Between Legibility and Alterity
Chapter 5 discusses how, in the past three decades, black southern Pacific traditional music has been recast as a touchstone for cultural difference through its mobilization by black artists, activists, and intellectuals and the Colombian state. Positing black identity in Colombia depended on what might be called a politics of resemblance, the couching of local black cultural practices in such a way as to be recognizable as legitimate bearers of credible difference. Once adopted by the state in the 1991 multicultural Constitution, the music of the Pacific has been taken up in a context of neoliberal multiculturalism, as a resource for a variety of divergent and even contradictory agendas, including economic development, social amelioration, governance, and local activism.