scholarly journals Gender separation and the speech community: Rhoticity in early 20th century Southland New Zealand English

2021 ◽  
pp. 1-22
Author(s):  
Dan Villarreal ◽  
Lynn Clark ◽  
Jennifer Hay ◽  
Kevin Watson
Keyword(s):  
Twentieth Century ◽  
New Zealand ◽  
20Th Century ◽  
Early 20Th Century ◽  
Speech Community ◽  
Men And Women ◽  
Speech Communities ◽  
Constraint Hierarchy ◽  
Geographical Locations ◽  
Constraint Hierarchies

Abstract The existence of a shared constraint hierarchy is one of the criteria that defines and delimits speech communities. In particular, women and men are thought to differ only in their rates of variable usage, not in the constraints governing their variation; that is, women and men are typically considered to belong to the same speech community. We find that in early twentieth century Southland, New Zealand, women and men had different constraint hierarchies for rhoticity, with a community grammar of rhoticity only developing later. These results may be a product of a particular set of sociohistorical facts thatare not peculiar to Southland. We suggest that further research in other geographical locations may indeed reveal that men and women have different constraint hierarchies for other variables. Speech communities may thus be delimited along social lines in ways that have not been previously considered.

scholarly journals Lviv as the cradle of Polish independence organizations

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early 20Th Century ◽  
Social Activists ◽  
The Past ◽  
Independence Movement ◽  
Political Orientations ◽  
History Of ◽  
The Right ◽  
The City

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.

Steeped in Modernism: The Teapot as Manifesto in Early 20th Century Art

2016 ◽  
Author(s):  
Maya Bielinski
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Political History ◽  
Modern Art ◽  
The Other ◽  
Early 20Th Century ◽  
Avant Garde ◽  
Small Window ◽  
Time Period ◽  
20Th Century Art

The art manifesto, a written political, social, and artistic proclamation of an artistic movement, surged in popularity among avant‐garde art groups in the first half of the twentieth century. Many of the manifestos featured declarations for the synthesis of art and life as well as a call for social and political power for artists of both 'high' and 'low' art forms. Concurrently, new artistic interpretations of the humble teapot became suddenly ubiquitous. This inquiry explores how the teapot emerged as a dominant symbol for the goals of Modern Art movements, and includes an analysis of the teapot's socio‐political history, its ambiguous status between high and low art, and its role in the commercial sphere. By examining the teapots of Suprematism's Kazimir Malevich, Constructivism's Mariane Brandt,and Surrealism's Meret Oppenheim, this presentation will track ideas of functionality, the teapot as symbol, and aesthetics from 1923 to 1936. This small window in time offers an analysis of the extraordinary developments in teapots, and perhaps a glimpse of the paralleled momentum that occurred more generally in design, architecture, and the other arts in this time period.

scholarly journals Transnational Practices and Emotional Belonging among Early 20th-Century Greek Migrants in the United States

Genealogy ◽  
2020 ◽  
Vol 4 (3) ◽  
pp. 90
Author(s):  
Margarita Dounia
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Lived Experience ◽  
20Th Century ◽  
The United States ◽  
Early 20Th Century ◽  
Transnational Families ◽  
Village Community ◽  
Greek Migrants ◽  
Private Collections

This article aims at studying transnational families dispersed among Greece and the United States in the first half of the twentieth century. It examines the ways in which transnationalism was a common way of being, acting and feeling strongly associated with the available “technologies” of those times, namely photographs, letters and private financial and judicial records. The focus is purposefully micro-historical, analyzing the private collections of two families in a small mountainous village community of the Greek south. Its purpose is to manifest the ways in which transnational families communicated, exchanged items, thoughts and emotions, fulfilled economic obligations and marital aspirations and, overall, created “proxy” transnational spaces. At the same time, shifting the focus to individuals, it aims at presenting the diversities of transnationalism as a lived experience, as unfolded in the personal records of migrants and their kin. Further, it explores transnationalism as a holistic, multi-faceted and all-encompassing ground, with its dynamics influencing not only migrants, but also their families and societies back in the homeland.

The Phonetics of Fish and Chips in New Zealand

1997 ◽  
Vol 18 (2) ◽  
pp. 243-270 ◽  
Author(s):  
Allan Bell
Keyword(s):  
National Identity ◽  
New Zealand ◽  
20Th Century ◽  
Early 20Th Century ◽  
Fluent Speakers

Centralization of the short /I/ vowel (as in KIT) is regarded by both linguists and lay observers as a defining feature of New Zealand English and even of national identity, especially when contrasted with the close front Australian realization. Variation in the KIT vowel is studied in the conversation of a sociolinguistic sample of 60 speakers of NZE, structured by gender, ethnicity (Maori and Pakeha [Anglo]) and age. KIT realizations are scattered from close front through to rather low backed positions, although some phonetic environments favour fronter variants. All Pakeha and most Maori informants use centralized realizations most of the time, but some older Maori speakers use more close front variants. This group is apparently influenced by the realization of short /I/ in the Maori language, as these are also the only fluent speakers of Maori in the sample. Close front realizations of KIT thus serve as a marker of Maori ethnicity, while centralization marks general New Zealand identity. Centralized /I/ appears to have been established in NZE by the early 20th century

Russian Civil Law Tradition of the Early 20th Century and the Napoleonic Code

10.12737/7251 ◽  
2014 ◽  
Vol 3 (1) ◽  
pp. 0-0
Author(s):  
Сергей Липень ◽  
Syergyey Lipyen
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Social Relations ◽  
Civil Law ◽  
Russian Empire ◽  
100Th Anniversary ◽  
Social Value ◽  
Early 20Th Century ◽  
Common Problems ◽  
The Russian Empire

This article discusses common problems of civil law to which attention was drawn at the beginning of the twentieth century in connection with the 100th anniversary of the Napoleonic Code. In connection with the new codification of the civil law of the Russian Empire objective and subjective factors of codification activities, social value of the Civil Code, the adequacy of regulation of civil relations, as well as to further improvement of the content of civil law according to the requirements of lifetime and constantly developing social relations were considered.

scholarly journals The Publishing Activities of Libraries in the Pre-revolutionary Russia in the late 19th - early 20th century (on the Materials of St. Petersburg Province)

2016 ◽  
Vol 1 (2) ◽  
pp. 217-222
Author(s):  
Stanislav V. Stepanov
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Main Product ◽  
Early 20Th Century ◽  
Early Twentieth Century ◽  
History Of

The article is devoted to the history of publishing activities of the libraries of St. Petersburg Province. There are analyzed the main product types of libraries, marked the libraries, performing publishing activities in the early twentieth century, and there is given characteristics of their publications.

scholarly journals Improvisation in Balinese Music: An Analytical Study of Three Different Types of Drumming in the Balinese Gamelan Gong Kebyar

2018 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
I Wayan Sudirana
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Analytical Study ◽  
Early 20Th Century ◽  
Abstract Concept ◽  
Balinese Gamelan ◽  
Different Types ◽  
The Future ◽  
Twentieth Century Music ◽  
Characteristic Style

ABSTRACTGong kebyar emerged in early 20th century and was initially an instrumental genre. In its later advancement, the ensemble became accustomed to accompanying dance compositions, which are decorated with miscellaneous dance improvisations corresponding to the characteristic style of gong kebyar. There are three types of Balinese drumming that are considered improvisational, in particular the styles that are played in the repertory of gamelan gong kebyar. Gamelan gong kebyar is the most popular and influential genre of twentieth century music developed in Bali. In gamelan baru, the function of the drum (in Bali it is called kendang) in the ensemble is more important than it was in older styles and it is considered to be the leader of the ensemble. Drummers are skilled musicians and usually teachers, who know all of the parts that are played by other instruments in the ensemble. Krumpungan, Cedugan, and Gupekan are examples of drumming style that gives incorporate the idea of improvisation, though in Bali we do not have a special term for improvisation. We do however have the same ideas and sense of the meaning of improvisation itself in the way some drumming is played spontaneously in the course of performance, by using drummer’s abilities to create spontaneously new pattern on stage. There are some important aspects that need to be underlined in creating those patterns, such as: melody accompaniment, dancer’s cues, good partnership (in krumpungan and cedugan), and the ability to lead the ensemble. Those aspects have the prominent role in the acheivement of drum improvisation in the performance. Drumming improvisation remains something that has to be learned more comprehensively in the future. It is still an abstract concept for many musicians as well as Balinese gamelan lovers.Keywords: improvisation, drumming, kendang, gong kebyar. ABSTRAKGong kebyar muncul pada awal abad ke-20 dan pada mulanya merupakan genre instrumental. Dalam perkembangan selanjutnya, ensambel tersebut menjadi terbiasa dengan komposisi tari yang menyertainya, yang dihiasi dengan improvisasi tari yang berbeda sesuai dengan gaya khas gong kebyar. Ada tiga jenis drum Bali yang dianggap improvisasi, khususnya gaya-gaya yang dimainkan dalam repertoar gamelan gong kebyar. Gamelan gong kebyar adalah genre musik abad ke-20 yang paling populer dan berpengaruh yang dikembangkan di Bali. Dalam gamelan baru ini, fungsi drum (di Bali disebut kendang) dalam ensambel lebih penting daripada pada gaya lama dan dianggap sebagai pemimpin ensembel. Drumer adalah musisi yang terampil dan biasanya adalah guru, yang tahu semua bagian yang dimainkan oleh instrumen lain dalam ensembel. Krumpungan, Cedugan, dan Gupekan adalah contoh gaya drum yang memberikan ide improvisasi, meskipun di Bali tidak ada istilah khusus untuk improvisasi. Namun di sini ada ide yang sama dan rasa makna improvisasi itu sendiri dengan cara memainkan beberapa drum secara spontan dalam jalannya pertunjukan, dengan menggunakan kemampuan pemain drum untuk menciptakan pola spontan baru di panggung. Ada beberapa aspek penting yang perlu digarisbawahi dalam menciptakan pola-pola tersebut, seperti: iringan melodi, isyarat penari, kemitraan yang baik (dalam krumpungan dan cedugan), dan kemampuan untuk memimpin ensambel. Aspek-aspek tersebut memiliki peran penting dalam pencapaian improvisasi drum dalam pettunjukan. Improvisasi drum tetap sesuatu yang harus dipelajari lebih komprehensif di masa depan. Ini masih merupakan konsep abstrak bagi banyak musisi dan juga pecinta gamelan Bali. Kata kunci: improvisasi, drum, kendang, gong kebyar.

scholarly journals THE CONTINUATION OF THE ISLAMIC DISCOURSE OF THE EARLY XX CENTURY IN DAGHESTAN ARABIC SCRIPT WORKS OF THE SOVIET PERIOD

2018 ◽  
Vol 14 (3) ◽  
pp. 34-39
Author(s):  
Zaira B Ibragimova
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Arabic Language ◽  
Soviet Period ◽  
Early 20Th Century ◽  
Muslim Community ◽  
Modern Times ◽  
Theological Schools ◽  
Arabic Script

The article provides a brief review of the Arabic script works of Daghestan theologians of the Soviet period. Generally, they present a continuation of the discourse, originated in Daghestan in the early 20th century. They deal with the topical issues that also apply to modern times: the ideology of Jadidism, Salafism and Wahhabism, the division into madhhabs, the issues of "falsehood", the payment of zakat and qafarat, conducting of mawlids, ijtihad, taqlid and others. Criticism of Wahhabism is presented in several Arabic-language works of the Sufi sheikh Muhammad al-Asali, written in the 20's of the 20th century. The 40-60’s work "al-Jawab al-sahih li-l-ah al-musallah” by Abd al-Hafeez al-Uhli condemns the activities of the Jadids and Wahhabis. The Arabic-language work of Muhammad al-Habshi "Makalat al-Valiyi Muhammad b. Ahmad al-Habshi li Masail al-arif Shuayb-afandi al-Baghini", written in the 60-70's of the XX century, is devoted to the problem of "falsehood". The ideas of the Daghestani adherents of Jadidism are revealed in the works of Abdurakhim al-Aimaki. These works present various views of Daghestani religious figures, representatives of various theological schools. Some of them refer to the so-called "late Soviet period", closest to modern times, when conflicts among believers became more acute and went beyond the theological polemics. The controversy that lasted throughout the twentieth century testifies to the existence of multi-polar opinions in the Muslim community.

Codex

2020 ◽  
Author(s):  
Michelle P. Brown
Keyword(s):  
Women Religious ◽  
20Th Century ◽  
Western Culture ◽  
Early 20Th Century ◽  
Documentary Evidence ◽  
Text And Image ◽  
Roman Poet ◽  
Literary Works ◽  
Manuscript Culture ◽  
Men And Women

The codex occupies an iconic role in Western culture. Usually narrowly applied to the folded book form of the age of print, it owes its origins and development to pre-print manuscript culture. As early as the 1st century ce, the Roman poet Martial was recommending that his readers buy the new codex form. But then, as now, publishers were slow to retool, and the ancient scroll technology continued until the 4th century, when the codex, initially the preserve of the underclasses (notably the early Christians, who valued it for its portability and cross-referencing suitability), achieved popularity as the focus of Christianity, a religion of the book. Wax tablets—the less formal medium of the day—continued in use for drafting of text and image and for informal purposes into the early 20th century. From the 5th century onward the use of decoration and paratextual features such as punctuation served to help navigate and articulate the text and images, illustrated the narrative, or explored the multivalent meaning of text through image. Both men and women, religious and secular, wealthy or poor, figured in the production of medieval books, as authors, makers, and users. Documentary evidence and that detected within the books themselves gives a picture of the ways in which literary works were composed, captured in writing, published, disseminated, and accessed. Each manuscript is unique, but together they provide a portal into a thousand years of thought.

scholarly journals Raman Spectroscopic Analysis of an Early 20th Century English Painted Organ Case by Temple Moore

Heritage ◽  
2020 ◽  
Vol 3 (4) ◽  
pp. 1148-1161
Author(s):  
Christopher Brooke ◽  
Howell Edwards ◽  
Peter Vandenabeele ◽  
Sylvia Lycke ◽  
Michelle Pepper
Keyword(s):  
Twentieth Century ◽  
Raman Spectroscopy ◽  
20Th Century ◽  
Spectroscopic Analysis ◽  
Formal Analysis ◽  
Organic Additive ◽  
Early 20Th Century ◽  
Raman Spectroscopic ◽  
Late Nineteenth ◽  
Raman Spectroscopic Analysis

An organ case from Lincoln, England, designed by the architect Temple Moore in 1907 was examined during conservation work using Raman spectroscopy in order to analyze the decorative paint composition. Samples from the six principal colours were extracted and examined using a Bruker Senterra R200-L spectrometer. The results are the first known formal analysis of a painted scheme by this architect, and they reveal a mixture of commonly used pigments for the period and the unexpected use of simpler, earth pigments, along with an unusual admixture in the red, along with an organic additive. The findings are of importance to both the conservation of Temple Moore’s artwork, in understanding the experimentation used in early twentieth-century England, and in furthering our knowledge of ecclesiastical decorative artwork of the late nineteenth and early twentieth centuries.

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