Kajkavsko narječje – jučer, danas i sutra

2021 ◽  
Vol 65 (1) ◽  
pp. 15-27

U uvodu se daju temeljni podatci o genezi, rasprostiranju i podjeli kajkavskog narječja. Najbliže se činje- ničnom stanju o genezi kajkavskog narječja smatra mišljenje Z. Junkovića koji je smatrao da je kajkavski dijalekt pripadao panonskoj skupini zapadnoga južnoslavenskoga prajezika koju bi po njemu još spadali prleški, prekmurski i neki zapadnoštajerski govori. Osmanlijska osvajanja uzrokovala su velike migracije stanovništva prema sjeveru i zapadu, a stanovništvo koje ga je kasnije supstituiralo bilo je uglavnom s pod- ručja štokavskog narječja. Od mnogih podjela kajkavskog narječja apostrofira se ona Mije Lončarića koji ga je podijelio na 15 dijalekata.U daljem dijelu rada prikazuju se neke najtipičnije jezične osobine kajkavskih govora na fonološkoj, mor- fološkoj i sintaktičkoj razini. Daju se primjeri minimalnih fonoloških parova između različitih istovrsnih samoglasnika o- ili e- kategorije u pojedinim kajkavskim govorima. U nekim govorima izgubljena je opreka po kvantiteti jer je u tim govorima, kako bi se nadoknadila razlikovna obilježja koja postoje u govorima gdje postoje te opreke, došlo do prefonologizacije prozodijskih suprasegmentalnih obilježja u segmentne. Eliminacija kvantitete važna je poveznica kajkavskog govora s istokom slavenskoga sjevera te poljskim i lužičkim jezicima.Od morfoloških osobina posebno se ističe izricanje morfoloških kategorija s alternacijama samoglasni- ka u nekim dijalektima. Još se apostrofira čuvanje supina, gubitak vokativa, nepostojanje duge množine u A-deklinaciji i nestanak dvojine.U zaključku se kaže da će većina opisa kajkavskih govora koji se u dijalektološkoj literaturi još uvijek navode kao sinkronijska činjenica vrlo brzo postati jezična dijakronija jer su kod većine ispitanika prisutni su znakovi procesa erozije govora koje navodi C. Hagège. Tih promjena ispitanici uglavnom nisu svjesni i oni su većinom još uvijek uvjereni da govore izvornom kajkavštinom, a ne interdijalektom u kojem je veći- na specifičnih osobina njihovih mjesnih govora reducirana. Zaključuje se da kajkavsko narječje ipak neće doživjeti svoj nestanak, već će nestati specifičnosti pojedinih skupina i mjesnih govora s trajno očuvanim „čvrstim dijelovima“.The introduction provides basic data on the genesis, distribution, and division of the Kajkavian dialect. It is thought that the closest to the factual situation on the genesis of the Kajkavian dialect is the opinion of Z. Junković, who believed that the Kajkavian dialect belonged to the Pannonian group of the Western South Slavic proto-language, which according to him would still include the dialects of Prlekija, the dialect of Prekmurje as well as some West Styrian dialects. The Ottoman conquests caused large migrations of the population to the north and west, and the population that later replaced it was mainly from the area of the Štokavian dialect. Of the many divisions of the Kajkavian dialect, the one by Mijo Lončarić is usually em- phasized; it divides the Kajkavian dialect into 15 dialects.The following part of the paper continues to present some of the most typical linguistic features of the Kajkavian vernaculars at the phonological, morphological, and syntactic level. Examples of minimal phono- logical pairs between different identical vowels of the o- or e-category in individual Kajkavian vernaculars are given. In some vernaculars, the opposition in quantity was lost because in these vernaculars, in order to compensate for the distinctive features that exist in vernaculars where these contradictions exist, the prosodic suprasegmental features were transformed into segmental ones. The elimination of quantity is an important link between the Kajkavian dialect and the east of the Slavic North as well as the Polish and the Lusatian language.Among the morphological features, the pronunciation of morphological categories with vowel alterna- tions in some dialects stands out. The emphasis is on the preservation of the supine, the loss of the vocative, the absence of the long plural in the A-declension, and the disappearance of the dual.In conclusion, it is said that most descriptions of Kajkavian vernaculars that are still cited in the dialec- tological literature as a synchronic fact will soon become linguistic diachrony because most respondents have signs of the vernacular erosion process cited by C. Hagège. Respondents are largely unaware of these changes and are mostly still convinced that they speak the original Kajkavian rather than an interdialect in which most of the specific characteristic features of their local dialects have been reduced. It is concluded that the Kajkavian dialect will not disappear but the specific features of individual groups and local dialects with permanently preserved “solid parts” will not be preserved.

2021 ◽  
Vol 16 (1) ◽  
pp. 155-165
Author(s):  
Jorg Kustermans

Summary Gift exchange was an integral and crucial part of Byzantine diplomacy. The practice of Byzantine gift-giving varied with diplomatic context. The main division is that between Byzantine diplomacy with Muslim rulers and Byzantine diplomacy with (Christian) rulers to the North and West. While the former happened on a more egalitarian footing, the latter was structured in more explicitly hierarchical terms. This difference was reflected in the practice of gift exchange: in who participated, how they comported themselves and the nature of the objects being exchanged. Even so, in both contexts, the function of diplomatic gift-giving was to claim and justify authority, be that the authority of the One (Byzantine Emperor) over the Many (Christian rulers, people of the Roman lands), or the authority of the Few (Byzantine Emperor and Muslim Caliph) over the Many (their respective subordinates).


2021 ◽  
pp. 81-90
Author(s):  
Л.Б. ХАВЖОКОВА

Статья посвящена изучению поэтического наследия – одной из многочисленных граней творчества кабардинского поэта, писателя, драматурга, ученого-лингвиста Бориса Кунеевича Утижева. Актуальность исследования продиктована, с одной стороны, недостаточной разработанностью некоторых жанров (сонет, баллада, стихотворения в прозе) в адыгской (кабардинской) литературе, с другой – необходимостью восполнения существующего пробела в изучении поэтического наследия Б. Утижева. Научная новизна исследования заключается в том, что поэзия указанного автора впервые стала предметом отдельного комплексного изучения в диалектике формы и содержания. В центре исследовательского внимания – лирические стихи и сонеты поэта. Отдельное внимание уделяется новаторскому жанру стихотворений в прозе, выявляется специфика их идейно-тематической и структурно-композиционной организации. Детализированному анализу подвергается единственная баллада «Песнь», дается жанровая характеристика, выявляется степень соответствия произведения заявленному автором жанру. В целом, в статье рассмотрена тематика и проблематика, эстетика и поэтика лирических и лиро-эпических произведений: выявлены основные мотивы, изучен богатый поэтический язык, представлена характеристика индивидуально-авторского стиля Утижева. Определен вклад поэта в эволюцию национальной поэзии. В работе использован ряд научных методов, в числе главных – анализ, описание, а также герменевтический метод. Полученные результаты могут стать подспорьем при изучении истории адыгских (адыгейской, кабардинской, черкесской, черкесского зарубежья) литератур, в более общем плане – литературы народов Северного Кавказа и Российской Федерации, а также при составлении спецкурсов и написании квалификационных и другого рода исследовательских работ. The article is devoted to the study of the poetic heritage of Boris Kuneevich Utizhev, that is one of the many facets of the work of the Kabardian poet, writer, playwright, scientist-linguist. The relevance of the study is dictated, on the one hand, by the insufficient development of some genres (sonnets, ballads, prose poems) in the Adyghe (Kabardian) literature, on the other hand, by the need to fill the existing gap in the study of B. Utizhev's poetic heritage. The scientific novelty of the research lies in the fact that the poetry of this author for the first time became the subject of a separate comprehensive study in the dialectic of form and content. The focus of research is the poet's poems and sonnets. Special attention is paid to the innovative genre of prose poems, the specificity of their ideological-thematic and structural-compositional organization is revealed. The only ballad "Song" is subjected to a detailed analysis, a genre characteristic is given, the degree of conformity of the work to the genre declared by the author is revealed. In general, the article examines the topics and problems, aesthetics and poetics of lyric and lyric-epic works: the main motives are revealed, the rich poetic language is studied, the characteristic of Utizhev’s individual author style is presented. The contribution of the poet to the evolution of national poetry is determined. A number of scientific methods were used in the work, among the main ones - analysis, description, as well as comparative-historical and hermeneutic methods. The results obtained can be helpful in studying the history of the Adyghe (Adyghean, Kabardian, Circassian, Circassian abroad) literatures, more generally – the literature of the peoples of the North Caucasus and the Russian Federation, as well as in the preparation of special courses and writing qualification and other types of research work.


2016 ◽  
Vol 72 (3-4) ◽  
pp. 67-91
Author(s):  
Radivoje Mladenovic

This paper analyzes the importance of the linguo-geographical position for the formation of the Sirinic dialectal type of Sara Mountain, which belongs to a wider area of Prizren-South Morava speeches. This linguistic area also comprises similar speeches in use in the basins of Metohija and Kosovo, in the north of Macedonia and in Donji Polog. The most important thing in the formation of the Sirinic speech is its geographical position in Sara Mountain, an area covered in pastures, where many shepherds of different dialectal and linguistic backgrounds have converged. Although situated in the Prizren-South Morava speech complex, regions around Sirinic are dialectally differentiated into two parts according to linguistic features: the northern Metohija-Kosovo part and the southern part, situated around Polog, northern Macedonia, which is heavily influenced by the Macedonian language (/t? and d?/ became /k? and g?/, respectively, the declension is almost purely analytic, articles have been developed). The effect of this differentiation is the formation of the Sirinic vernacular as an idiom whose prosody and phonology reflect the former close contact with the speeches in use in the north of Macedonia, especially with the speech used in Skopska Crna Gora, while the overall system of morphological features is closely related to the speeches of Metohija and Kosovo, which have a very similar morphological system - the best preserved inflection in the Prizren-Timok dialectal area, total development of verb forms, and a number of morphosyntactic features - thus being a unique sub-dialect of the Prizren-South Morava speech.


1945 ◽  
Vol 82 (6) ◽  
pp. 245-250 ◽  
Author(s):  
A. Fowler

The Magnesian Limestone of England forms a comparatively narrow outcrop stretching southwards for about 150 miles from South Shields to Nottingham. At either end the formation is fairly well known from the many quarries and sections opened up in the industrial areas of East Durham on the one hand and South Yorkshire and Nottinghamshire on the other. Away from these regions, however, our knowledge is scanty, and particularly so in the North Riding of Yorkshire, in the tract of country between the rivers Tees and Swale. Information is lacking mainly because the district is so thickly covered with Glacial and Recent deposits that, except at the extreme ends of this Tees-Swale stretch, rock is nowhere exposed. All the way from the Darlington country down to Catterick and beyond, for sheer lack of evidence the Trias—Magnesian Limestone boundary was assumed to be of normal, unfaulted character, but all was so uncertain that any borings in the area were likely to prove invaluable. How invaluable will be gathered from the following account of two recent bores, which throws an entirely new light, not only on the geological structure but also on the stratigraphy of this obscure region.


Muzikologija ◽  
2016 ◽  
pp. 87-107
Author(s):  
Ivana Vuksanovic

The musical oeuvre of Milan Mihajlovic (b. 1945) enjoys a high reputation and position in contemporary Serbian music. This has been proven by the many awards he has received, countless performances of his compositions at home and abroad, and especially by the warm and approving reactions of the audience. The stylistic consistency in his oeuvre is a result of his creative use of Scriabin?s scale. The concept of this scale was first theoretically elaborated in an extensive study written by Mihajlovic in 1980 and, since then the scale has been functioning as a crucial cohesive element in all Mihajlovic?s compositions. The novelty in his oeuvre, composed during the 1990s, were intertextual references made by using citations from his own works and those of other composers (Monteverdi, Mozart, Stravinsky, Rachmaninov, Vasilije Mokranjac). The most characteristic features of his mature style are also recognizable in his recent works Melancholy (2014) and Rebellion (2015). The interval structure of Skriabin?s scale is projected along the horizontal (melodical) and vertical (harmonical) axes of the both works while the formal design resulted from shifts of tensions and relaxations. Developmental sections are based on variation and improvisation of the small number of different motifs (three basic ones in Melancholy, four in Rebellion) above the metrically moveable ostinato layers and the releases are marked by change of tempo, dynamic, meter and texture. The most significant and radical release is the one which marks the abrupt ending of Rebellion by the physical gesture of slamming down the keyboard lid. As the composition was written for the BUNT festival (Belgrade) it fits the festival?s idea of expressing resistance to the government?s neglect of academic musicians and institutions. In the wider sense, it becomes a sign of the resistance to the world we live in, and that is the world of lost ideals. Both works are composed for the wind instrument and the piano quartet and in the both cases the author?s voice, with its figures of sorrow and anger, is personified in singing, narrative lines of the wind instrument (the oboe in Melancholy and French horn in Rebellion respectively). These two compositions also demonstrate the specific concept of a circle that is intuitively searched for and ingeniously implemented. It is manifested by the cyclic concept of Scriabin?s scale and projected in all of the author?s compositional procedures as a vehicle for the expression of lament and resignation.


2015 ◽  
Vol 37 ◽  
pp. 311-322
Author(s):  
Вера [Vera] Астрэйка [Astrėĭka]

Features of north-west belorussian dialects as a result of regional ethno-cultural contacts and relationsFor a long time, north-west Belorussian dialects (and their predecessors) have been the area of different Slavic-Baltic contacts and relations. Interactions between Slavs and Balts took place here always on adstratum and substratum levels. These processes have led to the formation of  the north-west dialect zone (= regiolect) of Belorussian. The corresponding linguistic phenomena form a basis of the north-west dialectal complex and can be discovered on every level of the language. As a rule, there are not many significant structural changes. However, some of them reflect certain tendencies and possibilities of the linguistic development in the region. These can achieve the status of structural innovations in the language.Belorussian-Polish language interaction is the second important moment in the formation of the north-west dialectal zone of Belorussian. The influence of Polish (both the dialectal and the standard varieties) on the Belorussian dialects can predominantly be discerned in the vocabulary and word-building mechanisms.The Baltic and especially Polish influences are also important for keeping some early linguistic phenomena alive and reinforcing their status as regional features of Belorussian dialects.Frequently, both factors have a joint effect. On the whole, the tendency to form a common repository of linguistic features is present in north-west Belorussian and neighbouring Baltic and Slavic dialects at any time. Therefore, we may say that the language is gradually forming a new independent variety with specific structure and a complex of distinctive features. Белорусские северо-западные зональные языковые отличия как результат региональных этнокультурных контактов и связейСеверо-запад Беларуси издавна известен как регион разного рода славяно-балтских (resp. балто-славянских) контактов и связей. Взаимодействие между славянами и балтами всегда протекало тут как на субстратном, так и на адстратном уровнях. Эти процессы привели к образованию северо-западной диалектной зоны (= региолекта) беларуского языка. Соответствующие особенности составляют основу северо-западного зонального языкового комплекса и так или иначе выявляются на всех ярусах системы данных говоров. Как правило, это явления неконституционного характера. Однако некоторые из них отражают определенные тенденции и потенции регионального языкового развития и в благоприятных исторических условиях могут приобрести статус языковой закономерности. Для определения специфики отмеченного зонального единения белорусских говоров другим важным моментом является взаимодействие с польским языком (как в диалектной, так и в литературной его разновидностях). Польское языковое влияние прежде всего выявляется в области словаря и в сфере деривации. Поскольку и в первом, и, особенно, во втором случаях речь идет о взаимодействии генетически (близко)родственных систем, важным для данной региональной общности говоров следует считать и факт существования языковой поддержки. Оба названных языковых фактора часто выступают совместно. В целом для белорусских северо-западных и соседних с ними балтских и инославянских говоров всегда актуальным было стремление к созданию общего фонда языковых средств. И это, несомненно, можно квалифицировать как движение в сторону формирования самостоятельного идиома со своей специфической структурой и особым набором языковых отличий.


1996 ◽  
pp. 13-23
Author(s):  
Mykhailo Babiy

Political ideological pluralism, religious diversity are characteristic features of modern Ukrainian society. On the one hand, multiculturalism, socio-political, religious differentiation of the latter appear as important characteristics of its democracy, as a practical expression of freedom, on the other - as a factor that led to the deconsocialization of society, gave rise to "nodal points" of tension, confrontational processes, in particular, in political and religious spheres.


2019 ◽  
Vol 37 (1) ◽  
pp. 89-110
Author(s):  
Rachel Fensham

The Viennese modern choreographer Gertrud Bodenwieser's black coat leads to an analysis of her choreography in four main phases – the early European career; the rise of Nazism; war's brutality; and postwar attempts at reconciliation. Utilising archival and embodied research, the article focuses on a selection of Bodenwieser costumes that survived her journey from Vienna, or were remade in Australia, and their role in the dramaturgy of works such as Swinging Bells (1926), The Masks of Lucifer (1936, 1944), Cain and Abel (1940) and The One and the Many (1946). In addition to dance history, costume studies provides a distinctive way to engage with the question of what remains of performance, and what survives of the historical conditions and experience of modern dance-drama. Throughout, Hannah Arendt's book The Human Condition (1958) provides a critical guide to the acts of reconstruction undertaken by Bodenwieser as an émigré choreographer in the practice of her craft, and its ‘materializing reification’ of creative thought. As a study in affective memory, information regarding Bodenwieser's personal life becomes interwoven with the author's response to the material evidence of costumes, oral histories and documents located in various Australian archives. By resurrecting the ‘dead letters’ of this choreography, the article therefore considers how dance costumes offer the trace of an artistic resistance to totalitarianism.


2007 ◽  
Vol 29 (3) ◽  
pp. 415-426
Author(s):  
Pham Van Ninh ◽  
Phan Ngoc Vinh ◽  
Nguyen Manh Hung ◽  
Dinh Van Manh

Overall the evolution process of the Red River Delta based on the maps and historical data resulted in a fact that before the 20th century all the Nam Dinh coastline was attributed to accumulation. Then started the erosion process at Xuan Thuydistrict and from the period of 1935 - 1965 the most severe erosion was contributed in the stretch from Ha Lan to Hai Trieu, 1965 - 1990 in Hai Chinh - Hai Hoa, 1990 - 2005 in the middle part of Hai Chinh - Hai Thinh (Hai Hau district). The adjoining stretches were suffered from not severe erosion. At the same time, the Ba Lat mouth is advanced to the sea and to the North and South direction by the time with a very high rate.The first task of the mathematical modeling of coastal line evolution of Hai Hau is to evaluate this important historical marked periods e. g. to model the coastal line at the periods before 1900, 1935 - 1965; 1965 - 1990; 1990 - 2005. The tasks is very complicated and time and working labors consuming.In the paper, the primarily results of the above mentioned simulations (as waves, currents, sediments transports and bottom - coastal lines evolution) has been shown. Based on the obtained results, there is a strong correlation between the protrusion magnitude and the southward moving of the erosion areas.


Imbizo ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 40-54
Author(s):  
Oyeh O. Otu

This article examines how female conditioning and sexual repression affect the woman’s sense of self, womanhood, identity and her place in society. It argues that the woman’s body is at the core of the many sites of gender struggles/ politics. Accordingly, the woman’s body must be decolonised for her to attain true emancipation. On the one hand, this study identifies the grave consequences of sexual repression, how it robs women of their freedom to choose whom to love or marry, the freedom to seek legal redress against sexual abuse and terror, and how it hinders their quest for self-determination. On the other hand, it underscores the need to give women sexual freedom that must be respected and enforced by law for the overall good of society.


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