scholarly journals English antiques in the historiographical tradition

2021 ◽  
pp. 134-146
Author(s):  
Oleksii Prysiazhniuk
Keyword(s):  
Complex Problem ◽  
Historical Science ◽  
Book Design ◽  
British Identity ◽  
The Enlightenment ◽  
The Arts ◽  
National Heritage ◽  
History Of ◽  
The Individual

The history of English antiquarianism is particular importance in the study of the process of formation of national identity and the preservation of national heritage. The purpose of the article is to analyze and systematize the corpus of historiographical works on the problems of history and historiography of English antiques, to define the role of the Society of Antiquaries of London in the formation of British identity and patriotism. Scientific tasks of the article are to carry out a comprehensive analysis of the historiographic works on the problems of the origin and formation of the English tradition of antiquity and antiquities, to outline the main stages of the formation of the oldest society of antiques. The novelty and degree of development follows from the fact that today in Ukrainian historical science there are no generalizing works on the history and historiography of English antiquaries and the London Society of Antiquaries. However, there is a corpus of historiographical works on the individual components of this complex problem. The antiquarian classes of the eighteenth century cannot be dismissed as unconvincing dilettantism, detached from modern life, or confronting the spirit of the Enlightenment. Antiquarianism was of great importance, both in practical and cultural life in Britain. It embodied the nostalgia of years past for those who feared the coming changes, but equally it could serve as an illustration of the past, demonstrating the progress of the present and the unquestionable superiority of the modern century over the backwardness of past times. At the same time, antiquaries made a clear contribution to the formation of British identity and famous English patriotism. Their merits in the field of culture and the arts are also difficult to overestimate: they contributed to the development of the printing business, the art of book design, and infected their enthusiasm with artists, painters, engravers who, through them, became passionate fans of the medieval past of Britain.

SOVIET SERVICE AT THE EARLY 1960S — EARLY 1990S: HISTORIOGRAPHY OF THE ISSUE

2021 ◽  
Vol 5 (2) ◽  
pp. 113-119
Author(s):  
O.G. Kretsu ◽  
Keyword(s):  
Everyday Life ◽  
Research Methods ◽  
Service Sector ◽  
Consumer Society ◽  
Mathematical Research ◽  
Historical Science ◽  
Regional Context ◽  
History Of ◽  
The Individual

Nowdays historical science is increasingly referring to problems that have not previously come to the attention of authors. At the same time, researchers in their works try to rely on interdisciplinary methodological practices that have come to us relatively recently (micro- and macrohistorical analyzes, mathematical research methods, the study of the history of everyday life, mentality, etc.). Among the issues that are currently receiving the attention of representatives of the humanitarian fields of knowledge, we can single out the topic of service and of a person who was in these realities. Therefore, in the article have been made analyze of the historiography of the topic of Soviet service in the period from the early 1960s to the early 1990s. We have studied the works of both domestic and foreign authors. They paid special attention to such aspects as the culture of serving the population in the realities of the transition to a "consumer" society, the role of the individual and the collective in these conditions, the emergence of new forms of service, the economy of the service sector, the formation of a mental differnces between the service sector and the household service, etc. etc. Much more often, authors began to address the local aspect of the topic. In addition to the above, it can be concluded that the researchers paid special attention to areas such as utilities, restaurants and hotels, but the least covered was the issue of hairdressing. This conclusion can serve as a basis for the development of new topics in the regional context of Krasnoyarsk and Krasnoyarsk Region.

Introduction: Emotion, History and the Arts

2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild
Keyword(s):  
Historical Change ◽  
Carson Mccullers ◽  
Emotional Life ◽  
Review Section ◽  
The Arts ◽  
Wide Range ◽  
War Correspondents ◽  
History Of ◽  
Johan Huizinga

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.

Queering Gender Identity Work: A Life History of a Black Transgender Woman

2018 ◽  
Vol 5 (1) ◽  
Author(s):  
Esethu Monakali
Keyword(s):  
Life History ◽  
Gender Identity ◽  
Public Spaces ◽  
Identity Work ◽  
Social Identities ◽  
Gender And Sexuality ◽  
Ongoing Effort ◽  
History Of ◽  
The Individual

This article offers an analysis of the identity work of a black transgender woman through life history research. Identity work pertains to the ongoing effort of authoring oneself and positions the individual as the agent; not a passive recipient of identity scripts. The findings draw from three life history interviews. Using thematic analysis, the following themes emerge: institutionalisation of gender norms; gender and sexuality unintelligibility; transitioning and passing; and lastly, gender expression and public spaces. The discussion follows from a poststructuralist conception of identity, which frames identity as fluid and as being continually established. The study contends that identity work is a complex and fragmented process, which is shaped by other social identities. To that end, the study also acknowledges the role of collective agency in shaping gender identity.

Conclusion

2017 ◽  
Author(s):  
Andrea Harris
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Driving Force ◽  
George Balanchine ◽  
Current State ◽  
The Arts ◽  
History Of ◽  
Lincoln Center

The Conclusion briefly examines the current state of the New York City Ballet under the auspices of industrial billionaire David H. Koch at Lincoln Center. In so doing, it to introduces a series of questions, warranting still more exploration, about the rapid and profound evolution of the structure, funding, and role of the arts in America through the course of the twentieth century. It revisits the historiographical problem that drives Making Ballet American: the narrative that George Balanchine was the sole creative genius who finally created an “American” ballet. In contrast to that hagiography, the Conclusion reiterates the book’s major contribution: illuminating the historical construction of our received idea of American neoclassical ballet within a specific set of social, political, and cultural circumstances. The Conclusion stresses that the history of American neoclassicism must be seen as a complex narrative involving several authors and discourses and crossing national and disciplinary borders: a history in which Balanchine was not the driving force, but rather the outcome.

“Russian” Spengler and the Destiny of World History in Russian Philosophy in the Beginning of the 20th Century

2020 ◽  
Vol 65 ◽  
pp. 115-128
Author(s):  
Vladimir A. Kudryavtsev ◽  
Alexandra I. Vakulinskaya
Keyword(s):  
The United States ◽  
Russian Philosophy ◽  
Cultural Revival ◽  
The Enlightenment ◽  
Ideological Influence ◽  
Key Factor ◽  
History Of ◽  
Religious Factor ◽  
In The Beginning

This article deals with the history of Russian philosophers ‘acquaintance with the ideas of O. Spengler, set forth in his work “The Decline of the West”. The authors point out that the initial orientation of Russian thought towards Historiosophy, problems of history and ontology became the key factor of Spengler’s popularity in Russia. The article considers and analyzes critical and methodological approaches to the theory of cultural and historical types by O. Spengler and N. Ya. Danilevsky within the framework of Russian philosophical thought. The authors pay attention to the ideological influence of the United States as the country which adheres to the ideas of the Enlightenment, as well as to German thinkers, who visited this country in the early twentieth century. It is concluded that the global scenario of the human civilization development, that used to be the mainstream of its formation before the events of the beginning of this year, is unsuitable and untenable. The authors insist on the important role of the theory of cultural and historical types supported and developed by Russian emigration representatives, and focus on the importance of the religious factor in the process of cultural revival.

scholarly journals Insomnia and the late nineteenth-century insomniac: the case of Albert Kimball

2020 ◽  
Vol 10 (3) ◽  
pp. 20190074 ◽  
Author(s):  
Matthew Beaumont
Keyword(s):  
Nineteenth Century ◽  
Sleep Problems ◽  
Urban Society ◽  
Late Nineteenth Century ◽  
The Enlightenment ◽  
Victorian Period ◽  
The Usa ◽  
History Of ◽  
Late Nineteenth ◽  
The Individual

This article explores the emergence, in late nineteenth-century Britain and the USA, of the ‘insomniac’ as a distinct pathological and social archetype. Sleeplessness has of course been a human problem for millennia, but only since the late-Victorian period has there been a specific diagnostic name for the individual who suffers chronically from insufficient sleep. The introductory section of the article, which notes the current panic about sleep problems, offers a brief sketch of the history of sleeplessness, acknowledging the transhistorical nature of this condition but also pointing to the appearance, during the period of the Enlightenment, of the term ‘insomnia’ itself. The second section makes more specific historical claims about the rise of insomnia in the accelerating conditions of everyday life in urban society at the end of the nineteenth century. It traces the rise of the insomniac as such, especially in the context of medical debates about ‘neurasthenia’, as someone whose identity is constitutively defined by their inability to sleep. The third section, tightening the focus of the article, goes on to reconstruct the biography of one exemplary late nineteenth-century insomniac, the American dentist Albert Kimball, in order to illustrate the claim that insomnia was one of the pre-eminent symptoms of a certain crisis in industrial and metropolitan modernity as this social condition was lived by individuals at the fin de siècle .

scholarly journals The role of the emotions of guilt and shame in methodology of research on social emotions

2021 ◽  
pp. 11-25
Author(s):  
Alexandra Shiller
Keyword(s):  
Cultural Psychology ◽  
Cross Cultural ◽  
Social Emotions ◽  
History Of Research ◽  
Current State ◽  
History Of ◽  
Methodological Problems ◽  
The Individual ◽  
Methodology Of Science

This article is dedicated to examination of the role of guilt and shame, namely to prevalence one of these emotions in a particular culture as the leading mechanism of social control. The prevalence of guilt or shame as a cultural “dimension” has become one of the first criteria for the division of cultures into Western and Eastern, and was used by the researchers as a basic postulate for cross-cultural r. Over time, the perception of emotions as the criterion for the division of cultures has been revised. The article traces the history of research on emotions in general, namely the emotions of guilt and shame as social emotions, as well as describes guilt and shame as collective and individual experiences. Analysis is conducted on the role of guilt and shame in methodology of research on social emotions, cross-cultural studies. The author outlines certain methodological problems and contradictions, and assesses the current state of scientific research dedicated to social emotions. The conclusion is made that the research on collective sense of guilt and shame is more advanced from the perspective of cross-cultural psychology and philosophy, as well as the overall methodology of science; it allows shifting from the study of the role of individual emotions in interpersonal (conditioned by collective ties), intergroup and intragroup communication towards the integrated study of emotions associated with interaction of the individual and society, i.e. social experiences.

A ‘milky mass’ and ‘uniform material’: white marble in eighteenth-century French discourses on sculpture and geology

2021 ◽  
Vol 30 (2) ◽  
pp. 215-225
Author(s):  
Marthe Kretzschmar
Keyword(s):  
Eighteenth Century ◽  
Grain Size ◽  
Denis Diderot ◽  
Art Theory ◽  
White Marble ◽  
The Enlightenment ◽  
The Earth ◽  
History Of ◽  
Interdisciplinary Network

Knowledge of the materiality of stone during the Enlightenment expanded following the exploration of mineralogical structure, to alter ideas about taxonomy and challenge the role of rocks in the history of the earth. Close studies of the material of marble sculpture generated expertise on grain size, surface varieties and stone deposits. This mode of reception became intertwined with contemporary controversies about the age of the earth. This article focuses on both French sculpture and geological discourses of the eighteenth century to reveal an international and interdisciplinary network centring on protagonists such as Denis Diderot, Paul-Henri Thiry d’Holbach and Étienne-Maurice Falconet; through these figures, debates can be connected concerning both geology and art theory. Within these contexts, the article discusses the translation processes between these artistic and geological interests.

НЕСКОЛЬКО СЛОВ О М. М. ГРОМЫКО КАК ПРЕДСТАВИТЕЛЕ СЛАВЯНОФИЛЬСКОГО НАПРАВЛЕНИЯ РУССКОЙ КУЛЬТУРЫ

2021 ◽  
pp. 33-38
Author(s):  
Наталья Тимуровна Энеева
Keyword(s):  
Scientific Language ◽  
Historical Science ◽  
Historical Process ◽  
The People ◽  
The World ◽  
History Of ◽  
Main Plot ◽  
Popular Religiosity ◽  
The Church

Статья посвящена роли славянофильской проблематики в становлении отечественной исторической науки 1990 х – 2010-х годов. Апробированная почти двумя столетиями историософско-богословской дискуссии, эта проблематика явила себя на исходе ХХ столетия как преимущественно экклезиологическая – как насущные вопросы личностного и общественного воцерковления. Существенное значение в этом процессе имеет воссоздание адекватного научного языка и понятийного аппарата для описания роли Церкви и народной религиозности в формировании национального самосознания и религиозно-культурной общности. Подчеркивается, что в данной концепции история Церкви и народа как ее носителя – «народа-богоносца» – предстает не в качестве локальной темы, но как основной сюжет и сущностный смысл мирового исторического процесса. The article is devoted to the role of Slavophil problems in the formation of Russian historical science in the 1990s – 2010s. Approved by almost two centuries of historiosophical and theological discussion, this problematic showed itself at the end of the twentieth century as primarily ecclesiological – as pressing issues of personal and social churching. Recreation of an adequate scientific language and conceptual apparatus for describing the role of the Church and popular religiosity in the formation of national identity and religious and cultural community is essential in this process. It is emphasized that in this concept the history of the Church and the people as its bearer – the «God-bearing people» – appears not as a local theme, but as the main plot and essential meaning of the world historical process.

scholarly journals It’s All in the Reading

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly
Keyword(s):  
Contemporary Art ◽  
Mass Production ◽  
Large Scale ◽  
Book Production ◽  
Art Practice ◽  
The Arts ◽  
History Of ◽  
First Time ◽  
The City

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.

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