Conclusion: ‘Look, let’s start all over again. What’s she like?’

2017 ◽  
Author(s):  
Felicity Chaplin
Keyword(s):  
Nineteenth Century ◽  
Apparent Contradiction ◽  
Dominant Feature ◽  
Definition Of

The conclusion offers the following provisional definition of la Parisienne: a type of which atypicality is the dominant feature; a type whose identity is continuously displaced or deferred, simultaneously reaching back to her earliest manifestations in the nineteenth century and forward to future manifestations which will both affirm and rework the iconography of the type. The further turn of the screw for the difficulty of defining la Parisienne as a type is that this difficulty is not in spite of her iconography but is in fact built into it. This apparent contradiction is accounted for within iconography itself as a methodology, the two aspects of which are stability and mutability. Since a type is only a type because of recognisable motifs, certain motifs must be established which have both universal, and particular or historical validity. One of the ways iconography may respond to its dual imperatives of stability and mutability is by constructing a cycle of films featuring a certain type, and the conclusion reveals that this book goes some way toward constructing what might be called a cycle of Parisienne films.

The Late-Victorian ‘New Man’ and the Neo-Victorian ‘Neo-Man’

2015 ◽  
Vol 5 (2) ◽  
pp. 105-121
Author(s):  
Margaret D. Stetz
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Historical Fiction ◽  
Gender Relations ◽  
Victorian Fiction ◽  
New Man ◽  
Victorian Period ◽  
The New Woman ◽  
Definition Of ◽  
Victorian Age

The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an actual one. Nevertheless, creators of neo-Victorian fiction and film repeatedly project him backwards onto the screen of literary history, representing him as having in fact existed in the Victorian age as a complement to the New Woman. What is at stake in retrospectively situating the New Man – or, as I will call him, the ‘Neo-Man’ – in the nineteenth century, through historical fiction? If one impulse behind fictional returns to the Victorian period is nostalgia, then what explains this nostalgia for The Man Who Never Was? This essay will suggest that neo-Victorian works have a didactic interest in transforming present-day readers, especially men, through depictions of the Neo-Man, which broaden the audience's feminist sympathies, queer its notions of gender relations, and alter its definition of masculinity.

DELIGHTFUL COXCOMBS TO INDUSTRIOUS MEN: FASHIONABLE POLITICS IN CECIL AND PENDENNIS

2002 ◽  
Vol 30 (1) ◽  
pp. 289-304 ◽  
Author(s):  
Claire Nicolay
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Middle Class ◽  
Upward Mobility ◽  
Late Nineteenth Century ◽  
Class A ◽  
Late Nineteenth ◽  
Definition Of ◽  
A Site ◽  
Trade Office

THOMAS CARLYLE’S CONTEMPTUOUS DESCRIPTION of the dandy as “a Clothes-wearing Man, a Man whose trade, office, and existence consists in the wearing of Clothes” (313) has survived as the best-known definition of dandyism, which is generally equated with the foppery of eighteenth-century beaux and late nineteenth-century aesthetes. Actually, however, George Brummell (1778–1840), the primary architect of dandyism, developed not only a style of dress, but also a mode of behavior and style of wit that opposed ostentation. Brummell insisted that he was completely self-made, and his audacious self-transformation served as an example for both parvenus and dissatisfied nobles: the bourgeois might achieve upward mobility by distinguishing himself from his peers, and the noble could bolster his faltering status while retaining illusions of exclusivity. Aristocrats like Byron, Bulwer, and Wellington might effortlessly cultivate themselves and indulge their taste for luxury, while at the same time ambitious social climbers like Brummell, Disraeli, and Dickens might employ the codes of dandyism in order to establish places for themselves in the urban world. Thus, dandyism served as a nexus for the declining aristocratic elite and the rising middle class, a site where each was transformed by the dialectic interplay of aristocratic and individualistic ideals.

The American Catholic Minority in the Later Nineteenth Century

1953 ◽  
Vol 15 (3) ◽  
pp. 275-302 ◽  
Author(s):  
Thomas T. McAvoy
Keyword(s):  
Nineteenth Century ◽  
Church And State ◽  
The United States ◽  
Roman Law ◽  
American Democracy ◽  
Nineteenth Century America ◽  
Hierarchical Arrangement ◽  
Great Culture ◽  
Definition Of ◽  
American Catholic

The factors that caused the Roman authorities to insist on a Plenary Council of the American Bishops in 1884 have not been sufficiently explained. Perhaps the role of the American prelates in opposing the opportuneness of the definition of the doctrine of infallibility had some influence. Undoubtedly the reports of the bishops in their ad limina visits to Rome did little to subdue any fears that may have arisen. The frequent appeals of recalcitrant clergymen against their bishops were going directly to Rome because there was no intermediate court. The Instruction of 1878 makes this quite clear. Rome had shown its dissatisfaction with the condition of Catholic education by its interrogatory and its Instruction of 1875. The renewed condemnation of the Fenians had some American effects; and the renewed condemnation of the Masons with applications to certain other American social organizations indicated that all was not well in the social conditions of Catholics in the United States. Had the prelates in Rome understood American democracy and American conditions they would have had to have been much better informed than most Europeans in the nineteenth century. America was to Europe a land of great physical possibility, but a land without any great culture or religious accomplishments. Even European liberals did not understand the manhood suffrage of American democracy. The Catholic leaders of southern Europe, so generally aligned with conservative and monarchist parties, could have little understanding of American democracy in the religious sphere. In Rome where the hierarchical arrangement had not been fully dissociated from monarchical government and where Roman law with its insistence on the union of Church and State was the basis of most political thought, even the most sympathetic seemed to have some misgivings about the manifest loyalty of the American Catholics to the Holy See.

scholarly journals A Reconsideration on the Theory of Beauty: Previous Views and a New Approach Following Maslow's Theory (Part II)

2021 ◽  
Author(s):  
Iulia-Adina Lehene
Keyword(s):  
Nineteenth Century ◽  
Urban Planning ◽  
Civil Engineering ◽  
Philosophical Perspective ◽  
New Approach ◽  
Human Motivation ◽  
Definition Of ◽  
Concept Of Beauty

This paper is the second part of a work that aims to rethink the concept of beauty as close as possible to its essence and in a way that integrates the science of aesthetics with the field of construction. Within other theoretical and practical works, this study may be further used to physically reflect the definition of beauty in areas such as architecture, civil engineering or urban planning and support professionals in designing and building beautiful objects and constructions. However, it has to be added that the assumption that there must be a particular original aspect related to beauty that leads a human-made object to success, needs to be further identified. The approach to the concept of beauty is through a general philosophical perspective and partially through the areas mentioned above.The second part of the study includes the synthesised guidance provided by Monroe Beardsley through the theories on beauty from the nineteenth century until today. In addition, it comprises the scheme of concepts that characterised the beautiful in this time, including the lines that guided its study, previous ideas that support our later views on presented theory, and a brief exposition of Maslow's theory of human motivation followed by our theory on beauty and the conclusions.

scholarly journals António Ferreira da Silva and the Teaching of Chemistry at the Academia Politécnica do Porto (1877–1910)

2019 ◽  
Vol 20 ◽  
pp. 213-221 ◽  
Author(s):  
José Ferraz-Caetano ◽  
João Paiva ◽  
Francisco Malta Romeiras
Keyword(s):  
Public Health ◽  
Analytical Chemistry ◽  
Nineteenth Century ◽  
Health Education ◽  
Crucial Role ◽  
Public Health Education ◽  
Scientific Education ◽  
Definition Of ◽  
Practical Teaching

Resumo No final do século XIX, a química ganhou notoriedade como uma das principais “ciências ao serviço” da nação. O surgimento de novos tópicos, métodos e práticas úteis contribuíram para a valorização da química e para a definição de medidas governamentais em temas como saúde pública, educação e proteção ambiental. Lente na Academia Politécnica do Porto entre 1877 e 1910, António Ferreira da Silva (1853–1923) desempenhou um papel central na modernização do ensino e da investigação em química em Portugal. Ferreira da Silva foi responsável pela introdução de cursos suplementares de química, pela reformulação do ensino prático, e pela elaboração de novos procedimentos e regulamentos de ensino “que em muito engrandeceram a educação científica” em Portugal. Enquanto lente da Academia Politécnica do Porto, Ferreira da Silva privilegiou ainda a articulação entre o Laboratório da Academia e as indústrias nacionais, contribuindo, em larga medida, para emergência da Química Analítica como uma nova disciplina.Palavras-chave: António Ferreira da Silva; Academia Politécnica do Porto; Química Analítica. Abstract By the turn of the nineteenth century, chemistry had become a “science at the service” of the nation. The emergence of useful topics, methods, and practices contributed to the valorization of chemistry and to the definition of new governmental directives on issues such as public health, education and environment. Lecturer at the Academia Politécnica do Porto between 1877 and 1911, António Ferreira da Silva (1853–1923) played a crucial role in the modernization of the teaching and practice of chemistry in Portugal. Ferreira da Silva created new supplementary chemistry courses, reformed the practical teaching of chemistry, and drafted new proceedings and syllabi “that glorified scientific education” in Portugal. As lecturer of the Academia Politécnica do Porto, he made important steps in the establishment of collaborations between the Academia’s Laboratory and national industries, which largely contributed to the emergence of Analytical Chemistry as an autonomous discipline. Keywords: António Ferreira da Silva; Academia Politécnica do Porto; Analytical Chemistry.

scholarly journals The Principle of Continuous Biological Information Flow as the Fundamental Foundation for the Biological Sciences. Implications for Ageing Research

2021 ◽  
Author(s):  
Xavi Marsellach
Keyword(s):  
Biological Sciences ◽  
Biological Information ◽  
Biological Knowledge ◽  
Phenotypic Characteristics ◽  
Apparent Contradiction ◽  
Current State ◽  
The Face ◽  
Unique Definition ◽  
Definition Of ◽  
Flow Of Information

The current state of biological knowledge contains an unresolved paradox: life as a continuity in the face of the phenomena of ageing. In this manuscript I propose a theoretical framework that offers a solution for this apparent contradiction. The framework proposed is based on a rethinking of what ageing is at a molecular level, as well as on a rethinking of the mechanisms in charge of the flow of information from one generation to the following ones. I propose an information-based conception of ageing instead of the widely accepted damage-based conception of ageing and propose a full recovery of the chromosome theory of inheritance to describe the intergenerational flow of information. Altogether the proposed framework allows a precise and unique definition of what life is: a continuous flow of biological information. The proposed framework also implies that ageing is merely a consequence of the way in which epigenetically-coded phenotypic characteristics are passed from one generation to the next ones.

Historical Account or Discourse on Identity? A Reexamination of Fulbe Hegemony and Autochthonous Submission in Banyo

1998 ◽  
Vol 25 ◽  
pp. 93-110 ◽  
Author(s):  
Quentin Gausset
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Islamic State ◽  
Local Populations ◽  
Northern Cameroon ◽  
Definition Of ◽  
Historical Accounts ◽  
In The Beginning ◽  
Almost All ◽  
The Military

Traditional accounts of the nineteenth-century Fulbe conquest in northern Cameroon tell roughly the same story: following the example of Usman Dan Fodio in Nigeria, the Fulbe of Cameroon organized in the beginning of the nineteenth century a “jihad” or a “holy war” against the local pagan populations to convert them to Islam and create an Islamic state. The divisions among the local populations and the military superiority of the Fulbe allowed them to conquer almost all northern Cameroon. They forced those who submitted to give an annual tribute of goods and servants, and they raided the other groups. In these traditional accounts the Fulbe are presented as unchallenged masters, while the local populations are depicted as slaves who were powerless over their fate; their role in the conquest of the region and in the administration of the new political order is supposed to have been insignificant.I will show that, on the contrary, in the area of Banyo the Wawa and Bute played a crucial role in the conquest of the sultanate and in its administration. I will then re-examine the cliche that all members of the local populations were the slaves of the Fulbe by distinguishing the fate of the Wawa and Bute on one side from that of the Kwanja and Mambila on the other, and by showing the importance of the Fulbe's identity in shaping the definition of slavery. Finally I will argue that, if the historical accounts found in the scientific literature invariably insist on Fulbe hegemony and minimize the role played by the local populations, it is because those accounts are often based on Fulbe traditions, and because these traditions are remodeled by the Fulbe in order to correspond to their discourse on identity.

BIM Application in Documenting and Recreating Lost Architectural Heritage

2019 ◽  
pp. 112-141
Author(s):  
Paola Casu ◽  
Claudia Pisu
Keyword(s):  
Nineteenth Century ◽  
Cultural Heritage ◽  
3D Models ◽  
Full Potential ◽  
Architectural Heritage ◽  
Research Focus ◽  
Digital Archiving ◽  
Food Market ◽  
Definition Of

The digital archiving process of complex historical architectural 3D models is a key point in the field of tangible cultural heritage. A lot of research focus on the definition of methodologies and tools that exploit the full potential of ICT applied to the documentation of cultural heritage. This chapter illustrates a part of a study in this line of investigation. It focuses on the use of BIM for the reconstruction of lost architectural heritage. BIM will be applied to virtual reconstruct the nineteenth-century covered food market of Cagliari that was demolished in 1957. Thanks to the properties of BIM to enter information related to each element constituting a building, every part of the model will be accompanied by information on the degree of reliability and references adopted for its creation. In this way, each family of elements could more easily and knowingly be reused for other similar projects.

Beyond the Bower

2020 ◽  
pp. 41-60
Author(s):  
Heather Braun
Keyword(s):  
Nineteenth Century ◽  
Women Writers ◽  
Natural World ◽  
Female Characters ◽  
Artistic Production ◽  
Interior Spaces ◽  
Romantic Era ◽  
Definition Of ◽  
Poetic Creation ◽  
Female Poets

Romantic male poets typically describe bowers as lush, ecological spaces for quiet introspection and poetic creation within a distinctly masculinize landscape. In contrast to these idyllic spaces in Nature, the word bower meant something quite different for many nineteenth-century British women writers. For Romantic female poets, these garden bowers were isolated and fragmented spaces where artistic production was inhibited rather than nurtured. Their poems imagine a very different kind of bower, one that is aligned most directly with a second definition of the term: namely, a lady’s apartment in which “embowered” characters are trapped in interior spaces. These barren, claustrophobic bowers offered the antithesis of the freedom and inspiration male poets of the Romantic-era associated with outdoor garden bowers. Poet, essayist, and activist Caroline Norton demonstrates how these artificial domestic prisons produced paralysis and self-division rather than comfort and poetic inspiration. Cut off from the ecological spaces available to their male contemporaries, Norton’s female characters are silenced, distracted, and confined unable to leave their stifling bowers to create space for themselves in the natural world. Many nineteenth-century women writers reconfigured the Romantic garden bower as an unnatural lady’s bower from which female artists must flee in order to create.

The Poetry and the Prose of the Future

2016 ◽  
Author(s):  
Robert S. Lehman
Keyword(s):  
Nineteenth Century ◽  
Walter Benjamin ◽  
Fourth Century ◽  
Historical Method ◽  
The Third ◽  
Science Of History ◽  
The Future ◽  
Definition Of ◽  
Poetic Response ◽  
Century Science

The Introduction examines three moments that have proven foundational for the fraught relationship between poetry and history. The first occurs in the fourth century B. C. in Aristotle’s Poetics, the earliest attempt to provide a systematic definition of the structure and effects of poetry and, consequently, the origin of all later crises of verse. The second appears in Marx’s Eighteenth Brumaire, a text that offers a complicated poetic response to a moment of crisis in Marx’s own historical method. The third appears in the early writings of Friedrich Nietzsche, where, against the onset of the nineteenth-century science of history, the demand to see history become poetry is made explicit. Focusing on these three moments, the Introduction establishes the intellectual-historical coordinates of the poetico-historical problem that T. S. Eliot and Walter Benjamin inherit.

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