The Role and Melodic Patterns of the Nohkan in Relation to Structural Principles
This chapter provides a preliminary explanation of the shōdan, which gives an accessible description of the mugen Noh structure and the three categories of shōdan. It surveys past research on nohkan entrances and melodic patterns through the shōdan structure and. It also highlights five selected traditional Noh plays from Zeami's mugen Noh repertoire: Takasago, Atsumori, Izutsu, Kinuta, and Tōru. The chapter analyzes the nohkan senritsu-kei and their use in these Noh plays, as well as the role of the performer in adding embellishments and other performing techniques to support the chant while enhancing the mood of the play. It explores the role of the performer in adding embellishments and other performing techniques to support the chant while enhancing the mood of the play.