Suicide in Ireland in the 19th century

2016 ◽  
Vol 34 (3) ◽  
pp. 177-181 ◽  
Author(s):  
D. Walsh

IntroductionThis paper is an attempt to determine the extent and characteristics of suicide in 19th-century Ireland and the proportion of these that occurred in asylums.MethodsThe procedures used in this presentation involve analysis of data from the 1841 and 1851 Censuses of Ireland and the Reports of the Registrar-General of Ireland from 1864 to 1899 and the Annual Reports of the Inspectors of Lunacy, 1850 to 1899.ResultsReported suicides had relatively low rates in the 19th century, ranging from 0.9 to 3.3 per 100 000 per year. The proportion of these suicides that occurred in asylums was low at ~4%.ConclusionsThe reporting of suicide as a cause of death was relatively rare in the first-half of the 19th century in Ireland, but increased in frequency progressively throughout the second-half of that century. The reported numbers are likely to have minimised the real rates because of under-reporting.

2021 ◽  
pp. 51-56
Author(s):  
Michael Obladen

In most human societies, ritualized and firm rules evolved for cutting the navel-string and handling the umbilical stump. These customs were not always beneficial, and contributed to umbilical infection, neonatal tetanus, and navel hernia. After prematurity, neonatal tetanus was the most frequent cause of death in poor countries up to the 19th century. It was caused by poor cord hygiene and by the age-old habit of severing the navel-string with biological products instead of man-made tools, which included palm leaves, blades of grass, mussel shells, crusts of bread, and other devices likely to be contaminated with tetanus spores. The navel-stump was covered with zinc powder, starch, oak-gall powder, grease, musk, clarified butter, and many other substances believed to protect the baby from evil, but actually creating anaerobic conditions in the umbilical wound. Care of the cord was associated with deep-rooted rituals and customs, and dangerous techniques persisted on islands well into modern times.


1977 ◽  
Vol 81 ◽  
pp. 72-76 ◽  
Author(s):  
G.F. Ray

This article traces the course of world commodity prices back to the middle of the 19th century and attempts to assess the changes in their purchasing value by deflating them by the export prices of manufactured goods. The purchasing power of commodity prices was in decline over long periods but they usually regained their earlier real value, or improved on it, in powerful upsurges of which the 1972-74 boom was the most recent; it was also unique in peacetime and, though with fluctuations, the purchasing value of commodities has since remained at a relatively high level.


2006 ◽  
Vol 58 (3) ◽  
pp. 216-226
Author(s):  
Anna-Dorothea Ludewig

AbstractThe present research on Czernowitz focuses mostly on the 20th century and on the works and memoirs of Holocaust survivors. But Czernowitz was at its cultural and economical height at the end of the 19th century, and it was during that time that the myth of the ,,ideal city" was established. This essay stresses the importance of that time period for understanding the ,,Czernowitz myth," and it analyzes the relationship between the ,,real" place Czernowitz and the literary topos of a ,,sunken city" (Rose Ausländer).


2021 ◽  
Vol 40 (64) ◽  
pp. 145
Author(s):  
Felipe Dos Santos Matias

Resumo: O presente artigo estuda, inicialmente, o Santo Ofício português – iniciado em 1536 e oficialmente extinto apenas no século XIX, em 1821 –, procurando abordar alguns aspectos históricos, sociais, políticos e culturais decorrentes do funcionamento do tribunal inquisitorial em solo luso. Para tanto, dialoga-se com historiadores e intelecuais como António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, dentre outros. Em um segundo momento do estudo, analisa-se a obra História da origem e estabelecimento da Inquisição em Portugal (1854), de Alexandre Herculano (1810-1877), buscando-se evidenciar a forma pela qual a narrativa historiográfica herculaniana constituiu um discurso crítico em relação à institucionalização da Inquisição no reino português – durante a monarquia de D. João III – e aos laços estreitos entre os poderes real e religioso.Palavras-chave: Inquisição; Portugal; Alexandre Herculano.Abstract: This article initially studies the Portuguese Holy Office - which began in 1536 and was officially extinguished only in the 19th century, in 1821 - and seeks to address some historical, social, political and cultural aspects arising from the operation of the Inquisitorial Court on Portuguese soil. To do so, it dialogues with historians and intellectuals such as António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, among others. In a second moment of study, the work History of the origin and establishment of the Inquisition in Portugal (1854), by Alexandre Herculano (1810-1877), is analyzed, seeking to highlight the way in which the herculanian historiographic narrative constituted a discursive criticism in relation to the institutionalization of the Inquisition in the Portuguese kingdom – during the monarchy of D. João III – and to the close ties between the real and religious powers.Keywords:Inquisition; Portugal; Alexandre Herculano.Resumo: O presente artigo[1] estuda, inicialmente, o Santo Ofício português – iniciado em 1536 e oficialmente extinto apenas no século XIX, em 1821 –, procurando abordar alguns aspectos históricos, sociais, políticos e culturais decorrentes do funcionamento do tribunal inquisitorial em solo luso. Para tanto, dialoga-se com historiadores e intelecuais como António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, dentre outros. Em um segundo momento do estudo, analisa-se a obra História da origem e estabelecimento da Inquisição em Portugal (1854), de Alexandre Herculano (1810-1877), buscando-se evidenciar a forma pela qual a narrativa historiográfica herculaniana constituiu um discurso crítico em relação à institucionalização da Inquisição no reino português – durante a monarquia de D. João III – e aos laços estreitos entre os poderes real e religioso.Palavras-chave: Inquisição; Portugal; Alexandre Herculano.Abstract: This article initially studies the Portuguese Holy Office - which began in 1536 and was officially extinguished only in the 19th century, in 1821 - and seeks to address some historical, social, political and cultural aspects arising from the operation of the Inquisitorial Court on Portuguese soil. To do so, it dialogues with historians and intellectuals such as António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, among others. In a second moment of study, the work History of the origin and establishment of the Inquisition in Portugal (1854), by Alexandre Herculano (1810-1877), is analyzed, seeking to highlight the way in which the herculanian historiographic narrative constituted a discursive criticism in relation to the institutionalization of the Inquisition in the Portuguese kingdom – during the monarchy of D. João III – and to the close ties between the real and religious powers.Keywords: Inquisition; Portugal; Alexandre Herculano.[1] Este estudo é parte da tese As representações da Inquisição nos discursos historiográfico de Alexandre Herculano e literário de José Saramago, defendida em 2014, na UFJF. 


2019 ◽  
Vol 13 (4) ◽  
pp. 633-642
Author(s):  
Lidiya Egorovna Surnina

I. A. Kuratov’s creative activity has been an outstanding phenomenon in the history of Komi and Finno-Ugrian literatures. In the period of the democratic enlightenment the incipient Komi literature which was written by I. A. Kuratov in terms of the real illustration of the nation’s life was in line with literatures with old traditions. It is known, that I. A. Kuratov was not the sole writer of the 19th century, such names as G. Lytkin, P. Rasputin, P. Klochkov, M. Istomin and others are also well known. I. Kuratov knew about literary experiments by the Komi writers of the beginning of the 19th century. The critical perception of the works by these authors helped him to a certain degree to comprehend which targets must the poet solve, who represents a small nation of Russia. This article deals with the study of I. Kuratov’s lyric system, which is multi-subject, containing different ways of expressing the author’s consciousness. The relevance of the work is due to research opportunities that open up the study of the subjective system of works to reveal the individual author's system of the Komi poet. Poems of peasant themes by I. Kuratov are analyzed. The subject of the research is the subject organization as one of the most important ways of expressing the author's consciousness. I. Kuratov strives to embody the idea of the internal unity of the rural collective both at the heroic and at the structural and subjective level. Such a task materializes both in the sphere of subject organization and in the structure of the text itself, each element of which (artistic space, imagery series, motive complex, objective world, composition, plot) somehow becomes a means of representing the author's discourse.


2020 ◽  
Vol 8 (1) ◽  
pp. 43-70
Author(s):  
Ayfer Karakaya-Stump

Missionary reports are the earliest modern records to explicitly mention the Kizilbash, and the “Kizilbash Kurds” in particular. Therefore, they have been utilised relatively extensively by researchers in the field, sometimes at levels disproportionate to their reliability and usefulness. This article develops my previous work on the perils of the missionary reports’ utilization without sufficient critical scrutiny of their inherent biases and limitations, and highlights, on the basis of an original missionary letter, the editorial process that they were likely subjected to before publication. It argues that the real significance of these sources lies not in their broad and biased speculations concerning distant (Kurdish) Kizilbash origins, but in the casual observations and incidental details they unwittingly supply. Abstract in Kurmanji Hizrên li ser raporên mîsyonerî yên sedsala 19an wek çavkanî ji bo dîroka Qizilbaşan (ên kurd) Raporên mîsyonerî qeydên modern ên ewil in ku bi eşkereyî behsa Qizilbaş an jî “kurdên Qizilbaş” bi taybetî dikin. Lewra, ew ji teref lêkolînerên li sehayê nisbeten bi berfirehî hatine bikaranîn, carna jî di asteke ne li gor bikêrhatî û ewlebûna wan de. Ev gotar li ser xebatên min ên berê ava bûye ku di wan de behsa talûkeya sûdwergirtina ji raporên mîsyoneran bêyî lêkolîneke rexneyî ya li hember pêşdarazî, sînorkirin û balkişandinên wan ên esasî tê kirin; û gotar bal dikşîne ser bingeha nameyeke mîsyonerî ya orîjînal, pêvajoya edîtorî ya muhtemel a berî weşandina ku ev name tê re derbas dibin. Gotar, nîqaş dike ku girîngiya rastîn ya van çavkaniyan ne di pêşqebûlên wan ên berfireh û alîgir yên di derbarê kokên (kurdên) Qizilbaş de ye lê di çavdêriyên wan ên rojane û teferuatên tesadufî de ye ku wan bêyî zanebûn gihandine. Abstract in Sorani Raman le raportî mizgênîderekanî sedey 19 wek serçaweyek bo mêjuy (Kurdî) ‏Qzilbaş   Raportî mizgênîderekan kontirîn tomarî serdemin ke be raşkawî nawî qzilbaşekanî hênabêt û ‏betaybetîş "qzilbaşe kurdekan". Leberewe, be rêjeyekî frawan û hendêkcar ta astî ‏neguncan legell ‏bawerrpêkrawî û sûdmendî ew serçawane, lelayen twêjeranî ew bware ‏sûdyan lêwergîrawe. Em wtare leser bnemay ‏karêkî pêşûtrim bunyadinrawe ke derbarey ‏metrisîy bekarbirdnî raportî mizgênîderekane bê ewey wku ‏pêwîst hellsengandinêkî  ‏rexnegrane bikrêt bo layengîrîy zigmakîyane û snurdarêtî ew mizgênîderane, we leser bnemay ‏nameyekî esllî mizgênîderêk, tîşk dexate ser prosey ‏paknuskirdin ke pêdeçêt ‏mizgênîderekan pêş bllawkirdnewe rûberrûy bûbnewe . Miştumrrî ewe ‏dekat ke bayexî ‏rasteqîney em serçawane le xemllandinî giştî û layengîrîyaneyan lemerr rîşey dûrî  ‏qzillbaşî (kurdî)ewe nayet, bellku lew serince labela û zanîyarye ‏xelletênerane daye ke ewan ‏beanqest dawyane.‏ Abstract in Zazaki Sey çimeyanê tarîxê (kurdanê) qizilbaşan, raporanê mîsyoneranê seserra 19. ser o tefekurî Qeydê modernê tewr verênî yê ke bi hewayo eşkera qalê qizilbaşan û bitaybetî qalê kurdanê qizilbaşan kenê, raporê mîsyoneran ê. Coka nê raporî hetê cigêrayoxanê nê warî ra hetê nîsbetî ra hende ameyî xebitnayene ke ge-gane goreyê bawerbarî û feydeyê înan sînorê qebulî ra zî vîyartêne. Na meqale xebata min a verên a ke mi derheqê tehlukeyanê xebitnayîşê raporanê mîsyoneran yê bê rexnegirîya tehqîqê cidî yê terefgirî û sînordarîya înan de kerdbî, aye ser o virazîyaya. Na meqale pê bingeyê mektubêka mîsyonerêk a orîjînale bale ancena prosesê înan ê edîtoryalî ser ke bi îhtîmalêk weşanîyayîş ra ver pêro nê prosesî ro vîyartêne ra. Na xebate nê fikrî dana munaqeşeyî ro ke girîngîya nê çimeyan a raştikêne, pêardişanê înan ê hîra û terefgîran derheqê ristimê (kurdanê) qizilbaşan ê dûrî de nîya, la observasyonanê eleladeyan û teferuatan ê ke mîsyoneran bi tesadufî dayî, înan de ya.


Author(s):  
Eleonora F. Shafranskaya

For about a century and a half, Tashkent was part of the region of Russian statehood. During this time, the toponym Tashkent has enriched the Russian language with a number of phraseological expressions. For example, back in the 19th century, the ironic phrase “gentlemen of Tashkent” arose thanks to Saltykov-Shchedrin. In a considerable number of “Tashkent” phraseological units we meet the “Tashkent front”. The present paper appeals to this precedent text, a kind of slander that appears during the Great Patriotic War. On the basis of memoir and fiction (diaries and memories of Vs. Ivanov, K. Chukovsky, L. Chukovskaya, E. Meletinsky and narratives by V. Nekrasov, K. Simonov and N. Gromova), the author considers this phraseologism in its existence context that gives rise both to its component parts (“Tashkent medals”, “Tashkent partisans”) and ambiguous interpretations (the real approach of the “German” to Tashkent, the rescuing locus and the labor front, the recent military past). In the context of K. Simonov's short novel “Twenty days without war” and N. Gromova's archival novels, the author examines a traumatic stage in a biography of the Soviet poet V. Lugovsky accused by his contemporaries of dodging the war on the “Tashkent front”. The study also mentions the name of Nikolai Karazin — in the form of a pattern of Central Asian wars, significant both for the writer Simonov and for the historical and cultural meta-text.


Author(s):  
José M. Menudo ◽  
José María O’Kean

AbstractJean-Baptiste Say’s Traité d’économie politique made a profound impact on Spain in the 19th century due to its prominent influence on parliamentary debate and teaching. Probably due to the success achieved in Spain and the numerous editions and translations into Spanish, certain confusion is perceived in the literature. The aim of this article is to clarify the muddle over the different editions of Say’s Traité in Spanish and also the identity of their translators who, in some cases, were obliged to conceal their names because of the obstacles to press freedom. We also conclude that Say’s translation was part of two publishing projects. A teaching project linked to the Real Sociedad Económica de Amigos del País and a political project due to the fact the Liberal Triennium allowed the exiles to bring new ideas to policy makers and students.


Author(s):  
Anna Katarzyna Przybysz

The aim of this article is to show the undeniable influence of Fyodor Dostoyevsky’s artistic method on Yuri Mamlejev’s literary works in particular in relation to his novel The Other. Relying on these determinants of fantastic realism, which for many researchers are referred to as the most significant elements of Dostoyevsky’s artistic method, we make an attempt to show that the carnival which combines the two orders in the works of the 19th century writer: the real (scientific) and the surreal (magic), makes the fantasy become an integral part of the surrounding space. Simultaneously the concept of fiction should be understood through such categories as: paradoxicality, iconicity, a word as a vessel, sleep, hallucinations, picture in picture, doppelgänger that foster deep psychological self-understanding of the entity. In the article we aim to expose some of the abovementioned categories of constructing the world of Dostoyevsky’s works and making up, as defined by the author himself “the realism of higher sense” which, in a slightly modified form, although still clearly visible, is also reflected in Mamleev’s artistic method – metaphysical realism. The main emphasis is put on the categories of sleep and doppelgänger which are the clearest examples of Yuri Vitalevich’s inspiration.


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