The Property Species

2020 ◽  
Author(s):  
Bart J. Wilson
Keyword(s):  
Cognitive Linguistics ◽  
Homo Sapiens ◽  
Fundamental Principle ◽  
First Century ◽  
Human Beings ◽  
Full Account ◽  
Symbolic Thought ◽  
Core Property ◽  
The Social ◽  
History Of

What is property, and why does our species happen to have it? The Property Species explores how Homo sapiens acquires, perceives, and knows the custom of property, and why it might be relevant for understanding how property works in the twenty-first century. Arguing from some hard-to-dispute facts that neither the natural sciences nor the humanities—nor the social sciences squarely in the middle—are synthesizing a full account of property, this book offers a cross-disciplinary compromise that is sure to be controversial: All human beings and only human beings have property in things, and at its core, property rests on custom, not rights. Such an alternative to conventional thinking contends that the origins of property lie not in food, mates, territory, or land, but in the very human act of creating, with symbolic thought, something new that did not previously exist. Integrating cognitive linguistics with the philosophy of property and a fresh look at property disputes in the common law, this book makes the case that symbolic-thinking humans locate the meaning of property within a thing. The provocative implications are that property—not property rights—is an inherent fundamental principle of economics, and that legal realists and the bundle-of-sticks metaphor are wrong about the facts regarding property. Written by an economist who marvels at the natural history of humankind, the book is essential reading for experts and any reader who has wondered why people claim things as “Mine!,” and what that means for our humanity.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

scholarly journals Palaeohispanic Languages and Epigraphies

2019 ◽  
Keyword(s):  
Cultural History ◽  
Western Mediterranean ◽  
Fifth Century ◽  
First Century ◽  
Writing Systems ◽  
The Social ◽  
Mediterranean World ◽  
History Of ◽  
Multidisciplinary Perspective ◽  
Do So

At least four writing systems—in addition to the Phoenician, Greek, and Latin ones—were used between the fifth century BCE and the first century CE to write the indigenous languages of the Iberian peninsula (the so-called Palaeohispanic languages): Tartessian, Iberian, Celtiberian, and Lusitanian. In total over three thousand inscriptions are preserved in what is certainly the largest corpus of epigraphic expression in the western Mediterranean world with the exception of the Italian peninsula. The aim of this book is to present a state of the question that includes the latest cutting-edge scholarship on these epigraphies and the languages that they transmit. To do so, the editors have put together a volume that from a multidisciplinary perspective brings together linguistic, philological, epigraphic, numismatic, historical, and archaeological aspects of the surviving inscriptions. The study of these languages is essential to achieve a better understanding of the social, economic, and cultural history of Hispania and the ancient western Mediterranean. They are also the key to our understanding of colonial Phoenician and Greek literacy, which lies at the root of the spread of these languages and also of the diffusion of Roman literacy, which played an important role in the final expansion of the so-called Palaeohispanic languages.

The Roman Garden

1950 ◽  
Vol 19 (57) ◽  
pp. 97-105
Author(s):  
James Lawson
Keyword(s):  
Private Life ◽  
First Century ◽  
Self Sufficiency ◽  
Political Views ◽  
The Social ◽  
The Family ◽  
History Of ◽  
The Republic ◽  
Social Habits ◽  
Almost All

Aman's character is judged not merely by his public services and his political views but also by his private life and individual interests. Similarly the history of a nation is to be read not only in its military exploits, its constitutional experiments, its art and literature, but also in the social habits and predominant interests of its citizens. Just as a garden mirrors the character of its owner, so the gardens of a nation reflect the character and the degree of advancement of the State. It is no coincidence that the popular garden of the Roman Republic was the simple kitchen garden, while under the Empire pretentious landscape gardens were the vogue. The vitalizing energy of the Republic found an outlet in the productive vegetable plot: the elaborate but sterile gardens of the Empire were symbolic of incipient decay.Until the first century b.c. almost all Roman gardens were cottage gardens. Their plan and culture were governed solely by practical needs. From them the mistress of the house used to replenish her larder and medicine-chest and adorn the family shrine with flowers. Pliny the Elder reminds the luxury-seeking populace of a later date that in the past at Rome a garden was the poor man's estate: it was the only market he had from which to provide himself with food. The prime function of a garden was to make its owner self-sufficient. This self-sufficiency was more easy of attainment in ancient Italy than in more northerly countries, for the diet of the Romans consisted, for the most part, of salads.

Judeans in Sippar and Susa during the First Century of the Babylonian Exile: Assimilation and Perseverance under Neo-Babylonian and Achaemenid Rule

2014 ◽  
Vol 1 (2) ◽  
pp. 119-172 ◽  
Author(s):  
Yigal Bloch
Keyword(s):  
Social History ◽  
First Generation ◽  
Well Being ◽  
First Century ◽  
Single Family ◽  
Achaemenid Empire ◽  
Personal Names ◽  
The Social ◽  
History Of ◽  
The City

AbstractThe present study discusses the attestations of persons of Judean origin in Neo-Babylonian cuneiform tablets (of the period between 550 and 490 bce) as possible evidence of some aspects of the social history of the community of Judeans exiled to Babylonia by Nebuchadnezzar II. Although the number of such attestations is very small, it is nonetheless possible to single out two groups which display different patterns of personal name giving across generations. In one instance, a group of merchants in the city of Sippar (belonging mostly to a single family) uses, in part, distinctly Judean personal names in the first generation of the exile, but abandons them completely in favor of Babylonian theophoric names in the next generation. In another instance, a group of individuals active mostly in Susa and probably belonging to the families of royal officials (as suggested by names and patronymics of the type of Beamtennamen – names expressing a pious wish for the well-being of the king) displays the use of Yahwistic personal names even though the fathers of those individuals bore Babylonian theophoric names. It is suggested that the persistence of Yahwistic – hence distinctly Judean – names among royal officials or their direct offspring, even after the previous generation bore Babylonian names, reflects a considerable measure of tolerance toward ethnically foreign elements in the royal administration (the relevant examples date from the period after the establishment of the Achaemenid empire). In contrast, the progressing adoption of Babylonian names among the Judean merchants in Sippar in the first half of the sixth century bce seems likely to reflect assimilation into the native Babylonian society, fostered by the necessity to pursue commercial dealings with the Ebabbar temple of Šamaš and the social circles centered around the temple, which consisted of conservatively minded upper strata of the native Babylonian society. Editions of the cuneiform tablets discussed in the present study are provided in the Appendix.

scholarly journals KEHIDUPAN SOSIAL BUDAYA MASYARAKAT ISLAM DI DESA RASABOU KECAMATAN SAPE KABUPATEN BIMA (1931-1997)

2018 ◽  
Vol 2 (1) ◽  
pp. 45
Author(s):  
Dian Marhaeni Widyastuti
Keyword(s):  
Social Life ◽  
Historical Analysis ◽  
Human Beings ◽  
Mutual Cooperation ◽  
Historical Method ◽  
Cultural Life ◽  
The Social ◽  
History Of ◽  
The Difference ◽  
Islamic Society

Penelitian ini bertujuan untuk mengetahui Kehidupan Sosial Budaya Masyarakat Islam, khususnya sejarah masuknya Islam, kondisi Kehidupan Sosial Budaya dan faktor-faktor penghambat dan pendukung pengembangan Islam di Sape Rasabou Kabupaten Bima. Penelitian ini mengunakan metode Historis yaitu melalui tahap Heuristik, Kritik, Interpretasi dan Histografi. Analisis data yang digunakan adalah Historis analisis, dan metode kualitatif. Hasil penelitian menunjukkan, Kondisi kehidupan Sosial Budaya Masyarakat Islam berlangsung dalam kehidupan kegotongroyongan, meskipun terdapat perbedaan status Sosial, namun mulai terjadi pergeseran semenjak masuknya ajaran Islam bahwa manusia sama derajatnya kecuali yang membedakan adalah ketakwaannya. Kehidupan Budaya Masyarakat Islam di Sape Rasabou berkembang sebagaimana perkembangan agama Islam di wilayah tersebut. Kebudayaan islam terbentuk seiring dengan berkembangnya agama Islam. This study aims to find out the Social and Cultural Life of Islamic Communities, especially the history of the entry of Islam, the condition of Social and Cultural Life and the factors inhibiting and supporting the development of Islam in Sape Rasabou Kabupaten Bima. This research uses Historical method that is through Heuristic, Criticism, Interpretation and Histography. Data analysis used is Historical analysis, and qualitative method. The result of the research shows that the condition of the social life of the Muslim society takes place in the life of mutual cooperation, although there are differences in social status, but there is a shift since the entry of Islamic teachings that human beings are equal except the difference is their piety. The Cultural Life of the Islamic Society in Sape Rasabou developed as the development of Islam in the region. Islamic culture is formed along with the development of Islam.

scholarly journals A Contemporary Approach of Las Meninas

2020 ◽  
Vol 7 (1) ◽  
pp. 137-149
Author(s):  
Irina-Andreea Stoleriu
Keyword(s):  
Social Status ◽  
Close Friend ◽  
Future Generations ◽  
Human Beings ◽  
Royal Family ◽  
The Social ◽  
History Of ◽  
Contemporary Approach ◽  
The Way ◽  
Contemporary Artists

The present study is meant to underline the importance of a famous work from the baroque period, Las Meninas, made by the painter Diego de Silva y Velásquez who has become a source of inspiration for future generations of artists. Numerous modern and contemporary artists have integrally or partially ”paraphrased” Velásquez’s composition by intercepting the portrait of revolutionary group for the time when it was created, extremely innovative regarding its compositional qualities and its hidden meanings which underlined the role and status of the artist in the context of a conservative society. Thus, the painting becomes the living proof of the way in which the artist manages to overcome the limitations of the social status of ordinary human beings, by portraying himself as a close friend of the royal family and by opening, through this type of representation, an important chapter in the history of portraiture.

scholarly journals ’n Herdefiniëring van Paulus se konflik in Galasië: Die brief aan die Galasiërs deur die bril van die sosiale wetenskappe

1994 ◽  
Vol 50 (4) ◽  
Author(s):  
P. F. Craffert
Keyword(s):  
Social Sciences ◽  
History Of Ideas ◽  
First Century ◽  
Scientific Methodology ◽  
People Of God ◽  
The People ◽  
The Social ◽  
The Reformation ◽  
History Of ◽  
Social Scientific

Redefining Paul’s conflict in Galatia: The letter to the Galatians through the lense of the social sciences Traditional attempts at identifying Paul’s oppponents in the letter to the Galatians are methodologically stamped by a history-of-ideas approach; this is accompanied by at least two interpretive traditions (one focusing on the Reformation question of righteousness by works or by faith, and the second by the inclusion of Gentiles in the people of God). After a social- scientific methodology is introduced, three facets of Paul’s social realities are discussed: communication in a predominantly oral culture, Judaism as a first-century religious phenomenon, and the household institution. It is suggested that these provide us with an opportunity for redefining the conflict as a conflict on Paul’s honour and authority.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 7 (1) ◽  
pp. 57-76
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

Introduction

2018 ◽  
pp. 1-19
Author(s):  
Anne E. Parsons
Keyword(s):  
Mental Health ◽  
Mental Health Policy ◽  
Mass Incarceration ◽  
First Century ◽  
Law And Order ◽  
Carceral State ◽  
Mental Hospitals ◽  
The Social ◽  
History Of ◽  
Key Terms

The introduction reviews the relevant histories of prisons, mental health policy, and the social welfare state. It highlights how recent scholarship has not connected the history of mental hospitals to the broader history of imprisonment. From Asylum to Prison frames historic mental hospitals as part of a broader carceral state and charts how the rise of mass incarceration shaped the closure of mental hospitals. Law and order politics served to criminalize mental health conditions and substance abuse. New prison construction in the 1980s took money away from mental health services and prisons absorbed many functions of the former mental health system. Finally, this history of deinstitutionalization offers lesson for people working to reduce mass incarceration in the twenty-first century United States. The introduction closes with a discussion of people-centered language and key terms such as institutions, carceral state, and mental illness.

The Origins of the Noahide Laws

2011 ◽  
pp. 11-35
Author(s):  
David Novak
Keyword(s):  
First Century ◽  
Moral Standard ◽  
The Bible ◽  
Starting Point ◽  
The Social ◽  
History Of ◽  
Social Demographic

This chapter traces the origins of the Noahide laws in the history of Judaism. Earlier scholars located its origins variously: in the Bible, among Hittite legal scholars, and during the Maccabean era. The chapter maintains, contrary to prior scholarship, that the concept of the Noahide is absent until the first century CE; that is, it is a rabbinic creation. While theology can discover the beginnings of the Noahide laws in the Torah, their historical starting point can only be established following the social, demographic, and religious dislocations of the Second Temple's destruction in 70 CE. For the rabbis, these laws originated prior to the Sinaitic revelation; they were the moral standard for the entire gentile world, and that world of course included the ancestors of those who would later accept the covenant at Sinai. Israelites before Sinai, then, were Noahides. The Noahide laws were also considered obligatory for all time, and would be the measure by which gentiles would be judged.

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