ĐỒ THỜ TRONG DI TÍCH CỦA NGƯỜI VIỆT [RELIGIOUS OBJECTS AMONG THE VIETNAMESE HISTORICAL HERITAGE]. By Trần Lâm Biền. Hà Nội: NXB Thế Giới, 2018. Pp. 184. Hardback, VND 350.000.

2021 ◽  
Vol 47 (2) ◽  
pp. 257-257
2018 ◽  
Vol 8 (3) ◽  
pp. 93-98
Author(s):  
Natalya A. KOSENKOVA ◽  
Alina A. SEROVA

The purpose of the article is to identify the impact of the system of identifi ers of the architectural and historical environment on the religious architecture of Samara on the considered and identifi ed historical stages of the development of the city. It is shown that due to the particularly rapidly developing cities of our time, including historical ones, the historical heritage is the fi rst to be in danger of complete or partial extinction. From here it becomes apparent the preservation of the heritage of cities and the preservation of the identity of the historical city. As a result, a typical image of the Samara religious architecture was determined throughout its development, characteristic types, styles, infl uences of external and internal ethnos were established, and productive forces were identifi ed, which are the basis for the development of the city of Samara at each historical period.


2019 ◽  
Vol 2 (2) ◽  
pp. 224-244
Author(s):  
Amy Whitehead

Based on a small ethnographic study at the shrine of the Virgin of Alcala in Andalusia, Spain, this article asserts that 'touch' is not only an intrinsic part of religion, but the principal facilitating medium through which the performances, expressions and relationships with the Virgin, take place. The article uses the relational discourses of animism and the fetish to critically explore the dynamics of touch, focusing primarily on the ways in which powerful religious statues such as the Virgin are creatively forged from raw materials, the gendered ways in which her statue-body is ritually touched, cared for and maintained, and the potentiality of her personhood. Personhood, it is argued, emerges co-creatively between 'persons' (artefact persons and human persons) during moments of active relating that involve touch. It is concluded that 'to fetish' is both to apprehend beloved religious statues with the senses and to be invited into creative religious, relational engagements with so called religious objects. 'To touch' is 'to fetish'. 


Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 392
Author(s):  
Mamat Ruhimat

ABSTRAKTradisi tulis merupakan bukti kemajuan peradaban suatu bangsa. Naskah-naskahSunda Kuno yang ada saat ini merupakan peninggalan sejarah perjalanan bahasa dan budayaNusantara. Penelitian terhadap naskah-naskah Sunda Kuno tidak begitu banyak karenajumlah penelitinya sedikit. Bahkan katalog yang khusus mencatat naskah Sunda Kuno dimasyarakat pun belum ada. Katalogisasi Naskah Sunda Kuno di Jawa Barat merupakanupaya menginventarisasi dan mendokumentasi naskah-naskah Sunda Kuno di masyarakat.Katalogisasi juga merupakan direktori penelitian yang dilakukan terhadap naskah SundaKuno sehingga menjadi pembuka jalan bagi para peneliti yang ingin menggali kekayaanintelektual masa lalu. Katalogisasi naskah Sunda Kuno dimulai dari koleksi KabuyutanCiburuy di Kabupaten Garut. Kabuyutan ini menyimpan kurang lebih 30 kropak naskahSunda Kuno yang diperkirakan ditulis pada abad XVI-XVIII Masehi. Sebagian besar naskahlontar ini kondisinya rusak parah dan perlu penanganan yang serius. Dari ketiga puluhnaskah tersebut baru 15 naskah yang dapat diidentifikasi dan dibuat deskripsi lengkapnya.Kata kunci: Naskah, Katalog, Bahasa, BudayaABST RACTWritten tradition is evidence of the development of civilization of a nation. OldSundanese manuscripts still existing today is a historical heritage of linguistic and culturaljourneys of the Indonesian Archipelago. Unfortunately, most of the manuscripts are notappropriately preserved and from time to time continue to be damaged. Furthermore,the research on the Old Sundanese manuscripts is not so many due to the limited numberof the researchers. Even a catalogue especially listing Old Sundanese manuscripts in thesociety has not been made yet. The existing catalogues have only listed the manuscriptskept by the official institutions such as libraries and museums. Cataloging the OldSundanese manuscripts in West Java is one of the efforts to inventory and document theOld Sundanese manuscripts that are still scattered in the society, both stored in customaryinstitutions and personal collections. Cataloging is also a research directory that has everbeen conducted on Old Sundanese manuscripts, so it can be a pioneer for researchers whowant to explore the intellectual property in the past. As the first stage, cataloging theOld Sundanese manuscripts is started from the collection of Kabuyutan Ciburuy in GarutRegency. Kabuyutan stores approximately 30 compartments (kropak) of Old Sundanesemanuscripts that are estimated to have been written in the 16 to 18 century AD. Most ofthese manuscripts are badly damaged and need to be seriously taken care of. From thethirty manuscripts, only 15 manuscripts can be identified and can be completely described.Keywords: manuscript, catalogue, language, culture


2015 ◽  
Vol 3 (2) ◽  
pp. 201-218
Author(s):  
Francis Chuma Osefoh

Some of the renowned world tourism countries have special peculiarities in character in terms of their nature reserves and built environments; that made them stand out for their attractions and visits. These qualities range from conservation and preservation of nature reserves, built environments- epoch architectural supports over the years; historical heritage; political; religious; socio-economic; cultural; and  high technology that enhance culture. The virtues of multi- ethnic groups and multi- cultural nature gave Nigeria a rich cultural heritage, and she is blessed with natural wonders, unique wildlife, and a very favorable climate. More often than not less attention and importance are placed over the nature reserves and built environments to the detriment of tourism in lieu of other sectors. Summarily the country lacks the culture of conservation and preservation of her abundant resources to promote cultural tourism. Case study strategy was applied in the research tours with reports of personal experiences, documentaries and analyses of sites visited in Europe and Nigeria were highlighted with references to their attributes in terms of structures and features that made up the sites as relate to culture and attraction.The task in keeping rural, city landscapes and nature reserves alive stands out as the secret of communication link from the past to present and the future; which tourism developed nations reap as benefits for tourist attraction.


ARCHALP ◽  
2018 ◽  
pp. 174-179
Author(s):  
Francesca Bogo

The Province of Belluno is home of great human and landscape quality and of the beautiful Dolomites, UNESCO World Heritage. How experiences of contemporary architecture fit and how are promoted in this context? It can be said that contemporary architecture does not attract a big audience. This is despite the constant efforts by various bodies and associations to promote its diffusion and development through competitions, conferences, workshops and case studies. In the Belluno region, apart from the extraordinary extant historical heritage, there are widespread examples of new architecture known as “false alpine models” or architecture that has erroneously become typical of the Province’s image. This is the reason why this new architecture with its range of peculiarities is widely reiterated, from north to south of the area. Even though buildings of this type lack any real ties with history or tradition, they find widespread approval by institutions and commissions. They are the result of repetitive practices deriving from constraints imposed by local regulations and a limited aptitude in the use of contemporary language of architecture. Even if the barometer of the vitality of contemporary architecture in the region of Belluno is rather lukewarm, dampened by cultural resistance and by regulatory constraints affecting its growth and diffusion, there is no lack of experiences, initiatives and achievements. The latter is evidence of the fact that where research and the use of contemporary languages are accompanied by the opinions of enlightened patrons, good architecture is born, which find space in the arena of national and international architectural debate. Examples of good architecture, even though limited in number, are distributed across the Province and constitute heritage and the focus for promoting and consolidating the growth and dissemination of contemporary architecture throughout the area.


2018 ◽  
Vol 28 (7) ◽  
pp. 2417-2425
Author(s):  
Peter Peikov ◽  
Borana Hadjieva

The present paper reveals the significance of the National Archival Fund for preservation of the historical and cultural memory of the Bulgarian nation and the formation of historical consciousness. The National Archives Fund is defined as the largest collection of documents with historical, scientific, social, economic, cultural significance as an essential part of the cultural and historical heritage of Bulgaria.It treasures documents about the history of thousands of institutions and prominent figures of the state, economy, culture and art, of ordinary citizens whose activity is historically important in one respect or another.The emphasis of the study is on the main factors determining the daily enrichment of the National Archival Fund with new documents. Among these key factors are development of documentaristics and archivistics, trends in social development, ideological and political climate, financial stability and attitude of the society as a whole, of the istitutional leaders and administrative heads, creating documents, in particular, of the non-governmental organizations and even of the individual citizen to the problems in the field of archivistics.In the focus of the paper as well is the leading role of the state archives for the formation of the National Archival Fund of Bulgaria and the opportunities for cooperation with museums, libraries, community centers and other institutions of memory working with the same purpose and vision.


Author(s):  
Hao Fu ◽  
N. P. Goncharov

Aim. To present the wheat endemics of China as source material for breeding and historical heritage. Results and Discussion. Wheat in China is the second most widely distributed cereal crop after rice. It is cultivated in China from the extreme northern border to the southern one, at altitudes from 154 m below sea level to 4450 m above sea level. The Chinian wheat is originated from South-West and West Asia and has a history of more than 2.8 thousand years. Since ancient times, the wheat species have been grown in China: bread (Triticum aestivum L.), compactum (T. compactum Host), polonicum (T. polonicum L.), turgidum (T. turgidum L.), durum (T. durum Desf.), turanian (T. turanicum Jakubz.). The Chinese ancient bread wheats are of interest for breeders because presence among them of early ripening, multi-flowering with the grain number in a spikelet up to 7-8 and in the ear up to 90-100, drought and winter hardy, resistant to powdery mildew and leaf rust; forms with good crossability with rye and Aegilops species. Among the endemic Chinese wheat, an important place belongs to the Chinese Spring variety which played an outstanding role in wheat genetics; super dwarfs Tom Pouce and Tibetan Dwarf; three-grain wheat, in which 3 grains are formed in one flower; Charklyk ancient wheat – a boneless form of polonicum wheat; dwarf blue wheat turgidum – with a strong waxy coating; Taigu-Male-Sterile Wheat – with gene male sterility; a wheats having species and subspecies status: wheat of Petropavlovskyi – Triticum petropavlovskyi Udacz. et Migusch.; Tibetan wheat – T. spelta L. ssp. tibetanum (Shao) N.P. Gontsch comb. nov .; Yunnan wheat – T. spelta L. ssp. yunnanse (King ex S.L. Chen) N.P. Gontsch comb. nov. The origin and genetic characteristics of China's endemic wheats are discussed. Conclusions. China's wheat endemics need careful study and conservation as a reserve of valuable genes and their complexes for breeding, and as an embodiment of the history, culture, talent and work of the people who created them, and an integral part of human cultural heritage.


Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 252-254
Author(s):  
Albrecht Classen

Throughout times, magic and magicians have exerted a tremendous influence, and this even in our (post)modern world (see now the contributions to Magic and Magicians in the Middle Ages and the Early Modern Time, ed. Albrecht Classen, 2017; here not mentioned). Allegra Iafrate here presents a fourth monograph dedicated to magical objects, primarily those associated with the biblical King Solomon, especially the ring, the bottle which holds a demon, knots, and the flying carpet. She is especially interested in the reception history of those symbolic objects, both in antiquity and in the Middle Ages, both in western and in eastern culture, that is, above all, in the Arabic world, and also pursues the afterlife of those objects in the early modern age. Iafrate pursues not only the actual history of King Solomon and those religious objects associated with him, but the metaphorical objects as they made their presence felt throughout time, and this especially in literary texts and in art-historical objects.


Sign in / Sign up

Export Citation Format

Share Document