scholarly journals Językowy i tekstowy obraz Mazura na podstawie twórczości Stefana Rudanskiego

LingVaria ◽  
2021 ◽  
Vol 31 (1) ◽  
pp. 213-224
Author(s):  
Daria Ławrynow
Keyword(s):  
Ethnic Groups ◽  
Main Issue ◽  
Poetic Form ◽  
Textual Image ◽  
The Creation

Linguistic and Textual Image of Mazur in Poetry by Stepan Rudans’kyy The main issue discussed in this article is the linguistic and textual image of Mazur in the poetry by Stepan Rudans’kyy. Rudans’kyy invented his own poetic form called “spivomovka”, which was inspired by Ukrainian folklore. Those humorous poems mainly focused on describing local types of Podolia ethnic groups, such as Cossacks, Ruthenians, Russians (Moskal), rabbis, Polish colonists (Mazur –[Mazovian], Lach). The creation of Mazur in poems by Rudans’kyy was largely influenced by the image of Mazur in the Ukrainian and Polish folklore. The linguistic and textual images of the character are created by Mazur’s replies, as well as descriptions of his activity. Mazur is characterized by the following features: sincerity, simplicity, naivety, superficial religiousness and cheerfulness. Through presenting the characteristics of Mazur, the author also draws our attention to the important issue of the lack of code that would be common to the interlocutors, both in terms of linguistics and culture.

Dance and Ethnicity

2016 ◽  
Author(s):  
Anthony Shay ◽  
Barbara Sellers-Young
Keyword(s):  
Cultural Studies ◽  
Ethnic Groups ◽  
Identity Construction ◽  
Research Approach ◽  
Transnational Politics ◽  
Dance Studies ◽  
Ethnic Category ◽  
The Creation ◽  
The Relationship ◽  
Active Contributor

Ethnic groups have been defined as people who share a common ethos based on ancestry, nation, language and other identity markers. This volume brings scholars from across the globe that have incorporated perspectives from critical and cultural studies in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented as an ethnicity. The essays in this volume engage the four themes of identity construction, local and transnational politics, appropriation and related exotification, and resistance that are part of the ongoing discourse in the relationship between dance and ethnicity. Cumulatively, the essays in their research approach and methodology document the change that has taken place in dance studies from the ethnic as an easily identified category based on biology and geography to ethnicity as a fluid concept and dance as an active contributor to the creation and negotiation of it.

scholarly journals The first ghazal of the Divan of Ghalib

2021 ◽  
Vol 4 (5) ◽  
pp. 1323-1351
Author(s):  
Natalia I. Prigarina ◽  
Ludmila A. Vasilyeva
Keyword(s):  
Dimensional Analysis ◽  
Poetic Form ◽  
Persian Poetry ◽  
Great Poet ◽  
History Of ◽  
The Creation

The article offers a multi-dimensional analysis of the first ghazal from the Urdu Divan by the Indian classic poet Mirza Ghalib (1797–1869). Ghalib wrote in two languages – Urdu and Persian, but it was the completion of the Urdu Divan that made him a great poet. The article presents the history of the creation and publication of the Divan, as well as discusses its sources. The authors focus on the complexity of the style and the richness of poetic themes, images and writing techniques. They also discuss the Sufi component of the first ghazal of the Divan, thus highlighting the poetics of the ghazal. The “opening” ghazal, which is placed at the beginning of a divan usually takes over the function of the hamd, i.e. the eulogy to the Creator, which is typical for a traditional introduction to a large poetic form. However, in Ghalib’s ghazal, this praise comes in a paradoxical form, which is caused by Ghalib`s high criteria of humanism and dignity. The analysis of the first ghazal helps in many ways to understand the creative credo typical for all of Ghalib's poetry, as well as the difficult path the poet had taken, while continuously improving his art of “hunting” for a poetic word. The ghazal is discussed in the context of Ghalib’s other Urdu and Persian poetry, as well as of Sufism that prevailed in India of Ghalib’s time.

Hidden Creators, Silent Authors

2016 ◽  
Vol 2016 ◽  
pp. 379-385
Author(s):  
Paola Secchin Braga
Keyword(s):  
Creative Process ◽  
Active Role ◽  
Point Of View ◽  
Main Issue ◽  
Contemporary Dance ◽  
Creative Work ◽  
Paris Opera ◽  
The People ◽  
Brazilian Version ◽  
The Creation

To be interpreter and at the same time creator seems to be the rule in contemporary dance. It is expected of the dancer to contribute to the making of the piece in which he will appear. Similarly, the choreographer's assistant (also referred as rehearsal assistant) has an active role in the process of creating a dance piece. This paper proposes an analysis of a creative process in which the question of authorship emerges—in our point of view—as the main issue. The onomastic pieces of French choreographer Jérôme Bel will serve as the basis of our analysis, and especially the piece called Isabel Torres, in which the interpreter and the choreographer's assistant had a much more important role in the creation than the choreographer himself. Premiered in 2005, Isabel Torres was supposed to be a Brazilian version of Véronique Doisneau (created in 2004, for the Paris Opera). The creative work made by the dancer and the rehearsal assistant made of it more than a mere version: Isabel Torres is an autonomous piece—so autonomous that Bel offered it to both dancer and assistant, to present it wherever they wished. Who signs Isabel Torres? In which terms is it presented in programs? Do dancer and assistant consider themselves as authors? How does the choreographer deal with it? The absence of the choreographer, the people involved in it, and the kind of work developed in the creative process makes us question the notion of authorship in contemporary dance pieces.

Сreation and Development of Ethnic Theme Parks in Kazakhstan

2020 ◽  
Vol 11 (4) ◽  
pp. 829
Author(s):  
Aigul SERGEYEVA ◽  
Aitolkyn TLEUBAYEVA ◽  
Miroslava OMIRZAKOVA ◽  
Zhaxylyk AKIMOV ◽  
Zhanar DULATBEKOVA ◽  
...  
Keyword(s):  
Ethnic Groups ◽  
Developed Countries ◽  
Cultural Tourism ◽  
Tourism Industry ◽  
Theme Parks ◽  
Ethnic Tourism ◽  
Current State ◽  
Educational Tourism ◽  
The Creation ◽  
The Republic

Ethnic tourism is an integral part of cultural and educational tourism. One of the priorities in ethnic tourism is the creation of ethnic theme parks (ethnic parks). Namely ethnic parks allow to learn about the traditions and culture of various ethnic groups directly by immersion to the environment. In developed countries, ethnic parks have become highly profitable activities in the tourism industry. This article discusses the potential for the development of ethnic tourism and creation of ethnic parks in Kazakhstan. The main directions and problems of the development of this field of activity are revealed. Current state of ethnocultural centers of the Republic of Kazakhstan is analyzed. In particular, examples from foreign practice are given. Recommendations are given on factors restraining the development of ethnic tourism and the creation of ethnic parks in Kazakhstan, a model for the development of national cultural tourism is proposed.

Essai d'Interprétation du Cliché de Kangere (dans la Région des Grands Lacs Africains)

1990 ◽  
Vol 31 (3) ◽  
pp. 353-372 ◽  
Author(s):  
Yogolelo Tambwe Ya Kasimba
Keyword(s):  
Great Lakes ◽  
Ethnic Groups ◽  
Great Lakes Region ◽  
Colonial Administration ◽  
The Creation

The Kangere cliché is widespread in the Great Lakes region of Zaire (Lakes Kivu and Tanganyika), where the Bembe, Fulero, Havu, Lega, Nyindu, Shi, Vira and others live. This cliché has been collected since the 1910s by missionary and colonial administrator researchers. Later it has been heavily used and interpreted in different ways. Thus certain modern scholars have made Kangere the first ‘king’ of the region and the ‘father’ of all bami, that is, the ‘kings’ of various ancient kingdoms existing on the shores of the Great Lakes, including Rwanda and Burundi! Their single aim was to refute the ‘Hamitic myth’.In fact, the Kangere cliché is woven together from different elements taken from various ethnic groups of the region. Its elements were ordered at the same time that they were collected, in the course of the 1910s and the 1920s. They constitute an African response to the preoccupation of the colonial administration of those years: the creation of vast ethnic groups and politically and administratively viable entities. Whites wanted tribes, and blacks created them; whites wanted great chiefs, and blacks created them, the bami.In their interpretation of the Kangere cliché, these researchers quite simply confused, erroneously, the ‘bwami symbol’ of personalized power (which existed in the area, and which chiefs of different ethnic groups possessed) with the ‘bwami state’ or kingdom, of recent, colonial creation.

scholarly journals Do Not Go Gentle Into Practitioner Inquiry

2015 ◽  
Vol 8 (2) ◽  
pp. 157-160
Author(s):  
Elizabeth Currin
Keyword(s):  
Reflective Practice ◽  
Theory And Practice ◽  
Practitioner Inquiry ◽  
Poetic Form ◽  
Inquiry Process ◽  
Teacher Researchers ◽  
The Creation

Teacher researchers live at the overlap of theory and practice, consciously inhabiting dual worlds of thought and action. Using a poetic form, the author reflects on her roles as both teacher and student to comment on the pleasurably paradoxical structure and freedom involved in the inquiry process. By explaining the creation of her ode to practitioner inquiry within the parameters of the villanelle form, she embraces the significance of the process alongside the product, valuing both elements as vital for truly reflective practice.

scholarly journals FEATURES OF THE CEPHALOMETRIC PROFILE OF UKRAINIAN YOUTH BY METHODS OF RICKETTS R. M., BURSTONE C. J. AND HARVOLD E. P.

World Science ◽  
2019 ◽  
Vol 3 (6(46)) ◽  
pp. 4-10
Author(s):  
Dmitriev M. O. ◽  
Chernysh A. V. ◽  
Gunas I. V.
Keyword(s):  
Ethnic Groups ◽  
Young Men ◽  
Age And Gender ◽  
Men And Women ◽  
The Creation ◽  
And Gender ◽  
Gender Groups

In the article, on the basis of the previous metric characteristics of craniofacial structures using methods of Ricketts R. M., Burstone C. J. and Harvold E. P. in Ukrainian young men and women with orthognathic bite, the features of the cephalometric profile of Ukrainian young men and women were analyzed in comparison with the values of analogical indices of the data determined by the authors of these techniques on residents of other populations and ethnic groups. The established features of the cephalometric characteristics of the juvenile Ukrainian population confirm the need for the creation and further study of normative cephalometric data for various ethnic, age and gender groups of the population.

Kepelbagaian Dan Kesepaduan Etnik Di Malaysia Menurut Islam

Sains Insani ◽  
2017 ◽  
Vol 2 (2) ◽  
pp. 88-97
Author(s):  
Noor Aziera Mohamad Rohana ◽  
Mohd Faizal P.Rameli ◽  
Rawi Nordin ◽  
Siti Nurul Izza Hashim
Keyword(s):  
Ethnic Groups ◽  
Research Methodology ◽  
Ethnic Diversity ◽  
Document Analysis ◽  
Human Beings ◽  
Analysis Method ◽  
Library Research ◽  
The World ◽  
The Creation

This study discusses the existence of various ethnic groups in Malaysia based on the country's history. The ethnic diversity is a proof of the greatness of Allah SWT. Therefore, various efforts have to conduct sensibly to achieve the goals and the secret behind the creation of human beings, without distinction of race, religion and countries around the world including Malaysia. The objective of this study is to describe some of the verses of Surah al-Hujuraat about the reality and the reasons behind the creation of ethnic diversity. The study also aims to examine the determinants of ethnic diversity that existed in Malaysia based on historical and current realities. This study uses library research methodology through document analysis method. The results showed that the greatness of Allah SWT in creation of multi-ethnic as stated in Surah al-Hujuraat, can be seen all over the world including in Malaysia. In fact, the diversity of which contains a lot of disagreement can cause the delirium in any country. However, a prudent approach as the implementation of integration without sacrificing any of the races in Malaysia allows the country to maintain its prosperity and development altogether with this diversity. Keywords: ethnic diversity, Malaysia, unity, Islam. ABSTRAK: Kajian ini membincangkan tentang asas kewujudan pelbagai etnik di Malaysia berasaskan sejarah pembentukan negara Malaysia. Kepelbagaian etnik merupakan satu bukti keagungan Allah SWT. Justeru itu, bagi mencapai matlamat dan hikmah penciptaan tersebut, pelbagai inisiatif dan langkah konstruktif perlu dilaksanakan secara bijaksana di pelbagai peringkat sama ada individu, masyarakat apatah lagi pemerintah berpandukan maksud tersirat di sebalik firman Allah SWT tersebut. Objektif kajian ini adalah untuk menghuraikan beberapa ayat dari Surah al-Hujuraat mengenai hikmah kerencaman etnik yang wujud dengan melihat faktor pembentukan pelbagai etnik di Malaysia dari sudut sejarahnya dan korelasinya dengan realiti semasa dalam rangka membentuk keharmonian etnik. Metodologi kajian yang digunakan ialah kajian kepustakaan menerusi kaedah analisis dokumen. Hasil kajian menunjukkan bahawa keagungan Allah SWT dalam penciptaan etnik yang pelbagai sebagaimana yang dinyatakan dalam Surah al-Hujuraat, dapat dilihat di seluruh dunia termasuklah di Malaysia. Hakikatnya, kerencaman dan kepelbagaian yang wujud menimbulkan keragaman yang berbeza dan boleh menimbulkan kecelaruan dalam sesebuah negara. Namun demikian, pendekatan yang bijaksana dan bersifat inklusif tanpa mengetepikan mana-mana kaum di Malaysia membolehkan negara ini kekal harmoni dan membangun dengan kepelbagaian yang ada. Kata kunci: Kepelbagaian etnik, Malaysia, perpaduan, Islam.  

scholarly journals Union of naymans and merkits in the 13th century

2020 ◽  
Vol 130 (1) ◽  
pp. 35-49
Author(s):  
T.Z. Kayirken ◽  
Keyword(s):  
Central Asia ◽  
Ethnic Groups ◽  
Lake Baikal ◽  
Historical Data ◽  
Point Of View ◽  
Altai Mountains ◽  
13Th Century ◽  
Irtysh River ◽  
The Creation ◽  
The Irtysh River

This article discusses the creation of the alliance in the 13th century between the Naiman Kaganate that lived in the Altai and Khangai mountains and the Merkits who inhabited the southern parts of Lake Baikal, and their opposition to the forces of Genghis Khan, also considers the route of movement after their defeat by the Mongol forces. In the article, the author refutes the point of view of the Chinese historian Su Beihai that after the Merkits and Naimans lost the battle, the Mongols migrated to the Idikut state through the Altai Mountains and the eastern part of the Dzungarian lowland. The fact is that, after the defeat by Genghis Khan’s troops and retreating to Western Altai, the Naimans and Merkits were not able to cross over the Irtysh again and move to the Eastern part of Altai, which remained under Mongol rule. On the same basis, according to historical data, the Naimans and Merkits, after being defeated by the Mongols at the intersection of the Bukhtarma River and the Irtysh River in Western Altai, migrated to the borders of the Idikut state through the mountains of Kalba, Tarbagatai and the Western edge of the Dzungarian lowland. In addition, the history, ethnocultural ties and traditions of statehood of these two ethnic groups are presented before the conquest of Central Asia by Genghis Khan in 1218.

scholarly journals Politics of Identity and Redrawing the State Boundaries in India: An Historical Perspective

2019 ◽  
Vol IV (III) ◽  
pp. 10-16
Author(s):  
Muhammad Shoaib Malik ◽  
Azhar Mahmood Abbasi ◽  
Saima Gul
Keyword(s):  
Political Parties ◽  
Ethnic Groups ◽  
Historical Perspective ◽  
The State ◽  
Politics Of Identity ◽  
New States ◽  
Indian State ◽  
The Creation

This article will examine the idea of new states/provinces in India. How India created 16 new states on ethno-lingual, and other lines and accommodate the ethnic groups. The case study of India is focussing on the different factors; including constitutional setup and role of different political parties of India in making of the new state. The following three basic questions investigate the paper’s perspective. First; what has been the basis of demands for the creation of new states in India? Second; what are the main hurdles in the reorganization of state and what urged the redemarcation of states in India? Third; what has been the stance of political Parties about the creation of new states in Indian state?

Sign in / Sign up

Export Citation Format

Share Document