Introduction
The Introduction situates the discussion in the present book in its historical and autobiographical contexts, and delineates the characteristics of poetry that emerges from the experience of political oppression. The major terms employed—‘the language of oppression’, ‘freedom’, and ‘artistic engagement’—are defined. Poetry, politics, freedom, and oppression are considered through their manifestations in language that governs private and public lives. While the Introduction establishes that the main argument does not proceed from views of ‘art for art’s sake’ or ‘art for social justice’, the notions of artistic commitment and the social utility of art are presented in order to explore the processes of language as they play a role in determining how people understand their place in a turbulent world, and, more importantly, how literary language helps them define, and perhaps also achieve, a sense of personal freedom.