One British Thing: The Safety Razor

2020 ◽  
Vol 59 (4) ◽  
pp. 885-888
Author(s):  
Paul R. Deslandes

AbstractThis essay examines the history of the safety razor in nineteenth- and twentieth-century Britain. In so doing, it explores male shaving practices and the male investment in physical appearance in the age of industrial capitalism. In highlighting the history of a single material artifact to showcase the relationship between masculinity, good grooming, personal success, and notions of self-improvement, this essay also underscores the growing influence of American products in British life, the intricacies of the consumer economy, and the increasing sophistication of advertising practices.

2015 ◽  
Vol 7 (1) ◽  
pp. 7-19
Author(s):  
István Fried

Abstract If the changes of the “discourse networks” (Aufschreibesysteme) from 1800 to 1900 model the relations pertaining to the personality, to the cultural determinedness of technology and personality as well as to their interconnections (Kittler 1995), especially having in view the literary mise en scène, it applies all the more to travelling - setting out on a journey, heading towards a destination, pilgrimage and/or wandering as well as the relationship between transport technology and personality. The changes taking place in “transport” are partly of technological, partly (in close connection with the former) indicative of individual and collective claims. The diplomatic, religious, commercial and educational journeys essentially belong to the continuous processes of European centuries; however, the appearance of the railway starts a new era at least to the same extent as the car and the airplane in the twentieth century. The journeys becoming systematic and perhaps most tightly connected to pilgrimages from the Middle Ages on assured the “transfer” of ideas, attitudes and cultural materials in the widest sense; the journeys and personal encounters (of course, taking place, in part, through correspondence) of the more cultured layers mainly, are to be highly appreciated from the viewpoint of the history of mentalities and society.


2016 ◽  
Vol 24 (2) ◽  
pp. 154-175 ◽  
Author(s):  
Alex Feldman

Foucault famously divided the history of twentieth-century French philosophy between a “philosophy of experience” and a “philosophy of the concept,” placing Bergson in the former camp and his teacher Canguilhem in the latter. This division has shaped the Anglophone reception of Canguilhem as primarily a historian and philosopher of biology. Canguilhem, however, was also a philosopher of life and a careful reader of Bergson. The recently-begun publication of Canguilhem’s Œuvres complètes has revealed the depth of this engagement, and a re-reading of Canguilhem’s final major statement on Bergson, the 1966 essay “The Concept and Life,” has thus become necessary. The basic problem of that essay is the relationship between knowledge and life in the history of biology and philosophy, with a special place for Bergson. Canguilhem’s strong criticism of him turns, however, on a misquotation. In claiming that Bergson fails to account for the struggle of the living being to maintain a species form, Canguilhem misconstrues the crucial Bergsonian distinction between vital order and geometrical identity; he thus misses the importance that Bergson accords to general biological tendencies, rather than to the generality of the species. Despite the differences on display in the 1966 essay, it will be argued that Canguilhem’s earlier remarks on Bergson show a surprising convergence in the underlying aim of each thinker’s biological philosophy: the call for a new ontology that grasps the ordered and intelligible character of life without relying on a principle of identity.


2020 ◽  
Vol 24 (2) ◽  
pp. 161-180
Author(s):  
Nataša Vampelj Suhadolnik

Abstract This article addresses the practices of collecting Chinese objects that were brought to the territory of present-day Slovenia by sailors, missionaries, travellers, and others who travelled to China in the late nineteenth and early twentieth centuries. At the time, this territory was a part of the Austro-Hungarian Empire; we will, therefore, begin with the brief historical context of the Empire and its contact with China, followed by a discussion on the nature of collecting Chinese objects in Slovenian territories at that time. We will further examine the status of the individuals who travelled to China and the nature and extent of the objects they brought back. The article will also highlight the specific position of the Slovenian territory within the history of Euro-Asian cultural connections, and address the relevant issues—locally and globally—of the relationship between the centres and peripheries with regard to collecting practices.


Author(s):  
Joseph Lawson

This chapter considers the history of alcohol in Nuosu Yi society in relation to the formal codification of a Yi heritage of alcohol-related culture, and the question of alcohol in Yi health. The relationship of newly invented tradition to older practice and thought is often obscure in studies that lack historical perspective. Examining the historical narratives associated with the exposition of a Yi heritage of alcohol, this study reveals that those narratives are woven from a tapestry of threads with histories of their own, and they therefore shape present-day heritage work. After a brief overview of ideas about alcohol in contemporary discourses on Yi heritage, the chapter then analyses historical texts to argue that many of these ideas are remarkably similar to ones that emerged in the context of nineteenth and early twentieth century contact between Yi and Han communities.


2020 ◽  
pp. 434-450
Author(s):  
Simon J. Potter

This chapter examines the twentieth-century British press in its imperial and transnational contexts. It demonstrates how Britain's imperial press system, which developed during the nineteenth and early twentieth centuries to allow news to flow around the British empire, increasingly failed to serve British geopolitical interests from the mid-twentieth century onwards. It considers the relationship between the British government and the news agency Reuters, and the role of the Empire Press Union. It argues that although contemporary journalists often emphasised the importance of the ideal of press freedom when talking about their profession, state intervention in the affairs of news agencies represents a significant thread in the history of the twentieth-century British press.


Author(s):  
Barry Stephenson

‘The fortunes of ritual’ charts the history of ritual, its study, and its reception beginning with the Confucian text Liji. This outlines means to counter humanity's fallen state through devices, guides, and practices called li, which are imagined as knots binding society together. Jumping to Enlightenment Europe, ritual came to be viewed as staid and outmoded, a superstitious remnant of a primitive past, a past that prevented humanity from truly advancing. In the early twentieth century, ritual was given some credibility via the Durkhemian tradition of social functionalism and Julian Huxley's causal connection between society's ills and ineffectual ritualization in society. Recent ritual theory articulates the relationship between ritual and group solidarity as seen through participation in contemporary festivals.


Author(s):  
Joseph L. Graves

The roots of biological determinism are ancient. Yet despite advances in biological science in the twentieth century, determinist thinking has not been eliminated. This article reviews the history of biological determinism, examining its varieties from its creationist beginnings to present-day biological thinking in the age of genomics. It elucidates the relationship between biological determinism and racialist understandings of human genetic variation. Of particular importance in this regard are the ongoing claims of racial medicine (a modern biological determinist variety) as well as resurgent attempts to classify humans into biological races utilizing genomic data and clustering algorithms (such as STRUCTURE). Finally it presents how the complexity of biological variation generated by genetic, epigenetic, environmental, and chance effects vitiates simplistic biological determinism.


2006 ◽  
Vol 34 (1) ◽  
pp. 120-147 ◽  
Author(s):  
Ho Wai-Chung

AbstractThis article considers the relationship between popular music and the power of the state through an analysis of the history of Taiwan and the settings within which popular music was constructed and transformed by contentious political and social groups in the twentieth century. The historical formation of Taiwanese society falls into three distinct stages: Japanese colonization between 1895 and 1945; the Kuomintang's (KMT) military rule between 1947 and 1987; and the period from the end of martial law in 1987 to the resurgence of Taiwanese consciousness in the early 2000s. The evolution of Taiwan's popular music has always been connected with the state's production of new ideologies in line with changing socio-political and economic conditions, and this music still embodies a functional social content.


2006 ◽  
Vol 30 (1) ◽  
pp. 45-73 ◽  
Author(s):  
Gotelind Müller-Saini ◽  
Gregor Benton

The history of Esperanto in China was for long periods closely linked with anarchism. This article surveys the connection in the years up to 1920, and sets out to show which groups used which arguments to agitate for Esperanto, in order to throw light on the complexity of the relationship between language and politics in China, especially in the first half of the twentieth century.


Author(s):  
Ronny Regev

A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labor by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism. The employees of the studios emerged as a new class: they were wage laborers with enormous salaries, artists subjected to budgets and supervision, stars bound by contracts. As such, these workers—people like Clark Gable, Katharine Hepburn, and Anita Loos—were the outliers in the American workforce, an extraordinary working class. Through extensive use of oral histories, personal correspondence, studio archives, and the papers of leading Hollywood luminaries as well as their less-known contemporaries, Regev demonstrates that, as part of their contribution to popular culture, Hollywood studios such as Paramount, Warner Bros., and MGM cultivated a new form of labor, one that made work seem like fantasy.


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