scholarly journals PERANCANGAN PENYUTRADARAAN NASKAH LAKON SINAMOT KARYA MAHBUB KURTUBI

2021 ◽  
Vol 3 (1) ◽  
pp. 44
Author(s):  
Daniel Raja Kesatria Nainggolan

Laporan penyutradaraan naskah lakon Sinamot karya Mahbub Kurtubi merupakan pembahasan suatu proses perancangan artistik dalam pertunjukan teater. Laporan ini menjelaskan proses pementasan pertunjukan teater dengan judul naskah Sinamot, mulai dari alasan memilih permasalahan tentang sinamot (emas kawin) hingga sampai tahap terakhir menuju pementasan. Naskah lakon Sinamot menceritakan tentang perjuangan seorang perempuan bernama Lasma dalam mempertahankan haknya untuk bisa memilih menikah dengan laki – laki pilihannya. Lasma memiliki kekasih yang berprofesi sebagai seniman bernama Ringgas. Ringgas yang berprofesi sebagai seniman merasa kurang percaya diri untuk memberanikan diri melamar Lasma. Penghasilan Ringgas sebagai seniman tidak cukup banyak untuk membayar sinamot (emas kawin) kepada keluarga Lasma. Permasalahan bertambah ketika paman (bapauda) Lasma bernama Godam menjodohkannya dengan laki – laki lain yang lebih mapan. Pergejolakan batin yang dialami Lasma akhirnya memutuskan dia untuk menerima perjodohan tersebut. Tiba saatnya di hari pernikahan, Lasma memutuskan untuk membatalkan pernikahannya. Lasma meninggakan calon suaminya dan pergi dari gereja. Pada akhinya Lasma lebih memilih untuk tidak menikah dari pada harus hidup dengan laki – laki lain dalam keadaan terpaksa. Naskah lakon Sinamot penuh dengan kritik sosial mengenai permasalahan sinamot (emas kawin) pada masa pra pernikahan masyarakat Batak Toba. Batalnya pernikahan sepasang kekasih karena tidak menemukan kata sepakat dalam pembahasan sinamot (emas kawin) sudah sering terjadi. Oleh karena itu pertunjukan ini bertujuan untuk menyadarkan masyarakat agar mampu melihat kondisi sosial yang terjadi di sekitarnya. Untuk mewujudkannya, sutradara menggunakan teknik alienasi Bertold Brecht pada pertunjukan naskah lakon Sinamot. Teknik alienasi Brecht dianggap mampu mewujudkan keinginan sutradara dalam memberikan ruang kepada penonton untuk berpikir kritis pada pertunjukan naskah lakon Sinamot.The report on the direction of the Sinamot by Mahbub Kurtubi is a discussion of an artistic design process in theater performances. This report describes the process of staging a theater performance with the title Sinamot script, starting from the reasons for choosing the issue of sinamot (emas kawin) to the final stage towards the performance. The Sinamot script tells about the struggle of a woman named Lasma in defending her right to be able to choose to marry a man of her choice. Lasma has a lover who works as an artist named Ringgas. Ringgas, who works as an artist, doesn't feel confident enough to dare to apply for Lasma. Ringgas’s salary as an artist is not enough to pay for sinamot (emas kawin) to Lasma's family. The problem grew when Lasma's uncle (bapauda) named Godam arranged a marriage between him and another, more stable man. The inner turmoil that was experienced by Lasma finally decided him to accept the match. It was time for the wedding day, Lasma decided to cancel the wedding. Lasma left her future husband and left the church. In the end, Lasma prefers not to marry rather than live with other men under coercion. The Sinamot script is full of social criticism regarding the issue of sinamot (emas kawin) during the pre-wedding period of the Batak Toba community. The cancellation of the marriage of two lovers because they did not find an agreement in the discussion of sinamot (emas kawin) has often happened. Therefore, this show aims to make people aware of the social conditions that occur around them. To make it happen, the director used Bertold Brecht's alienation technique in the Sinamot script. Brecht's alienation technique is considered capable of realizing the director's desire to provide space for the audience to think critically at the Sinamot script..

1945 ◽  
Vol 7 (4) ◽  
pp. 464-495 ◽  
Author(s):  
Aaron I. Abell

In America, as elsewhere, Catholic effort to reform the modern economic order antedates by some years Rerum Novarum, Leo XIII's masterly encyclical on the condition of labor, issued in May, 1891. For a full generation Catholics in France and Germany had been organizing to ameliorate social conditions, and in all industrialized lands the more progressive members of the Church insisted that a sincere attempt to apply Christianity to the social order must be made without delay. The reformers, nevertheless, needed aid and encouragement from the Pope, preferably a reasoned analysis of the industrial situation showing the desirability and means of bettering labor's condition. Everywhere, the few Catholics who championed labor's cause in the Church's name met unyielding resistance from highly placed Catholics intent on protecting vested interests or sincere in thinking that social reform meant social convulsion. As for American Catholics, if their leaders, ecclesiastics for the most part, had not, in many instances or to a conspicuous degree, deferred to great wealth, as a group they had seen in the struggling labor movement little more than a revolutionary uprising, a projection on these shores of the Socialist and Anarchist movements of the Old World.


Author(s):  
Sri Wahyuningtyas

The text Dagadu Djokdja product is poetry text which has been used for an object this research. Visualizations interesting and humorous words on the text containing many meanings of social criticsm for the society. This study using the theory of a Riffaterre’s Semiotic. The technique of data analysis done with observation, that means reading the whole text Dagadu Djokdja products. Then, the text  analyzed based on instrinsic unsure, continued analyze with the theory of Riffaterre’s semiotic. The results of research shows that in the text Dagadu Djokdja product are found the existence of social criticism. Started by analyzing instrinsic unsure a poem that consisting of the theme and mandate, the sound, and diction. Followed by the analyze using the theory of a Riffaterre’s semiotic through indirectness expression, the reading of heuristic and hermeunitik, matrix and models, as well as intertekstual relations (hypogram), so there are can find the meaning  of the text Dagadu Djokdja product. After that, research continue by examining the social criticism contained in the text. Some of that namely criticism on politics, criticism of education, criticism of community social conditions, criticism of economics, criticism of criminality, criticism with the culture, criticism of nationalism, criticism of defense and the country security, and strong criticism on health.Keywords: criticism, social, Dagadu Djokdja


2021 ◽  
Vol 23 (2) ◽  
pp. 218
Author(s):  
Hapni Nurliana H.D Hasibuan ◽  
Anwar Effendi ◽  
Margana Margana

Every litterateur makes existing issues or phenomena as inspiration in making literary works. In case with novelist, they convey criticism expressly or implicitly in their novel. Besides the love story, the Konspirasi Alam Semesta novel by Fiersa Besari, the author also criticizes the social conditions that exist in Indonesia. Social criticism in the novel will be the purpose of this research. Furthermore, this research focuses on analyzing the Konspirasi Alam Semesta novel using a sociological literary approach with social criticism. The research method is qualitative research methods with reading and note-taking techniques. The purpose of the research is to describe the problem of social criticism and the form of its presentation in the novel. The research result has obtained: (1) social criticism about politics such as discrimination against families of ex- political prisoner, government policies towards those who have made the country proud, Papua’s wealth and injustice in the development of remote areas, (2) moral criticism of corruption, (3) social criticism of humanity such as generalizations about a group, individual differences, violence against separatists and stigma about spinster, (4) social criticism about religion / belief about the creator. It can be concluded that the author implicitly conveyed his message and response through the Konspirasi Alam Semesta novel. It describes conditions that deviate from social conditions that must be criticized. This novel revives the people’s insights about social problems that exist in Indonesia. Furthermore, the author’s main topic of social criticism is political and humanitarian in Indonesia.


1975 ◽  
Vol 11 ◽  
pp. 1-17 ◽  
Author(s):  
R. A. Markus

From the beginning the Christian group took an interest in its own past. Ecclesiastical history is a specialised form of this corporate self-awareness. The fourth and fifth centuries were the period in the Christian church’s history when this form of self-awareness crystallised. The father of church history, Eusebius, was the fountainhead of a tradition of historiography which came to dominate the work of his successors. His Ecclesiastical History straddles the constantinian revolution. Eusebius began working on it before the end of the last persecution, that under Diocletian and his colleagues; by the time he came to add the last touches to his final edition, twenty or more years later, the social conditions of the church’s existence had come to differ profoundly from those which obtained at the time he began writing. The age of the martyrs and of a persecuted church in a hostile empire were becoming a heroic age recollected in tranquillity. The following century was to take the church very much further along the road away from the situation of the church that Eusebius had been writing about.


2004 ◽  
Vol 62 ◽  
Author(s):  
Ana Paula Teixeira Porto ◽  
Luana Teixeira Porto

Este trabalho examina contos de Caio Fernando Abreu publicados nos livros “O ovo apunhalado”, de 1975, e “Morangos mofados”, de 1982, com o objetivo de mostrar que alguns de seus textos propõem, direta ou indiretamente, uma análise da sociedade, numa discussão sobre valores e posicionamentos sociais. A vertente social de contos das obras é investigada com base em condições históricas e sociais dos anos 70 e 80, articuladas à análise temática e formal de contos, procurando apontar possíveis afastamentos e aproximações entre as obras. Caio Fernando Abreu: tracking social criticism Abstract This paper examines Caio Fernando Abreu stories published in the books “ O Ovo Apunhalado”, of 1975, and “ Morangos Mofados”, of 1982, with the objective of showing that some of his texts propose, direct or indirectly, an analysis of the society, in a discussion on values and social positionings. The social slope of stories of the books is investigated with base in historical and social conditions of the years 70 and 80, articulated to the thematic and formal analysis of stories, trying to aim possible removals and approaches among the books.


2010 ◽  
pp. 73-89
Author(s):  
M.-F. Garcia

The article examines social conditions and mechanisms of the emergence in 1982 of a «Dutch» strawberry auction in Fontaines-en-Sologne, France. Empirical study of this case shows that perfect market does not arise per se due to an «invisible hand». It is a social construction, which could only be put into effect by a hard struggle between stakeholders and large investments of different forms of capital. Ordinary practices of the market dont differ from the predictions of economic theory, which is explained by the fact that economic theory served as a frame of reference for the designers of the auction. Technological and spatial organization as well as principal rules of trade was elaborated in line with economic views of perfect market resulting in the correspondence between theory and reality.


2019 ◽  
Vol 54 ◽  
pp. 268-279
Author(s):  
Abbot Vitaly Utkin

With reference to Yu. F. Samarin’s thesis on “Formalism” of the Church Life in the Pre-Petrine Period, the article examines the issue of the role of fasts, eating patterns and daily routine in general among most radical groups of Old Believers. The author of the article draws the conclusion that such conceptions were rooted in the Pre-Nikon Russian religious (monkish) traditions. The author pays special attention to the social and political aspect of the connection between food and payer for the Tsar in the context of the “spiritual Antichrist” teaching.


2019 ◽  
Vol 54 ◽  
pp. 235-246
Author(s):  
Alexey L. Beglov

The article examines the contribution of the representatives of the Samarin family to the development of the Parish issue in the Russian Empire in the late 19th and early 20th centuries. The issue of expanding the rights of the laity in the sphere of parish self-government was one of the most debated problems of Church life in that period. The public discussion was initiated by D.F. Samarin (1827-1901). He formulated the “social concept” of the parish and parish reform, based on Slavophile views on society and the Church. In the beginning of the twentieth century his eldest son F.D. Samarin who was a member of the Special Council on the development the Orthodox parish project in 1907, and as such developed the Slavophile concept of the parish. In 1915, A.D. Samarin, who took up the position of the Chief Procurator of the Most Holy Synod, tried to make his contribution to the cause of the parish reforms, but he failed to do so due to his resignation.


Author(s):  
Ruqaya Saeed Khalkhal

The darkness that Europe lived in the shadow of the Church obscured the light that was radiating in other parts, and even put forward the idea of democracy by birth, especially that it emerged from the tent of Greek civilization did not mature in later centuries, especially after the clergy and ideological orientation for Protestants and Catholics at the crossroads Political life, but when the Renaissance emerged and the intellectual movement began to interact both at the level of science and politics, the Europeans in democracy found refuge to get rid of the tyranny of the church, and the fruits of the application of democracy began to appear on the surface of most Western societies, which were at the forefront to be doubtful forms of governece.        Democracy, both in theory and in practice, did not always reflect Western political realities, and even since the Greek proposition, it has not lived up to the idealism that was expected to ensure continuity. Even if there is a perception of the success of the democratic process in Western societies, but it was repulsed unable to apply in Islamic societies, because of the social contradiction added to the nature of the ruling regimes, and it is neither scientific nor realistic to convey perceptions or applications that do not conflict only with our civilized reality The political realization created by certain historical circumstances, and then disguises the different reality that produced them for the purpose of resonance in the ideal application.


Author(s):  
Detlef Pollack ◽  
Gergely Rosta

The case of East Germany raises the question of why religion and church, which had fallen to an unprecedentedly low level after four decades of suppression, have not recovered since 1989. The repressive church politics of the SED were undoubtedly the decisive factor in the unique process of minoritizing churches in the GDR. However, other external factors such as increasing prosperity, socio-structural transformation, and the expansion of the leisure and entertainment sector played an important role, too. In addition, church activity itself probably also helped to weaken the social position of churches. The absence of a church renaissance after 1990 can be explained by several factors, such as the long-term effects of the break with tradition caused by the GDR system, the political and moral discrediting of the church by the state security service, and people’s dwindling confidence in the church, which was suddenly seen as a non-representative Western institution.


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