scholarly journals Coaching culture in the context of the emergence of creative class

Management ◽  
2015 ◽  
Vol 19 (2) ◽  
pp. 52-66
Author(s):  
Sławomir Kotylak ◽  
Mariola Michałowska ◽  
Wiesław Danielak

Summary The aim of the paper is to present on the basis of the study of literature the essence of coaching, the creative industries in the modern economy, the culture of coaching in relation to the creative class as well as issues relating to the development of relations between the client and the coach. The study also pointed out the differences between coaching, counselling and consulting, distinguishing features of modern coaching and highlighted the factors affecting the process of shaping the relationship between the client and the coach. With regard to the creative class coaching extends its alternative development of people and their organizations, based on the values of communication, acceptance of diversity and individuality, strengthening the sense of subjective efficacy and integrity, while expanding individual consciousness. As a result, this enhances the effect of stimulating creativity, which directly affects the development of the creative class as an essential element of the proper functioning of an important sector of the economy, which is the creative industry.

2019 ◽  
Vol 42 (4) ◽  
pp. 537-553 ◽  
Author(s):  
Tamsyn Dent

This article contributes to the literature on gender inequality in the creative workforce. Motherhood has been attributed as a determining factor of female under-employment or unequal representation in the creative industries, a problematic claim that distracts attention from operational excluding structures. The article considers why motherhood has become an identified explanation for female under-representation by considering the question: what sort of mother are we referring to when we talk of the creative worker? Revising the genealogy of literature on maternal practice from second wave up to recent concepts of neoliberal feminism, this article explores how class-based practices associated with motherhood have an influence on how all women are valued as creative workers. This is in direct contrast to men whose employment value increases following parenthood. The term ‘value’ explores how individual choices emerge in response to wider structural issues, providing a framework to consider the relationship between gender and class in the context of the neoliberal, creative industry.


2015 ◽  
Vol 9 (5) ◽  
pp. 158-172
Author(s):  
Светлана Казакова ◽  
Svetlana Kazakova ◽  
Татьяна Кривошеева ◽  
Tatiana Krivosheeva

Currently, is much spoken about the transition from the industrial era to the intellectual, in particular, about the development of the creative economy, which is based on intellectual activities, generation new knowledge, design thinking, creative imagination and creativity. Creative potential is becoming a major production resource. And creative class, people who are able to be creative and to generate something new that attracts attention, is a key element of this kind of economy. The ability to enter the market with the results of creativity brings to birth the effect of the creative industry - generation of communities of creative enterprises and industries that shape creative cluster. The definitions of the term «cluster» for a detailed consideration of the concept of «creative cluster» are generalized in the article. Special attention is paid to creative industries as a phenomenon of modernity and as part of a creative cluster. The article presents the characteristic of the conceptual accommodation facilities, among which design-, art- and boutique hotels are allocated, as well as their role in a creative cluster as an element bearing creative burden is defined.


2020 ◽  
Vol 83 ◽  
pp. 01007
Author(s):  
Jana Centárová

Creativity is a fundamental manifestation of human existence and is present in every human being in different forms. The creative economy is a natural environment for innovative ideas, development and exploitation of creative potential. Over the last two decades, it has been observed that creativity is gradually becoming a driving force for economies, and as a result the importance of creative industries is also increasing. The creative industry is increasingly becoming part of EU documents and policies. The governments of the creative countries gradually introduced the concept of the creative industry, the creative class and the creative city and their importance. The creative industry refers to those parts of the economy that create economic value on the basis of individual creative input or artistic talent. It is a sector based on the exploitation of intellectual property. The aim of this work is to briefly map the concept of creative economy and its measurement in the work of foreign and Slovak authors and describe the possible potential of this industry.


Author(s):  
Intan Zoraya ◽  
Akram Harmoni Wiardi ◽  
Sugeng Susetyo

Penelitian ini bertujuan menguji hubungan berbagi pengetahuan dan kapabilitas inovasi. Pada penelitian ini juga akan dianalisis pengukuran persepsi mengenai kepabilitas inovasi pada sektor industri kreatif. Metode dalam penelitian ini adalah metode survei, sampel penelitian yang menjadi responden dalam penelitian ini adalah karyawan yang bekerja pada industri kerajinan UMKM di Provinsi Bengkulu. Penelitian ini dilakukan pada kelompok industri kreatif yang bergerak dibidang kerajinan yang ada di Provinsi Bengkulu. Dari survei yang dilakukan, diperoleh data dari 112 responden yang merupakan karyawan industri berskala kecil dan menengah yang kemudian dianalisis lebih Pengaruh kapabilitas inovasi terhadap luaran produk baru juga didukung dalam penelitian ini. Inovasi memainkan peran penting dalam kesusksesan sebuah perusahaan di dalam kondisi persaingan yang semakin ketat. Perusahaan yang inovatif akan mampu beradaptasi dan merespon dengan lebih baik terhadap perubahan kondisi pasar. Ditambah lagi karena perusahaan yang berskala kecil dan menengah (UMKM) ini mempunyai karakteristik yang lebih fleksibel yang memungkinkan untuk mengambil keputusan yang lebih cepat dalam menghadapi kondisi pasar yang selalu berubah tersebut.Kata Kunci: Berbagi Pengetahuan, UMKM, Inovasi, Kapabilitas, Usaha The purpose of this research is to examine the relationship of knowledge sharing and innovation capabilities. We operate the measurement of perceptions concerning the reliability of innovation in the creative industry. We operate a survey method, the sample of research respondents in this study are employees who work in the MSME handicraft industry in Bengkulu Province. This research was conducted at a group of creative industries engaged in handicrafts in Bengkulu Province. The Result of the survey collected 112 respondents who are employees of small and medium scale industries. The influence of innovation capabilities on new products development is supported in this research. Innovation capability plays an important role on company’s success in an increasingly fierce competition. Innovative companies will be able to adapt and respond better on market conditions. In addition, this small and medium-sized company (MSME) has more flexible characteristics that make it possible to make decisions more quickly in the face of these rapid-changing market conditions.Keywords: Knowledge, MSME, Innovation, Capability, Business 


2020 ◽  
Vol 13 (21) ◽  
pp. 23
Author(s):  
Hael Karina Saucedo Estrada

Hoy en día la Creatividad aún permanece poco visible en nuestro país y para los economistas, donde la creatividad desempeña un papel importante en el desarrollo de estrategias regional en los últimos años, mostrando una evidencia de datos. El presente artículo tiene como objetivo mostrar el valor dinámico a partir de la teoría económica de las clases creativas de Florida (2002), manifestándose a través de una revisión bibliométrica y cuatro modelos que muestran la relación entre las industrias creativas y la economía en su conjunto y descubriendo una base metodológica de este hallazgo donde los modelos 3 y 4 son los más apropiados para una política económica creativa y cultural.Palabras Claves: Creatividad, Clase Creativa, Economía Creativa, Crecimiento Económico Abstract:Today, Creativity still remains poorly visible in our country and for economists, where creativity plays an important role in the development of regional strategies in recent years, showing evidence of data. This article aims to show the dynamic value from the economic theory of the creative classes of Florida (2002), manifesting itself through a bibliometric review and four models that show the relationship between the creative industries and the economy as a whole and discovering a methodological basis for this finding where models 3 and 4 are the most appropriate for a creative and cultural economic policy.Keywords: Creativity, Creative Class, Creative Economy, Economic Growth Model


2016 ◽  
pp. 101-107
Author(s):  
E. . Belova

The creative industries have one of the highest rates of the development in the modern economy. Researchers consider that these industries contain potential for the socio-economic development of countries and cities. The article examines the contribution of the creative industry to the economy of European Union countries. The research contains metodology of the selection and the analysis of key indicators of the cinema industry development of Spain (as one of the leader countries in the world in this field). The result of the work represents the classification of autonomous communities of Spain according to the development of local industry.


Author(s):  
Hussain Abdulalee Falh Al Mnshdawy Ma

The article examines an electronic journal as a modern type of a periodical from the standpoint of the distinguishing features of the color palette (color system). The topic of the color influence on the user in the electronic journals’ design has not been substantially studied to date. With the aim of attracting the target audience not only the content is important, but also the design.The emphasis is laid on identifying the relationship between the color system applied for the journal’s design and its content (functional focus). The author sampled and analyzed a considerable amount of factual material, representing the examples of the electronic pages’ design of the journals and magazines of various types. In accordance with the division into thematic groups, characteristic color combinations and the patterns of their use on the page were identified. The thematic component is far from being crucial in choosing the electronic journal’s color scheme. The reason for this is the presence of a large number of additional factors affecting its formation. Moreover, there are general trends in graphic design that set conventional limitations for the color palette, especially the trend towards minimalism.


2013 ◽  
Vol 41 (2) ◽  
pp. 271-282 ◽  
Author(s):  
Hsiu-Ju Hsu

I investigated the relationship among employee creativity, personal characteristics, and work environment characteristics in Taiwan's Hakka cultural and creative industries, specifically the clothing industry. I used snowball sampling to find participants who completed a questionnaire that was either self-administered or administered through telephone interviews, from which I obtained 86 responses for the analysis. I then performed analysis of variance, correlation analysis, and t test. The results reveal that employee creativity was significantly correlated to both personal cognitive style and work environment characteristics. However, the results do not reveal any significant differences in employee creativity with regard to demographic factors.


2019 ◽  
pp. 142-150
Author(s):  
Alexandеr V. Buzgalin

In the article prepared in connection with the discussion on the use of the Marxist political economy heritage and the revival of a special seminar on Marx’s “Capital”, the author shows the dialectic of the relationship between the content and the transformed forms of the modern capitalist system; the potential of “Capital” to understand the content of the modern economy, and the potential of economics to understand its forms. On this basis, the author shows which questions of our time are answered by Marxist methodology and theory, and which are not, and concludes that Marxist political economy has significant methodological potential to become an important component of the scientific and educational process in current conditions.


Author(s):  
Nina TERREY ◽  
Sabine JUNGINGER

The relationship that exists between design, policies and governance is quite complex and presents academic researchers continuously with new opportunities to engage and explore aspects relevant to design management. Over the past years, we have witnessed how the earlier focus on developing policies for design has shifted to an interest in understanding the ways in which design contributes to policy-making and policy implementation. Research into policies for design has produced insights into how policy-making decisions can advance professional impact and opportunities for designers and the creative industries. This research looked into how design researchers and design practitioners themselves can benefit from specific policies that support design activities and create the space for emerging design processes.


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