An insect’s-eye view

2022 ◽  
Vol 71 (1) ◽  
pp. 248-275
Author(s):  
Joan E. Greer
Keyword(s):  
Twentieth Century ◽  
Print Culture ◽  
Early Years ◽  
Flowering Plant ◽  
Critical Approach ◽  
Dutch Art ◽  
Plant Life ◽  
Wide Range ◽  
The Hague ◽  
Late Nineteenth

This article is concerned with representations of insects and insect habitats in late nineteenth- and early twentieth-century Dutch art and print culture. It adopts an eco-critical approach, with an eye toward multispecies studies. The article considers the ecologically conceived image of bees, butterflies, and other insects gathering pollen from a wide range of flowering plant life in Theo van Hoytema’s lithograph announcing the Biological Exhibition: the Life of Plants and Animals held in 1910 at the Royal Zoological Botanical Gardens in The Hague. This closely observed water’s-edge environment is considered in the context of the wider body of works on paper done by Van Huitema especially during the seminal period of the 1890s, and within the growing print culture surrounding the Dutch naturalist and environmental movements in the early years of the twentieth century.

scholarly journals Tracing the lexical features of Marko Kropyvnytskyi’s works

Linguistics ◽  
2021 ◽  
pp. 47-56
Author(s):  
Mykola Verbovyi ◽  
Keyword(s):  
Twentieth Century ◽  
Literary Texts ◽  
Quantitative Composition ◽  
Semantic Features ◽  
Literary Language ◽  
Linguistic Features ◽  
Early Twentieth Century ◽  
Wide Range ◽  
Late Nineteenth ◽  
Lexical Composition

The article analyzes the most important lexical features of Marko Kropyvnytskyi’s works of art. The researcher concludes that the playwright in his texts used words or individual forms characteristic of the steppe subdialects of the late nineteenth – early twentieth century. The analysis of words is made with the involvement of a wide range of factual material extracted from various lexicographical, ethnographic sources, as well as artistic texts of other authors. It has been established that the lexical composition of Marko Kropyvnytskyi’s works reveals organic connections with the vocabulary of the adjacent Poltava and Podil dialects, and more broadly with the eastern and western dialects of the Ukrainian language. It is also noted that the analyzed words show a significant influence on the steppe subdialects and on the Ukrainian language in general Polish, Russian and Romanian. Thus, the study suggests that the playwright’s literary texts recorded and preserved the original local phonetic, word-forming or semantic derivatives that complement and deepen our knowledge of general trends in the lexical systems of Eastern Ukrainian dialects and the Ukrainian literary language. Consideration of only a small number of words (approximately 20 nouns) that function in the works of Marko Kropyvnytskyi, determines the prospects for further research to establish the quantitative composition of such names and a systematic description of phonetic, word-forming or semantic features in connection with other dialects and literary language. It follows from the above that the texts of M. Kropyvnytskyi are an important source for the study of linguistic features and steppe subdialects, and the Ukrainian literary language of the early twentieth century.

scholarly journals Weighing Down the Landscape: The Quarry as a Site of Rural Modernity

2018 ◽  
pp. 69-83
Author(s):  
Samuel Shaw
Keyword(s):  
Twentieth Century ◽  
Close Relation ◽  
Art Galleries ◽  
Wide Range ◽  
Art Works ◽  
History Of ◽  
The Common ◽  
Late Nineteenth ◽  
A Site ◽  
Rural Industries

This chapter argues that late nineteenth- and early twentieth-century artists seem to have been especially attracted by quarries, treating them as a means of exploring modernity through the lens of rural romanticism. Quarries regularly appear in paintings in many of the artists associated with rural modernity: William Rothenstein, Edward Wadsworth, Walter Bell, Roger Fry, and J. D. Fergusson, among them. Appreciating that there is no single way of categorising and representing quarries, this chapter (the first ever study of this important subject) explores many of the common themes to be found in paintings of quarries in the first half of the twentieth century. It considers a wide range of artists and art-works — the majority of which are owned by rural art galleries — in close relation to the history of rural industries in such regions as Cornwall, West Yorkshire, and Edinburgh.

John Redfern and Sons, 1847 to 1892

Costume ◽  
2008 ◽  
Vol 42 (1) ◽  
pp. 145-168 ◽  
Author(s):  
Susan North
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Early Twentieth Century ◽  
History Of ◽  
Late Nineteenth ◽  
Courtauld Institute

John Redfern's name appears frequently in the history of couture and late nineteenth- and early twentieth-century fashion, but information on his business is limited. The following is based on research done for the author's MA in the history of dress at the Courtauld Institute in 1993. It examines John Redfern's early years as a draper and how by 1892, he had become the leading ladies' tailor in Britain and France.

The Education Bill of 1906 and the Decline of Political Nonconformity

1972 ◽  
Vol 23 (1) ◽  
pp. 49-63 ◽  
Author(s):  
Noel J. Richards
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
World War I ◽  
Early Years ◽  
The Political ◽  
Late Nineteenth Century ◽  
World War ◽  
Liberal Party ◽  
Significant Aspect ◽  
Late Nineteenth

The early years of the twentieth century prior to the outbreak of World War I have been described as a period in which the Liberal Party was in a state of decline. One significant aspect of this decline was the deterioration of what in the late nineteenth century has been labelled as political nonconformity. Gladstone's statement that Nonconformists supplied the backbone of British Liberalism perhaps best symbolises the political significance of this group for the vitality of the Liberal Party.

scholarly journals ‘An incredibly vile sport’: Campaigns against Otter Hunting in Britain, 1900–39

Rural History ◽  
2016 ◽  
Vol 27 (1) ◽  
pp. 79-101 ◽  
Author(s):  
DANIEL ALLEN ◽  
CHARLES WATKINS ◽  
DAVID MATLESS
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
National Association ◽  
Early Years ◽  
Late Nineteenth Century ◽  
Late Nineteenth ◽  
A Minor

AbstractOtter hunting was a minor field sport in Britain but in the early years of the twentieth century a lively campaign to ban it was orchestrated by several individuals and anti-hunting societies. The sport became increasingly popular in the late nineteenth century and the Edwardian period. This paper examines the arguments and methods used in different anti-otter hunting campaigns 1900–1939 by organisations such as the Humanitarian League, the League for the Prohibition of Cruel Sports and the National Association for the Abolition of Cruel Sports.

The Life of Law in Modern India

2018 ◽  
Author(s):  
Janaki Nair
Keyword(s):  
Twentieth Century ◽  
Moral Authority ◽  
Religious Institutions ◽  
Legal Institutions ◽  
Early Twentieth Century ◽  
Wide Range ◽  
Late Nineteenth ◽  
The Law ◽  
And Gender

The increasing attraction of non-state legal institutions as courts of appeal for a quick and summary justice bears scrutiny. How have sectarian religious institutions, which formerly patrolled the boundaries of caste and gender, been adapted in the present to exert an influence far beyond the specific circle of adherents to offer the possibility of justice to a wide range of groups and causes? The matha court at Sirigere, Karnataka, is a far cry from its late nineteenth- and early twentieth-century predecessor, both in its performance of the law, and in its ambitious reach. The chapter explores how successfully it has responded to the desire for law deploying the moral authority of the Swamiji in resolving a range of disputes, and to communities and castes on issues and problems which exceed the confines of the sectarian.

scholarly journals The Impact of ‘Biblical Orientalism’ in Late Nineteenth- and Early Twentieth-Century Palestine

2014 ◽  
Vol 4 ◽  
Author(s):  
Lorenzo Kamel
Keyword(s):  
Twentieth Century ◽  
Present Article ◽  
20Th Century ◽  
Natural Habitat ◽  
Holy Land ◽  
Local Complex ◽  
Wide Range ◽  
Late Nineteenth ◽  
The Impact ◽  
Over Time

‘Biblical Orientalism’ can be defined as a phenomenon based on the combination of a selective use of religion and a simplifying way to approach its natural habitat: the ‘Holy Land’. Between the 1830s and the beginning of the 20th century this attitude triggered a flood of mainly British books, private diaries and maps. Over time this enormous production, accompanied by a wide range of phenomena such as evangelical tourism, did instill the idea of a ‘meta-Palestine’, an imaginary place devoid of any history except that of Biblical magnificence. This has had various relevant consequences. The present article aims to deconstruct this perception by observing the process through which a local complex reality has been simplified and denied in its continuity. 

scholarly journals ‘Gand a fini par faire comme les autres’

2017 ◽  
Vol 20 (2) ◽  
pp. 74
Author(s):  
Evelien Jonckheere
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Modern Society ◽  
Late Nineteenth Century ◽  
The Public ◽  
Society Of The Spectacle ◽  
Wide Range ◽  
Vast Literature ◽  
Late Nineteenth

‘Gand a fini par faire comme les autres.’ The rise of the café-concert and variety theatre in late nineteenth-century Ghent’s ‘society of the spectacle’ Cafés-concerts and variety theatre have generally received only a cursory mention within the vast literature on the late nineteenth-century culture of spectacle in Europe’s major cities. This article uses Ghent as a case study to demonstrate that even in provincial towns, there was an abundance of spectacle available to the public during this era. Cafés-concerts and variety theatre played a particularly significant role and were closely interwoven with the spectacular urban renewal that took place in Ghent during the late nineteenth century. In addition, these forms of entertainment carried the seeds of the type of mass spectacle that would emerge in the twentieth century. Why, then, have the café-concert and variety theatre gone unexplored by academics for so long? In an attempt to answer this question, this article offers a means for identifying these two specific forms of spectacle in major urban centres and provincial towns in Belgium and abroad, thereby enabling a more thorough exploration of the phenomenon based on a wide range of sources. This, in turn, will allow the café-concert and variety theatre to emerge from obscurity and take their rightful place in the debate on the modern ‘society of the spectacle’.

NCOBPS and APSA

2020 ◽  
Vol 1 (1) ◽  
pp. 136-140
Author(s):  
Rogers M. Smith
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Political Science ◽  
Leadership Skills ◽  
Racial Politics ◽  
First Century ◽  
Late Nineteenth Century ◽  
Half Century ◽  
Wide Range ◽  
Late Nineteenth

Political science began in the late nineteenth century as an explicitly racist discipline. Although this changed in the twentieth century, mainstream scholars then neglected racial politics and issues in America for too long. NCOBPS originated in 1969 as part of efforts of scholars of color to address these deficiencies. Throughout its history, it has done so. NCOBPS has fostered more insightful scholarship on a wide range of topics, including their racial dimensions. It has helped to develop leadership skills that have benefited the discipline as a whole. And it has nurtured an activist-scholar ethos that has helped the discipline do a better job of listening to, and benefiting, the populations it studies. The NCOBPS-APSA partnership has grown much stronger over the last half-century; it will need to be cultivated further if the discipline is to confront constructively the intellectual and political challenges it faces in the twenty-first century.

A Family of Books: The Damascene Shaṭṭīs and Textual Transmission

2021 ◽  
Vol 6 (3-4) ◽  
pp. 438-469
Author(s):  
Torsten Wollina
Keyword(s):  
Twentieth Century ◽  
Print Culture ◽  
Global Market ◽  
Technological Determinism ◽  
Print Publication ◽  
Early Twentieth Century ◽  
Textual Transmission ◽  
The Family ◽  
Late Nineteenth ◽  
Manuscript Collections

Abstract The article explores continuities between manuscript and print culture by way of an investigation into the book-related practice of three members of the Ḥanbalī al-Shaṭṭī family. By using a diverse set of sources, it presents a view on the turn from manuscript to print during the late nineteenth and early twentieth century that moves beyond technological determinism. By examining authorship, manuscript collections, and print publication, it proposes to include the institution of the family as well as the emerging global market for Arabic manuscripts into research of this medial shift.

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