The Struggle for the Mekong Banks 1892–1896

1968 ◽  
Vol 9 (1) ◽  
pp. 25-52 ◽  
Author(s):  
Claire Hirshfield
Keyword(s):  
Nineteenth Century ◽  
British Occupation ◽  
French And English ◽  
Western European ◽  
Relationship Of ◽  
The Relationship

The relationship of England and France in the last two decades of the nineteenth century was an unhappy one, marked by acrimony, discord and mutual suspicion. Though the French and English states represented the chief bastions of western European parlia-mentarianism, ideological similarities are rarely sufficient to counteract a long tradition of ill-will. Bitterness had begun to poison the atmosphere of Anglo-French relations at the time of the British occupation of Egypt in 1882, and in the years that followed anglo-phobia appeared to have achieved endemic proportions in France. Great Britain's inclination toward the Triple Alliance was so marked in French eyes that she was generally regarded as the “fourth partner in the concern.” This viewpoint contributed greatly to the inflamed state of Anglo-French relations.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

scholarly journals Nietzsche e a Historiografia Prussiana: análise de fragmentos póstumos da Primeira Fase de sua obra

Antíteses ◽  
2017 ◽  
Vol 10 (20) ◽  
pp. 979
Author(s):  
Celso Kraemer ◽  
Dominique Santos ◽  
Aniele Crescêncio
Keyword(s):  
Nineteenth Century ◽  
Point Of View ◽  
German States ◽  
Way Of Thinking ◽  
Relationship Of ◽  
The Relationship ◽  
As If

RESUMO Ao observar as relações de Nietzsche com seus contemporâneos verifica-se que ele estava ciente das principais discussões relativas à Unificação da Alemanha (1871). Para a unificação era necessário que os 39 estados alemães compartilhassem o sentimento de pertencimento a uma pátria comum. Nesse meandro, os historiadores prussianos do século XIX desempenharam papel fundamental ao produzir um ambiente filosófico nacionalista, uma maneira científica e objetiva de pensar sobre a história. O objetivo deste trabalho é compreender as interações de Nietzsche com estes círculos intelectuais. Para isto, foram selecionados quatro dos chamados fragmentos póstumos de Nietzsche datados entre 1871 e 1873. De acordo com o ponto de vista de Nietzsche, as pretensões dos historiadores, não tinham nenhuma crítica, pois acreditavam, ingenuamente, que a verdade era um alvo tangível. Por outro lado, ele indicou a necessidade de uma história ligada à cultura, que era trabalhada em conjunto com "instintos artísticos".  ABSTRACT By observing the relationship of Nietzsche with his contemporaries one can notice that he was aware of the main discussions related to the unification of Germany (1871). Unification required 39 German states to share the feeling of belonging to a common homeland. Prussian historians of the nineteenth century played a key role in producing such a nationalist philosophical environment, a scientific and objectivist way of thinking about History. This work aim is to understand the interactions between Nietzsche and this intelectual circles. For this purpose, four of the so-called posthumous Nietzsche fragments, dated between 1871 and 1873, were selected. According to Nietzsche's point of view, some historians had a naive pretension to reach the truth, as if it were a tangible target. On another hand, he pointed out the necessity of a link between History and Culture, which should be understood altogether with ‘artistic instincts’. 

The Science of Destruction

2014 ◽  
Author(s):  
Simon Werrett
Keyword(s):  
Nineteenth Century ◽  
Scientific Authority ◽  
Political Views ◽  
Late Eighteenth ◽  
Relationship Of ◽  
The Relationship ◽  
Explosive Chemicals

This chapter surveys the evolution of chemical and mechanical weapons used by terrorists between the late eighteenth and early twentieth centuries, ranging from the diabolical contraptions of “infernal machines” to dynamite, the terrorist’s favorite explosive, invented by Alfred Nobel in the 1860s. The chapter also explores the ingenuity of terror. While anarchists and revolutionaries who used explosive chemicals are often represented as merely consumers of the latest scientific creations, the chapter argues that in fact these communities showed considerable ingenuity in devising new weapons. A brief case study of the career of Irish nationalist Robert Emmet’s rockets in the pre-dynamite era demonstrates this. The chapter concludes by considering the relationship of terror and science, and contrasts the radical political views of terrorists with their typically unchallenging acceptance of scientific authority and opinions in the nineteenth century.

Mendelssohn and the Idea of the North

2020 ◽  
pp. 115-139
Author(s):  
Sarah Clemmens Waltz
Keyword(s):  
Nineteenth Century ◽  
Johann Wolfgang Von Goethe ◽  
Folk Song ◽  
German Culture ◽  
Early Nineteenth Century ◽  
The North ◽  
Relationship Of ◽  
The Relationship

This chapter re-evaluates Felix Mendelssohn’s ‘Scottish’ works by placing them in the context of the early-nineteenth-century North German view of Scotland, especially as channelled through Mendelssohn’s mentors Johann Wolfgang von Goethe and Carl Friedrich Zelter. Such interest in Scotland was undergirded by a belief in a shared German-Celtic past and a sense that Scottish culture was not exotic but rather essentially German. Figures in Mendelssohn’s circle participated in deliberate attempts to claim a general northern antiquity for German culture, using arguments concerning the relationship of climate, race, and character. A recontextualization of Scotland as representing a lost German past may signal additional reinterpretations of Mendelssohn’s anticipations of travel, his travel experiences, and his statements concerning folk song, as well as his Fantasy, Op. 28, originally titled Sonate écossaise.

Lexical and Conceptual Arguments and Historical Reading: on the History of SELF

Paragraph ◽  
2014 ◽  
Vol 37 (1) ◽  
pp. 126-142
Author(s):  
James Helgeson
Keyword(s):  
Sixteenth Century ◽  
Developmental Psychology ◽  
Theoretical Discussion ◽  
Michel De Montaigne ◽  
Conceptual Schemes ◽  
French And English ◽  
History Of ◽  
Cognitive Study ◽  
Relationship Of ◽  
The Relationship

The terms ‘self’ and ‘moi’ appeared within the lexica of French and English at the end of the sixteenth century, for example in Shakespeare's The Comedy of Errors. This paper takes a sceptical approach to lexical arguments about the history of the self and SELF-concepts. Initially, the relationship of SELF to the question of ‘paradigms’ and ‘conceptual schemes’ is discussed via recent work in developmental psychology (Susan Carey) and classic discussions within analytic philosophy (Donald Davidson). The questions raised in the theoretical discussion are then re-examined through short readings of texts that do not contain lexicalized SELF-vocabulary, by the sixteenth-century French writers Maurice Scève and Michel de Montaigne. It is suggested that the importance of lexical arguments to the history of selves and SELF-concepts has been exaggerated, and that cognitive study has the potential to transform the study of the first-person stance and its history.

Interzone History

2017 ◽  
Author(s):  
Randall Halle
Keyword(s):  
Nineteenth Century ◽  
Great Britain ◽  
Historical Development ◽  
Rising Powers ◽  
German Empire ◽  
Moving Image ◽  
Relationship Of ◽  
The Relationship

This chapter looks at the latter part of the nineteenth century when film makes its appearance, and at which point old multiethnic empires such as the Austro-Hungarian, the Russian, or the Ottoman competed with the colonial powers of France and Great Britain, and new rising powers like the German Empire, for world domination. The moving image that entered into the medial apparatus intimately connected to questions of nationalism and imperialism. The chapter focuses on the historical development of cinema from the early silent to early sound eras. It seeks to revise that history by considering the relationship of the cinematic apparatus to the imperial and national social configuration, while underscoring the production of interzones in those relationships.

Premodern, Antimodern or Postmodern? Islamic and Western Critiques of Modernity

1997 ◽  
Vol 59 (3) ◽  
pp. 429-460 ◽  
Author(s):  
Roxanne L. Euben
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Political Thought ◽  
Dialectical Relationship ◽  
Definition Of ◽  
Relationship Of ◽  
The Relationship ◽  
Modern Condition

The steadily increasing appeal of Islamic fundamentalist ideas has often been characterized as a premodern, antimodern or, more recently, as a postmodern phenomenon. To explore the relationship of Islamist political thought to modernity, and the usefulness of the terminology of “modernity” to situate and understand it, this article explores two comparisons. The first is a comparison across time, and involves the juxtaposition of a prominent nineteenth century Islamic “modernist” and the critique of modernity by an influential twentieth century Islamic fundamentalist thinker. The second is a comparison across cultures, and involves the juxtaposition of this Islamic fundamentalist critique and many Western theorists similarly critical of “the modern condition.” These comparisons suggest that Islamic fundamentalist political thought is part of a transcultural and multivocal reassessment of the value and definition of “modernity.” Such reassessments should be understood in terms of a dialectical relationship to “modernity,” one that entails not the negation of modernity but an attempt to simultaneously abolish, transcend, preserve and transform it.

British Bravery, or Tars Triumphant: Images of the British Navy in Nautical Melodrama

1988 ◽  
Vol 4 (14) ◽  
pp. 122-143 ◽  
Author(s):  
Jim Davis
Keyword(s):  
Nineteenth Century ◽  
New South ◽  
Real Life ◽  
Theatre History ◽  
Popular Theatre ◽  
South Wales ◽  
Theatre Studies ◽  
The University ◽  
Relationship Of ◽  
The Relationship

In recent years, melodrama has increasingly been recognized not only as an important element in popular theatre studies, but for the intrinsic importance of the form itself. Less considered has been the relationship of the material of melodrama to the ‘real life’ it reflected in a highly conventionalized yet ultimately (for its audiences), recognizable fashion. Here, Jim Davis looks at one major category, nautical melodrama, setting the images of the navy and of sailors that it created alongside factual and critical accounts of life at sea in the first half of the nineteenth century. He conveys both the pressures that existed for redress of abuses, and the consequent balance between coercion and subversion in the melodramas themselves – drawing in particular on the memoirs of Douglas Jerrold to explore aspects of the ambiguity to be found in contemporary attitudes. Jim Davis, who is the author of several books and articles in the area of nineteenth century theatre history, is presently teaching in the School of Theatre Studies at the University of New South Wales.

scholarly journals N.I. KAREEV ON THE DIALOGUE OF CULTURES IN LINE WITH THE VIEWS OF WESTERN EUROPEAN PHILOSOPHERS OF XVIII-XIX CENTURIES

2020 ◽  
pp. 150-161
Author(s):  
Елена Евгеньевна Михайлова ◽  
Надежда Александровна Соболева
Keyword(s):  
World History ◽  
Philosophy Of History ◽  
Second Stage ◽  
Third Stage ◽  
History Of ◽  
Classical Philosophy ◽  
Western European ◽  
Relationship Of ◽  
Different Cultures ◽  
The Relationship

Рассматривается диалог культур в трактовке западноевропейских мыслителей XVIII-XIX вв. Показано, что изучение истории взаимоотношений различных, в своем основании и формах, культур прошло три содержательных этапа: первый - начало «разговора» о взаимоотношении культур и постановка понятий «Запад» и «Восток» (просветители); второй - смещение вопроса о дуальности «Запад - Восток» на уровень дилеммы философии истории и всемирной истории (представители немецкой классической философии); третий - применение новой, многофакторной методологии (позитивисты). Сделан вывод о том, что русский историк и представитель позитивистской философии истории Н.И. Кареев дал конструктивно-критическую оценку воззрениям западноевропейских мыслителей на проблему взаимоотношений разных культур и творчески использовал их идеи в построении своей философии истории. The article deals with the dialogue of cultures in the interpretation of Western European thinkers of the XVIII-XIX centuries. It is shown that the study of the history of relations between cultures, which differ in their basis and forms, has passed three meaningful stages. The first stage is the beginning of a «conversation» about the relationship of cultures and the formulation of the concepts of «West» and «East» (enlighteners). The second stage is characterized by a shift of the question of the duality of «West-East» to the level of the dilemma of the philosophy of history and world history (representatives of German classical philosophy). The third stage is the application of a new, multi-factor methodology (positivists). It is concluded that the Russian historian and representative of the positivist philosophy of history N.I. Kareev gave a constructive and critical assessment of the views of Western European thinkers on the problem of relations between different cultures and creatively used their ideas in building his philosophy of history.

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