scholarly journals Virtual Interiorities

Interiority ◽  
2021 ◽  
Vol 4 (2) ◽  
Author(s):  
Adam Nash ◽  
Kate Geck ◽  
Andy Miller
Keyword(s):  
Lived Experience ◽  
Interior Design ◽  
Design Practice ◽  
Space And Time ◽  
Relationship Of

A practice of the virtual offers to interior design a dynamic conception of interiority that transcends simplistic representative notions of space, recognising the inseparable relationship of space and time, as well as an understanding of interiority as lived experience and its attendant amenability to active interpretation and therefore design. Ultimately, a practice of the virtual facilitates an understanding of interior as a dynamic and ongoing network of relations, and interior design as individuating participation in this network. In this article, we describe in detail an expanded notion of the virtual, and extrapolate how an understanding of this notion might help shape future interior design practice. We then offer some examples that might help translate these ideas into practice.

scholarly journals Envisioning the atmospheric effect through (im)materiality

2019 ◽  
Vol 64 ◽  
pp. 02007
Author(s):  
Nilay Ünsal Gülmez ◽  
Dürnev Atılgan Yagan ◽  
Murat Şahin ◽  
Efsun Ekenyazıcı Güney ◽  
Hande Tulum
Keyword(s):  
Interior Design ◽  
Analytical Method ◽  
Design Studio ◽  
First Year ◽  
Second Phase ◽  
Design Practice ◽  
Atmospheric Effect ◽  
Two Phases ◽  
Light Color ◽  
Design Experiments

In an attempt to bridge the gap between architectural/interior design practice and education, ‘atmosphere’ as a prolific contemporary architectural debate in practice and theory is covered by the experiment of ‘Staging Poe’ carried out as a first year Design Studio through the study of Edgar Allen Poe’s selected poems. Poe’s 1846 text of ‘The Philosophy of Composition’, unfolding his analytical method of writing and emphasis on “effect” in poetry, provides a ground for experimenting with facets of materiality and structuring the studio. Aiming to cultivate intuitive design experiments of students into informed processes in hybridizing conceptual/textual and material/sensual aspects, studio is structured in two phases. In the first phase, “materialization”, idiosyncratic interpretations of students from words to materials with a focus on tectonic experiments and haptic experiences are sought in between materializing and dematerializing processes. In the second phase, the “atmospheric”, emphasis on dematerialization of the perception of materials through tools, such as light, color and sound is exercised to transform the object into a performance stage. Outcomes of the studio on aspects pertaining to material and materialities in creation of the immaterial that is the atmosphere is followed and evaluated through responses of students’ weekly reports.

scholarly journals [DESIGN INDEPENDENCE A COMPLEMENTARY PRINCIPLE IN THE DESIGN OF INTERIOR SPACES OF MALAYSIAN MOSQUE CASE STUDY] الاستقلالية التصميمية مبدأ تكميلي في تصاميم الفضاءات الداخلية للمساجد الماليزية دراسة حالة

2020 ◽  
Vol 4 (2) ◽  
pp. 94-125
Author(s):  
Mohammed Jarallah Tewfik ◽  
Ahmed Mohammed Yahya Al-Abbasi
Keyword(s):  
Interior Design ◽  
Research Study ◽  
Research Problem ◽  
Design System ◽  
Interior Spaces ◽  
Design Creativity ◽  
The Aesthetic ◽  
Relationship Of ◽  
The Relationship

The interior design of Malaysian Islamic mosques is a vivid example of further innovation and innovation based on design creativity in design relationships.As a result of the interaction of this level, the design process shows a clear independence as a result of the interaction of the subjective capabilities factor of the interior designer based on the study of the specificity of the objective capabilities that govern the processes of drafting innovative decorative arts.Therefore, it was necessary to study this issue by identifying the research problem, which is summarized by: showing the features of design independence as a complementary principle in the designs of the interior spaces of Malaysian mosques,While the aim of the research focuses on identifying the features of design independence that are adopted as a complementary principle in the designs of the interior spaces of Malaysian mosques,While the importance of research is evident in presenting a clear picture of the concept of design independence, as it represents the theoretical base that can be used in practical application in designs of interior spaces for the chapel of the Malaysian Islamic mosques,The research study also includes both (research limits, theoretical framework, as well as research procedures based on the descriptive analytical approach (content analysis - case study)) leading to the results of the research study, which was among the most important: 1- Design configurations of all kinds and design configurations emerged within the designs of the internal determinants, based on the study of the interior designer, to the aesthetic independence of the division of space and size as a complementary principle within the internal determinants of the mosque of the two mosques. 2- The relationship of the principle of the independence of convergence as a complementary principle contributed to determining the distances between shapes, which can be perceived as a unified whole, through the distribution of units and shapes within a consecutive visual design system. While the most important recommendations emerged through the necessity of studying the choice of levels of internal determinants of the chapel of the Malaysian Islamic mosques.With the demonstration of the expressive characteristic of civilization development through design recruitment of appropriate vocabulary and design units with a careful selection of modern materials and materials in line with the innovative design path to achieve the requirements of design independence within the chapel of the Malaysian Islamic mosques.

A Methodology for Interior Design

2021 ◽  
pp. 161-178
Author(s):  
Ervin Garip ◽  
Ceren Çelik
Keyword(s):  
Design Process ◽  
Interior Design ◽  
Design Methodology ◽  
Design Practice ◽  
Direct Proportion ◽  
Overall Design ◽  
Living Space ◽  
Variable Environments

The notion of designed space often comes up with the tendency of perfection. This approach, which connects the design to perfection, is mostly reflected in the overall design, even in the representations. In this approach, the power of representation advances in direct proportion to its perfection and perfection is expected in the designed spaces. The situation created by this perfect representation and the reflection of perfection to the design also emerges in the “home” where daily encounters and routines are most intense. Rather than a flawless photogenic object, interiors are dynamic and variable environments containing daily encounters. The interior design practice can be handled from this context and actively influence the design methodology itself. The study shows that as the concept of “home” moves away from a photogenic object, the potential of designing a multi-layered and flexible living space in interior design studios increases. This situation provides alternative spatial articulations in the final product and representations as well as in the interior design process.

scholarly journals Temporal Sections Conceptual Tool: Articulating Space and Time in Representing Urban Ambiances

2019 ◽  
Vol 64 ◽  
pp. 01014
Author(s):  
Noha Gamal Said
Keyword(s):  
Lived Experience ◽  
Social Stratification ◽  
Formation Process ◽  
Sensory Experience ◽  
Theoretical Background ◽  
Conceptual Tool ◽  
Space And Time ◽  
The Future

This article aims to present a new methodological protocol and a representation tool that articulates both space and time in understanding urban ambiances: temporal sections. The elaboration of this conceptual tool is based on a theoretical background dealing with the palimpsest of urban ambiances. The urban palimpsest is a metaphor underlying the dynamic of the formation process of the territory resulting from a temporal, spatial and social stratification that manifests in the lived experience. Combining urban transect, a geographical tool, and stratigraphy, a geological one, temporal sections represent the sensory experience as a palimpsest that integrates the different pasts and projects on the future. This tool provides a very specific way of immersion and opens new realm in constructing a storytelling; it proposes a rereading and writing the ambiance in depth.

scholarly journals Analysis of the Clonal Relationship of Serotype O26:H11 Enterohemorrhagic Escherichia coli Isolates from Cattle

2009 ◽  
Vol 75 (21) ◽  
pp. 6947-6953 ◽  
Author(s):  
Lutz Geue ◽  
Sabrina Klare ◽  
Christina Schnick ◽  
Birgit Mintel ◽  
Katharina Meyer ◽  
...  
Keyword(s):  
Escherichia Coli ◽  
Cluster Analysis ◽  
Human Infection ◽  
Enterohemorrhagic Escherichia Coli ◽  
Clonal Relationship ◽  
Space And Time ◽  
Virulence Markers ◽  
Relationship Of ◽  
Cattle Farms

ABSTRACT Twelve cluster groups of Escherichia coli O26 isolates found in three cattle farms were monitored in space and time. Cluster analysis suggests that only some O26:H11 strains had the potential for long-term persistence in hosts and farms. As judged by their virulence markers, bovine enterohemorrhagic O26:H11 isolates may represent a considerable risk for human infection.

scholarly journals The Relationship of Exhibition Space Design and the Success of Delivering Messages to Museum Visitors in Jakarta

Humaniora ◽  
2017 ◽  
Vol 8 (3) ◽  
pp. 219
Author(s):  
Anak Agung Ayu Wulandari ◽  
Ade Ariyani Sari Fajarwati ◽  
Fauzia Latif
Keyword(s):  
Case Studies ◽  
Interior Design ◽  
Design Elements ◽  
Museum Visitors ◽  
Study Approach ◽  
Exhibition Space ◽  
Space Design ◽  
Collecting Methods ◽  
National Museums ◽  
Relationship Of

The research explored exhibition space designs, particularly the interior design elements such as circulation, lighting, and display techniques to find out whether the design elements corresponded the design principles and to find out which museum had the most ideal exhibition design that was able to deliver exhibition messages to the audience. The research applied qualitative method with case study approach in three museums in Jakarta, those were National Museums, Bank of Indonesia museum, and museum of Fine Art and Ceramic as case studies and qualitative data collecting methods through observations to get real-settings information. Data analysis and comparison of various interior elements shows that from the three case studies only Bank of Indonesia Museum has an integrated exhibition space using various interior elements; circulation and lighting design as well as display technique that support the success of a museum to deliver exhibition messages to their visitor. It can stimulate visitors senses visually, auditory, and kinetic.

scholarly journals Imaginative Animals. Leibniz's Logic of Imagination

2021 ◽  
Author(s):  
Lucia Oliveri
Keyword(s):  
Space And Time ◽  
Logic Of Imagination ◽  
The World ◽  
Relationship Of ◽  
The Way

Through the reconstruction of Leibniz's theory of the degrees of knowledge, this e-book investigates and explores the intrinsic relationship of imagination with space and time. The inquiry into this relationship defines the logic of imagination that characterizes both human and non-human animals, albeit differently, making them two different species of imaginative animals. Lucia Oliveri explains how the emergence of language in human animals goes hand in hand with the emergence of thought and a different form of rationality constituted by logical inferences based on identity and contradiction, principles that are out of reach of the imagination. The e-book concludes that the presence of innate principles in human animals transforms the way in which they sense-perceive the world, thereby constantly increasing the distinction between human and non-human animals.

scholarly journals Interior Design:

IDEA JOURNAL ◽  
2010 ◽  
pp. 138-140
Author(s):  
Mark Taylor
Keyword(s):  
Interior Design ◽  
Architectural Education ◽  
Design Practice ◽  
Interior Architecture

This book is another contribution to the growing influence of interior design/interior architecture within ‘architectural’ education and practice. It also contributes to the number of ‘introductory’ publications including Dorothy Stepat-DeVan, Introduction to Interior Design (1980), Stanley Abercrombie, A Philosophy of Interior Design, (1990) and the Basics Interior Architecture series by Graeme Brooker and Sally Stone. Others in this field include Dianna Rowntree, Interior Design (1964), Stanley Abercrombie, a philosophy of Interior Design (1990) and Graeme Brooker and sally stone, what is interior Design? (2010) as well as those that are aimed at equipping the reader on how to establish and run an interior design practice.

scholarly journals The Relationship of Social Media Usage to the Satisfaction and Practice of Friendship (Silaturahmi) among Students of Universitas Sumatera Utara

2019 ◽  
Vol 2 (4) ◽  
pp. 575-589
Author(s):  
Feni Khairifa ◽  
Suwardi Lubis ◽  
Iskandar Zulkarnain
Keyword(s):  
Social Media ◽  
Media Usage ◽  
Social Satisfaction ◽  
Space And Time ◽  
Positive Side ◽  
Use Of Social Media ◽  
The University ◽  
Relationship Of ◽  
The Relationship ◽  
North Sumatra

The study aims is to find out The Relationship of Social Media Usage to the Satisfaction and Practice of Friendship (Silaturahmi) among Students of Universitas Sumatera Utara. This research is conducted at Universitas Sumatera Utara, Dr. Mansur Street, Padang Bulan, Medan. The result shows that there is a relationship between the use of social media and social satisfaction among students of the University of North Sumatra. The form of relationships is low, but certain relationships. In addition, the relationship between the two variables is positive, which means more and more use of social media, the satisfaction of friendship among students of the University of North Sumatra will also be higher. This is because, there is a positive side to social media. A variety of features are offered, making it easier for users to communicate. Distance, space and time are no longer a barrier to stay in touch (communication).

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