scholarly journals The conceptualisation of primary emotions in the Serbian language (The case of verbs expressing joy, sadness, fear and anger)

2021 ◽  
Vol 77 (1) ◽  
pp. 163-185
Author(s):  
Ana Milenkovic
Keyword(s):  
Emotional Expression ◽  
Semantic Role ◽  
Source Domain ◽  
Research Material ◽  
Emotional Relationships ◽  
Emotional Meaning ◽  
Primary Meaning ◽  
Passive Verbs ◽  
Linguistic Means

The paper analyses the conceptual mechanisms underlying the development of secondary emotional meanings of ?non-emotional? verbs (in relation to their primary meaning). Being abstract, psychological entities, emotions are formalised and expressed by linguistic means using emotional lexis. Emotional verbs represent a type of this lexis: they denote emotions, emotional relationships and processes, emotional expression and an emotional situation as a whole. The research material consists of 92 verbs which are classified according to two criteria: a. the semantic role of the experiencer, i.e. whether the verbs denote experiencing or provoking an emotion (emotionally-active and emotionally-passive verbs) and b. the criterion of the primary emotion, i.e. whether the verbs belong to the emotional domain of joy, sorrow, fear or anger. The analysis showed that emotions are conceptualised by specific emotional metaphors, based on the pleasure: discomfort distinction. The primary metaphor MAN IS THE CONTAINER FOR EMOTIONS and the general metonymic rule PHYSIOLOGICAL MANIFESTATIONS OF EMOTIONS ARE THE EMOTION ITSELF, represent general mechanisms for the conceptualisation of secondary emotional meanings of verbs. It has also been shown that a certain type of a verb?s primary meaning potentially develops a certain secondary emotional meaning; in other words, each primary emotion has an intrinsic source domain which concretises its abstract meanings.

scholarly journals MEANS OF EMOTIVITY EXPRESSION IN THE TUVAN LANGUAGE (ON THE EXAMPLE OF DIMINUTIVES)

2020 ◽  
Vol 30 (5) ◽  
pp. 813-819
Author(s):  
Ch.S. Tsybenova
Keyword(s):  
Emotional Expression ◽  
Word Formation ◽  
Research Material ◽  
Emotional Aspect ◽  
External Context ◽  
Emotional Meaning ◽  
General Meaning ◽  
Dimensional Adjectives ◽  
Linguistic Means

The article is devoted to the specifics of the emotional aspect in language. The author considers diminutives of the Tuvan language as linguistic means having emotional expression. The research material shows that diminutives, except their main meaning, can transmit different emotional and expressive significations. The primary way of diminutive word formation in the Tuvan language is an affixation. Diminutives formed with the help of dimensional adjectives and their combinations also have an emotional meaning. It is noted that in semantics of diminutives the positive emotional signification is the most clearly manifested together with affixes of belonging and is closely related to semantics of the derived stem. It is revealed that the negative emotional connotation primarily depends on communicative situation, on general meaning of the statement. Therefore, formation of diminutives’ emotional meaning in the Tuvan language is influenced by conditions of internal and external context.

CULTURE OF THE RUSSIAN WORLD - A SPIRITUAL SLOGAN FACTOR OF VICTORY IN THE GREAT PATRIOTIC WAR

2020 ◽  
Vol 10 (2) ◽  
pp. 169-173
Author(s):  
VLADIMIR KSENOFONTOV ◽  
Keyword(s):  
Emotional Expression ◽  
Front Line ◽  
Soviet People ◽  
The People ◽  
Great Patriotic War ◽  
Red Army ◽  
Art Activities ◽  
Artistic Images ◽  
Great Victory

The article reveals the essence and specificity of culture as an important component of the spiritual factor of victory. Special attention is paid to the characteristics of fiction. The article substantiates the moral and aesthetic impact on the consciousness of defenders of the Motherland, such works of art as“They fought for the Motherland”,“Leningrad poem”,“Russian character”,“Invasion”, etc. The article describes the significant role of theatrical art, which reveals the moral values of the people and Soviet soldiers. This is reflected in such plays as: “the Front”; “the Guy from our city”; “Once upon a time”, etc. The article substantiates the important role of the spiritual influence of cinema on Soviet people. This influence was realized through artistic images of selfless service to the Motherland, loyalty to military duty. Among these films: “Two fighters”, “Wait for me”, “Front-line friends”. During the war, as the article emphasizes, an important component of the spiritual factor of victory was the musical art. Activities in this area of culture famous musicians:B. Astafiev, S. Prokofiev, D. Shostakovich, A. Alexandrov, V. Soloviev-Sedoy, and others, was implemented in operas, symphonies, cantatas and songs, which by their nature emotional expression differed Patriotic and epic strength. The purpose of the research : to reveal the axiological components, culture of the Russian world, as important components, spiritual factor during the great Patriotic war. Conclusions : the culture of the Russian world at various stages of the great Patriotic War, through a variety of means and forms, actively mobilized all Soviet people to defend the Motherland and defeat Nazi Germany. The spiritual culture of our country and its types, in the course of functioning, during the war, clearly and expressively revealed the idea of patriotism, courage, bravery and heroism, and encouraged the Soviet people, the soldiers of the red Army, to achieve a great Victory.

The Role of Evaluative Tools in the Creation of the Memorial Media Portrait of Jacques Chirac (1932—2019)

2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina
Keyword(s):  
Print Media ◽  
Political Elite ◽  
Systematic Analysis ◽  
Research Material ◽  
Political Orientations ◽  
Different Types ◽  
The Media ◽  
The Creation ◽  
Entire Text

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.

scholarly journals Semantic Roles of The Verb “To See” in Javenese of Kertosono

2019 ◽  
Vol 5 (2) ◽  
pp. 122-129
Author(s):  
A.A.A Ngr. Adriyanti Weda Ningrat ◽  
I Nyoman Kardana ◽  
Mirsa Umiyati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Role Theory ◽  
Shape Function ◽  
Semantic Role ◽  
Semantic Roles ◽  
Qualitative Research Design ◽  
Semantic Fields ◽  
General Semantic

This study reveals the semantic fields from the "to see" verb in Javanese. The aims of this research is to describe the shape, function, meaning and role of semantic of each variant of the verb "to see". To realize this goal, qualitative research design was applied in this study and the semantic role theory of Vole and Van Valin (1984). Was also oriented in data analysis. Verbs that have semantic fields that are associated with the "to see" verb with intentional entities numbering 33. Each of them is ndêlok, ndêlêng, ningali, mirsani, ndeleng sacleraman, ndêlêng tênanên, ningali saestu, mirsani saestu, ningali sekedhap, mirsani sekedhap, mlengos, ngwasi, ngêmatake, ngematakên, ndhangak, dingkluk, nginceng, ngêlirêk, mêntêlêngi, ndelok mburi, and maca. The semantic roles of the arguments of each verb consist of agents and themes. This study only sheds light on the meaning field verb "to see" of the type of variant and a little about the general semantic role. For this reason, a more detailed study of the specific role of each variant of the verb is a topic that can be raised in the next study.

scholarly journals SOCIO-CULTURAL FEATURES OF SPEAKERS’ COMMUNICATIVE BEHAVIOR IN DIFFERENT SOCIAL ROLES AND THEIR TRANSLATION INTO UKRAINIAN

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Myroslava Lohvynenko ◽  
Keyword(s):  
Social Roles ◽  
Social Role ◽  
Communicative Behavior ◽  
Communication Situations ◽  
The Social ◽  
The Individual ◽  
Cultural Features ◽  
Linguistic Means

The article is a study of the features of the individual’s communicative behavior, when implementing different social roles. By analyzing the concept of the social role and status, author puts forward the classification of the most frequent social roles represented by an individual in formal and informal communication situations (that of a father, lecturer, friend, colleague, employer, employee, consultant). The work is based on the number of studied and investigated dialogical fragments, where one character appears in different social roles and uses various language means. Having considered typical communicative situations, the author also singles out linguistic and extra-linguistic means which mark the changes of speaker’s social roles, namely: elevated, sarcastic, polite, sad, ironic, joyful, neutral, strict, humorous, angry, contemptuous, intrusive, friendly, confident and other tones as well as smile, frown and raised eyebrows, laugh, direct eye contact, pointing finger, pointing the hand etc. At the next stage of the analysis the author reveals the language means that mark the changes of the speaker's social roles as well as outlines the difficulties, connected with their translation into Ukrainian. Translation of the dialogical fragments was studied in order to find out types of rendition of the means that indicate realization of different social roles by the speaker. Non-verbal communication was also researched, aiming to find out correlation between the social role of the speaker and the means, used by the speaker, according to his social role. As a result, the paper presents the analysis of such means of translation as transliteration, transcription, antonymous, descriptive, and contextual tracing, literal types of translation as well as their dependence on the social role of the speaker. So the components of intercourse let communicative behavior of the individual to be comprehensively considered. Thereby, the results of the study, their representation in per cents, as well as examples of the communicative situations and their analysis, are represented in the following article.

scholarly journals Phraseologismen im Bereich der Sexualität. Eine lexikographische Analyse an deutschen und polnischen Beispielen

2021 ◽  
pp. 15-28
Author(s):  
Aleksandra Lidzba ◽  
Krystian Suchorab
Keyword(s):  
Everyday Life ◽  
Research Material ◽  
Starting Point ◽  
Definition Of ◽  
Unwritten Law ◽  
Linguistic Means

People’s sex life is very often, if not always, taboo in everyday life. The theming of this area of life is made possible by various linguistic means that allow one to speak about this content. Phraseological units also serve this purpose. The starting point of this article is the definition of phrasemes according to Burger (2015:11): “Firstly, they [phraseologisms] consist of more than one word; secondly, the words are not put together for this one occasion, but are combinations of words that we, as German speakers, know exactly in this combination (possibly with variants), similar to how we know German words as individual items”. In addition, it is noteworthy that thanks to the characteristic of idiomaticity (cf. Fleischer 1982:30), this taboo is particularly reinforced. At the center of our analysis are phrasemes related to sex life. The research material was taken from German and Polish dictionaries. The purpose of the presentation is to create a typology of thematic areas which are characterized with the help of phrasemes relating to sex life in German and Polish. The article is based on the following definition of a taboo: “an unwritten law that forbids doing certain things based on certain beliefs within a society” (Duden 2015:1735).

The semantic role of the wh-element and subject position in Spanish and Catalan

2010 ◽  
Vol 63 (2) ◽  
Author(s):  
Aria Adli
Keyword(s):  
Experimental Results ◽  
Subject Position ◽  
Semantic Role ◽  
The Subject

AbstractThis work presents experimental results on the position of the subject in

Metaphors in Business Applications

2021 ◽  
pp. 134-153
Author(s):  
Sunny Rai ◽  
Shampa Chakraverty ◽  
Devendra Kumar Tayal
Keyword(s):  
World Wide ◽  
Online Reviews ◽  
Human Communication ◽  
Target Domain ◽  
Source Domain ◽  
Business Applications ◽  
The World ◽  
Figure Of Speech ◽  
Domain Concept

Commercial advertisements, social campaigns, and ubiquitous online reviews are a few non-literary domains where creative text is profusely embedded to capture a viewer's imagination. Recent AI business applications such as chatbots and interactive digital campaigns emphasise the need to process creative text for a seamless and fulfilling user experience. Figurative text in human communication conveys implicit perceptions and unspoken emotions. Metaphor is one such figure of speech that maps a latent idea in a target domain to an evocative concept from a source domain. This chapter explores the problem of computational metaphor interpretation through the glass of subjectivity. The world wide web is mined to learn about the source domain concept. Ekman emotion categories and pretrained word embeddings are used to model the subjectivity. The performance evaluation is performed to determine the reader's preference for emotive vs non emotive meanings. This chapter establishes the role of subjectivity and user inclination towards the meaning that fits in their existing cognitive schema.

scholarly journals Emotional Expression of #body on Instagram

2020 ◽  
Vol 6 (2) ◽  
pp. 205630512092477 ◽  
Author(s):  
Clelia Malighetti ◽  
Simona Sciara ◽  
Alice Chirico ◽  
Giuseppe Riva
Keyword(s):  
Artificial Intelligence ◽  
Body Image ◽  
Emotional Expression ◽  
Image Representation ◽  
Future Research ◽  
Discrete Emotions ◽  
Emotional Model ◽  
Artificial Intelligence Technology ◽  
Program Interface

Our aim was to explore emotions in Instagram images marked with hashtags referring to body image–related components using an artificial intelligence–based discrete emotional analysis. A total of 500 Instagram photos marked by specific hashtags related to body image components were analyzed and specific discrete emotions expressed in each picture were detected using the Emotion application program interface API from Microsoft Azure Cognitive Service. Results showed that happiness and neutrality were the most intense and recognizable emotions expressed in all images. Happiness intensity was significantly higher in images with #bodyimage and #bodyconfidence and higher levels of neutral emotion were found in images tagged with #body, #bodyfitness, and #thininspirational. This study integrated a discrete emotional model with the conventional dimensional one, and offered a higher degree of granularity in the analysis of emotions–body link on Instagram through an artificial intelligence technology. Future research should deepen the use of discrete emotions on Instagram and the role of neutrality in body image representation.

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