From Nature as a "First Teacher" to the "Subjective Idea". Changes in Aesthetic Criteria in the Second Half of the ХVI Century and Their Impact on the Studies of Proportions

2020 ◽  
Vol 4 (3) ◽  
Author(s):  
Antoaneta Ancheva ◽  
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In the second quarter of the XVI th century, some changes occur, which reflected in the art from that period. As early as the second half of the century, some new trends began in the art of the High Renaissance. The crisis in the humanistic culture of the Renaissance led to changes in the mentality of the individual person. Feelings like anxiety and disharmony enterеd in the balanced soul of the Renaissance man. They formed new aesthetic criteria, which required a change in the proportions and shapes of the human body and image. Undoubtedly, this is a transitional time in search of new ideals and artistic means.

Author(s):  
Serene J. Khader

This chapter argues that independence individualism, a form of individualism that is the object of decolonial feminist critique, is conceptually unnecessary for feminism, and in fact undermines transnational feminist praxis. Opposition to sexist oppression does not logically entail individualism. Adopting the specific form of individualism called “independence individualism,” which holds that individuals should be economically self-sufficient and that only chosen relationships are valuable is likely to worsen the gender division of labor and obscure the transition costs of feminist change. The perceived relationship between independence individualism and feminism is traceable to ideological assumptions that associate capitalism with liberation from tradition, and tradition with patriarchy. The concept of independence individualism is arrived at by examining the justificatory discourses behind ostensibly feminist policies that proclaim the value of the individual person while harming “other” women.


Author(s):  
Elaine Auyoung

This chapter demonstrates how the organization of narrative information can shape a reader’s impression of what is represented. It focuses on two ways in which concrete objects are arranged in Charles Dickens’s Bleak House: as specific members of general categories and as part of causally connected narrative structures. Dickens relies on these representational strategies to capture a scale of reality no longer suited to the individual human body. In doing so, he also reveals that the realist novel’s conventional commitment to individual experience at the scale of concrete particulars reflects constraints on the comprehension process.


2020 ◽  
Vol 8 (1) ◽  
pp. 100-114
Author(s):  
Karoline Gritzner

AbstractThis article discusses how in Howard Barker’s recent work the idea of the subject’s crisis hinges on the introduction of an impersonal or transpersonal life force that persists beyond human agency. The article considers Barker’s metaphorical treatment of the images of land and stone and their interrelationship with the human body, where the notion of subjective crisis results from an awareness of objective forces that transcend the self. In “Immense Kiss” (2018) and “Critique of Pure Feeling” (2018), the idea of crisis, whilst still dominant, seems to lose its intermittent character of singular rupture and reveals itself as a permanent force of dissolution and reification. In these plays, the evocation of nonhuman nature in the love relationships between young men and elderly women affirms the existence of something that goes beyond the individual, which Barker approaches with a late-style poetic sensibility.


2021 ◽  
pp. 1354067X2110040
Author(s):  
Josefine Dilling ◽  
Anders Petersen

In this article, we argue that certain behaviour connected to the attempt to attain contemporary female body ideals in Denmark can be understood as an act of achievement and, thus, as an embodiment of the culture of achievement, as it is characterised in Præstationssamfundet, written by the Danish sociologist Anders Petersen (2016) Hans Reitzels Forlag . Arguing from cultural psychological and sociological standpoints, this article examines how the human body functions as a mediational tool in different ways from which the individual communicates both moral and aesthetic sociocultural ideals and values. Complex processes of embodiment, we argue, can be described with different levels of internalisation, externalisation and materialisation, where the body functions as a central mediator. Analysing the findings from a qualitative experimental study on contemporary body ideals carried out by the Danish psychologists Josefine Dilling and Maja Trillingsgaard, this article seeks to anchor such theoretical claims in central empirical findings. The main conclusions from the study are used to structure the article and build arguments on how expectations and ideals expressed in an achievement society become embodied.


2017 ◽  
Vol 31 (1) ◽  
pp. 3-16 ◽  
Author(s):  
Michael Ignatieff

In a 1958 speech at the United Nations, Eleanor Roosevelt took stock of the progress that human rights had made since the proclamation of the Universal Declaration of Human Rights ten years before. Mrs. Roosevelt had chaired the UN committee that drafted the Universal Declaration and had hoped that, in time, it would become “the international Magna Carta of all men everywhere.” Her answer to the question of how to measure human rights progress has become one of the most frequently quoted remarks of the former First Lady: Where, after all, do universal human rights begin? In small places, close to home—so close and so small that they cannot be seen on any maps of the world. Yet they are the world of the individual person; the neighborhood he lives in; the school or college he attends; the factory, farm, or office where he works. Such are the places where every man, woman, and child seeks equal justice, equal opportunity, equal dignity without discrimination. Unless these rights have meaning there, they have little meaning anywhere. Without concerted citizen action to uphold them close to home, we shall look in vain for progress in the larger world.


2005 ◽  
Vol 14 (1) ◽  
pp. 141-162
Author(s):  
Clare Spencer

This essay presents a comparative study of the sociological assumptions implicit, and to some extent explicit, in the work of two famous architects, Charles Rennie Mackintosh and Le Corbusier. The inhabitant implied through the architectural practice of Le Corbusier resembles Elias's homo clausus (closed person), the mode of self experience viewed by Elias as the dominant one in Western society and one which sees the individual person as a ‘thinking subject’ and the starting point of knowledge. Mackintosh's designs, in contrast, imply individual people closer to Elias‘s homines aperti, social beings who are shaped through social interaction and interdependence. This paper demonstrates how, as well as fulfilling social, cultural and political needs, architecture carries, within in its designs, certain assumptions about how people and how they do, and should, live. The adoption of an Eliasian perspective provides an interesting insight into how these assumptions can shape self-experience and social interaction in the buildings of each architect.


Psychology ◽  
2013 ◽  
Author(s):  
Robert D. Latzman ◽  
Yuri Shishido

The title of “Godfather of Personality” may well be ascribed to Gordon Allport, who was the first to make public efforts to promote the “field of personality” in the 1930s (see Allport and Vernon 1930, cited under Gordon Allport). Personality psychology—located within what many argue is the broadest, most encompassing branch of psychological science—can be defined as the study of the dynamic organization, within the individual, of psychological systems that create the person’s characteristic patterns of behaviors, thoughts, and feelings (see Allport 1961, also cited under Gordon Allport). The field of personality psychology is concerned with both individual differences—that is, the way in which people differ from one another—and intrapersonal functioning, the set of processes taking place within any individual person. The area of personality psychology is often grouped with social psychology in research programs at universities; however, these are quite different approaches to understanding individuals. While social psychology attempts to understand the individual in interpersonal or group contexts (i.e., “when placed in Situation A, how do people, in general, respond?”), personality psychology investigates individual differences (i.e., “how are people similar and different in how they respond to the same situation?”). Personality psychology has a long history and, as such, is an extremely large and broad field that includes a large number of approaches. Discerning readers will quickly note that the current chapter is largely focused on what has come to be the most commonly studied perspective, the trait approach. Those readers interested in other approaches are referred to a number of resources focusing on Other Approaches within the diverse field.


LETRAS ◽  
2011 ◽  
pp. 147-161
Author(s):  
Fátima R. Nogueira

Se estudia la narrativa de Jaramillo Levi centrada en la relación entre el erotismo y la muerte, desde el intercambio de dos fuerzas que actúan en la producción del deseo: una, de naturaleza libidinosa e inconsciente, la otra de filiación social. Estos relatos exploran el vínculo entre las pulsiones sexuales y el instinto de la muerte revelando el exceso y la violencia ocultos en el erotismo; además, plasman la magnitud del deseo que al exceder los límites del cuerpo y del individuo deviene una experiencia de la sexualidad inhumana reafirmada sólo por un campo saturado de intensidades y vibraciones. Partiendo de la teoría lacaniana del deseo, y de conceptos de Deleuze y Guattari, en los relatos tal encuentro de fuerzas objetiviza el sujeto y cuestiona la noción antropomórfica de sexualidad. This study deals with Jaramillo Levi’s short stories centered on the relationship between eroticism and death, examining the exchange of two driving forces which create desire. The nature of one of these forces is unconscious and libidinous while the other is social. These stories explore the link between sexual drive and the death instinct, disclosing overindulgence and violence hidden behind eroticism. In addition, they depict the magnitude of desire, which upon exceeding the boundaries of the human body and the individual, becomes an experience of inhuman sexuality that can reaffirm itself only in a field permeated with intensity and vibrations. Considering Lacan’s theory of desire and other concepts from Deleuze and Guattari, the exchange of forces in these stories objectifies the subject and questions the anthropomorphic notion of sexuality.


Author(s):  
Régis Mollard ◽  
Pierre Yves Hennion ◽  
Alex Coblentz

The survey realized in 1992 on a military population allowed to collect anthropometric data on 688 males and 328 females. Among 73 measurements and 3 index, 26 of them have been retained for the comparison with previous surveys. Generally used for dimensioning human body models these data represent somatic measurements of reference, as weight and stature and segmentary measurements of trunk and limbs. A comparison with previous data, collected on a equivalent military population in 1973, confirms the modifications along the time are so significant that they can be considered as a phenomenon of morphological evolution. Likewise, the modification of the academic levels, average age and socio-cultural structures in the populations are combined to increase the anthropometric variability. It appears the military population presents a morphological modification with an overall increase in weight, stature and correlated dimensions. Otherwise, a light decrease of the cormic index indicates that the morphological transformation influences on the body proportions, with an increase more notable for the lower limbs compared to the trunk. The collected anthropometric information allow to update the Individual Database of ERGODATA from which ergonomie recommendations and statistical and morphological models of the human body can be proposed.


Author(s):  
Béatrice Longuenesse

In each instance of its use, “I” refers to just one individual: the individual currently saying the sentence or thinking the proposition in which “I” (or, as the case may be, the first-person inflection of the verb) is in use. At the same time, having available the concept and word “I” is understanding that any other person using “I” thereby refers to herself, the thinker or speaker. Moreover, uses of “I” are not necessarily the expression of an egoistic obsession with our individual person. Some of the sentences in which “I” is in use display a striking combination of the singular character of the word and concept “I” and the universality of the claim we make on others, using the singular term and concept “I.” The chapter explores these contrasting features of “I” in relation to our cognitive and agential access to the world.


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