scholarly journals ԺՈՂՈՎՐԴԱԿԱՆ ԲԱՆԱՀՅՈՒՍՈՒԹՅԱՆ ԿԱՊԸ ԳՐԱԿԱՆ ԵՐԿԵՐԻ ՈՒՍՈՒՄՆԱՍԻՐՈՒԹՅԱՆ ՀԵՏ / CONNECTION OF FOLKLORE WITH THE STUDY OF LITERARY WORKS

2021 ◽  
pp. 261-273
Author(s):  
K. Haroyan ◽  
M. Soghomonyan
Keyword(s):  
Moral Values ◽  
Close Connection ◽  
The Novel ◽  
Joint Work ◽  
Appropriate Use ◽  
Literary Works ◽  
Comparative Description

Հոդվածում ներկայացվում է ժողովրդական բանահյուսության և գրական - գեղարվեստական երկերի միջև եղած սերտ կապը: Գրականության դասերին ուսուցիչ-աշակերտ համատեղ աշխատանքի արդյունքում տրվում է «Սասունցի Դավիթ» էպոսի և Խաչատուր Աբովյանի «Վերք Հայաստանի» վեպի հայրենասեր կերպարների համեմատական բնութագիրը, նրանց բարոյական արժեհամակարգի նկարագրությունը: Առանձնակի նշվում է «Վերք Հայաստանի» վեպի՝ ժողովրդական վեպին հատուկ ոճական հնարքները, խորիմաստ առակ-ասացվածքների տեղին օգտագործումը: Այդ ամենը բանահյուսության ժողովրդական կենսունակ արմատների շնորհիվ է, որ հարուստ նյութ է մատակարարել գրական երկերին: Միայն բանահյուսության առասպելահեթանոսական շրջանի իմաստնությամբ կարելի է հասնել գրական գեղարվեստական երկերի վառ հայրենասիրության ակունքներին, ըմբռնել ժողովրդի պատմությունն ու գեղարվեստական գրականությունը: Վերոբերյալը ամրապնդելու համար առաջարկվում են նաև դասը աշխուժացնող խաղ-առաջադրանքների ստեղծում և անցկացում: / The article represents close connection between folklore and fiction. During literature classes the joint work of teacher and pupils results in forming the comparative description of patriotic characters in the epos ―David of Sassoun‖ and the novel ―Wounds of Armenia‖ by Khachatur Abovyan, as well as in describing the system of their moral values. The article makes a special emphasis on use of special stylistic devices in the novel ―Wounds of Armenia‖, which are characteristic of a folk novel. Appropriate use of profound proverbs and sayings in the novel is also stressed. All this is due to viable roots of folklore, representing rich basis for literary works. Only study of the legend and pagan period of folklore can lead to the brilliant patriotic sources of literary works and to perception of the nation history and fiction. For stating the above-mentioned, it is proposed to create and implement game tasks, promoting the lesson.

scholarly journals AN ANALYSIS OF MORAL VALUE IN 47 RONIN FILM

2019 ◽  
Vol 5 (2) ◽  
pp. 77-94
Author(s):  
Yohanes Johardianto
Keyword(s):  
Short Story ◽  
Literary Work ◽  
Moral Values ◽  
The Novel ◽  
Moral Value ◽  
Literary Works ◽  
Self Confidence ◽  
Research Problems ◽  
Written Form ◽  
Source Of Information

We have been quite familiar with art and literary work in our life. They can be music, pain or literature. Literature is human expression consisting experience, consideration, feeling, idea, spirit, and conviction in form of concrete description that arouse attraction by using language. Literature is the result of ideas that belongs to human. The result of literary works can be written work , pictures or music. Literary works in written form include the novel, poem, short story, verse, etc. While in pictures form include painting, movie, photograph, etc. And literary works in the form of music include songs that every day we listen.   This thesis is an effort to analyze the moral values in the movie entitled “47 Ronin”, which might be very useful for the researcher himself, the readers, and other researchers who might need it as source of information. There are three research problems proposed from this “47 Ronin” analyzing film. They are: (1) The moral value found on this film, (2) The moral values conveyed on this film, (3) The messages that can be delivered to the viewers. Based on the result of this study the researcher found some moral values contained in the movie”47 Ronin”, such as: friendliness, tolerance and acceptance, self-confidence, determination, honesty, positive attitude, patience, initiative and courage, motivation, self respect.  The researcher hopes those values would be useful for the Viewers and the readers of this thesis as their life guidance to be better persons.   Keywords: Moral Value, “47 Ronin” Film  

scholarly journals Andrey Mytishchev and Leon Ploshovsky as expressers of the type of hero without dogma in the prose of M. V. Krestovskaya and G. S Sienkiewicz

Litera ◽  
2020 ◽  
pp. 20-32
Author(s):  
Anna Kharitonova
Keyword(s):  
Comparative Analysis ◽  
Moral Values ◽  
The Novel ◽  
Literary Works ◽  
Polish Literature ◽  
Literary Context ◽  
Literary Images ◽  
History Of ◽  
New Type ◽  
First Time

This article reviews the type of hero typical to the literature of the turn of the XIX – XX centuries and refers to a little-studied storyline from the history of Russian-European ties of this period. In the center of author’s attention are two literary works: the novel by the Polish classic G. Sienkiewicz “Without Dogma” (1890) and the novella “Confessions of Mytishchev” (1901) by almost forgotten Russian writer M. V. Krestovskaya, who was greatly impressed by the book of her contemporary. Both works contain a number of parallels on compositional level, means of narration and the plot itself, but the root of their correlation is attention to a new type of European person, born at the end of the century, and suffering from its “illnesses”. Comparative analysis is conducted on protagonists of the literary works of Sienkiewicz and Krestovskaya – Leon Ploshovsky and Andrey Mytishchev – as representatives of the type of hero-skeptic, hero without dogma, whose appearance in the literature became an organic stage in evolution of the hero-individualist. The time has raised its question, namely on the need to be guided by moral values and follow some dogmas. These works of the Russian and Polish literature of the turn of the XIX – XX centuries are put a single historical and literary context for the first time, and their main characters are viewed as expressers of the European person of that period. Reference of the modern audience to these literary images allows better understanding cultural, historical, philosophical and social prerequisites for the emergence of those who had similar worldview in the late XIX – early XX century. This defines the novelty and relevance of this research.

scholarly journals APRESIASI KARYA SASTRA SEBAGAI MEDIA PENANAMAN MORALITAS DALAM DAKWAH

2018 ◽  
Vol 2 (1) ◽  
pp. 259
Author(s):  
Ika Selviana
Keyword(s):  
Literary Work ◽  
Moral Values ◽  
Main Theme ◽  
Community Life ◽  
The Novel ◽  
Moral Value ◽  
Literary Works ◽  
Love In Literature

Literary work is a subtle medium in conveying the values ​​of morality in da'wah. The beauty of words in literature can provide entertainment and imply the values ​​of personality that can teach goodness. So many moral values ​​that can be presented by literary works as a means of someone to convey the message of da'wah with beautiful sentences. So in addition to the works of literature can provide entertainment, the readers can also reap the wisdom of the message of da'wah presented the author with a beautiful and interesting language. The moral value can also be derived from the character of the story in the novel as well as from the beauty of the poetic sentence presented by a poet. The theme of love in literature such as the simple novel "Garis Waktu" from Fiersa Besari and the anthology of "Asal Muasal Pelukan" from Chandra Malik is an alternative to reading that is not only entertaining but implies moral values. although the main theme in this literary work is not including religious themes, but this work contains many good moral values ​​and can be applied in the behavior of community life. da'wah method through literary works is expected to be an alternative in the planting of morality without a sense of patronizing.

Elementy poetyki ludowej w powieści Rzeczy uprzyjemniające. Utopia T. Bołdak-Janowskiej

2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral
Keyword(s):  
Fairy Tales ◽  
Text Analysis ◽  
Literary Text ◽  
Source Material ◽  
Human Existence ◽  
The Other ◽  
The Novel ◽  
Literary Works ◽  
The One ◽  
Cultural Features

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.

G.K. Chesterton’s Works in Literary-Critical Review by K.I. Chukovsky

2020 ◽  
pp. 37-47
Author(s):  
Svetlana Morozova ◽  
Dmitrij Zhatkin
Keyword(s):  
Critical Review ◽  
Social Life ◽  
Social Situation ◽  
The Novel ◽  
Social Disorder ◽  
Literary Works ◽  
Critical Attitude ◽  
The Social

The article is devoted to the perception of K.I. Chukovsky’s works by a famous English writer G.K. Chesterton. K.I. Chukovsky was one of the first to point out the ambiguity of the literary works by the English writer and called his journalistic activity more convincing. Describing G.K. Chesterton’s essays, K.I. Chukovsky believed that the writer is second to none in this genre. He praised G.K. Chesterton’s journalistic talent in responding to all the phenomena of contemporary social life. K.I. Chukovsky considered it obligatory for the Russian readers to familiarize themselves with the critical works of the English author. In the essay «Gilbert Chesterton. Manalive» (1924) K.I. Chukovsky substantiated why, for all the variety of genre forms that G.K. Chesterton used, Russian readers were familiar with only a few of his works. K.I. Chukovsky’s critical attitude to the novel «Manalive» is explained by his rejection of G.K. Chesterton’s utopian attitude to the social situation in England at the turn of the XIX–XX centuries. In G.K. Chesterton’s works K.I. Chukovsky saw a simulation of revolutionary pathos that did not solve pressing issues of social disorder.

Thérèse Raquin

2008 ◽  
Author(s):  
Émile Zola
Keyword(s):  
Nineteenth Century ◽  
Moral Values ◽  
Second Empire ◽  
The Novel ◽  
Founding Father ◽  
Realist Novel ◽  
Scientific Ideas

Thérèse Raquin is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola's dispassionate dissection of the motivations of his characters, mere ‘human beasts’ who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece. Many readers were scandalized by an approach to character-drawing which seemed to undermine not only the moral values of a deeply conservative society, but also the whole code of psychological description on which the realist novel was based. Together with the important ‘Preface to the Second Edition’ in which Zola defended himself against charges of immorality, Thérèse Raquin stands as a key early manifesto of the French Naturalist movement, of which Zola was the founding father. Even today, this novel has lost none of its power to shock. This new translation is based on the second edition of 1868. The Introduction situates the novel in the context of Naturalism, medicine, and the scientific ideas of Zola's day.

scholarly journals Place matters: geographical context, place belonging and the production of locality in Mediterranean Noirs

GeoJournal ◽  
2021 ◽  
Author(s):  
Nicola Gabellieri
Keyword(s):  
20Th Century ◽  
Crime Fiction ◽  
The Novel ◽  
Late 20Th Century ◽  
Literary Works ◽  
Geographical Discourse ◽  
Detective Stories ◽  
Narrative Medium ◽  
Geographical Context

AbstractScholars have been investigating detective stories and crime fiction mostly as literary works reflecting the societies that produced them and the movement from modernism to postmodernism. However, these genres have generally been neglected by literary geographers. In the attempt to fill such an epistemological vacuum, this paper examines and compare the function and importance of geography in both classic and late 20th century detective stories. Arthur Conan Doyle’s and Agatha Christie’s detective stories are compared to Mediterranean noir books by Manuel Montalbán, Andrea Camilleri and Jean Claude Izzo. While space is shown to be at the center of the investigations in the former two authors, the latter rather focus on place, that is space invested by the authors with meaning and feelings of identity and belonging. From this perspective, the article argues that detective investigations have become a narrative medium allowing the readership to explore the writer’s representation/construction of his own territorial context, or place-setting, which functions as a co-protagonist of the novel. In conclusion, the paper suggests that the emerging role of place in some of the later popular crime fiction can be interpreted as the result of writer’s sentiment of belonging and, according to Appadurai’s theory, as a literary and geographical discourse aimed at the production of locality.

The Religiosity of Javanese Society in Modern Indonesian Literature

2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari
Keyword(s):  
Short Stories ◽  
Literary Work ◽  
Community Life ◽  
The Novel ◽  
Literary Works ◽  
Islamic Values

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.

Passion's Fictions from Shakespeare to Richardson

2021 ◽  
Author(s):  
Benedict S. Robinson
Keyword(s):  
Adam Smith ◽  
Francis Bacon ◽  
Theoretical Knowledge ◽  
The Novel ◽  
Literary Works ◽  
Critical Moment ◽  
Intimate Relation ◽  
History Of ◽  
Social Scenes

Passion’s Fictions traces the intimate links between literature and the sciences of soul and mind from the age of Shakespeare to the rise of the novel. It chronicles the emergence of new sciences of the passions between the sixteenth and eighteenth centuries out of and in some ways against a received “science of the soul,” and it argues that this history was shaped by rhetoric, which contained the most extensively particularized discourse on the passions, offering principles for moving and affecting the passions of others in concrete social scenes. This rhetoric of the passions centered on narrative as the instrument of a non-theoretical knowledge of the passions in their particularity, predicated on an account of passion as an intimate relation between an empassioned mind and an empassioning world: rhetoric offers a kind of externalist psychology, formalized in the relation of passion to action and underwriting an account of narrative as a means of both moving passion and knowing it. This book describes the psychology of the passions before the discipline of psychology, tracing the influence of rhetoric on theories of the passions from Francis Bacon to Adam Smith and using that history to read literary works by Shakespeare, Milton, Haywood, Richardson, and others. Narrative offers a means of knowing and moving the passions by tracing them to the events and objects that generate them; the history of narrative practices is thus a key part of the history of the psychology of the passions at a critical moment in its development.

scholarly journals NILAI TANGGUNG JAWAB DALAM NOVEL LASKAR PELANGI KARYA ANDREA HIRATA: TINJAUAN STRUKTURALISME GENETIK

2019 ◽  
Vol 1 (1) ◽  
pp. 43-56
Author(s):  
Siti Rukiyah
Keyword(s):  
World View ◽  
Cultural Background ◽  
Moral Values ◽  
The Novel ◽  
Self Confidence ◽  
Novel Structure ◽  
Livelihood Systems ◽  
Content Analysis Method ◽  
And Behavior ◽  
Attitudes And Behavior

This study discusses in depth about the moral values of responsibility in the novel Laskar Pelangi. Furthermore, the proposed related to the socio-cultural background of the authors in the creation of novel Laskar Pelangi effect on moral values. In addition, also discussed the author's view of the world related to the teachings of the value of responsibility. This research uses a qualitative approach with content analysis method. The results showed that the value of responsibility based on the novel structure consisting of man's relationship to himself, namely in terms of character and characterization. The characters are displayed Andrea Hirata bring the characters responsible for the thoughts, attitudes, and behavior. From a review of genetic structuralism, the value of responsibility based on social and cultural background, knowledge systems also influence the social and cultural life. Belitung people's livelihood systems are revealed also shape the character responsible. The author's world view of morals includes the value of self-existence, self-esteem, self-confidence, fear, longing, and responsibility.

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