scholarly journals Conservation and Rehabilitation of Historic Urban Landscapes as Cultural Heritage Area (KCB): Case in Padang, West Sumatra

2019 ◽  
Author(s):  
Akiko Tashiro ◽  
Yasushi Takeuchi ◽  
Yoshihisa Wakita ◽  
Jonny Wongso

Padang is the provincial capital of West Sumatra, Indonesia, and was affected by the earthquake that occurred in September 2009. UNESCO and the Indonesian government conducted an emergency survey of the damage. While the municipality of Padang is trying to promote and conserve the area as Kawasan Cagar Budaya, there are various difficulties, especially after the natural disaster. Architectural monitoring of damaged houses and landscapes and semi-structural interviews with residents of thirty-five buildings in the area have been conducted since 2010. The research shows how residents changed a way of living in their houses after an earthquake, and show, and religious ties and land ownership are more important than geographical ties at the street level.

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau


2021 ◽  
Vol 13 (3) ◽  
pp. 1406 ◽  
Author(s):  
Cristian Moise ◽  
Iulia Dana Negula ◽  
Cristina Elena Mihalache ◽  
Andi Mihai Lazar ◽  
Andreea Luminita Dedulescu ◽  
...  

In recent times, satellite-based remote sensing has a growing role in archaeology and inherently in the cultural heritage management process. This paper demonstrates the potential and usefulness of satellite imagery for the documentation, mapping, monitoring, and in-depth analysis of cultural heritage and the archaeological sites located in urban landscapes. The study focuses on the assessment and monitoring of Alba Iulia, which is one of the Romanian cities with the richest historical past. Multitemporal analysis was performed to identify the land use/land cover changes that might contribute to an increased cultural heritage vulnerability to natural disasters. A special emphasis was dedicated to the assessment of the built-up area growth and consequently of the urbanization trend over a large time interval (30 years). Next, the urbanization and urban area expansion impact was further analyzed by concentrating on the urban heat island within Alba Iulia city and Alba Iulia Fortress (located in the center of the city). As temperature change represents a key element of climate change, the temperature trend within the same temporal framework and its impact on cultural heritage were determined. In the end, with regard to the cultural heritage condition assessment, the research was complemented with an assessment of the urban ground and individual building stability, using persistent scatterer interferometry. The results contribute to the detailed depiction of the cultural heritage site in such a manner that the site is monitored over an extensive timeframe, its current state of conservation is accurately determined, and the future trends can be identified. In conclusion, the present study offers reliable results regarding the main factors that might endanger the cultural heritage site as a basis for future preservation measures.


2010 ◽  
Vol 133-134 ◽  
pp. 1165-1169
Author(s):  
Amina Abdessemed-Foufa ◽  
Abdelwahab Zekagh ◽  
Houria Merouani

In Algeria, several old urban nuclei are decayed or severely damaged. Numerous are the factors related to these damages: the age of constructions (many centuries), the bad or absence of maintenance, the natural disaster (earthquake, landslide, and floods) and sometimes the abandonment. Since 2003, the law 98-03 related to the preservation of cultural heritage and its application decree was implemented. In fact the first safeguard sector plan in Algeria was applied to the Casbah of Algiers which is classified as a World Heritage. This old urban nucleus presents an important decay. The different problems related to its aspect are principally the age of constructions; some of them date from the 10th century and the majority of the 16th; the absence of maintenance and recently in 2003 the impact of the earthquake. The project is still under investigation and is established by the CNERU Group (National Center in Urban Research and Studies). Furthermore the work on these areas was done under constraints. The Casbah of Algiers is a World Cultural Heritage, what induced us the installation of emergency measures (propping up), then in parallel an in situ investigation in order to determine the vulnerability of constructions was done (minor and major inheritance, houses and buildings) in order to elaborate the manual of rehabilitation and the safeguard plan and its regulation. This paper presents the adopted methodologies in this area and the different actions as the emergency measures, the constructions propping up and the manual of rehabilitation.


2019 ◽  
Vol 39 (2) ◽  
pp. 221-234
Author(s):  
Hutomo Putra

The struggling in the ethical issues of submerged underwater sites and underwater cultural heritage have been undertaking in Indonesia for the last two decades. During these 20 years, commercial companies in collaboration with the National Shipwreck Committee recovered and salvaged substantial numbers of material cargoes. Unfortunately, the majority of these operations occurred without the involvement of archaeologists and lack of proper and controlled archaeological methods and excavation techniques. Since 2010, the Indonesian Government has declared a moratorium that temporarily stopped all commercial survey and salvage activities, and prohibits the sale of the artefacts.  Nowadays, more than 190,000 artefacts raised by salvagers are currently stored at the National Shipwreck Committee warehouses near Jakarta, in Cileungsi, West Java, Indonesia. This study attempts to illustrate the disadvantages of the commercial salvage practices and the auction of salvaged artefacts. This research also discusses some recommendations to contribute to a more ethical system of protection and the long-term management of the Indonesian maritime cultural resources, including its existing collections from salvaged shipwreck sites that are stored at the National Shipwreck Committee warehouse today.


2021 ◽  
Vol 331 ◽  
pp. 04009
Author(s):  
Mediana desfita ◽  
Djendrius

Indonesia is one of the very prone countries to disaster. The tsunami and earthquake disasters caused enormous damage to property and infrastructure as well as loss of life. An earthquake on September 30, 2009, measuring 7.9 on the Richter scale struck the west coast of Sumatra, causing loss of life and damage to infrastructure. There were around 1,115 people killed, 1,214 seriously injured and 1,688 people lightly injured. A comprehensive study of natural disaster management activities or systems should be used as learning materials to form a disaster management system. Disaster preparedness by minimizing vulnerability has been identified as a better approach to dealing with disasters than post-disaster response. Creating a culture of prevention is critical to dealing with everyday hazards and the consequences of disasters. The study is using data from a natural disaster in west Sumatra, and data from people who were involved in the process of reconstruction post disasters in west Sumatra. This study aims to obtain an accurate description of the reconstruction post-disaster and relation with responsive gender activities in West Sumatra, and identify how the gender effect on reconstruction post-disaster in the West Sumatra region.


Heritage ◽  
2018 ◽  
Vol 1 (1) ◽  
pp. 88-99 ◽  
Author(s):  
Dimitris Psychogyios ◽  
Nick Poulakis

The recording, documentation and promotion of local cultural heritage has been the subject of significant research from scientists from various fields such as architecture, anthropology, history, folklore, ethnomusicology, and museology. This paper argues that digital technologies could have a catalytic role concerning the operational part of a holistic–interdisciplinary approach to the maintenance of cultural heritage. Simultaneous and bidirectional recording, documentation and promotion of human histories, material elements of space, personal and collective memories, music, dance, singing and other performances, customs, traditions etc. has the effect of improving the understanding of each place and, therefore, contributing to the establishment of sustainable living conditions and environmental balance. At the same time, it facilitates the process of presenting the place’s local identity as well as its tangible and intangible cultural heritage. The paper proposes the design, the creation and the pilot operation of a glocal hybrid (physical and digital) participatory system for monitoring cultural heritage, which consists of (a) spatial recording and projection constructions (open micro-labs); (b) research and documentation centers; and (c) digital databases and mobile applications for interconnection and diffusion of digital content. The system’s implementation domain is considered to be “historic urban landscapes”, i.e., geographical areas with particular cultural features such as traditional settlements, monuments and historical centers, regarded as exceptional universal heritage. In particular, the project’s prime exemplary pilot setup is considered to be operated in specific Greek areas of cultural importance.


2013 ◽  
Vol 368-370 ◽  
pp. 45-48
Author(s):  
Xiao Yu Wang ◽  
Rui Wang ◽  
Xiao Hang Wang ◽  
Jun Jiang

This paper introduces the general situation of Pre-Qing architectural cultural heritage research work in Liaoning Province. It analyses the situation about the 30 heritage of historic buildings and the surrounding environment in Liaoning Province, gives the basic description on the research content and the methods of research. And, it Analyses the current situation of the architectural heritage of Liaoning and points out the problem that we meet, at the same time, provides the suggestions for protection. To protect the architectural cultural heritage resources in Pre-Qing Dynasty, in Liaoning Province, in whole, it can reference the model of heritage area to make an exploration of scientific research and make the protection planning of overall area.


2018 ◽  
Vol 1 (1) ◽  
pp. 61-90
Author(s):  
Lutfi Maulana Hakim

This research was aimed to analyze Indonesian government effort in building Indonesian cultural heritage as a nation brand. This research explains how Indonesian government process and batik artist, cultural and entrepreneur in establishing identity and brand nation of Indonesia. Utilization of batik as a nation brand is an innovation and a new tool in building the identity of the Indonesian nation. There are four steps of the nation brand development process that is training, identification, implementation, evaluation successfully applied by the government. The success of the nation-building brand built with the artists batik artists, cultural and businessmen is the entry of batik as world cultural heritage. This development process is also expected to regenerate the young generation of Indonesia to directly promote and preserve batik.


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