineMiguel Alfonso BouhabenRésuméLe monde contemporain est devenu une image. Le pouvoir contrôle, à travers des images –caméras de surveillance, films idéologiques, nouvelles technologies, etc. – ce qu'il faut penser et ressentir. Cet article vise la définition et l'évaluation critique des relations entre le pouvoir, la violence et les formes de résistance des images. Grâce à l'analyse de certaines séquences de L'Heure des brasiers (Gettino et Solanas, 1968), Sang du Condor (Jorge Sanjinés, 1969) et Le courage du peuple (Jorge Sanjinés, 1971), les alternatives à des dispositifs de domaine audiovisuel sont évaluées, afin de contester la logique de violence visuelle du pouvoir hégémonique. Enfin, il s'agit d'explorer les possibilités d'émergence de contre-images dans le contexte de l'Amérique latine.Mots clésAmérique latine; contre-image; pouvoir; résistance; violencePODER, VIOLÊNCIA E RESISTÊNCIA DA IMAGEM. BATALHAS AUDIOVISUAIS NA AMÉRICA LATINAMiguel Alfonso BouhabenResumoO mundo contemporâneo tem se transformado em imagem. O poder controla, por meio de imagens câmeras de vigilância, filmes ideológicos, novas tecnologias, etc –o que se deve pensar e sentir. O presente artigo tem como objetivo de resistência das avaliações crítica das relações entre o poder, a violência e as formas de resistência das imagens. Através da análise de algumas sequências La hora de los hornos (Gettino y Solanas, 1968), Sangre de cóndor (Jorge Sanjinés, 1969) e El coraje del pueblo (Jorge Sanjinés, 1971), se valorizarão as alternativas aos dispositivos de domínio audiovisual com o fim de pôr contra as cordas a lógica de violência visual do poder hegemônico. Definitivamente se trata de explorar as possibilidades de emergência das contra imagens no contexto da América Latina.Palavras-chave América Latina; contra imagem; poder; resistência, violência


2019 ◽  
Vol 40 ◽  
pp. 21-37

Creative economy is one of the most propulsive sectors, which share in global economy as well as national ones continuously grows (Jones et al., 2016). Within the territory of 28 EU member states it participates with 4.5% of GDP and employs 3.8% of total workforce (https://ec.europa.eu/eurostat, 2017). Axis of creative economy development is made of cultural and creative industries that are generators of new technologies, innovation and media. This paper analyses cultural and creative industry in the Republic of Croatia, as well as their role in economic and social development of the country. Cultural and creative industry (CCI) are directed towards highly educated workforce of tertiary education, digital society and 4.0 Globalisation. People employed in CCI in the Republic of Croatia are at the EU average with 3.6% of total workforce (2017) and with 50% of employed with tertiary education (https://ec.europa.eu/eurostat, 2017). CCI are important in expressing identity of the people but they are also an engine of economic growth (HKKI, 2015).


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