scholarly journals El tono en poesía

2020 ◽  
pp. 109
Author(s):  
Blanca Alberta Rodríguez-Vázquez
Keyword(s):  
Edgar Allan Poe ◽  
Point Of View ◽  
Octavio Paz ◽  
Paul Valery ◽  
Poetic Discourse ◽  
Spanish Speaking ◽  
Paul Valéry ◽  
Poetic Texts ◽  
Sobre Todo

El presente artículo tiene como finalidad mostrar que el tono –en sus dimensiones acústica, prosódica y, sobre todo, tensiva– es creador de efectos de sentido de tipo patémico. En otras palabras, se afirma que el tono es un productor de afectos en el discurso poético. La primera parte se dedica a una reflexión general sobre la poesía como un género orientado a suscitar la experiencia sensible a través de la configuración de un determinado tono. Posteriormente, se acota el concepto de tono. Por último, se analizan diferentes textos poéticos de autores de habla hispana –como Octavio Paz, María Teresa Andruetto, entre otros– a fin de conocer qué recursos discursivos se conjugan para modular el tono; se pone especial atención al papel del metro y del ritmo. El punto de vista adoptado conjuga las lúcidas reflexiones de poetas como Paul Valéry y Edgar Allan Poe, así como la perspectiva de la semiótica tensiva de Claude Zilberberg, sin olvidar algunos planteamientos de la estilística española establecidos por Dámaso Alonso y Tomás Navarro Tomás.The aim in this article is to expose that tone – in its acoustic, prosodic and, most of all tensive dimensions– is the creator of pathic-like sense effects. In other words, it is an affirmation regarding tone is a producer of affections in poetic discourse. The first part of this paper is dedicated to a general reflection on poetry as a genre oriented to arouse sensitive experience through the configuration of a particular tone. In the second part, the concept of tone is defined. Finally, three different Spanish-speaking poetic texts are analyzed –among them authors such as Octavio Paz and María Teresa Andruetto– in order to recognize what kind of discursive means are imbricated to modulate tone; it is paid special attention to the role of metrics and rhythm. The point of view adopted comes back to lucid reflections of poets such as Paul Valéry and Edgar Allan Poe, as well as insight on tense stylistics by Claude Zilberberg, without forgetting some approaches from Spanish stylistics as established by Dámaso Alonso and Tomás Navarro.

scholarly journals El deseo de "las otras" artes en la poesía de Antonio Carvajal: la colaboración entre los artistas

2011 ◽  
pp. 680
Author(s):  
Domingo Sánchez-Mesa Martínez
Keyword(s):  
Common Denominator ◽  
Paul Valery ◽  
Technical Aspects ◽  
Xxth Century ◽  
The Arts ◽  
Livre D'artiste ◽  
Century Poetry ◽  
Paul Valéry ◽  
Siglo Xx ◽  
Sobre Todo

El caso de Antonio Carvajal (Albolote, Granada 1945) es particularmente significativo de las relaciones intermediales en la poesía del último tercio del siglo XX, por cuanto existe una voluntad y búsqueda consciente desde muy temprano de ese diálogo con la pintura y con la música basada, sobre todo, en el convencimiento del carácter intermedial del hecho poético. Más allá de la filiación clásica y barroca de su poesía, la inclinación y recurso frecuente a la correspondencia entre las artes presenta una clara raigambre simbolista, en diálogo sobre todo con Paul Valéry con quien Carvajal comparte, además de la vocación técnica y la ideología de la música como punto de fuga de la poesía pura, la confianza en el hecho poético como común denominador de lo artístico. Desde la antología de textos de marcada vocación interartística, Raso, Milena y Perla (1996), a algunas de una de sus colaboraciones en exposiciones pictóricas o libros de artista, como la edición ilustrada con serigrafías de Antonio Jiménez de El deseo es un agua (1998), se trata de dilucidar las distintas técnicas y sentidos del diálogo intermedial practicados por Antonio Carvajal. The work of Antonio Carvajal (Albolote, Granada 1945) is highly representative of intermediality within the end of the XXth century poetry. There is an early conscious and voluntary quest in Carvajal`s poetry towards a dialogue with painting and music, mainly based in some certainty about the intermedial dynamics of the same poetic event. Beyond its classical and baroque roots, the poetics of Carvajal inherits the Baudelairian correspondence between the arts, thus a symbolist stance. Through a fruitful reading of Paul Valéry, with whom Carvajal shares a well appreciated vocation towards the ideology of music and the mastery of technical aspects in poetry writing, this writing aims to a renewed practice of pure poetry on the basis of poetry itself as common denominator of the arts. Since his most clearly interartistic book (anthology) Raso, Milena y Perla (1996), to some of his many and varied ways of collaboration and interchange with painters, as it is the case of the livre d’artiste El deseo es un agua (1998), with serigraphies by Antonio Jiménez, this article drives to classify and elucidate these various strategies and meanings of the intermedial dialogue practiced by Antonio Carvajal

From the World of Silence to Poetic Language

2020 ◽  
pp. 68-99
Author(s):  
Galen A. Johnson
Keyword(s):  
Edgar Allan Poe ◽  
Poetic Language ◽  
Francis Ponge ◽  
Paul Valery ◽  
Philosophical Language ◽  
Personal Crisis ◽  
The World ◽  
Paul Valéry ◽  
Work And Life ◽  
The Invisible

This chapter makes explicit the influence of Valéry whose poem La Pythie [The Pythoness] is quoted by Merleau-Ponty in the penultimate sentence of The Visible and the Invisible. Merleau-Ponty discussed the work and life of Paul Valéry (1871–1945) for the entire first half of the first course of 1953, Recherches sur l’usage littéraire du langage. After early poetic successes, Valéry experienced a deep personal crisis that led him to impose a silence upon himself, which lasted for a period of twenty-five years from 1892 until 1917, after which he emerged reborn as a writer. Merleau-Ponty recognizes the power of silence to nourish both poetic and philosophical language in relation to three orders or dimensions: “the horizon of the visible, the horizon of the nameable, and the horizon of the thinkable.” The notions of the “chiasma of two destinies” and the “implex of words” derive directly from Valéry, who leads on to Mallarmé and Baudelaire together with Edgar Allan Poe, as well as to Francis Ponge, who captured this overlapping exchange among the dimensions of Being in Taking the Side of Things [Le parti pris des choses].

scholarly journals Translation Pragmatics of Phonic Expressive Means in English Poetic Texts

2022 ◽  
Vol 23 (4) ◽  
pp. 1041-1050
Author(s):  
N. A. Kurakina ◽  
I. S. Achinovich
Keyword(s):  
Semantic Analysis ◽  
Theoretical Foundation ◽  
Expressive Power ◽  
Research Area ◽  
English Poetry ◽  
Poetic Discourse ◽  
Original Poems ◽  
Poetic Texts ◽  
The Relationship

Phono-stylistics is a promising research area. Expressive power of a text depends on its phonetic imagery. The research objective was to identify the pragmatic features of phonic expressive means in translations of contemporary English poetry. The methods included a comparative analysis, phono-semantic and phono-stylistic interpretation of the original poems and their translations, and O. N. Tynyanov's law of versification. The method of sound counting developed by E. V. Elkina and L. S. Yudina was used to calculate the frequency of sounds in the context of phono-semantic analysis in the Russian translations. The method of sound counting designed by Tsoi Vi Chuen Thomas was used to calculate the frequency of sounds in the original English texts. The theoretical foundation of the research was formed by the works by M. A. Balash, G. V. Vekshin, Z. S. Dotmurzieva, V. N. Elkina, A. P. Zhuravlev, L. V. Laenko, F. Miko, L. P. Prokofyeva, E. A. Titov, etc. The study featured the phonics and pragmatics of S. Dugdale’s poem Zaitz and its three translations made by E. Tretyakova, A. Shchetinina, and M. Vinogradova, and C. E. Duffy’s Anne Hathaway translated by Yu. Fokina. The author compared the pragmatics of sound imagery in the English originals and their Russian translations. The research made it possible to define the role of sound imagery in the poetic discourse, as well as the relationship between the sound organization of poetic speech and the pragmatic value at the phonographic level. The results can be used in courses of translation, stylistics, and phonetics.

scholarly journals Paul Valéry face à Edgar Allan Poe. Une pensée philosophique entre composition et création

Tangence ◽  
2011 ◽  
pp. 11-28
Author(s):  
Barbara Scapolo
Keyword(s):  
Edgar Allan Poe ◽  
Paul Valery ◽  
Paul Valéry ◽  
Cette Question

L’hypothèse de notre analyse est celle d’une importance capitale de la maîtrise de l’oeuvre d’Edgar Allan Poe pour comprendre la pensée de Valéry. Poe permet de réfléchir plus particulièrement sur ce qu’est la structure formelle d’une oeuvre, question au centre de toute la philosophie du poète. La réflexion valéryenne sur cette question passe de l’attention constante au rôle du lecteur, avec l’élaboration de nombreuses stratégies au sein de sa propre écriture pour pouvoir, en tant qu’auteur, contrôler le lecteur et lui résister, à une invitation à établir une analyse qui s’intéresse plus à l’oeuvre en puissance qu’à celle en acte, ce qui nous amène à souligner l’importance qu’il a accordée, sa vie durant, à l’inachevé. L’horizon de sens de la réflexion de Valéry nous semble indissociablement lié à la mise en forme d’une recherche d’une certaine consistency, le terme devant ici être entendu dans le double sens qu’il a en anglais : à la fois cohérence et consistance, double sens que l’on retrouve au reste dans Eurêka de Poe. Ce faisant, l’auteure de cette étude rappelle également la propension de l’écriture de Valéry à s’orienter tantôt vers un lecteur à venir, tantôt vers lui-même.

scholarly journals Dolgan Invitation to the Tundra: the Artistic World of Ogdo Aksenova

2020 ◽  
Vol 17 (3) ◽  
pp. 321-333
Author(s):  
Aleksei A. Arzamazov
Keyword(s):  
Literary Tradition ◽  
Point Of View ◽  
Research Interest ◽  
Literary Translation ◽  
Minority Literature ◽  
Poetic Discourse ◽  
Poetic Texts

The main purpose of the article is to analyze the poetic texts of Ogdo Aksenova, who is sole representative of the Dolgan national literary tradition. The main themes, key motives and symbols of her artistic world (the image of the northern landscape, the image of the tundra, poetic variations on the theme of the seasons, etc.) are established, the ethnocultural originality of the poetic discourse (linguistic levels of expressiveness, realities of Dolgan culture) is analyzed. Special attention is paid to the genre of the song, which has folklore and mythological roots. It is emphasized that in separate collections and works the boundaries between the authors and folklore are blurred. The article assesses the quality of the literary translation of the texts of the Dolgan poetess into Russian. The work of O. Aksenova is of great research interest from the point of view of identifying specific mechanisms of the formation and development of minority literature.

scholarly journals The rhyme of Grygoriy Skovoroda as a language phenomenon

2018 ◽  
pp. 19-39
Author(s):  
Yuliya Dyadyscheva-Rosovetska
Keyword(s):  
Comparative Method ◽  
Associate Professor ◽  
Point Of View ◽  
Current State ◽  
Slavonic Language ◽  
Language Communication ◽  
Poetic Texts ◽  
Language Environment ◽  
Different Origin

Specific language of the Gregory Skovoroda still attract the attention of scientists, especially common are discussions on combination of elements of the different origin in his poetics. The emphasis is on the method of reconstruction of features of the language of ancient texts, which is a complex set of procedures. The various approaches of scientists to the linguistic interpretation of Skovoroda's texts are analyzed: certain heterogeneity taking into account stylistic differentiation, approaching to Russian, a mixture of Church Slavicisms, Ukrainianisms, Russisms, pseudo-Ukrainianisms and pseudorussisms, a combination of the traditional Old Slavonic element with the linguistic folk, the Slavic Ukrainian book 2 half of the XVIII century Etc., a qualitatively new phenomenon, representing the only Eastern Slavic literary language. Unfortunately, the problem of language of the Gregory Skovoroda is usually observed only from the point of view of the current state of development of the Ukrainian language and the processes that occur in it at the beginning of the XXI century. This study's autor approaches this issue from diachronic point of view, reconstructing G. Skovoroda’s speech issues in the context of the language environment of his time and using a comparative method to identify the original pronunciation of the G. Skovoroda’s the poetry in relation to the spelling of his poetic texts. With this instrumentary, rhyme in a number of poems becomes available to study. In particular, proposed method is used upon a "Tenth song" from the series "Garden of Divine Songs", only its author's version on autograph rough copy becouse versions published in academic collections in 1973 and 2011 hold traces of adaptation to the norms of modern spelling. Based on our observations on the draft of the autograph’s Song "To Every City Its Customs and Laws" by G. Skovoroda, we can conclude that when reading the poetry of the G. Skovoroda using Ukrainian language phonetic signs, rhyme is accurate, whereas in rules of "Russian" reading - is inaccurate. This is the evidence for the important role of the Ukrainian component in the language of the poet-philosopher and that his poems are ment to be read using Ukrainian rules. In the perspective, proposed approach can be applyed to analyze the language of other poetic works by Gregory Skovoroda. Key words: language of G. Skovoroda, rhyme, historical linguistic stylistics, linguistic phonetics, Ukrainian language, Old Chirche Slavonic language. Information about author: Dyadyshcheva-Rosovetska Juliya Borysivna – PhD, associate professor; associate professor of the department of stylistics and language communication; Institute of philology; Kyiv National Taras Shevchenko University.

scholarly journals From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos

Muzikologija ◽  
2011 ◽  
pp. 75-101
Author(s):  
Achilleus Chaldaeakes
Keyword(s):  
Point Of View ◽  
Poetic Texts ◽  
The Church

In this paper I will examine the practice of inserting non-psalmic poetic texts in the compositions of the Polyeleoi. It is a process of adding or interpolating a poem the content of which is always related to a particular theme from the church calendar into the usual psalmic verses of a given composition. This technique is related (first and foremost) to the Polyeleoi compositions (especially to the first section of the so-called Latrinos Polyeleos, to which it must undoubtedly be connected), but it also appears occasionally in the antiphons (in the so-called Antiphons for the feasts of the Theotokos, but mainly in the Antiphons for the feast of All Angels). The role of these inserted texts will be commented from the viewpoint of liturgy and ritual and from the musicological point of view.

Elucidation of block boundaries as the dissolution channels in hydrated cement

1978 ◽  
Vol 36 (1) ◽  
pp. 484-485
Author(s):  
N.V. Belov ◽  
U.I. Papiashwili ◽  
B.E. Yudovich
Keyword(s):  
Liquid Phase ◽  
Grain Boundaries ◽  
Benzoyl Peroxide ◽  
Phase Contrast ◽  
Active Role ◽  
Point Of View ◽  
Hardened Cement ◽  
Hydrated Cement ◽  
Hardened Cement Paste

It has been almost universally adopted that dissolution of solids proceeds with development of uniform, continuous frontiers of reaction.However this point of view is doubtful / 1 /. E.g. we have proved the active role of the block (grain) boundaries in the main phases of cement, these boundaries being the areas of hydrate phases' nucleation / 2 /. It has brought to the supposition that the dissolution frontier of cement particles in water is discrete. It seems also probable that the dissolution proceeds through the channels, which serve both for the liquid phase movement and for the drainage of the incongruant solution products. These channels can be appeared along the block boundaries.In order to demonsrate it, we have offered the method of phase-contrast impregnation of the hardened cement paste with the solution of methyl metacrylahe and benzoyl peroxide. The viscosity of this solution is equal to that of water.

Whatever Happened to the Cambridge Capital Theory Controversies? (With comments by L. Pasinetti, F. Fisher, J. Felipe and J. McCombie, R. Greenfield and reply by the authors)

2009 ◽  
pp. 4-27
Author(s):  
A. Cohen ◽  
G. Harcourt
Keyword(s):  
Economic Theory ◽  
Economic Thought ◽  
Point Of View ◽  
Chronological Order ◽  
Capital Theory

The article written by the well-known theorists and historians of economic thought contains a detailed overview of the Cambridge capital controversy, which had raged from the mid-1950-s through the mid-1970-s. The authors track the origins of the controversy and cover arguments of both sides in chronological order. From their point of view, the discussion hasnt been resolved, and its main underlying aspects were ideological beliefs and fundamental methodological controversies on the nature of equilibrium and on the role of time in economic theory. The article is published with comments written by other leading theoreticians.

УКРАЇНОЗНАВЧИЙ ОСВІТНІЙ ЧИННИК В УМОВАХ СУЧАСНОЇ УКРАЇНСЬКОЇ МАСОВОЇ КУЛЬТУРИ

2019 ◽  
pp. 22-29
Author(s):  
Н. В. Фрадкіна
Keyword(s):  
Mass Culture ◽  
Personal Development ◽  
Negative Impact ◽  
Educational Process ◽  
Point Of View ◽  
Character Trait ◽  
Main Task ◽  
Leading Role ◽  
The Individual

The purpose and tasks of the work are to analyze the contemporary Ukrainian mass culture in terms of its value and humanistic components, as well as the importance of cultural studies and Ukrainian studies in educational disciplines for the formation of a holistic worldview of modern youth.Analysis of research and publications. Scientists repeatedly turned to the problems of the role of spirituality in the formation of society and its culture. This problem is highlighted in the publications by O. Losev, V. Lytvyn, D. Likhachev, S. Avierintsev, M. Zakovych, I. Stepanenko and E. Kostyshyn.Experts see the main negative impact of mass culture on the quality approach, which determines mass culture through the market, because mass culture, from our point of view, is everything that is sold and used in mass demand.One of the most interesting studies on this issue was the work by the representatives of Frankfurt School M. Horkheimer and T. Adorno «Dialectics of Enlightenment» (1947), devoted to a detailed analysis of mass culture. Propaganda at all socio-cultural levels in the form is similar in both totalitarian and democratic countries. It is connected, according to the authors, with the direction of European enlightenment. The tendency to unify people is a manifestation of the influence of mass culture, from cinema to pop. Mass culture is a phenomenon whose existence is associated with commerce (accumulation in any form – this is the main feature of education), in general, the fact that it exists in this form is related to the direction of the history of civilization.Modern mass culture, with its externally attractive and easily assimilated ideas and symbols, appealing to the trends of modern fashion, becomes a standard of prestigious consumption, does not require intense reflection, allows you to relax, distract, not teach, but entertains, preaches hedonism as the main spiritual value. And as a consequence, there are socio-cultural risks: an active rejection of other people, which leads to the formation of indifference; cruelty as a character trait; increase of violent and mercenary crime; increase in the number of alcohol and drug addicts; anti-patriotism; indifference to the values of the family and as a result of social orphanhood and prostitution.Conclusions, perspectives of research. Thus, we can conclude that modern Ukrainian education is predominantly formed by the values of mass culture. Namely, according to the «Dialectic» by Horkheimer and Adorno, «semi-enlightenment becomes an objective spirit» of our modern society.It is concluded that only high-quality education can create the opposite of the onset of mass culture and the destruction of spirituality in our society. It is proved that only by realizing the importance of cultivating disciplines in the educational process and the spiritual upbringing of the nation, through educational reforms, humanitarian knowledge will gradually return to student audiences.Formation of youth occurs under the influence of social environment, culture, education and self-education. The optimal combination of these factors determines both the process of socialization itself and how successful it will be. In this context, one can see the leading role of education and upbringing. It turns out that the main task of modern education is to spread its influence on the development of spiritual culture of the individual, which eventually becomes a solid foundation for the formation of the individual. Such a subject requires both philosophical and humanitarian approaches in further integrated interdisciplinary research, since the availability of such research will provide the theoretical foundation for truly modern educational and personal development.

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