Discipline and Excel: Techniques of the Self and Body and the Logic of Competing

1993 ◽  
Vol 10 (4) ◽  
pp. 397-412 ◽  
Author(s):  
Juha Heikkala

In the practical discourse of sport the focus is on the individual athlete as the autonomous and independent locus of action. This discourse is deconstructed from a, poststructuralist perspective. It is argued that in sport the disciplinary techniques of the body and self, as depicted by Michel Foucault, are both an instrument and an effect of competing. Disciplinary and normalizing practices such as bodily exercises or filling in a training diary are instruments for athletes to transcend their current performance, which is the core of the logic of competing. Furthermore, disciplining is the outcome of this “rationale” to excel. Giddens’s notion of structure is used to explicate the structure of competing. Yet his Cartesian conception of agents as knowledgeable is qualified, that is, within the practices of training and the structure of competing, some consequences of these practices escape athletes’ intention. The constitution of athletes’ subjectivity and even the consequences of the process of competing may be beyond their control.

Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


Author(s):  
Daphna Oyserman

Everyone can imagine their future self, even very young children, and this future self is usually positive and education-linked. To make progress toward an aspired future or away from a feared future requires people to plan and take action. Unfortunately, most people often start too late and commit minimal effort to ineffective strategies that lead their attention elsewhere. As a result, their high hopes and earnest resolutions often fall short. In Pathways to Success Through Identity-Based Motivation Daphna Oyserman focuses on situational constraints and affordances that trigger or impede taking action. Focusing on when the future-self matters and how to reduce the shortfall between the self that one aspires to become and the outcomes that one actually attains, Oyserman introduces the reader to the core theoretical framework of identity-based motivation (IBM) theory. IBM theory is the prediction that people prefer to act in identity-congruent ways but that the identity-to-behavior link is opaque for a number of reasons (the future feels far away, difficulty of working on goals is misinterpreted, and strategies for attaining goals do not feel identity-congruent). Oyserman's book goes on to also include the stakes and how the importance of education comes into play as it improves the lives of the individual, their family, and their society. The framework of IBM theory and how to achieve it is broken down into three parts: how to translate identity-based motivation into a practical intervention, an outline of the intervention, and empirical evidence that it works. In addition, the book also includes an implementation manual and fidelity measures for educators utilizing this book to intervene for the improvement of academic outcomes.


2019 ◽  
Vol 1 (2) ◽  
pp. 207
Author(s):  
Noormawanti, Iswati

The concept of self is an understanding of the attitude of the individual towards himself so that it results in the interaction of two or more people. Self-concept is a factor that communicates with others. The concept of self is the views and attitudes of individuals towards themselves, characteristics and individual and self-motivation. The self-view includes not only individual strengths but also weaknesses and even failures. This self-concept is psychological, social and physical. Self-concept is our views and feelings about ourselves, which include physical, psychological and social aspects. The concept of self is not just a descriptive picture, but also an assessment of ourselves, including what we think and how we feel. Anita Taylor defines self-concept as "all you think and feel about you, the entire complex of beliefs and attitudes you hold abaout yourself '. Human behavior is a product of their interpretation of the world around them through social interaction. Behavior is often a choice as a feasible thing to do based on how it defines the existing situation. The definition they give to other people, situations, objects and even themselves determines their behavior. So it is individuals who are considered active to regulate and determine their own behavior and environment. While the core of the individual is consciousness (consciousness). self-development depends on communication with others, which shape or influence themselves


2020 ◽  
pp. 147-164

Over a decade before the French-American sculptor Louise Bourgeois underwent psychoanalysis in New York (1952–1985), her work mined territories of psyche, body, home, and exile. Bourgeois’s papers from 1940 onward reveal that she shared Freud’s description of neurotics, hysterics, and artists as suffering from reminiscences. Scottish psychoanalyst W. R. D. Fairbairn identified the last of these in 1943 as “war neuroses,” just six years before Bourgeois debuted her first mature sculptures. These abstract “personages” served as melancholy surrogates for lost objects, the friends and family Bourgeois left in 1938 in Occupied France. In the 1960s, she further reduced the body to ambivalent amalgams of part-objects made from plaster and latex, suggesting swollen nodes, skin, and sex organs. Of particular interest are two papers published by Fairbairn in 1938 that extend the inner world of the individual to the field of object relations via the transposition of the symbolically “restored object.” Fairbairn conceived the radical notion of restitution, the mental process of repairing damage in the artist’s inner object world. These principles resonate with Bourgeois’s métier and a postwar sculptural aesthetic that probed the phenomenal experience of anxiety, exile, and psychoanalysis on the Self and others.


Author(s):  
T.S. Rukmani

Hindu thought traces its different conceptions of the self to the earliest extant Vedic sources composed in the Sanskrit language. The words commonly used in Hindu thought and religion for the self are jīva (life), ātman (breath), jīvātman (life-breath), puruṣa (the essence that lies in the body), and kṣetrajña (one who knows the body). Each of these words was the culmination of a process of inquiry with the purpose of discovering the ultimate nature of the self. By the end of the ancient period, the personal self was regarded as something eternal which becomes connected to a body in order to exhaust the good and bad karma it has accumulated in its many lives. This self was supposed to be able to regain its purity by following different spiritual paths by means of which it can escape from the circle of births and deaths forever. There is one more important development in the ancient and classical period. The conception of Brahman as both immanent and transcendent led to Brahman being identified with the personal self. The habit of thought that tried to relate every aspect of the individual with its counterpart in the universe (Ṛg Veda X. 16) had already prepared the background for this identification process. When the ultimate principle in the subjective and objective spheres had arrived at their respective ends in the discovery of the ātman and Brahman, it was easy to equate the two as being the same spiritual ‘energy’ that informs both the outer world and the inner self. This equation had important implications for later philosophical growth. The above conceptions of the self-identity question find expression in the six systems of Hindu thought. These are known as āstikadarśanas or ways of seeing the self without rejecting the authority of the Vedas. Often, one system or the other may not explicitly state their allegiance to the Vedas, but unlike Buddhism or Jainism, they did not openly repudiate Vedic authority. Thus they were āstikadarśanas as opposed to the others who were nāstikadarśanas. The word darśana for philosophy is also significant if one realizes that philosophy does not end with only an intellectual knowing of one’s self-identity but also culminates in realizing it and truly becoming it.


2021 ◽  
pp. 221-228
Author(s):  
Наталия Васильевна Коптева

В условиях глобального антропологического кризиса, связанного с распространением технологий, которые не соответствуют телесному опыту человека (В. А. Подорога), явно недостаточно психологических исследований, ограничивающихся констатацией феномена, называемого развоплощением (disembodiement), бестелесным статусом, дематериализацией, анонимностью пользователя в киберпространстве. Предлагается основанный на концепции британского экзистенциального психолога Р. Лэйнга авторский конструкт невоплощенности в интернете, представляющий собой последствие его нормативного применения. Формула «я» ↔ (тело–другой), «я» ↔ (тело–мир), которой Р. Лэйнг определяет клинический способ невоплощенного бытия в самом общем виде, соответствует как факту технологического развоплощения, так и технологическому способу невоплощенного бытия (при интернет-зависимости) со свойственным ему структурированием и ненормативной границей в ядре. Невоплощенность в интернете, создающая предпосылки путаницы на границе между Я и не-Я, сопоставляется с системообразующим измерением последствий нормативного применения информационных технологий в модели Е. И. Рассказовой, В. А. Емелина, А. Ш. Тхостова – изменением психологических границ. Делается вывод о том, что в информационную эпоху они устанавливаются в опыте двух Я, реального, подлинно основанного на своем теле, и виртуального, применительно к которому самовыражение «границы тела» теряет смысл. Расширение и размывание психологических границ соотносятся с виртуализацией Я-пользователя. Его субъективные убеждения в доступности и контролируемости других людей, объектов, информации, являющиеся критериями изменения границ, рассматриваются как вполне применимые к невоплощенности. В качестве ее собственных критериев, помимо рефлексии отстраненности от тела, названы чувство безопасности (в связи с анонимностью) и ощущения утраты реальности Я, неполноты, иллюзорности онлайн-бытия. While we live in times of anthropological crisis caused by spread of technologies which do not match to people’s body experience (V. A. Podoroga), only the insufficient number of psychological studies acknowledge the phenomenon of disembodiment. Some researchers refer to it as the bodiless state, dematerialization or anonymity of a user in cyberspace. In this study we suggest a theoretical construct of disembodiment on the Internet as the effect of normative use of information technologies. It is based on the conception by the British existential psychologist R. Laing. His formula of the self: self ↔ (body-other), self ↔ (body-world), which describes a clinical way of unembodied being, broadly corresponds to both the fact of technological disembodiment and a technological way of disembodied being in Internet addiction with its inherent structuring and a non-normative border in the core of the self. We compare the disembodiment on the Internet, which leads to confusion on the boundary between the self and nonself, to the framework consequence of the normative use of information technologies in a model by E. I. Rasskazova, V. A. Emelin and A. Sh. Tkhostov – changes of psychological borders. We come to a conclusion that In the digital age the borders are set in the experience of two selves. The real self is genuinely based on the body and the virtual self isn’t, to the extent when the very expression «boundaries of a body» becomes meaningless. Indefinitely expanded blurry borders correspond to the virtualization of a user’s self. The user’s beliefs that other people and information objects are available and controllable are symptoms of changes of borders and can also describe the disembodiment. The disembodiment is also characterized by feeling of disengagement from the body, sense of security on account of anonymity, deficit of reality of the self and incompleteness and illusiveness of the online existence.


Sederi ◽  
2012 ◽  
pp. 29-50
Author(s):  
Joan Curbet Soler

It is a recurring critical topos that John Milton’s Paradise Regain’d (1671) is a revisionist poem, one that works towards reframing and redefining the epic tradition; what has certainly been less noticed is the central function played by the character of Mary, the mother of Christ, in this revisionist process. This article will try to prove that Mary’s appearances in the poem are, though limited, essential to its content and to its perspective on the interrelated subjects of the revelation of God in history and the individual confrontation with historical forces; and it will try to do so by bringing together theological discussion and a gender-oriented approach. There have certainly been approaches to Paradise Regain’d that have explored some of the gender issues brought about by the poem’s modification of the heroic function: almost unanimously, these approaches have concentrated on the character of the Son. My intention here, however, is another: I will try to show how the function and voice of Mary in the poem set in motion a complex, rich network of implications (both ethical and theological) which are at the core of the poem’s discourse and ideology. This focus on the maternal in Paradise Regain’d will not be carried out from a psychoanalytical perspective (though it is by no means incompatible with such an approach), but rather through reading the text via literary and theological categories that are recurrent throughout Milton’s work. It should thus be possible to start working seriously towards establishing the presence of a serious and original Mariology (clearly not a Mariolatry) in Milton’s last epic poem. Overall, this will lead us to a reconsideration of Paradise Regain’d as an essentially innovative text, and one which is strongly heterodox in terms of its theology and gender discourse.


Author(s):  
José de Almeida Pereira Arêdes ◽  

The purpose of this paper is to present some thoughts upon the ever pressing question of the role of justice in our societies, according to Michel Foucault. Centered upon Discipline & Punish: The Birth of the Prison, the paper draws the guidelines which Foucault developed about the aggiornamento of the exercise of power and its changing methods, from torture to the scientific methods which he named technologies of the self. Going from the exercise of violence centered upon the body to its submission by means of idea and mind control, power has associated itself to the scientific (psychiatric) approach of identity, leading to a controllable abnormality (present in prisons). All of this in the name of a population policy, a bio power which ensures the docility of individuals while optimizing their productive force. Hence the remaining epigraph quoted challenge where Plato provocatively States: justice is the same everywhere, it is the rule of the strongest.


2017 ◽  
Vol 10 ◽  
pp. 47-58
Author(s):  
DAYEONG PARK ◽  
SURESH L. BARNAWAL

Seeking happiness has become a crucial part of human beings due to a consistent rise in anxiety and stress over the passing years. As a result, the importance of Indian meditation practices has risen worldwide. Especially, Ramana Maharshi's Self-enquiry is one of the significant meditation practices found in India. The purpose of this paper is to show that Mokṣa (liberation), where one is free from suffering, can be attained by the practice of Self-enquiry, which is simple but powerful because it immediately pierces to the core, the Self. Ramana is the ancient traditional master in India, and he is also known for using silence in the instruction of his disciples. The essence of Self-enquiry is that it is not to realize something anew but to abide as the Self, in the here and now with aware affirmation "I am already Thou." Ramana's life, the experience of his great awakening, the Self, 'I'-thought, the body, the theoretical aspect of Self-enquiry as meditation by Ramana and the practical aspect of Self-enquiry as meditation by Prof. Kim Kyeungmin are presented to illustrate the significance of this method. It is pointed out that Maharshi's Self-enquiry is more valuable and productive than other meditation techniques.


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