scholarly journals Emphasis: Category of sublime in contemporary aesthetic culture

2021 ◽  
Vol 64 (2) ◽  
pp. 133-148
Author(s):  
Divna Vuksanovic
Keyword(s):  
Contemporary Art ◽  
New Technologies ◽  
Frame Of Reference ◽  
Modern Age ◽  
The Sublime ◽  
Works Of Art ◽  
The World ◽  
Artistic Quality ◽  
Contemporary Poetics

The text has the aspiration to sketch a frame of reference for understanding the concept of the sublime today, as it is used in the context of art. The basic idea is to investigate how the category of the sublime appears in the modern age, both within aesthetic theories and with regard to certain poetics and specific works of art. The key difference in the perception of the sublime in relation to the earlier phases of capitalism and the present one consists in the connection that the sublime establishes with new technologies, which is also reflected in the world of art. The exploitation of the category of the sublime through new technologies, embedded in some of the contemporary poetics, is characteristic of our time, which is determined through the primacy of profit in relation to any aesthetic/artistic quality manifested by contemporary art.

scholarly journals Donner à voir : explorer et exploiter les images en histoire de ľinterprétation

Translationes ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 92-107
Author(s):  
Alina Pelea
Keyword(s):  
New Technologies ◽  
Visual Representations ◽  
The Other ◽  
The Sublime ◽  
Other Hand ◽  
Works Of Art ◽  
The Status ◽  
History Of ◽  
History Of Translation ◽  
The One

Abstract It may be too much to say that a picture is worth a thousand words, but no one can deny the informative potential of visual representations. Considering that the history of translation would also benefit from their use, we propose an intervention that will try to look at these resources in order to shed additional light on the status of the interpreter and its evolution. We analyze visual resources dating back to the 17th and 18th centuries (works of art) and others from 2018 (potentially more objective) to see how they reflect, on the one hand, the status of the dragomans of the Sublime Porte and, on the other hand, that of today’s interpreters. In conducting this research, we also look at how new technologies can contribute to the study of different media.

scholarly journals Nuevas prácticas en la escena contemporánea: tecnología, mediaciones y precariedad / New Practices in the Contemporary Scene: Technology, Mediations and Precarity

2014 ◽  
Vol 3 (2) ◽  
Author(s):  
Ileana Azor Hernández
Keyword(s):  
Virtual Reality ◽  
Contemporary Art ◽  
New Technologies ◽  
Mexican Women ◽  
Artistic Creation ◽  
The World ◽  
Physical Presence ◽  
Arte Contemporáneo

ABSTRACTMultiple strategies featuring contemporary art, particularly the scene, are revisited from the formulations that researchers and academics are proposing recently. Performances and creative practices from Europe and America exploring physical presence and virtual reality, event and extreme reality have been the focus of several discussions. Here are updated through Mexican women artistic creation and the environments in which they are involved. Following the traces of a "life" that gives meaning to the world, as part of the process of "scriptures" are expanded, where “presencialidad”, mediations and precariousness enable dialogues with different realities, emphasizes that new technologies are relevant support to consider.RESUMENLas múltiples estrategias que ofrece el arte contemporáneo, particularmente el de la escena, son revisitados a partir de las formulaciones que, desde hace unos años, creadores, investigadores y académicos están proponiendo. La presencia física y en la realidad virtual, el evento y la extrema realidad, así como la precariedad, debatida y ejecutada en performances y textos de Europa y Estados Unidos han sido el centro de varias discusiones que aquí se actualizan a través de la creación artística de mujeres mexicanas y los entornos en los que se involucran. El seguimiento esta vez enfatiza la construcción de una “vida” que da sentido al mundo, como parte de los procesos de “escrituras” expandidas, donde la “presencialidad”, las mediaciones y la precariedad permiten diálogos con diferentes realidades en las que las nuevas tecno-logías son un soporte relevante a tener en cuenta.

scholarly journals Contemporary Colors in Artworks

2019 ◽  
Vol 4 (2) ◽  
pp. 20-27
Author(s):  
Aimi Atikah Roslan ◽  
◽  
Syed Alwi Syed Abu Bakar
Keyword(s):  
Contemporary Art ◽  
Theory And Practice ◽  
Common Language ◽  
Works Of Art ◽  
Integral Component ◽  
The World ◽  
The Subject ◽  
The Relationship

The purpose of this study is to discuss on contemporary colours in artwork. Contemporary colours have developed a bridge between theory and practice, particularly in the production of works of art. While other studies have been conducted on colours solely, this one focuses on the relationship between artwork and contemporary colours. This teaches the reader that contemporary colours are an integral component of the world of painting and design art. The study of contemporary colours employs artwork to address the subject about the significance of modern colours. As a result, the significance of modern colours has become significant that it has evolved into a movement within the context of contemporary art. This writing is an attempt to convey information about colours using a common language

scholarly journals FEATURES OF THE PERCEPTION OF CONTEMPORARY ART BY A SCHOOL TEACHER: ASSESSMENTS, JUDGMENTS, LEVEL OF COMPETENCE

2021 ◽  
Vol 23 (76) ◽  
pp. 57-63
Author(s):  
I.A. Solovtsova ◽  
◽  
A.I. Shipitsyn
Keyword(s):  
General Education ◽  
Contemporary Art ◽  
Mass Culture ◽  
New Technologies ◽  
School Teacher ◽  
Educational Practice ◽  
Main Theme ◽  
Works Of Art ◽  
Teacher Assessments ◽  
Educational Potential

The phenomenon of contemporary art is considered as the content basis of education. The reasons for the contradiction between the educational potential of works of contemporary art and their rare use by teachers for solving educational tasks are determined. The results of qualitative and quantitative analysis of questionnaire materials received from 227 teachers of General education organizations are presented. The article clarifies the concept of contemporary art as the art of the second half of the twentieth century and the present day, aimed at the study and interpretation of a complex, rapidly changing world using a variety of artistic and expressive means and languages, based on philosophical, psychological, socio-cultural concepts and new technologies; having the attributes of experimentation, non-canonicity, topicality, innovation, critical content. The prospects of introducing the results of the study into educational practice by increasing the level of knowledge of teachers about contemporary art are shown.The subject of the article - contemporary art as a meaningful basis for education. The main theme - to identify the possibilities of contemporary art in the education of schoolchildren. The work Purpose - to analyze the results of the survey, which allow us to judge the professional and personal position of teachers in relation to contemporary art, the level of their competence in the field of contemporary art and culture. Methodology of the work: qualitative analysis-hermeneutical and content analysis of visual material when working with works of contemporary art, interpretive and comparative analysis of respondents' assessments and judgments about contemporary art and its educational potential; quantitative method-statistical analysis of empirical data. Results: the analysis of examples of works of contemporary art used to solve educational and / or educational tasks revealed that teachers prefer to use works of art created at the end of the XX – first decades of the XXI century, continuing the classical tradition, as well as the most fashionable and relevant examples of mass culture in their work. Non-classical works of art are used by 10.6% of respondents. Scope of results is the educational space of the school and pedagogical University. Conclusions. Teachers are open to new experiences and are interested in using works of contemporary art to solve educational problems.

scholarly journals On the Beautiful and the Ugly

2011 ◽  
Vol 34 (spe2) ◽  
pp. 21-34 ◽  
Author(s):  
Herman Parret
Keyword(s):  
Contemporary Art ◽  
Moral Value ◽  
The Sublime ◽  
Works Of Art ◽  
Art Works ◽  
The Impact ◽  
As If

Classical aesthetics sees the experience of the beautiful as an anthropological necessity. But, in fact, the beautiful is rather the central category designating classical art, and one can question the relevance of this category considering contemporary art. The reference term most frequently used for contemporary art is interesting: works of art solicit the interests of my faculties (the cognitive-intellectual, the pragmatic community-oriented moral, the affective aesthetic faculties). It is interesting to notice that the categories of the beautiful and the ugly have an axiological-moral value. It looks as if the qualities of contemporary art works are judged according to the intensity of the impact on the interests of our faculties. It reveals important, in this respect, to distinguish the ugly from the sublime and the monstrous. Kant’s Third Critique is of some importance in defining these categories.

Auto Markets in the World and Strategy of Japan’s Companies

2019 ◽  
Vol 10 (10) ◽  
pp. 1003-1008
Author(s):  
Hiroyuki Matsuoka ◽  
Keyword(s):  
Saudi Arabia ◽  
Electric Vehicle ◽  
New Technologies ◽  
Auto Industry ◽  
Domestic Market ◽  
Automatic Driving ◽  
The World ◽  
Almost All ◽  
Made In

In the world auto market, top three companies are VW(Volkswagen), Runault-Nissan-Mistubishi, and Toyota. About some selected countries and areas, China, England, Italy, Australia, Germany, Turkey, Russia, Sweden, USA, Brazil, UAE, Japan, Vietnam and Thailand are more competitive. However, the situation is different. Seeing monopolistic market countries and areas, Saudi Arabia, Taiwan, Korea, Malaysia, France, India, and Pakistan, in particular, the influence of Japan to Taiwan, India, and Pakistan is very big. But in Korea and France, their own companies’ brands occupy the market. In Japan domestic market, the overall situation is competitive. Almost all vehicles made in Japan are Japanese brand. From now on, we have to note the development of electric vehicle (EV) and other new technologies such as automatic driving and connected car. That is because they will give a great impact on the auto industry and market of Japan. Now Japan’s auto industry is going to be consolidated into three groups, Honda, Toyota group, and Renault-Nissan-Mitsubishi group for seeking the scale merit of economy. Therefore, I will pay attention to the worldwide development of EV and other new technologies and the reorganization of auto companies groups.

Editorial

2017 ◽  
pp. 2-3
Author(s):  
Peter Hoar
Keyword(s):  
New Zealand ◽  
New Technologies ◽  
Editorial Team ◽  
Local Market ◽  
Design History ◽  
Recorded Sound ◽  
The Arts ◽  
The World ◽  
1960S And 1970S ◽  
New Zealanders

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.

RISHTAN SCHOOL OF CERAMICS

2019 ◽  
Vol 16 (2) ◽  
pp. 73-77
Author(s):  
Akmal Marozikov ◽  
Keyword(s):  
Central Asia ◽  
Building Materials ◽  
Works Of Art ◽  
The World ◽  
Ferghana Valley ◽  
History Of ◽  
Made In ◽  
National Style

Ceramics is an area that has a long history of making clay bowls, bowls, plates,pitchers, bowls, bowls, bowls, pots, pans, toys, building materials and much more.Pottery developed in Central Asia in the XII-XIII centuries. Rishtan school, one of the oldest cities in the Ferghana Valley, is one of the largest centers of glazed ceramics inCentral Asia. Rishtan ceramics and miniatures are widely recognized among the peoples of the world and are considered one of the oldest cities in the Ferghana Valley. The article discusses the popularity of Rishtan masters, their products made in the national style,and works of art unique to any region

Ч. АЙТМАТОВДУН «ТООЛОР КУЛАГАНДА» РОМАНЫНДАГЫ ПЕЙЗАЖДЫК СҮРӨТТӨӨЛӨР

2020 ◽  
pp. 92-94
Author(s):  
Н. Алтыкеева ◽  
Б. Ниясалиева
Keyword(s):  
Full Moon ◽  
The Novel ◽  
Additional Tool ◽  
The Sublime ◽  
The World ◽  
State Of Mind ◽  
Inner World ◽  
Aesthetic Values

Аннотация. Макалада романдын мазмунунан орун алган пейзаждык сүрөттөөлөр талкууланат. Пейзаждык сүрөттөөлөр чыгарманын көркөмдүүлүгүн, эстетикалык баалуулугун арттыруу менен катар эле каармандардын образын тереңден ачып берүүдө, окуялардын өнүгүп-өсүшү жана алдыда боло турган окуялар тууралуу окурманга маалымат берүүдө кошумча каражат катары колдонулат. Жазуучу романда пейзаждык сүрөттөөлөрдү өтө кылдат колдонгону байкалат. Алсак, тоо адамдагы улуулук жана бийиктикти айгинелейт, толукшуган ай жан- дүйнөнүн бөксөрбөй толуп турушун көрсөтөт, ачык асмандын алай-дүлөй түшкөн көрүнүшкө айланышы - каармандын ички сезими, уйгу-туйгу ойлонуусу, жан дүйнөсүнүн бурганак болушун ачып көрсөтүүдө маанилүү болсо, чабалекейлердин тынымсыз учуп чабалакташы, жан алакетке түшүп чыйпылдашы – алдыда боло турган кырсыктуу окуя тууралуу кабар берсе, согуштун апааты жашыл шибердин, бак-дарактардын күлгө айланышы, чымчык-куштардын күздү күтпөй кайдадыр учуп кетип жатышы менен түшүндүрүлөт. Tүйүндүү сөздөр: пейзаж. роман, идея, легенда, эпилог, каарман, негизги окуялар. Аннотация. В статье дается пейзажное описание. Пейзажное описание используется в произведении как дополнительное средство эстетических ценностей и помогает раскрыть образы героев, и действия произведения. Писатель в романе тонко использует пейзажное описание. Например горы возвышенное и самое ценное в человеке, а полная луна – счастливое душевное состояние человека, а превращение безоблачного неба в бущующий вид – указывает, как неспокойно в душе главного героя, его беспокойные мысли, как бушует его внутренний мир, а ласточки неспокойно летающие, предвещают несчастье, птицы улетающие раньше времени, превращение зелёной травы, деревьев в пепел предвещают ужасы войны. Ключевые слова: пейзаж. роман, идея, легенда, эпилог, герой, главное событие Annotation. The article discusses the landscape description. The landscape description is used in the work as an additional tool for aesthetic values and helps to reveal the images of heroes, and in the development of the action of the work/ The writer in the novel subtly uses the landscape description. The mountains are the sublime and the most valuable in a person, and the full moon is a happy state of mind of a person, and the transformation of a cloudless sky into a raging view indicates how restless the soul of the protagonist is, his restless thoughts. How his inner world is raging, and the swallows are restlessly flying, foreshadow the misfortune, the birds flying away ahead of time, the transformation of green grass, trees in the forehead the horrors of war. This article describes the idea of the story "Do not kill" which is given instead of the epilogue in the novel "When the mountains fall" which was written by Ch.Aitmatov. It considers the role of a story that calls to live in peace and to end wars that are occurring in the world. Keywords: Landscapе, novel, idea, legend, epilogue, hero, main event.

BREAST CANCER SCREENING: CURRENT ACHIEVEMENTS, FUTURE PERSPECTIVES AND NEW TECHNOLOGIES

2019 ◽  
Vol 65 (5) ◽  
pp. 664-671
Author(s):  
Ilya Pyatnitskiy ◽  
O. Puchkova ◽  
Viktor Gombolevskiy ◽  
Lyudmila Nizovtsova ◽  
Natalya Vetsheva ◽  
...  
Keyword(s):  
Breast Cancer ◽  
Cancer Screening ◽  
Breast Cancer Screening ◽  
New Technologies ◽  
Screening Program ◽  
Cochrane Library ◽  
Future Perspectives ◽  
Pubmed Database ◽  
The World ◽  
The Cochrane Library

The article presents a literature review of the PubMed database and the Cochrane library, aimed at analyzing the current situation and problems in the field of breast cancer screening in the world and Russia to form an idea of the key elements in organizing an effective screening program in the Russian healthcare system, as well as the possibilities of using new technologies when organizing such programs.

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