scholarly journals Reflection of the national vision of the world in phraseological units

2021 ◽  
Vol 5 (S1) ◽  
Author(s):  
Shirinova Raima ◽  
Sayyorakhon Umarova ◽  
Dildora Aliqulova ◽  
Jurakobilova Hamida ◽  
Zebiniso Bekmuradova
Keyword(s):  
Cultural Identity ◽  
National Culture ◽  
Literary Text ◽  
National Language ◽  
Cultural Norms ◽  
Historical Events ◽  
Language Community ◽  
Psychological Conditions ◽  
The People ◽  
The World

This research paper is devoted to the thorough study of phraseological units in terms of national connotation. Phraseological units that reflect national and cultural identity are the beauty and art of language. Phraseologisms, by their very nature, are a means of expressing imagery in a language, but they also serve to reveal the national culture, character, humor, grief, and anxiety of a people. For this reason, phraseology is the most important unit of poetic language used in the literary text to fully express the image, character, character, and to illustrate and exaggerate events, happenings, and situations. The phraseological resources of each language reflect the socio-historical events, moral and spiritual-cultural norms, mental and psychological conditions, religious ideas, national traditions and customs of the people. Such phraseologies belonging to the vocabulary of a particular language community are among the national language tools. They polish the national color of the work of art and create a strong emotionality, while emphasizing the popularity and originality of the language.

scholarly journals Reflection of the national vision of the world in phraseological units

2021 ◽  
Vol 5 (S2) ◽  
pp. 1281-1290
Author(s):  
Mamatov Abdi ◽  
Sayyorakhon Umarova ◽  
Dildora Aliqulova ◽  
Jurakobilova Hamida ◽  
Zebiniso Bekmuradova
Keyword(s):  
Cultural Identity ◽  
National Culture ◽  
Literary Text ◽  
National Language ◽  
Cultural Norms ◽  
Historical Events ◽  
Language Community ◽  
Psychological Conditions ◽  
The People ◽  
The World

This research paper is devoted to the thorough study of phraseological units in terms of national connotation. Phraseological units that reflect national and cultural identity are the beauty and art of language. Phraseologisms, by their very nature, are a means of expressing imagery in a language, but they also serve to reveal the national culture, character, humor, grief, and anxiety of a people. For this reason, phraseology is the most important unit of poetic language used in the literary text to fully express the image, character, character, and to illustrate and exaggerate events, happenings, and situations. The phraseological resources of each language reflect the socio-historical events, moral and spiritual-cultural norms, mental and psychological conditions, religious ideas, national traditions, and customs of the people. Such phraseologies belonging to the vocabulary of a particular language community are among the national language tools. They polish the national color of the work of art and create a strong emotionality while emphasizing the popularity and originality of the language.

scholarly journals ORNAMENTAL MOTIVES OF MODERN DESIGN PRACTICES

2021 ◽  
pp. 59-65
Author(s):  
O. D. Rykhlitska ◽  
O. I. Kosyk
Keyword(s):  
National Culture ◽  
Cultural Practices ◽  
Spiritual Values ◽  
Modern Design ◽  
Design Practices ◽  
Performance Technique ◽  
Cultural Paradigm ◽  
The People ◽  
Emotional Environment ◽  
The World

The article analyzes modern design practices based on symbolic and ornamental motives of folk art and their modern actualization in ethno-artistic areas, reflecting the relationship of traditional aspects with innovative, symbolic translation of cultural experience in time and space, creating symbolic value images, enhancing emotional environment and creating new narratives. Symbols, as the basis of the existence of the people, reflect the ethno- national aspects of culture, is an opportunity to find yourself at the level of relationship with your people, your nation, traditions. The appeal to archetypes is a special methodological perspective in which the meaning of the future is created due to the transformation of the past into a symbol. What is relevant in modern Ukrainian realities is that the whole cultural paradigm is being reconsidered and new ways of national identification are being sought. Embroidery is marked by a special color and incredible ornamentation, complex performance technique, which is reflected in the symbols of sociocultural practices, immersing in the depths of traditional norms and values that encourage to feel, assimilate, preserve and transmit. In modern domestic discourse, design practices are thought of as aimed at transforming the cultural environment into the integrity of cultural and natural components. They serve as a basis for forming an idea of the world and building harmonious relationships with the world. And the use of symbols-amulets and a certain emotional color is a special process of self-identification and the foundation for the revival of national culture and spiritual values, seeing their own place in the global cultural and artistic space. Therefore, the use of ornamental symbols in design practice is the basis for the revival of national culture and spiritual values and the formation of a new promising direction of Ukrainian design. Among the spiritual heritage of Ukraine with its color and incredible ornamentation, complex technique is embroidery, which is reflected in the symbols-codes of modern socio-cultural practices

English as lingua franca: Double talk in global persuasion. Karin Dovring. Westport, CT: Praeger, 1997. Pp. 153.

2000 ◽  
Vol 21 (4) ◽  
pp. 563-566
Author(s):  
Marcyliena Morgan
Keyword(s):  
Language Contact ◽  
The United States ◽  
National Language ◽  
World Language ◽  
Technology Industry ◽  
The People ◽  
The World ◽  
Ideological Influence ◽  
Contact Language ◽  
Mary Louise Pratt

As we journey into the new millennium, few among us would bother to argue against the importance of English as a world language, especially considering its role in technology, industry, and politics. Many people of the world are introduced to English as a modern version of a contact language, since the need to know it occurs simultaneously with the need for specific knowledge (to negotiate borders and so on). Of course, there is much to the story of language contact. As Mary Louise Pratt (1992) observed, contact situations are often catastrophic events involving power relations that include conquerors and the conquered, intermediaries, onlookers, and more. The position of English as a national language in many countries and its worldwide influence have occurred within the context of civil wars, political negotiation, constant transmigration, globalization, and the formulation and reconstruction of nationalist ideologies and identities. Though the nature of today's contact may seem benign, its result may still be catastrophic and have far-reaching consequences, as the ideology and practices that accompany English may not complement all societies and situations. Today, the United States often represents the global influence of English, and as America becomes the symbol of border and civil war negotiation and policing, technology, art, conflict and power, so too does English. Predictably, the people and polities throughout the world wrestle with America's ideological influence by participating in the invigoration and transformation of English to suit their needs.

The verbal world picture and its representation in english phraseology

2019 ◽  
pp. 24-36
Author(s):  
A. O. Kushnierova
Keyword(s):  
Cultural Identity ◽  
Natural World ◽  
Social Consciousness ◽  
National Character ◽  
Value System ◽  
World Picture ◽  
The People ◽  
The World ◽  
Picture Analysis ◽  
Cultural Components

The article deals with the verbal world picture analysis through the prism of English phraseology and the peculiarities of phraseologization of phrases in view of the culturally motivated vision of the world by particular linguistic communities. The objective of this paper is a study of phraseological (set) expressions in order to identify ontological and cultural components in language. The certain tendency of illustrating verbal world picture in phraseological (set) expressions was revealed. The study has demonstrated that phraseological (set) expressions, which most vividly illustrate the British cultural identity, are genetically linked to the most common and widespread areas of human activity, namely food, the natural world that surrounds us, and certain "endemic" phenomena of British life. The phraseological picture of the world acts as a set of knowledge about the world and can give a complete description of a particular nation or people. The examples of phraseological set expressions given allow us to see the phraseological composition of language reflects cultural identity not only as a fragment of reality, given to the ethnic community in immediate perception, but also the lifestyle, beliefs, worldviews, national character, temperament, value system - the mentality of the people, their social consciousness in general. Thus, the phraseology becomes a certain extra-linguistic reality that not only realizes the linguistic consciousness and perception of the speaker, but alsoforms a vision through the prism of phraseology, which is based on the cultural territorial perception of a nation.

scholarly journals INTERCONNEC TERCONNECTION OF L TION OF LANGUAGE AND CUL GE AND CULTURE IN THE TURE IN THE WORLD LITERATURE

2021 ◽  
Vol 5 (2) ◽  
pp. 198-207
Author(s):  
Ikbol Komiljonovna Kozieva ◽  
◽  
Dilnora Zokirdjanovna Chorakulova
Keyword(s):  
National Culture ◽  
Infinite Number ◽  
Driving Force ◽  
World Literature ◽  
The People ◽  
The World ◽  
National Spirit ◽  
Spiritual Energy

Background. The language, reflecting the originality of the people, the national spirit, the national vision of the world, the national culture, represents the united spiritual energy of the people, which is imprinted in certain sounds. The "national spirit" is the driving force behind the development of the language. "Language is a constantly renewed work of the spirit to make the articulated sound suitable for the expression of thought." The concept of "internal form" is considered in connection with the concept of "national spirit". The most important attribute of language, Humboldt singles out the "linguistic internal form", which means the totality of the laws of language reproduction, the laws according to which the spirit acts. Methods. Language is recognized as a mediator between reality and consciousness, since the world as an “inexhaustible 'continuum of diversity'”, offering us an infinite number of classifications of these varieties, does not impose any of them. Reality and its proposed classifications are reflected not directly in the language, but in consciousness, which fixes this reflection in conventional signs. Results.

scholarly journals LEXIS AND PHRASEOLOGY, VERBALIZING CONCEPTS OF WOMAN AND GIRL IN A.B. KAITUKOV’S WORKS

2020 ◽  
Author(s):  
Р.Г. ЦОПАНОВА
Keyword(s):  
Mental Content ◽  
Literary Text ◽  
The Other ◽  
Contextual Analysis ◽  
The People ◽  
The World ◽  
The One ◽  
The Individual ◽  
Linguistic Units ◽  
First Time

Целью данного исследования является определение ментального содержания лексики и фразеологии, вербализующей концепты женщина (сылгоймаг) и девушка (чызг) в произведениях осетинского писателя А.Б. Кайтукова. Научная новизна связана с тем, что впервые на языковом материале произведений А. Кайтукова выявлено ментальное содержание указанных концептов. Актуальность данного исследования в том, что, благодаря описанию языкового содержания концептов женщина (сылгоймаг) и девушка (чызг), читатель, с одной стороны, вводится в мир национальной лингвокультуры, содержащей информацию о менталитете народа, с другой стороны – дается характеристика индивидуальных особенностей языка писателя. В работе использованы следующие методы исследования: семантико-стилистический, методы концептуального и контекстуального анализа языковых единиц в художественном тексте. Поставлены следующие задачи: определить номинативную плотность концептов женщина и девушка; раскрыть ментальное содержание лексики и фразеологии, вербализующей названные концепты; указать когнитивные признаки исследуемых концептов; охарактеризовать лексику и фразеологию, объективирующие названные концепты как средство создания идиостиля писателя. В результате работы дана характеристика концептов женщина и девушка в произведениях А. Кайтукова в аспекте лингвокультуры и в рамках идиостиля писателя. The purpose of this study is to determine the mental contents of the vocabulary and phraseology that verbalize the concepts of woman (sylgoymag) and girl (chyzg) in the works of the Ossetian writer A. B. Kaitukov. The scientific novelty is connected with the fact that for the first time the mental content of these concepts will be revealed on the language material of A. Kaitukov's works. The relevance of this study is that due to the description of the linguistic content of the concepts woman (sylgoimag) and girl (chyzg), the reader, on the one hand, is introduced into the world of national linguoculture, containing information about the mentality of the people, on the other hand, a characteristic of the individual features of the writer’s language is given. The following research methods were used in the work: semantic and stylistic, methods of conceptual and contextual analysis of linguistic units in a literary text. The following tasks were set: to determine the nominative density of the concepts woman and girl; to reveal the mental content of lexis and phraseology, verbalizing the named concepts; indicate the cognitive features of the studied concepts; to characterize the vocabulary and phraseology that objectify the named concepts as a means of creating the idiostyle of the writer. As a result of the work, a description of the concepts of a woman and a girl in the works of A. Kaitukov is given in the aspect of linguoculture and within the framework of the writer's idiostyle.

scholarly journals Culinary Inclinations as a Reflection of Identity in Joanne Harris’s ‘Chocolat’

2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Shirley Stewart
Keyword(s):  
Cultural Identity ◽  
Women's Literature ◽  
Central Place ◽  
Cultural Identities ◽  
Traditional Beliefs ◽  
Feminine Identity ◽  
Literary Forms ◽  
The People ◽  
The World ◽  
Food In Literature

“Tell me what you eat, I’ll tell you what you are.” : Brillat-Savarin. Literature has always been the mode of reflecting human psyche representing the language of people’s culture and traditions. The culture of food is age old and it shapes the individuals as well as a society’s culture. Complex human issues have been analysed using food images on a metaphoric level to represent cultural identities.  Importance of food in literature and the role it played  in gender studies asserting women’s suppressed individuality and identity is an upcoming area of study. Apart from observing that women are reduced as a kitchen maker, in today’s society kitchen and cooking are a means of expressing one’s identity before the world and is well expressed in various literary forms. Food and its related concerns with feminine identity and domesticity patriarchal oppression, and repressed sexual desire.  have been given a central place in many works of women’s literature. One such English writer  who used culinary art in her work is Joanne Harris who’s novel Chocolat deals with the magical powers of chocolate and how it works on the people of a particular town attacking the cultural and traditional beliefs of that place rewriting a cultural identity.

Managing languages in conflict situation

2000 ◽  
Vol 10 (2) ◽  
pp. 239-253 ◽  
Author(s):  
Asmah Haji Omar
Keyword(s):  
World View ◽  
Real Life ◽  
Nation Building ◽  
Conflict Situation ◽  
Ethnic Community ◽  
National Language ◽  
Equal Treatment ◽  
The People ◽  
The Social ◽  
The World

English today certainly plays a wider range of roles than before. Due to these roles and to its neutrality in not being exclusively identified with any particular ethnic community in Malaysia, English is meant to be everyone’s language in as much as the national language is. In real life the functions of English in Malaysia almost equal those of Malay, including the social function. This situation results from the image projected by English vis-à-vis Malay and an equal treatment of the two languages in the implementation of the policy. The policy on the enhancement of the use of English has helped to de-sensitise the feeling of the people towards English as a former colonial language, and to close the attitudinal gap between Malay and English. This pragmatism has also changed the world-view of Malaysians that only the use of the national language would assist in nation-building

scholarly journals Transculturalism and Its Manifestation in the Poetics of Lyric Texts

2021 ◽  
Vol 18 (1) ◽  
pp. 29-43
Author(s):  
Zifa K. Temirgazina
Keyword(s):  
Ethnic Identity ◽  
Cultural Identity ◽  
Foreign Language ◽  
Literary Text ◽  
Cultural Stereotypes ◽  
Two Cultures ◽  
The World ◽  
Russian Author ◽  
Hybrid Texts ◽  
Different Cultures

Using the example of the work of the Soviet Russian poet Pavel Nikolaevich Vasilyev, the author shows the representation of transcultural aesthetics in a literary text created in Russian by a Russian author, formed in the conditions of the borderline coexistence of two cultures: Russian and Kazakh. His works can be classified as borderland literature, in which the combination of the Russianlanguage discourse and the paradigm of the steppe, nomadic culture generates a hybrid text with a peculiar artistic aesthetics and poetics, which can be traced at the external and internal deep levels. The I of the author with borderline thinking has a stable ethnic identity, while openly showing its bicultural affiliation, which is quite consistent with the thesis about the flexibility of the cultural identity of a transcultural poet or writer. At the external text level of works of art, transculturalism finds expression in themes, in exoticisms, in foreign language insertions. The transcultural essence of the authors consciousness generates hybrid texts containing symbiotic verbal images and techniques that demonstrate hybrid canons and symbols (symbols of wormwood, horse), incorporating elements of Kazakh and Russian cultural stereotypes and codes (stereotypical ideas about the Asian appearance of Kazakhs), which coexist without conflict in the artistic picture of the world of Vasilyev. As a result, a poetic picture of the world, unique in aesthetics, enriched with the paradigms of two different cultures, which is the property of the Russian cultural space, appears.

scholarly journals When Yours and Mine Are (Not) Ours: Reclaiming Personal and National Histories in Tim Butcher’s The Trigger: Hunting the Assassin Who Brought the World to War

2019 ◽  
pp. 45-59
Author(s):  
Željka Babić
Keyword(s):  
Focal Point ◽  
Literary Text ◽  
Western Balkans ◽  
Historical Events ◽  
The World

Even though the WWI ended a century ago, it seems viable to say that its presence and consequences are still echoing in the (sub)conscious self of the peoples in the Western Balkans. This paper focuses on disclosure of possible linguistic traits within a literary text, which uncover the author’s attitude towards the cultural and historical events he depicts. The aim is to investigate the possibility of extracting the parallel personal and general histories, their overlapping points, be they cultural or historical, through the linguistic tools used. The main focal point is on juxtaposing information, whose meaning is overtly shaped by the culture(s) of the speaker and the generally accepted cultural and historical posits, within the stories portrayed.

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