“To Defer and Not to Hasten”: The Anabaptist and Baptist Appropriations of Tertullian's Baptismal Theology

2013 ◽  
Vol 106 (3) ◽  
pp. 287-308
Author(s):  
Brian C. Brewer
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Church And State ◽  
First Century ◽  
Church Membership ◽  
The Novel ◽  
The Individual ◽  
The Relationship ◽  
The Church ◽  
Relative Purity

Regardless of the historiographical arguments made over the course of the last century regarding the relationship between Baptists and Anabaptists in the seventeenth century, every historian of Christianity must concede at least a typological connection between the two movements. Seventeenth-century Baptists shared numerous theological convictions with their sixteenth-century forerunners, including the novel ideas of the separation of church and state, the freedom of the individual conscience, and a voluntary ecclesiology which restricted the practice of baptism and church membership to professing adult Christians. Historians have likewise noted that the two movements differed from their magisterial Protestant counterparts in that each viewed its movement as a restoration of the church to first-century practices rather than as a mere reformation of the church to some previous era of perceived relative purity which remained under the auspices of government.

The view from the devil’s mountain: Clarendon, Cressy and Hobbes, and the past, present and future of the Church of England

2018 ◽  
Author(s):  
Paul Seaward
Keyword(s):  
Seventeenth Century ◽  
Political Thought ◽  
Church Of England ◽  
Church And State ◽  
Thomas Hobbes ◽  
Roman Catholic ◽  
Conventional View ◽  
State Relations ◽  
The Relationship ◽  
The Church

The lives, and political thought, of Edward Hyde, earl of Clarendon, and Thomas Hobbes, were closely interwoven. In many ways opposed, their views on the relationship between Church and State have often been seen as less far apart, with Clarendon sharing Hobbes’s Erastianism and concerns about clerical assertiveness in the 1660s. But Clarendon’s writings on Church-State relations during the 1670s provide little evidence of concern about clerical involvement in politics, and demonstrate his vigorous adherence to a fairly conventional view among early seventeenth-century churchmen about the proper boundaries to royal interference in the Church; his worries about attempts to push further the implications of the royal supremacy in ecclesiastical affairs are evident in his writings against Hobbes, as are his even greater anxieties, exacerbated by the conversion of his daughter, the Duchess of York, about the dangers of Roman Catholic encroachment.

Crown, Mitre and People in the Nineteenth Century

2021 ◽  
Author(s):  
G. R. Evans
Keyword(s):  
Nineteenth Century ◽  
Church Of England ◽  
Church And State ◽  
The State ◽  
First Century ◽  
Ecclesiastical Law ◽  
The People ◽  
The Many ◽  
The Relationship ◽  
The Church

Throughout the nineteenth century the relationship between the State and the Established Church of England engaged Parliament, the Church, the courts and – to an increasing degree – the people. During this period, the spectre of Disestablishment periodically loomed over these debates, in the cause – as Trollope put it – of 'the renewal of inquiry as to the connection which exists between the Crown and the Mitre'. As our own twenty-first century gathers pace, Disestablishment has still not materialised: though a very different kind of dynamic between Church and State has anyway come into being in England. Professor Evans here tells the stories of the controversies which have made such change possible – including the revival of Convocation, the Church's own parliament – as well as the many memorable characters involved. The author's lively narrative includes much valuable material about key areas of ecclesiastical law that is of relevance to the future Church of England.

Representing and Misrepresenting the History of Puritanism in Eighteenth-Century England

2013 ◽  
Vol 49 ◽  
pp. 205-218
Author(s):  
Robert G. Ingram
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Civil Wars ◽  
Church And State ◽  
Foreseeable Future ◽  
History Of ◽  
The Church ◽  
Church Government

An Englishman living during the mid-eighteenth century would have known that his country had been, at least since the late sixteenth century, a decidedly and, for the long-foreseeable future, an unalterably Protestant nation. But what sort of Protestant nation? One that needed a legally estabhshed church? And, if so, what sort of church should that church as established by law be? Did it, for instance, necessarily require a certain kind of church government? In its relation to the English state, did the church need to be the senior, equal or junior partner? And what rights, if any, should those not conforming to the estabhshed church have? These were vexing questions, and the mid-seventeenth-century civil wars had mostly been an intra-Protestant fight over them. Yet neither those internecine religio-political wars nor the subsequent political revolution of the late seventeenth century had resolved definitively any of the fundamental questions about church and state raised originally by the sixteenth-century religious Reformations. Those who had lived through the Sacheverell crisis, the Bangorian controversy or the fiercely anti-clerical 1730s recognized this all too well: historians, alas, have not.

The Free Responsible Action of the Individual

2018 ◽  
Author(s):  
Michael P. DeJonge
Keyword(s):  
The Novel ◽  
Extreme Situation ◽  
The Third ◽  
Third Phase ◽  
Responsible Action ◽  
Action Type ◽  
Two Phases ◽  
The Individual ◽  
The Church

If, as Chapter 12 argues, much of Bonhoeffer’s resistance thinking remains stable even as he undertakes the novel conspiratorial resistance, what is new in his resistance thinking in the third phase? What receives new theological elaboration is the resistance activity of the individual, which in the first two phases was overshadowed by the resistance role played by the church. Indeed, as this chapter shows, Bonhoeffer’s conspiratorial activity is associated with what he calls free responsible action (type 6), and this is the action of the individual, not the church, in the exercise of vocation. As such, the conspiratorial activity is most closely related to the previously developed type 1 resistance, which includes individual vocational action in response to state injustice. But the conspiratorial activity differs from type 1 resistance as individual vocational action in the extreme situation.

All Hail to the Archpriest

2019 ◽  
Author(s):  
Peter Lake ◽  
Michael Questier
Keyword(s):  
Seventeenth Century ◽  
Church And State ◽  
Good Deal ◽  
The Core ◽  
Public Argument ◽  
The Relationship ◽  
Public Politics

This volume revisits the debates and disputes known collectively in the literature on late sixteenth- and early seventeenth-century England as the ‘Archpriest Controversy’. We argue that this was an extraordinary instance of the conduct of contemporary public politics and that, in its apparent strangeness, it is in fact a guide to the ways in which contemporaries negotiated the unstable later Reformation settlement in England. The published texts which form the core of the arguments involved in this debate survive, as do several caches of manuscript material generated by the dispute. Together they tell us a good deal about the aspirations of the writers and the networks that they inhabited. They also allow us to retell the progress of the dispute both as a narrative and as an instance of contemporary public argument about topics such as the increasingly imminent royal succession, late Elizabethan puritanism, and the function of episcopacy. Our contention is that, if one takes this material seriously, it is very hard to sustain standard accounts of the accession of James VI in England as part of an almost seamless continuity of royal government, contextualized by a virtually untroubled and consensus-based Protestant account of the relationship between Church and State. Nor is it possible to maintain that by the end of Elizabeth’s reign the fraction of the national Church, separatist and otherwise, which regarded itself or was regarded by others as Catholic had been driven into irrelevance.

Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

Canons to the Left of Him: Brevard Childs, his Critics, and the Future of Old Testament Theology

1997 ◽  
Vol 50 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Iain Provan
Keyword(s):  
Old Testament ◽  
18Th Century ◽  
Biblical Theology ◽  
Point Of View ◽  
The Bible ◽  
The Difference ◽  
Probable Origin ◽  
The Individual ◽  
The Relationship ◽  
The Church

It is well known that the seeds from which the modern discipline of OT theology grew are already found in 17th and 18th century discussion of the relationship between Bible and Church, which tended to drive a wedge between the two, regarding canon in historical rather than theological terms; stressing the difference between what is transient and particular in the Bible and what is universal and of abiding significance; and placing the task of deciding which is which upon the shoulders of the individual reader rather than upon the church. Free investigation of the Bible, unfettered by church tradition and theology, was to be the way ahead. OT theology finds its roots more particularly in the 18th century discussion of the nature of and the relationship between Biblical Theology and Dogmatic Theology, and in particular in Gabler's classic theoreticalstatementof their nature and relationship. The first book which may strictly be called an OT theology appeared in 1796: an historical discussion of the ideas to be found in the OT, with an emphasis on their probable origin and the stages through which Hebrew religious thought had passed, compared and contrasted with the beliefs of other ancient peoples, and evaluated from the point of view of rationalistic religion. Here we find the unreserved acceptance of Gabler's principle that OT theology must in the first instance be a descriptive and historical discipline, freed from dogmatic constraints and resistant to the premature merging of OT and NT — a principle which in the succeeding century was accepted by writers across the whole theological spectrum, including those of orthodox and conservative inclination.

Sacred Sounds, Secular Spaces

2021 ◽  
Author(s):  
Jennifer Walker
Keyword(s):  
Catholic Church ◽  
Church And State ◽  
Reception Studies ◽  
Liturgical Music ◽  
International Exhibitions ◽  
Republican Government ◽  
Epistemological Position ◽  
The Relationship ◽  
Opera Houses ◽  
The Church

This book is the first comprehensive study that reevaluates music’s role in the relationship between the French state and the Catholic Church at the end of the nineteenth century. As the divide between Church and State widened on the political stage, more and more composers began writing religious—even liturgical—music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions: a trend that coincided with Pope Leo XIII’s Ralliement politics that encouraged conservative Catholics to “rally” with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike who have long accepted a somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the “secular” Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, this book reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary. From the opera house and niche puppet theaters to Parisian parish churches and Montmartre’s famed cabarets, composers and critics from opposing ideological factions used music in their effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church.

scholarly journals Stratigraphy of the wall paintings in the main church of the Praskvica Monastery

Zograf ◽  
2014 ◽  
pp. 153-163
Author(s):  
Dragan Vojvodic
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Wall Painting ◽  
The Other ◽  
Stylistic Analysis ◽  
Wall Paintings ◽  
The West ◽  
The Third ◽  
Technical Features ◽  
The Church

In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic.

scholarly journals The main Problem of Boris Vasiliev’s Novel «Alexander Nevsky» (On the 800th Anniversary of the Birth of the Saint Prince Alexander Nevsky)

2021 ◽  
pp. 257-271
Author(s):  
Денис Владимирович Макаров
Keyword(s):  
Russian Literature ◽  
Historical Novels ◽  
The Novel ◽  
The West ◽  
Historical Method ◽  
The Government ◽  
Artistic Images ◽  
Artistic Image ◽  
The Relationship ◽  
The Church

Основная цель исследования состоит в выявлении основной проблематики романа «Александр Невский» и в исследовании особенностей художественного образа святого благоверного князя Александра Невского в художественном произведении одного из выдающихся представителей советской военной прозы Бориса Львовича Васильева. Начиная со второй половины 1990-х годов писатель воплощает в литературе образы выдающихся древнерусских князей и создаёт в своих исторических романах целую галерею художественных портретов: Владимира Святого, Ярослава Мудрого, Владимира Мономаха и многих других. В работе применяется сравнительно-исторический метод и метод филологического анализа. Для достижения указанной цели анализируется основная проблематика романа Бориса Васильева. В качестве наиболее актуальных для Руси XIII в. вопросов, поднимаемых автором, выделяются проблемы духовного наследия Византии, феодальной раздробленности, двоеверия, взаимоотношения власти (государства) и Церкви, исторического выбора между Востоком и Западом. Автором статьи предпринимает сопоставление образа святого благоверного князя Александра Невского прежде всего со знаменитым памятником древнерусской литературы XIII в. «Повесть о житии Александра Невского». Также в статье указываются предшественники Бориса Васильева в создании образа благоверного князя Александра Невского в русской литературе XIX и XX вв., среди которых поэты Аполлон Николаевич Майков, Лев Александрович Мей, Константин Михайлович Симонов и писатели Алексей Кузьмич Югов, Василий Григорьевич Ян, Анатолий Александрович Субботин, Сергей Павлович Мосияш. Наиболее важные результаты исследования состоят в выявлении основных особенностей художественного образа святого благоверного князя Александра Невского в романе Бориса Васильева. The main purpose of the research is to identify the main problems of the novel «Alexander Nevsky» and to study the features of the artistic image of the saint Prince Alexander Nevsky in the artistic work of one of the outstanding representatives of Soviet military prose - Boris Lvovich Vasiliev, who turned in the second half of the 1990s-2010s to the embodiment in artistic images of outstanding Ancient Russian princes and created in his historical novels from 1996 to 2010 a whole gallery of artistic images: Vladimir the Saint, Yaroslav the Wise, Vladimir Monomakh and many others. To achieve this goal, the main problems of the novel by Boris Vasiliev are analyzed. The research highlights the problems of the spiritual heritage of Byzantium, feudal fragmentation, dual faith, the relationship between the government (state) and the Church, the historical choice between East and West are highlighted as the most relevant issues for Russia of the XIII century raised by the author, the problems of the spiritual heritage of Byzantium, feudal fragmentation, dual faith, the relationship between the government (state) and the Church, the historical choice between the East and the West. The comparison of the image of the saint Prince Alexander Nevsky is undertaken, first of all, with the famous monument of ancient Russian literature of the XIII century «The Story of the Life of Alexander Nevsky». The work also identifies the literary predecessors of Boris Vasiliev in creating the image of the blessed Prince Alexander Nevsky in Russian literature of the XIX and XX centuries, among them the poets Apollo Nikolaevich Maykov, Lev Alexandrovich May, Konstantin Mikhailovich Simonov and the writers Alexey Kuzmich Yugov, Vasily Grigoryevich Yan, Anatoly Alexandrovich Subbotin, Sergey Pavlovich Mosiyash. The comparative-historical method and the method of philological analysis are used in the work. The most important results of the study are to identify the main features of the artistic image of the saint Prince Alexander Nevsky in the novel by Boris Vasiliev.

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