scholarly journals The concept of death in euphemistic view of the world on the material of English, German, Russian and Buryat languages

2020 ◽  
pp. 67-77
Author(s):  
Oyuna Tsydendambaeva ◽  
Olga Dorzheeva
Keyword(s):  
End Of Life ◽  
Semantic Space ◽  
Scientific Discourse ◽  
Human Being ◽  
Special Place ◽  
The World ◽  
The Subject ◽  
The Dead

The category of “death” is based on the concept antipodal to the category of “life”. Death marks the end of life; its semantic dominant is the notion of the “absence of being” of a human. Meanwhile, “death” is a socially formed category, and the stance on this phenomenon is developed under the influence of a range of factors – literature, art, religious doctrines, cultural rituals, and burial traditions. There exists an opinion on the intuitive and explicable commonness of views of the cultures of different nations and religious representations with regards to “remembrance of the dead and veneration of their souls”. The concept of “death” as one of the basic meanings of human being, can be ranked among universal, holding a special place within the linguistic view of the world. Perhaps this explains the interest of the researchers to this concept. The subject of this article is the euphemisms of the English, German, Russian and Buryat languages that form semantic space of the concept of “death”. The scientific novelty lies in introduction into the scientific discourse of the previously unstudied euphemisms of Buryat language representing the concept of “death”; as well as determination of the universal in English, German and Russian languages nationally marked components reflecting the linguistic view of the world by various ethnoses and cultures.

scholarly journals Human as a phenomenon of unity of corporeal and spiritual in various-system languages (based on the material of euphemisms in the English and Buryat languages)

2020 ◽  
pp. 58-66
Author(s):  
Oyuna Tsydendambaeva ◽  
Olga Dorzheeva
Keyword(s):  
Scientific Discourse ◽  
The Body ◽  
Linguistic Expression ◽  
The West ◽  
The World ◽  
Key Concepts ◽  
The Subject ◽  
The Common

This article is dedicated to the examination of euphemisms in the various-system languages – English and Buryat that contain view of the world by a human, and the ways of their conceptualization. Euphemisms remain insufficiently studied. Whereupon, examination of linguistic expression of the key concepts of culture is among the paramount programs of modern linguistics, need for the linguoculturological approach towards analysis of euphemisms in the languages, viewing it in light of the current sociocultural transformations, which are refer to euphemisms and values reflected by them. The subject of this research is the euphemisms in the English and Buryat languages, representing the semiosphere “corporeal and spiritual”. The scientific novelty consists in introduction of the previously unexamined euphemism in Buryat language that comprise semiosphere “corporeal and spiritual” into the scientific discourse. The analysis of language material testifies to the fact that in various cultures the topic of intimacy and sex is euphemized differently. The lexis indicating the intimate parts of the body is vividly presented in the West, while in Buryat language – rather reserved. The author also determines the common, universal, and nationally marked components elucidating the linguistic worldview of different ethnoses and cultures.

scholarly journals Intonation and genre montage in the compositions of Alfred Schnittke

2020 ◽  
pp. 26-34
Author(s):  
Zarina Mukhriddinovna Denisova
Keyword(s):  
Cultural Development ◽  
Main Principle ◽  
Musical Compositions ◽  
The World ◽  
The Subject ◽  
Alfred Schnittke

The subject of this research is the works of the prominent national composer Alfred Schnittke. The analysis of musical compositions demonstrated that one of the dominant technique of their thematic development consists in the intonation and genre montage, and dramaturgy is structured as a peculiar intertwinement of imagery-thematic lines, each of which is formed as an assemblage of themes referred to the same genre. The main principle for this research served the principle of historicism as one of the fundamental within national musicology, which views an artistic phenomenon in unity of transformation of traditions and modern trends. The scientific novelty consists in determination of the leading principle of musical compositions of A. Schnittke – the principle of “generalization through the genre”, presented as an intonation and genre montage. In conclusions formulated in the article, the author summarizes and systematizes the results of study: combining different genres in a single sound space, the composer interprets them as so-called intonation-semantic signs formed in the process of prolonged historical-cultural development, generating valid content, and at the same time, in its intertwinement, creating an individual artistic view of the world.

Chairman’s introduction

1986 ◽  
Vol 316 (1537) ◽  
pp. 193-194
Keyword(s):  
Developing Countries ◽  
Royal Society ◽  
Flood Protection ◽  
Irrigation Development ◽  
Experimental Station ◽  
The World ◽  
Rothamsted Experimental Station ◽  
The Subject ◽  
Opening Session

I am honoured and privileged to be Chairman for the opening session of this Royal Society Discussion Meeting on Scientific Aspects of Irrigation Schemes. It was originally intended that Dr Howard Penman, F. R. S., was to have been the Chairman for this session, but sadly he is no longer with us. However, his valuable work over many years at the Rothamsted Experimental Station on the physics of evaporation and the determination of the Penman equation lives on and is of continuing benefit to those concerned with irrigation development throughout the world. First, I would like to stress the importance of the subject of this discussion meeting to industrial and developing countries alike, and offer the following estimates of areas under irrigation and drainage-flood protection worldwide in support of this view.

scholarly journals The phenomenon of human alienation: socio-ontological aspect

2020 ◽  
pp. 45-57
Author(s):  
Kirill Prozumentik
Keyword(s):  
Autonomous Agents ◽  
Human Mind ◽  
Social Philosophy ◽  
Broad Sense ◽  
Narrow Sense ◽  
Fundamental Ontology ◽  
The World ◽  
The Status ◽  
The Subject

This article is dedicated to one of the key problems of social philosophy – the phenomenon of human alienation. The subject of this research is the ontological grounds of alienation. The goal consists in determination of the existential foundation of alienation as a complicated socio-ontological phenomenon, as well as differentiation of the narrow and broad sense of the concept of “alienation”. In the narrow sense, alienation implies the process, when the products of human activity and activity itself obtain the status of autonomous agents opposing to human. In a broad sense, alienation is interpreted as an ontological distinction within the structure of being. For revealing the ontological grounds of alienation, the author attracts and reconsiders the ideological arsenal of philosophical anthropology, fundamental ontology, existentialism, personalism, Marxism, and post-phenomenology. The ontological interpretation allows comprehending the anthropogenesis, historical development of human, and evolution of human mind in the context of the terms of alienation. Thus, the first is interpreted as a self-alienation of the world; the second – as alienation of human from himself; and the third – as an ideal of appeal of the world towards itself, realized through human spiritual activity. All elements of the triad form an ontological basis doe alienation in the narrow sense.

scholarly journals Artistic dominant of the image of character of occupational novel

2020 ◽  
pp. 93-103
Author(s):  
Anna Anatolievna Gaganova
Keyword(s):  
Instrumental Analysis ◽  
Political Bias ◽  
Systemic Analysis ◽  
Stage Of Development ◽  
The World ◽  
Russian Literary ◽  
History Of ◽  
The Subject ◽  
Historical Periods

The object of this research is the genre of occupational novel. The subject is the image of character of occupational novel. The goal consists in determination of artistic specificity of the image of character in the process of development of the genre. Russian literary works for the period of 1920’s – 1970’s united by the image of a man of labor became the material for this study. The evolution of the image of character is viewed on the sampling of representational works. The conclusions are made that at the stage of formation of the genre of occupational novel (1920’s – 1930’s) dominates the image of the reformer of the world. The next stage (1940’s – 1950’s) marks the character of the defender of reformed world. Then, in the 1960’s, it is followed by the character-rationalizer. The final chronological stage of history of the genre (1970’s) personifies the image of a young hero-seeker, defined by the professional calling in life. The scientific novelty consists in reference to the genre of occupational novel in its entire evolution from the perspective of philological instrumental analysis, while the earlier studies were characterized by political bias. The genre of occupational novel is separated from the literary trends of the XX century, and is divided into historical periods. The article suggests a systemic analysis of the image of character of occupational novel within the framework of evolution of the genre. The author is firs to highlight the key artistic attributes that represent an artistic dominant for the image of character at each stage of development of the genre.

scholarly journals Metamodernism as a discourse of a new anthropological myth

2021 ◽  
pp. 191-202
Author(s):  
Ekaterina A. Nechaeva
Keyword(s):  
Discourse Analysis ◽  
Comparative Method ◽  
Point Of View ◽  
Axiomatic Method ◽  
Human Being ◽  
Analysis Method ◽  
The World ◽  
The Subject ◽  
Western European ◽  
Epistemological Point

The present paper concerns the discourse of metamodernism problem as a type of the anthropological myth. The anthropological myth is considered as a project for describing reality, which models a systematic consistent idea of a human being, reality, status of reality and develops ethic, aesthetic, axiological views of a subject. The article aims to determine the peculiarities of metamodernism as a fictional discourse of the anthropological myth on the basis of XXI century European novel analysis. The analysis is carried out with the use of the comparative method, contextual description methods, axiomatic method, discourse analysis method etc. The topicality of the undertaken research is determined by the appearance of a new fictional discourse in art at the beginning of the XXI century as well as a new aesthetic paradigm, not described yet. The texts of Western European novels written in the first two decades of the XXI century reveal authors’ consistent refusal of the principles traditionally viewed as post-modernist – novels featuring a simulated nature of reality, novels problematizing the relationships between the signifying and the signified, decentralizing the subject etc. The attempts to describe a particular cultural situation as an alternative to postmodernism have been taken since the 80’s of the XX century; metamodernism acts as one of such projects for describing the modern cultural situation. The paper analyzes the interpretation models referring to XXI century art on the basis Western European novels of XXI century. The author of the paper concludes that metamodernism as a fictional discourse of the new anthropological myth reflects a different idea of the reality. Metamodernism as a cultural project aims to “return” ontology, assume the availability of reality outside the cognizing subject’s consciousness, and surpass the iconic nature of reality. From the epistemological point of view, metamodernism offers cognition of the world and “Ego” via experience of “Another Ego”.

scholarly journals The Joy of Being as Anthropological Practice

2021 ◽  
Vol 16 (2) ◽  
pp. 66-73
Author(s):  
Agapov Oleg D. ◽  
Keyword(s):  
Human Life ◽  
Human Condition ◽  
The Other ◽  
Human Being ◽  
Human Beings ◽  
Human Subjectivity ◽  
The World ◽  
The Subject ◽  
The Absolute ◽  
The Human Condition

The joy of being is connected with one’s activities aimed at responding to the challenges of the elemental forces and the boundlessness of being, which are independent of human subjectivity. In the context of rising to the challenges of being, one settles to acquire a certain power of being in themselves and in the world. Thus, the joy of being is tied to achieving the level of the “miraculous fecundity” (E. Levinas), “an internal necessity of one’s life” (F. Vasilyuk), magnanimity (M. Mamardashvili). The ontological duty of any human being is to succeed at being human. The joy of being is closely connected to experiencing one’s involvement in the endless/eternity and realizing one’s subjective temporality/finitude, which attunes him to the absolute seriousness in relation to one’s complete realization in life. Joy is a foundational anthropological phenomenon in the structure of ways of experiencing the human condition. The joy of being as an anthropological practice can appear as a constantly expanding sphere of human subjectivity where the transfiguration of the powers of being occurs under the sign of the Height (Levinas) / the Good. Without the possibility of transfiguration human beings get tired of living, immerse themselves in the dejected state of laziness and the hopelessness of vanity. The joy of being is connected to unity, gathering the multiplicity of human life under the aegis of meaning that allows us to see the other and the alien in heteronomous being, and understand the nature of co-participation and responsibility before the forces of being, and also act in synergy with them.The joy of being stands before a human being as the joy of fatherhood/ motherhood, the joy of being a witness to the world in creative acts (the subject as a means to retreat before the world and let the world shine), the joy of every day that was saved from absurdity, darkness and the impersonal existence of the total. Keywords: joy, higher reality, anthropological practices, “the height”, subject, transcendence, practice of coping

scholarly journals Nilai Spiritual dalam Pemikiran Za'ba

2021 ◽  
Vol 14 (1) ◽  
pp. 141-158
Author(s):  
Ratna Roshida Ab Razak ◽  
Keyword(s):  
Value Of Life ◽  
Human Being ◽  
Spiritual Values ◽  
The World ◽  
The Right

Za‘ba, or his real name Zainal Abidin bin Ahmad is not just a preacher and thinker who has sharp eyes, but also a spiritual teacher. It is based on the idea that emphasizes its meaning, purpose and value of life, which should belong to every human being, especially to a Malay Muslim. Her contributions to the community is unbeatable. It underlines the general appreciation of Islam by emphasizing a determination to use the world for the happiness of life, here and in the hereafter. For Za‘ba, mistakes in thinking lead to weaknesses in making a decision and followed by a bad action. Za‘ba’s thinking goes beyond times. His writings are almost 70 years old, was found in Qalam magazine which was published in 1952, but the essence and the topics of discussion are still fresh and still relevant until today. The determination of the mindset to ensure that the Malays are on the right track again, as it was recommended in Islam is very evident in his writing. Therefore, this work aims to examine and analyze Za‘ba’s spiritual values found in his mind through his writings.

scholarly journals For what reason does Raskolnikov laugh?

Litera ◽  
2021 ◽  
pp. 89-97
Author(s):  
Tszinyan Ma
Keyword(s):  
Computer Software ◽  
Semantic Space ◽  
The Novel ◽  
Semantic Field ◽  
Linguistic Identity ◽  
Crime And Punishment ◽  
Semantic Fields ◽  
Field Linguistics ◽  
The Subject

This article analyzes the resources of application of computer technologies for the purpose of visualization of the text semantic field “laughter”. The concept of “laughter” holds a special place in the works of F. M. Dostoevsky, as well as in one of the central semantic fields in the text semantic space of the novel “Crime and Punishment”. Examination of the semantic field within the space of a particular literary text allows determining the peculiarities of the authorial thesaurus within the structure of his linguistic identity. The subject of this article is the concept of “laughter” as the core of the corresponding text semantic field; determination of saturation of the text with the words belonging to a certain semantic field. Despite the fact that multiple questions related to the theory of semantic field are well studied, the scholars take interests in studying the linguistic material, denoted in field linguistics, namely development of the techniques for visualization of the semantic  network through creating cloud tags, semantic text markup, synoptic patterns, rendering, etc. The article offers one of the techniques – visualization based on construction of a plot using a specifically developed computer software. The graphic image illustrates the distribution of units of the semantic field “laughter” in the novel, which enables new interpretations of the content of Dostoevsky’s novel.

Spiritual Gifts and Status Inversion

2017 ◽  
Author(s):  
Thomas R. Blanton, IV
Keyword(s):  
Social Rank ◽  
Spiritual Gifts ◽  
Human Being ◽  
Change Over Time ◽  
Early Christian ◽  
Status Inconsistency ◽  
The Subject ◽  
The Dead ◽  
Over Time

This chapter enlists Carole Crumley’s notion of heterarchy as a means of critiquing and refining Wayne Meeks’s notion of status inconsistency as it pertains to Pauline assemblies. The chapter shows that status is to be viewed not only as a multidimensional phenomenon but also as the subject of intense contest, negotiation, and change over time. Paul deploys a discourse of “spiritual gifts”—specifically the idea that the power by which Jesus was raised from the dead was transforming his “inner human being” into a glorious immortal being—in order to propose an inversion of the criteria utilized for the evaluation of social rank, such that he, an impoverished itinerant craftsman, might be evaluated within early Christian assemblies as having a status higher than that of wealthier patronal figures and gifted orators.

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