Repetition in Children Stories: A Dynamic Aspect of a Persuasive Strategy

2017 ◽  
Vol 9 (6) ◽  
pp. 28
Author(s):  
Retno Purwani Sari ◽  
Cece Sobarna ◽  
Eva Tuckyta Sari Sujatna ◽  
Nani Darmayanti
Keyword(s):  
Qualitative Method ◽  
Emotional State ◽  
Social Values ◽  
Interpersonal Relation ◽  
Dynamic Aspect ◽  
Rhetorical Device ◽  
Children's Emotion ◽  
The Creation ◽  
Descriptive Qualitative

The patterning of repetitions, such a persuasive strategy, proposes the involvement of author’s emotion. Therefore, it potentially stimulates children’s emotion and imagination to explore their own thoughts and to learn to understand their world while reading. By investigating interpersonal relation involved, repetitions show participants’ attitudes. Thus, this study concentrates on how they work on children’s emotion and imagination, using pragma-stylistic approach. The focus itself is managed to answer the creation of meaning. In order to challenge the objective, this study was applied analytic descriptive qualitative method to 36 data of repetitions. By reviewing empirical indications, this study claims that repetitions reach emphatic prominence involving logical emphasis and emotional state. Both of them invest accumulation of ideas to promote emotion and expectation; leading to imagination in evaluating appropriateness to behave in the society. Consequently, repetitions are debatable as a rhetorical device to persuade children to adapt social values.

scholarly journals METODE PENCIPTAAN BENTUK REPRESENTASIONAL, SIMBOLIK, DAN ABSTRAK (STUDI PENCIPTAAN KARYA SENI MURNI DI SUMATERA BARAT, INDONESIA)

2020 ◽  
Vol 9 (2) ◽  
pp. 261
Author(s):  
Rajudin Rajudin ◽  
Miswar Miswar ◽  
Yunis Muler
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Qualitative Method ◽  
Basic Research ◽  
Primary Sources ◽  
The West ◽  
Analysis Techniques ◽  
West Sumatra ◽  
The Creation ◽  
Descriptive Qualitative

AbstrakPenelitian ini adalah penelitian dasar (basic research) yang mencoba untuk mengkaji metode penciptaan karya seni murni bentuk representasional, simbolik dan abstrak. Kajian dilakukan terhadap beberapa seniman lukis, grafis dan patung di empat kota dalam wilayah Sumatera Barat, Indonesia. Penelitian ini menggunakan metode deskriptif kualitatif. Teknik pengumpulan data utama dilakukan melalui observasi dan wawancara dengan sumber primer, yaitu seniman. Sedangkan data tidak langsung dikumpulkan melalui jurnal, buku, video foto, katalog pameran, karya-karya seniman, dan dokumen-dokumen terkait. Teknik analisis data dilakukan sebelum di lapangan dan di lapangan. Temuan penelitian ini adalah berupa metode yang spesifik, lebih operasional dan teknis tentang penciptaan karya seni murni bentuk representasional, simbolik dan abstrak.  Kata Kunci: Metode, Representasional, Simbolik, Abstrak.AbstractThis research is a basic research which tries to examine the method of creating pure works of representational, symbolic and abstract forms. The study was carried out on several painters, engravers and sculptors in four cities in the West Sumatra region of Indonesia. This study used descriptive qualitative method. The main data collection techniques are carried out through observation and interviews with primary sources, namely artists. While indirect data is collected through journals, books, videos, photos, exhibition catalogs, works of artists, and related documents. Data analysis techniques were carried out before on the field and in the field. The findings of this study are in the form of specific, more operational and technical methods about the creation of pure works of representational, symbolic and abstract forms. Keywords: Method, Representational, Symbolic, Abstract. 

scholarly journals Values and Symbol of Pujawali (Perang Topat) Tradition for Halal Tourism

2018 ◽  
pp. 140
Author(s):  
Masniati Masniati
Keyword(s):  
Qualitative Method ◽  
Social Values ◽  
Library Research ◽  
Descriptive Qualitative

This study investigated the values and symbols within the traditional festival of Pujawali (Perang Topat) in West Lombok village of Lingsar and the relation between the values and symbols and tourism. The “perang” or war uses “ketupat” made from rice boiled in plaited coconut leaves as a weapon. The existence of the tradition nowadays becomes more popular. This tradition is not only about local celebration, but more about values and symbols beyond it. This study employed descriptive qualitative method, using interviews, observations and library research as techniques to collect data. The interviewees were the older members of two communities of Hindu and Muslim in Lingsar village. The finding indicated that Pujawali contains values, including historical, religious, and social values, and contains symbols of tolerance, brotherhood, and solidarity. The study suggests that the values and symbol which are represented in the traditional festival reflect the characteristics of Lingsar people—diverse but united.

scholarly journals NILAI-NILAI SOSIAL YANG TERKANDUNG DALAM UNGKAPAN KASUNGKI PADA MASYARAKAT MUNA DESA KAROO KECAMATAN KONTUKOWUNA

2020 ◽  
Vol 5 (2) ◽  
pp. 184
Author(s):  
Harnifa Harnifa ◽  
Haeurn Ana ◽  
La Niampe
Keyword(s):  
Data Collection ◽  
Qualitative Method ◽  
Social Values ◽  
Field Research ◽  
Spoken Language ◽  
Social Value ◽  
Note Taking ◽  
The Social ◽  
Descriptive Qualitative

Abstract  : The purpose of this study is to describe and analyze the social values contained in the Kasungki expression in the Muna Community of Karoo Village, Kontukowuna District. This research is a field research. The method used in this research is descriptive qualitative method. The data in this study are data in the form of spoken language which is spoken directly by parents (customary stakeholders). Sources of data in this study were obtained from customary and indigenous stakeholders in Karoo Village, Kontukowuna District. The data collection techniques used in this study were observation, interview, record, and note taking techniques. The results in this study were obtained from the social values contained in the expression of kasungki in the Muna Village Karoo community, Kontukowuna District which includes 1. cooperation, 2. care for the fate of others, 3. like to pray for others. Keywords: kasungki; value; social value 

scholarly journals BUSANA PENGANTIN AESAN GEDE (TENUN SONGKET DAN AKSESORIS) PADA UPACARA PERNIKAHAN ADAT PALEMBANG SUMATERA SELATAN

2019 ◽  
Vol 1 (2) ◽  
pp. 213
Author(s):  
Vebby Tifanny ◽  
Nanang Rizali ◽  
Ganal Rudiyanto
Keyword(s):  
Qualitative Method ◽  
Symbolic Meaning ◽  
High Quality ◽  
Wedding Ceremony ◽  
The Creation ◽  
Different Characteristics ◽  
Descriptive Qualitative

<br /><div>The fabric known as Palembang songket weaving (hand-woven brocade, intricate patterned with gold thread) features high cultural evidence, because the songket is associated with various things such as high sales value, high quality fabrics made of silk and gold, and duration the time it takes to make it. Songket contains a certain meaning that shows how the use and level of people who wear it. Songket tent first appeared in Ki Gede Ing Suro area and later developed to experience various changes in the type of yarns used to make Aesan Gede cloth used in traditional Palembang wedding ceremonies, while the inside of songket remains unchanged. There are a number of elements that characterize Palembang songket. The problems discussed in this research are the background of Palembang songket in the traditional wedding procession of Palembang, the form and accessories of Aesan Gede in the procession of wedding custom, and the philosophical and symbolic meaning contained in Aesan Gede clothes used in the traditional wedding procession of Palembang. The purpose of this study is to examine the role of songket cloth in the customary wedding procession of Palembang. This study used descriptive qualitative method. The results showed that: first, the background of the creation of Palembang songket cloth in the ceremony of marriage is influenced by the aristocracy in the era of Sriwijaya kingdom. At that time songket should only be used by the King and Queen. Secondly, Palembang songket used in the ceremony procession of Palembang's traditional wedding ceremony is Aesan Gede and Aesan Paksangkong. Each dress has different characteristics. Third, Aesan Gede dress worn during traditional wedding ceremonies of Palembang, contains important philosophical and symbolic meaning. <p><br /><strong> </strong><br /><strong>Abstrak</strong></p><p>Kain yang dikenal sebagai tenun songket Palembang (brokat tenunan tangan, bercorak rumit dengan benang emas) menampilkan bukti budaya yang tinggi, karena kain songket ini terkait dengan berbagai hal seperti nilai penjualannya yang tinggi, kualitas kainnya yang tinggi terbuat dari sutera dan emas, dan lamanya waktu yang dibutuhkan untuk membuatnya. Songket berisi makna tertentu yang menunjukkan bagaimana penggunaannya dan tingkat orang yang memakainya. Tenda songket pertama kali muncul di kawasan Ki Gede Ing Suro dan kemudian berkembang untuk mengalami berbagai perubahan dalam jenis benang yang digunakan untuk membuat kain Aesan Gede yang digunakan dalam upacara pernikahan tradisional Palembang, sementara bagian dalam kain songket tetap tidak berubah. Ada sejumlah elemen yang menjadi ciri khas songket Palembang. Permasalahan yang dibahas dalam penelitian ini adalah latar belakang adanya songket Palembang dalam prosesi adat pernikahan tradisional Palembang, bentuk dan aksesoris Aesan Gede dalam prosesi adat pernikahan, dan makna filosofis dan simbolis yang terkandung dalam busana Aesan Gede yang digunakan dalam prosesi pernikahan tradisional Palembang. Tujuan dari penelitian ini adalah untuk mengkaji peranan kain songket pada prosesi pernikahan adat Palembang. Penelitian ini menggunakan metode deskriptif kualitatif. Hasil penelitian menunjukkan bahwa: pertama, latar belakang terciptanya pemakaian kain songket Palembang dalam upacara adat pernikahan dipengaruhi oleh aristokrasi pada jaman kerajaan Sriwijaya. Saat itu songket hanya boleh dipakai oleh Raja dan Ratu. Kedua, songket Palembang yang dipakai pada acara prosesi adat pernikahan Palembang itu merupakan busana Aesan Gede dan Aesan Paksangkong. Masing-masing busana memiliki ciri khas yang berbeda. Ketiga, busana Aesan Gede yang dipakai dalam upacara pernikahan adat tradisional Palembang, mengandung makna filosofis dan simbolis yang penting.</p></div>

scholarly journals The Conception of National Insights in Islamic Perspective

2020 ◽  
Vol 1 (3) ◽  
pp. 590-599
Author(s):  
Koko Adya Winata ◽  
Tatang Sudrajat ◽  
Muhibbin Syah ◽  
Asep Nursobah
Keyword(s):  
Literature Review ◽  
Qualitative Method ◽  
Human Life ◽  
Human Beings ◽  
Research Results ◽  
Islamic Perspective ◽  
National Values ◽  
The Creation ◽  
Territorial Boundaries ◽  
Descriptive Qualitative

This article aims to explain the concept of national insight from an Islamic perspective. This research uses a descriptive qualitative method by collecting data through observation, documentation, and literature review. Based on the research results, the concept of national insight has been regulated and explained in Islamic teachings. National insight is a person's view of a national entity based on certain territorial boundaries that affect his attitude towards love for his homeland. As a religion of Rahmat Lil Alamin, Islam clearly states about human life formed in a diverse civilization, both in culture, ethnicity, religion, and Nation. Nationality is a reality of human civilization recognized in Islamic teachings as part of Allah's will in creating humans. The results of the research conclude: 1) The reality of the creation of human beings with nationalities and tribes is a necessity which is mentioned in the Koran, 2) The concept of nationality does not contradict Islamic teachings, 2) The Medina Constitution is a concept of a state carried out by the Prophet and Muslims who are in harmony with national values.

scholarly journals TEKNIK DAN STRATEGI PENCIPTAAN HUMOR KOMEDIAN JAWA DALAM “BASIYO-NARTOSABDHO BESANAN”

Widyaparwa ◽  
2020 ◽  
Vol 48 (1) ◽  
pp. 28-40
Author(s):  
Sony Wibisono
Keyword(s):  
Content Analysis ◽  
Qualitative Method ◽  
Cultural Background ◽  
Digital Audio ◽  
Moral Principles ◽  
Analysis Theory ◽  
The Creation ◽  
Descriptive Qualitative

        AbstractBasiyo, as a traditional comedian with a Javanese cultural background, greatly influenced the development of comedy in Indonesia. The humorous model of Basiyo and his friends through Dhagelan Matarampresents the monologue technique, which influenced Srimulat's jokes to the trend of single comedians in the contemporary era. The object of this research is one of his works, the auditive comedy "Basiyo -Nartosabdho Besanan" 1983 production. The study was conducted with a descriptive qualitative method using content analysis theory and Berger's verbal humor technique to get a description of humor characteristics through words and dialogue. The characteristics of humor found are interpreted by theories about Javanese life vision. Humor analysis found the highest usage of irony 6 times, and not using bombast, sexual allusion, outwitting. The application of techniques and Javanese moral principles in the creation of humor occurs through two things. First, satire and repartee techniques in narratives that describe the suitability and harmony of Javanese life. Second, ridicule, irony which depicts deviations, resistance to established Javanese culture.Penelitian ini bertujuan untuk mengetahui penggunaan teknik humor verbal Basiyo dan kawan-kawan dalam “Basiyo-Nartosabdho Besanan”. Untuk membuat lelucon, dilakukan dengan strategi penciptaan humor komedian berlatar belakang budaya Jawa. Penelitian ini bersifat deskriptif kualitatif. Sumber data ialah rekaman recovery digital audio drama komedi “Basiyo–Nartosabdho Besanan”. Pengumpulan data dilakukan dengan reduksi data, penyajian data, dan penarikan simpulan. Teknik pengumpulan data dilakukan dengan metode simak  dengan teknik sadap dan catat. Analisis data menggunakan model analisis interaktif. Dari hasil penelitian ini diketahui bahwa (1) drama komedi “Basiyo-Nartosabdho Besanan” secara umum menggunakan delapan teknik dari kategori humor language (humor verbal), (2) teknik humor primer yang digunakan ialah teknik irony, yaitu berupa sindiran yang berisi penyampaian sesuatu yang maknanya berlainan dengan yang dikatakan, (3) strategi penciptaan humor komedian dilakukan dengan mengolah materi nilai-nilai dasar etika Jawa, yakni prinsip hormat dan prinsip kerukunan, dan (4) permainan humor komedian terhadap prinsip budaya Jawa mengindikasikan kritik dan autokritik, baik bagi orang Jawa maupun orang yang tidak mengenal prinsip-prinsip tersebut. Prinsip hormat dan kerukunan diolah dengan strategi kepatuhan dan penyimpangan yang diungkapkan dengan teknik irony, satire, ridicule, dan repartee.

scholarly journals Revitalisasi Lagu Dolanan Anak dalam Pembentukan Karakter Anak Usia Dini

ATAVISME ◽  
2015 ◽  
Vol 18 (2) ◽  
pp. 247-259
Author(s):  
Sutji Hartiningsih
Keyword(s):  
Key Words ◽  
Qualitative Method ◽  
Social Values ◽  
Research Result ◽  
Social Education ◽  
Young Learners ◽  
Education Value ◽  
Local Value ◽  
Descriptive Qualitative

Penelitian ini bertujuan (1) mendeskripsikan lagu dolanan anak, (2) menjelaskan arti dan makna dari setiap kata yang terkandung pada lagu dolanan Jawa, (3) menjelaskan nilai kearifan lokal dalam lagu dolanan yang patut direvitalisasikan. Penelitian ini menggunakan metode deskriptif kualitatif yang mendeskripsikan secara sistematis, faktual, dan akurat mengenai fakta-fakta, sifat, serta hubungan antara fenomena yang diselidiki. Penelitian ini juga memakai metode pembacaan heuristic dan hermeneutic melalui pemaknaan lirik lagu dolanan anak yang dapat membentuk karakter anak pada usia dini. Hasil penelitian ini diharapkan dapat membangkitkan dan melestarikan kembali lagu dolanan anak tradisional, Demikian juga lagu dolanan ini sarat dengan pendidikan moral dan sosial. Oleh karena itu lagu dolanan anak ini sangat penting untuk dikenalkan pada anak usia dini. Melalui lagu dolanan anak, dapat dibentuk karakter yang seutuhnya, serta dalam lirik lagu dolanan menyiratkan makna kebersamaan, tanggung jawab dan nilai-nilai sosial Abstract: This research aims to (1) describe about lagu dolanan anak, (2) explain about the meaning of every word in Javanese lagu dolanan anak, (3) explain about the local value of lagu dolanan anak which required to be revitalized. This research uses a descriptive qualitative method which describes systematically, factual and accurate in every fact, character and the relation of the phenomena being studied. This research also uses heuristic and hermeneutic reading method in giving meaning to the lyrics of lagu dolanan anak which can build young learners’ characters. The research result is expected to arouse and maintain lagu dolanan anak, the researcher describes the form of lagu dolanan anak which appropriate to the young learners can be seen from education value. Likewise, lagu dolanan anak contains moral and social education. Therefore lagu dolanan anak is important to be introduced to the young learners. Using this lagu dolanan anak, the character can be built completely, and in the lyrics represent togetherness meaning, responsibility and social values. Key Words: revitalization; song; game; character; children

scholarly journals Stylistics Analysis In Literature of Figurative Language Used In Black Lives Matter Community’s Poems

2021 ◽  
Vol 4 (2) ◽  
pp. 1-12
Author(s):  
Dedi Efendi
Keyword(s):  
Qualitative Method ◽  
Figurative Language ◽  
Black People ◽  
Social Values ◽  
Social Value ◽  
United State ◽  
Black Lives Matter ◽  
Descriptive Qualitative

This research analyzed about figurative language and social values in three poems of Black Live Matter (BLM) community’s poem in America. The purposes of this research are to describe the kinds of figurative language and social values in three poems of BLM community’s poem. In this research, the writer used the descriptive qualitative method and used theory of figurative language by Perrine (1992) and theory of social values by Amir in Sukatman (1991). Data are explained by find the meaning and described them based on the kinds of figurative language through four procedure, they are: identifying, classiying, analyzing and making the conclusion from the data. The result of this research are the writer found about 19 data of figurative language of the poems. Hyperbole is the dominant kind of figurative language in those three poems ,because hyperbole is the appropriate of figurative language for BLM’s proponents for looking for help.  Beside, social values also found in these poems, the most dominant social value in these poems is social value of humanity. Humanity is one of the biggest issue for black people in United State of America.

Major Problems in Analyzing Transitivity: A Case from Indonesia

2019 ◽  
Vol 3 (2) ◽  
pp. 77-88
Author(s):  
Sri Harto ◽  
Sri Handayani
Keyword(s):  
Qualitative Method ◽  
Alternative Solutions ◽  
Descriptive Qualitative

This research applied a descriptive qualitative method to identify the major problems encountered by students in analyzing transitivity. It also aims to find out some of the alternative solutions to the students

ISTILAH KEKERABATAN DALAM MASYARAKAT BAHASA MAKIAN TIMUR

EDUKASI ◽  
2016 ◽  
Vol 14 (2) ◽  
Author(s):  
Arif Yakub ◽  
Rafik M. Abasa
Keyword(s):  
Qualitative Method ◽  
Descriptive Qualitative

This research is making use of descriptive qualitative method. The data are collected with the method of Sudaryanto (1993) that is listening and interviewing method, make use the technique of free listening and interviewing with a list of questionaire. This research makes use the theory of Burning (1970) and Koentjaraningrat (1980) to answer the first problem, and of Spradley (1979) and Casson (1981) to the second one. The result of this research shows that the consanguinal kinship terms are Baba (father), Tou (grandfather), Wos (ego’s father), Galawewe (father of ego’s grandfather), Karekare ( grandfather of Ego’s grandfather), Baay (ego’s mother), Nene (mother’s mother), Nenewos (mother of nene), Nenegalawewe (mother of nenewos), Nenekarekare (mother nenegalawewe). Nikmapin (wife of masculine ego), Nikmon (husband of feminine ego), Tamno (ego’s elder brother),  Thano (ego’s younger brother), Damo 1 (ego’s sister), Damo 2 (ego’s brother), Mtu (ego’s child), Bbu (ego’s grandchild), Bbuwos (child of ego’s grandchild), Bbugalawewe (grandchild of ego’s grandchild), Bbukarekare (buyut dari ego). Afinal kinship terms: Nikmon (husband), Nikmapin (wife), Tafu (brother in-law), Hono (sister in-law), Iho (in-laws), Akmomon (wife’s father), Akmomapin (wife’s mother), Haliha (mother/father in-laws), Kanglolo (elder brother of father or mother), Kangkutu (younger brother of father or mother), Baaylolo (mother’s elder sister), Jojo (mother’s younger sister). Other kinship terms include: Jau (Allah), Kakang (guru ngaji), Engku (masculine teacher), Encik (feminine teacher). Keywords: kindship terms of East Makian language

Sign in / Sign up

Export Citation Format

Share Document