scholarly journals Figurations of the body in the snapshot of digital photojournalism: the non-pose and disfiguration

2017 ◽  
Vol 32 ◽  
pp. 419-438
Author(s):  
Alene Lins ◽  
Madalena Oliveira ◽  
Luís António Santos
Keyword(s):  
Social Representation ◽  
The Body ◽  
Editorial Process ◽  
Technological Changes ◽  
The Social ◽  
The Press ◽  
The Subject ◽  
The Grotesque

This article analyses the technological changes that have modified the snapshot in photojournalism. Formerly, snapshot was a result of the technique and expertise of the photographer. Today, due to a kind of “agility” of the cameras, it has become a possible practice for any photo-reporter. Sequential photographs turn the portrayed subject’s body into a pliant element of the editorial process. In figurations that privilege unfulfilled gestures and disfigurements, some images published by the press symbolically alter the social representation of the person portrayed. The study described within this paper also points to the use of an aesthetic of the grotesque, present in the expressions, gestures and posture of the subject photographed and to a discourse of the snapshot as a regime of power exerted by the press.

scholarly journals Solidão, amor e sexo na mulher de mais de sessenta anos

2008 ◽  
Vol 14 (1) ◽  
pp. 15-20
Author(s):  
Teresinha Mello da SILVEIRA
Keyword(s):  
Middle Class ◽  
Social Representation ◽  
Consumer Society ◽  
Age Group ◽  
Technological Changes ◽  
Old People ◽  
The Third ◽  
The Social ◽  
The Media ◽  
The Subject

The anguish experiencied by women over sixty relates mainly to issues such as desire of to live – going beyond subjects like losses and grief. Their love and sex life is still riddler with taboos, surrouded by a silence that deniesthe problem or disqualifies those who dare to approach the subject. Under these circumstance, loneliness, somatization and depression develop easily, this way confirming the sayings: “Old people love to talk about diseases”, or “Old people do nothing except complain”. In an attempt to explode this myth and help old women to take control of their condition and rights taken into account, I will approach issues such as love, sex and loneliness in this age group. So as to profile the middle class old people, I will take into consideration historical facts, the rapid social, cultural and technological changes and the imperatives of the consumer society, the influence of the media, and the new types of family arrangements. I will approach issues referring to sexual activity and love in the third age, and point out the origins of the loneliness experiencied by women based on this frame of refence. Finally, I will show ways that allows changes in the social representation of old women – changes that may make it possible for them to be listened, respected and welcomed with regard to their affective and sex life – and that contribute to revise the psychotherapeutic practices related to this segment.

scholarly journals As Representações Sociais da Dança: um Mergulho no Universo dos Estudantes de Bacharelado em Educação Física

2021 ◽  
Vol 22 (2) ◽  
pp. 231-235
Author(s):  
Felipe da Silva Triani ◽  
Glhevysson dos Santos Barros
Keyword(s):  
Social Representations ◽  
Free Association ◽  
Well Being ◽  
Bachelor's Degree ◽  
Social Representation ◽  
The Body ◽  
Rhythmic Movements ◽  
Technical Procedure ◽  
The Social ◽  
Health And Well Being

ResumoA dança é a arte de movimentar expressivamente o corpo seguindo movimentos ritmados, em geral ao som de música. Dessa forma, o significado da dança vai além da expressão artística, podendo ser vista como um meio para adquirir conhecimentos ou como opção de lazer. No campo de atuação do bacharelado, as investigações acadêmicas ainda são tímidas, urgindo de produções científicas que possam alimentar o campo científico sobre o tema. Dessa forma, o objetivo do estudo foi identificar e analisar as representações sociais que um grupo de bacharelandos do curso em Educação Física compartilha sobre a dança. A metodologia da pesquisa envolve uma abordagem qualitativa, tendo o estudo de campo como procedimento técnico. A amostra foi constituída por 200 indivíduos, sendo 85 homens e 115 mulheres com médias de idade entre 17 a 45 anos. A coleta de dados ocorreu através de questionário com associação livre de palavras, cujo termo indutor foi ”dança”. A análise foi feita por meio dos conteúdos das respostas. O resultado principal do estudo apontou que a maioria dos estudantes emprega sentido de dança como uma atividade técnica e a associam com saúde mental e bem-estar. Palavras-chave: Representação Social. Educação Física. Dança. AbstractDance is the art of expressively moving the body following rhythmic movements, usually to the sound of music. Thus, the meaning of dance goes beyond artistic expression, and can be seen as a means to acquire knowledge or as a leisure option. In the field of performance of the bachelor's degree, academic investigations are still timid, urging scientific productions that can feed the scientific field on the theme. Thus, the objective of the study was to identify and analyze the social representations that a group of Physical Education course bachelors shares about dance. The research methodology is a qualitative approach, with the field study as a technical procedure. The sample consisted of 200 individuals, 85 men and 115 women with a mean age between 17 and 45 years. Data collection was carried out through a questionnaire with free association of words, whose inducing term was, "dance". The analysis was done through the responses content. The main result of the study pointed out that most students use dance as a technical activity and associate it with mental health and well-being. Keywords: Social Representation. PE. Dance.

Youth and Consumption

2012 ◽  
Author(s):  
Paolo Capuzzo
Keyword(s):  
Young People ◽  
Consumer Behaviour ◽  
Social Representation ◽  
The Body ◽  
Social Deviance ◽  
Symbolic Space ◽  
Conduct Of Life ◽  
The Social ◽  
Consumption Practices ◽  
The Impact

The kaleidoscope of social identity is defined by multiple forces of signification. Gender, ethnicity, and class trace porous borders of the social and symbolic space within which consumption practices unfold, changing, forcing, and sometimes even subverting the apparent fixity of those spaces. The transition from childhood to adulthood is marked by clear biological changes that affect the conduct of life and the ways in which to confront a series of phases in the form of the transformation and maturation of the body. The analysis of consumption practices can be useful in showing how young people define themselves. As part of a discussion on youth and consumption, this article focuses on cultures of consumption among young workers. It also discusses the social deviance and consumer behaviour of young people, the impact of advertising on the social representation of the youth body, films and fantasies, and the emergence of a youth mass market.

Grotesque Possible Worlds

Tekstualia ◽  
2013 ◽  
Vol 1 (1) ◽  
pp. 325-339
Author(s):  
Bartłomiej Starnawski
Keyword(s):  
Contemporary Art ◽  
Possible Worlds ◽  
Thomas Mann ◽  
Social Dimension ◽  
Community Relations ◽  
The Social ◽  
The World ◽  
The Status ◽  
The Subject ◽  
The Grotesque

The author of the articles shows that the grotesque is one of the most interesting ways of diagnosing changes and crisis in the anthroposphere (as a continuation of thinking about the subject from the middle of the seventeenth century through to postmodernity). According to Thomas Mann, the grotesque is one the most active notions in contemporary art. Its productivity results from the subject’s tendency to self-fulfilment, self-cognition, and self-definition; it is an independent vision and position in the “me – the world”, “me – community” relations. The grotesque is a strongly philosophical proposition, which bases its discourse on a conscious protest against present values and on transgressing all limiting and oppressive conventions. Therefore, the grotesque enhances the status of the subject, but it neither defends nor affi rms the subject in a direct manner. Apart from the social dimension, the grotesque also has numerous metaphysical references, the expression of which can be found in Kierkegaardian understanding of the metaphysical crisis as despair. Facing piercing emptiness, the human being tries to find some support and resorts to anything only to make a leap into the future. Laughter is only a manifestation of horror vacui, a specific dialectic moment devoid of any prospect of purification or comfort. What dominates a grotesque work is its open structure. The motifs which shape the spatiotemporal order do not always form a cause-and-effect system. Deliberately incoherent themes (logical coherence is not an aim) seem to be rather “deconstructors”, not constructors of the plot; they are intermittent, provoke the impression of a secret, a gleam, the absurd.

scholarly journals The Discursive Problematization of Death, Dehumanization and Sociocultural identity: An Analysis of 'The Walking Dead'

2021 ◽  
Author(s):  
◽  
Victoria Skye
Keyword(s):  
The Body ◽  
The Self ◽  
Cultural Representations ◽  
Major Site ◽  
The Walking Dead ◽  
The Social ◽  
Social Discourses ◽  
The Subject ◽  
The Way ◽  
Walking Dead

<p>The zombie is a significant cultural figure which is represented and produced as being symptomatic of and relevant to contemporary concerns about death and dehumanization. This thesis will focus on the ways that death and dehumanization are changing and being negotiated within popular cultural representations and discourses regarding zombies, particularly in Frank Darabont’s television series The Walking Dead. The thesis will consider the way in which the figure of the zombie is representative of issues and discourses that are indicative of a problematization of the category of the human, and the notion of the transcendental. This will involve an examination of the changing narratives of the body, with particular regard to consumerism and the insistence of the body as a major site of the truth and value of the self, in contrast to the horrifying bodily form of the zombie. The thesis will also examine the way that dehumanization is problematized in The Walking Dead, where the human/non-human distinction is shown to be increasingly precarious and difficult to sustain. Further, the thesis will examine how the zombie is represented as manifesting the collapse of identity, as agents become alienated from the social discourses, narratives and values which constitute and categorize the subject.</p>

scholarly journals La vejez y el deporte como objeto de representaciones sociales (The old age and the sport like object of social representations)

Retos ◽  
2015 ◽  
pp. 118-121
Author(s):  
Luis Javier Ruiz Cazorla ◽  
José Luis Chinchilla Minguet ◽  
Manuel Ruiz Cazorla
Keyword(s):  
Physical Education ◽  
Old Age ◽  
Social Representations ◽  
The Elderly ◽  
Social Function ◽  
Social Practices ◽  
Social Representation ◽  
The Body ◽  
The Social ◽  
El Sistema

En el presente trabajo analizamos la función social de la Educación Física y el deporte respecto a las personas mayores. Se trata de una relación mediatizada por las representaciones sociales que los agentes implicados poseen sobre la vejez, el cuerpo, la salud y el deporte, no exentas de estereotipos y prejuicios que condicionan sus prácticas sociales. Constituye un problema social y a la vez un reto para las instituciones erradicar las prácticas sociales de exclusión a que dan lugar. Para ello resultan imprescindibles dos pasos. En primer lugar denunciar los contenidos de las representaciones sociales sobre la vejez y las actividades físico-deportivas que favorecen la exclusión social, especialmente desde el Sistema Educativo y los medios de comunicación. En segundo lugar promover los medios materiales y condiciones estructurales necesarias para el cambio social.Palabra clave: Vejez, deporte, educación física, representación social, función social.Abstract: In the present work we analyzed the social function of the Physical Education and the sport with respect to the elderly people. One is a relation hyped by the social representations that the implied agents own on the old age, the body, the health and the sport, nonfree of stereotypes and prejudices that condition their social practices. It constitutes a social problem and simultaneously a challenge for institutions to eradicate the social practices of exclusion to that they give rise. For it two steps are essential. In the first place to denounce the contents of the social representations on the sport old age and activities physical that favor the social exclusion, especially from the Educative System and mass media. Secondly to promote the average materials and necessary structural conditions for the social change.Key words: Old age, sport, physical education, social representation, social function.

scholarly journals Invisible victims of induced abortions in the kingdom of Yugoslavia in the 1930s

Temida ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 345-358
Author(s):  
Kristina Jorgic-Stepanovic
Keyword(s):  
Criminal Law ◽  
Criminal Code ◽  
Point Of View ◽  
Legal Regulations ◽  
Political Position ◽  
The Social ◽  
The Press ◽  
Induced Abortions ◽  
The Subject ◽  
Kingdom Of Yugoslavia

The author gives a detailed analysis of the 1929 Criminal Code paragraphs that pertain to abortion. Analyzing the social indications, the paper also explains the methodological inability to determine the precise number of abortions performed during the 1930s. However, the subject of this paper is not solely an exploration of legal regulations on abortions, but rather the identification of the treatment of women in the Yugoslav Kingdom?s Criminal law from this point of view. Considering that the problem of induced abortions was approached from the existing conservative- patriarchal socio- political position, the press was often the key source for analyzing and documenting this problem. Precisely because of this fact, the paper presents an affair that revolved around the work of gynaecologist Pance Stojanovic in mid-summer 1936. This case showed the deep corruption of the Yugoslav society, but also the involvement of various representatives of power in this affair. It turned out that the patients were women from different backgrounds, but that girls and women from affluent families were far more numerous. Faced with the increasing number of fatalities following induced abortions, doctors at the 17th Congress of the Serbian Medical Association called for changes to the articles of the Yugoslav Criminal Code relating to abortion.

The Feeling of Being a Body: Resurrection and Habitus in Vaughan’s Medical Writings

2021 ◽  
pp. 124-147
Author(s):  
Daniel Juan Gil
Keyword(s):  
Social Connectedness ◽  
Social World ◽  
The Body ◽  
The Self ◽  
Eternal Life ◽  
Self Help ◽  
The Social ◽  
The Subject ◽  
Devotional Writings

Chapter 4 articulates more explicitly than the previous chapter the way resurrection beliefs in Vaughan’s poetry function as “critical theory” about selfhood, identity, and the social world. The chapter examines Vaughan’s devotional and religious “self-help” literature and Vaughan’s translation and expansion of a hermetic medical treatise. Vaughan’s immanent corporeal resurrectionist commitment to finding the “seeds” of resurrection leads him to posit an essential core of bodily life—the radical balsam—that seeks eternal life but that is sickened when it is penetrated and rewired by the social and historical world. The goal of Vaughan’s devotional writings and medicine alike is to rewire the self so that it reduces its investment in the historical and social world by having its life directed by the essential core, a move that is analogous to his poetic search for the seeds and signs of resurrection within himself his poetry (the subject of chapter 3). This vision anticipates Heidegger’s phenomenology and Bourdieu’s theory of habitus. Vaughan also describes a form of sexuality that anticipates Leo Bersani in imagining the body as socialized and yet as potentially unhinged from that social connectedness.

Who is the contemporary artist? Social representation of the artist among visual art students

2017 ◽  
Vol 15 (1) ◽  
pp. 107-126
Author(s):  
Karolina Pietras
Keyword(s):  
Visual Art ◽  
Fine Arts ◽  
Social Representation ◽  
Field Analysis ◽  
Semantic Field ◽  
Art Students ◽  
The Social ◽  
The Subject ◽  
Contemporary Artist ◽  
Practical Implications

Abstract The paper presents the application of semantic field analysis to the reconstruction of the social representation of the contemporary artist among visual arts students. 124 students from the Faculty of Art of the Pedagogical University of Cracow and the Academy of Fine Arts in Krakow answered an openended question: Who is the artist in our time? The narrative material was used to reconstruct the equivalents, opposites, attributes, associations, activities of the subject and activities on the subject which constitute the semantic field of the concept “contemporary artist”. The conclusions, practical implications and direction for future studies are presented.

“You Looked Better on MySpace”: Deception and authenticity on the Web 2.0

First Monday ◽  
2009 ◽  
Author(s):  
Lauren F. Sessions
Keyword(s):  
The Body ◽  
Close Reading ◽  
Social Web ◽  
Case Study Approach ◽  
Study Approach ◽  
The Social ◽  
Social Trend ◽  
The Subject ◽  
The Web

This paper examines Social Network Site (SNS) users’ criticism of a popular style of SNS profile picture referred to as “MySpace Angles.” Reactions to this style of portraiture label the display of these photographs “deceptive,” alleging that MySpace Angles fool users into believing that the subject is more attractive than they actually are. This case study approach utilizes a close reading analysis of the MySpace Angle commentary, revealing three main themes in users’ critique of MySpace Angles: 1) users who post these photographs are conforming to a social trend at the expense of their individuality; 2) the presentation of these photographs is narcissistic; and, 3) these photographs purposefully conceal the body. This case study displays a shift in the conception of deception online; on the social Web populated by SNSs, theories of deception and authenticity are called into question as users are increasingly anchored to their bodies and expected to effortlessly present an online self mirroring the off-line self.

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