scholarly journals BENTUK PENYAJIAN REBANA BURDAH PADA ACARA PERKAWINAN KECAMATAN LUBUAK SIKARAH KELURAHAN TANAH GARAM KOTA SOLOK

2020 ◽  
Vol 9 (4) ◽  
pp. 135
Author(s):  
Anju Cantika ◽  
Wimbrayardi Wimbrayardi
Keyword(s):  
Data Analysis ◽  
Musical Instrument ◽  
Art Music ◽  
Musical Instruments ◽  
Music Culture ◽  
Wedding Ceremony ◽  
Descriptive Method

This study aims to identify and explain the form of Rebana Burdah presentation in a wedding ceremony in Nagari Payo, Lubuak Sikarah district, Tanah Garam village, Solok City. It includes the players, the musical instruments used, the songs presented in Rebana Burdah, the time and place of the performance, the costumes, Rebana Burdah art in the procession, and its supporting community.This is a qualitative researchusing a descriptive method. The object of research was the presentation of Rebana Burdah in NagariPayo, Lubuak Sikarah District, Tanah Garamvillage, Solok City. The data were collected through observation, interview, recording, and shooting. The data were processed by using qualitative analysis.From the data analysis, it is found that the presentation of Rebana Burdah in a wedding ceremony in Nagari Payo, Lubuak Sikarah district, Tanah Garam Village, Solok City, consists of at least four people and six people in maximum. The musical instrument used was a tambourine. The song which accompanies the tambourine is read from a bezanji with radat was made by the Rebana group at Surau Rudah. Meanwhile, the position of Rebana Burdah players in the procession is at the back and there is no rule for what costumes should be worn.Tambourine is onekind of musical instrument. Rebana Burdahuses songs from the zanji book accompanied by rebana. In Nagari Payo community, Lubuak Sikarah District, Tanah GaramVillage, Solok City, Rebana Burdahis presented in every traditional ceremony and Islamic religious holiday, and it is especially performed at wedding ceremony.Rebana Burdah is presented at a wedding ceremony and during the procession. It is presented at night while waiting for the groom at house, and it is presented in the day during the procession.Keywords: Tradition, Art, Music, Culture, Islam

MAKNA TARI KAIN DALAM UPACARA PERKAWINAN MASYARAKAT PAUH V KECAMATAN PAUH KOTA PADANG SUMATERA BARAT

2020 ◽  
Vol 9 (4) ◽  
pp. 1
Author(s):  
Vhellani Harza Dena ◽  
Darmawati Darmawati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Secondary Data ◽  
Literature Study ◽  
Marriage Ceremony ◽  
Traditional Dance ◽  
Wedding Ceremony ◽  
Main Instrument ◽  
Descriptive Method

This study aims to describe and analyze the meaning of Kain dance in marriage ceremony at Pauh V, Pauah district, Padang city. This is a qualitative research using a descriptive method. The object of this research was Kain dance in Pauh V community, Pauh district, Padang city. The data used in this study were primary and secondary data. The main instrument was the researcher itself and was assisted by supporting instruments such as writing instruments, cameras, and cellphones. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, displaying the data, and making conclusions. The results show that Kain dance is a traditional dance which is a manifestation of the values of Pauh V community in a marriage ceremony. The instructions are given by niniak mamak (headmen) and bako (fathers’ family) as people who are responsible. This is depicted in a dance by dancers who invite the bride and groom to dance as a form of learning.Kain dance depicts a man who is married and is recognized as an adult who must have dexterity, strength, and vigilance in facing challenges in life's journey. This dance is performed in a marriage ceremony during the malakek an gala (giving a title). However, over the time, Kain dance may be performedat religious events in Pauh V Community, Pauh District.Keywords : meaning, cloth dance, wedding ceremony

scholarly journals Percussion Pattern of Terebang Gede in Panggung Jati Studio, Panggung Jati Village, Serang

2020 ◽  
Vol 20 (2) ◽  
pp. 223-230
Author(s):  
Suhaya Suhaya ◽  
Abdul Rachman ◽  
Syahrul Syah Sinaga ◽  
Dandi Musa Alfayad
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Data Reduction ◽  
Analytical Methods ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Literature Study ◽  
Cultural Aspects ◽  
Collection Data ◽  
Data Collection Technique

The characteristics of a region become an identity that is certainly inseparable from the noble values it adheres to, including religious values as the foundation for the formation of art of terebang gede in the Panggung Jati studio, Panggung Jati village, Serang, Banten. This study aims to describe the percussion patterns in the art of Terebang Gede both in text and context by using a qualitative paradigm with descriptive analytical methods. As a highlighted theory, ethnomusicology is used to analyze the existence of music in a culture, both from physical aspects and socio-cultural aspects. The data collection technique is done by interview, documentation study, and literature study. The data analysis stages are carried out in the order of data collection, data reduction, data organizing into a pattern, category, and description into basic descriptions that lead to the concluding process. The results showed that the percussion pattern of terebang gede is very simple. The percussion patterns on all existing musical instruments, such as the musical instrument of koneng, kempul, penganak (bibit), interlude, and bass (terebang gede), still follow the framework of the percussion “standard” which is hereditary from previous generations. Until now, this accompaniment without the development of rhythmic variations has been used to accompany syair or sholawat Al-Barzanjiwith with tones of Sundanese-style songs of the salendro type. Changes in accompaniment were not made because this performance was only performed on special occasions for Muslims to broadcast and support worship which was not intended as entertainment music.

scholarly journals DEKULTURASI BENTUK SENI PERTUNJUKAN ORKES GAMBUS DI KOTA PARIAMAN PROVINSI SUMATERA BARAT

2019 ◽  
Vol 8 (1) ◽  
pp. 67-73
Author(s):  
IMRAN ABDOEL GANI ◽  
IMRAN ABDOEL GANI
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Data Collection ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Arab Immigrants ◽  
The People ◽  
West Sumatra ◽  
The 19Th Century ◽  
The City

This study focused on developments that occurred in gambus music in the Pariaman area from 1960 to 2018. Many other interesting changes that occurred in the development of stringed music in this area. Lute music is a musical unit that presents musical instruments gambus, especially playing Arabic songs and qasidah. The development of lute music in Indonesia began in the 19th century along with the arrival of Arab immigrants from Hadramaut, South Yemen to the archipelago. Although initially gambus was a means of preaching immigrants, along with the gambus, it developed into a means of entertainment. In 1970, Nur El-Surayya Gambus Orchestra held a concert in the context of a cultural weekend in Padang Pariaman District, West Sumatra. Nur El-Surayya Gambus Orchestra performances at that time were very welcome for the people of Padang Pariaman. Several years before the arrival of the Nur El-Surayya Gambus Orchestra to Padang Pariaman Regency, in this area several gambus music groups were established which are well known today, namely: Al Falah Gambus Orchestra (1960-1980), Al Ihsan (1965) , Nurul Hidayah (1974), and Al Hidayah (1995-present). The musical instrument used by the Al Falah Gambus Orchestra is currently an acoustic music instrument such as: violin, gambus (Ud), tamburin, bass barge / betot bass, and maracas. This study specifically examines the "Deculturation of the Forms of Performing Gambus Orchestra in the City of Pariaman, Province of West Sumatra, Musicological Study" using qualitative research methods. data collection used in this study are, observation, interviews, documentation and data analysis. This method is designed to reveal the phenomenon of the Gambus Orchestra in Kota Pariaman.

scholarly journals ANALISIS KETERAMPILAN BERMAIN ALAT MUSIK ANGKLUNG PADA SISWA SEKOLAH DASAR

2020 ◽  
Vol 11 (1) ◽  
pp. 116-120
Author(s):  
Siska Kusumawardani ◽  
Nanda Nur Aulia
Keyword(s):  
Data Analysis ◽  
Qualitative Analysis ◽  
School Children ◽  
Elementary School Children ◽  
Research Method ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Learning Objectives ◽  
Islamic School ◽  
Descriptive Research

The purpose of this study was to analyze and describe the skills of playing angklung musical instruments in elementary school children. The research method in this research is descriptive research with observation, documentation and interview data. The research was conducted at SD Private Syafana Islamic School with the subjects studied were 10 children who were a combination of low classes, namely class 1,2,3. Data analysis using descriptive-qualitative analysis. The results showed that the skills to play angklung consisted of 1) preparation consisting of recruiting children to enter extra angklung musical instruments. 2) Preparation, formulate learning objectives to play angklung, determine methods in playing angklung skills 3) implementation. a) the teacher conveys the learning objectives and provides material about the angklung musical instrument b) the teacher demonstrates the angklung, how to hold, how to play the resulting tone. c). given training using angklung and 4) evaluation by holding an art performance playing angklung which is held in schools through audience appreciation.

scholarly journals ANTONI PENGRAJIN CETIK DARI KABUPATEN LAMPUNG BARAT; KAJIAN NILAI ETOS KERJA

2017 ◽  
Vol 9 (1) ◽  
pp. 95
Author(s):  
Yuzar Purnama
Keyword(s):  
Cultural Heritage ◽  
Work Ethic ◽  
Musical Instrument ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Next Generation ◽  
Descriptive Method ◽  
Clear Information

Cetik/gamolan pekhing merupakan alat musik yang berasal dari Provinsi Lampung khususnya Kabupaten Lampung Barat. Cetik terbuat dari bambu, alat musik ini hanya digunakan untuk keperluan upacara adat dan pengiring dalam penyambutan tamu, karena cetik sulit untuk dipelajari. Pengrajin cetik di Provinsi Lampung jumlahnya relatif tidak banyak, mereka tetap menggeluti pekerjaan tersebut walaupun hasilnya tidak mencukupi. Hal inilah yang menarik bagi penulis untuk meneliti tentang pengrajin cetik dan alat  musik cetik. Penulisan ini bertujuan untuk mendapatkan informasi yang jelas tentang alat musik cetik dan pengrajinnya. Penulisan ini dibatasi dalam bentuk pertanyaan, apa cetik itu? Bagaimana membuatnya? Bagaimana perkembangannya? Bagaimana sosok Antoni sebagai pengrajin cetik? Apakah memiliki etos kerja? Penelitian ini menggunakan metode deskriptif dengan pendekatan kualitatif. Kesimpulan penelitian, cetik mengalami kesulitan untuk dipelajari dan dimasyarakatkan,  setelah dimodifikasi dari pentagonis menjadi diatonis, cetik lebih mudah dipelajari. Namun, cetik asli  tetap dipertahankan dan dilestarikan. Pengrajin cetik harus begulat antara kebutuhan hidup dengan tanggung jawab sebagai penerus leluhur untuk melestarikan warisan budaya. Perjuangan hidup pengrajin cetik yang dilematis menciptakan etos kerja yang dapat diadopsi oleh generasi penerus bangsa.    Cetik / gamolan pekhing is a musical instrument that originated from province of Lampung, especially in West Lampung District. Cetik is made from bamboo; this instrument is used only for ceremonial purposes and accompanist in welcoming guests, because cetik is difficult to learn. Cetik Craftsmen in Lampung Province relatively few in number, they still wrestle the job although the results are not sufficient. This is interesting for the writer to investigate about cetik craftsmen and cetik musical instruments. This research aims to obtain clear information about cetik musical instruments and craftsmen. The writing is restricted in the following questions: What is cetik? How to make it? What about its progress? How to figure Antoni as a cetik craftsman? Does he have work ethic? This research uses descriptive method with qualitative approach. The conclusion of this research is cetik faces a problem to be studied and promoted. After it is modified from pentatonic be diatonic, cetik is easier to be learnt. However, the original cetik is still maintained and preserved. Cetik craftsmen must struggle between the necessities of life with the responsibility as a successor to the ancestors for preserving cultural heritage. Life struggle of cetik craftsmen dilemma created a work ethic that can be adopted by the next generation.

scholarly journals PEWARISAN MUSIK KRILU DI SANGGAR RATAU AGUNG DI DESA TUNGGANG KECAMATAN LEBONG UTARA KABUPATEN LEBONG PROVINSI BENGKULU

2020 ◽  
Vol 9 (3) ◽  
pp. 40
Author(s):  
Inka Aglisda ◽  
Syeilendra Syeilendra
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Closed System ◽  
Secondary Data ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Literature Study ◽  
Research Instrument ◽  
Inheritance System ◽  
Voice Recorder

AbstractThis study aims to describe or find out the inheritance of the Krilu musical instrument in Sanggar Ratau Agung in Tunggang Village, Lebong Utara District, Lebong Regency, Bengkulu Province. This research is a qualitative research. The research instrument was the researcher itself and was assisted by supporting instruments such as stationery, voice recorder, and camera. The type of data in this study was primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collecting data, classifying data analysis, and making conclusions and suggestions. The results show that the inheritance of Krilu in Sanggar Ratau Agung in Tunggang Village, Lebong Utara District, Lebong Regency, Bengkulu Province uses an open and enculturation system. This inheritance system does not use a closed one due to the fact that there is no family from Krilu artists that can inherit the Krilu art. The open inheritance system carried out by artists is by teaching individual studio members who are interested and want to learn Krilu musical instruments. Meanwhile, the closed system is not found in the inheritance system. The Krilu musical instrument is played when the official speech is given in the welcoming dance, and inheritanceKeywords: Devolution, Krilu's musical instrument, Ratau Agung Studio

scholarly journals National musical instrument; Timbre; Charm; Piano music

2018 ◽  
Vol 1 (4) ◽  
pp. 105
Author(s):  
Xiaolan Cui
Keyword(s):  
Music Education ◽  
20Th Century ◽  
Piano Music ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Western Music ◽  
Social Activities ◽  
Music Culture ◽  
Chinese Music

At the beginning of the 20th century, Western music gradually integrated into Chinese music education institutions and various music social activities. The timbre, range and comprehensive expression of Western musical instruments have played an important role in promoting the performance of Chinese national musical instruments. At the same time, Chinese traditional music culture has also had an important impact on the localization of Western music in China, especially for the piano music.

scholarly journals Eksistensi Kesenian Kuda Lumping Rekso Budoyo Sebagai Bentuk Kearifan Lokal dan Identitas Desa di Masa Pandemi Covid-19

2021 ◽  
Vol 3 (2) ◽  
pp. 129
Author(s):  
Novi Andari ◽  
Mateus Rudi Supsiadji
Keyword(s):  
Folk Art ◽  
Musical Instrument ◽  
Art Music ◽  
Musical Instruments ◽  
Leadership And Management ◽  
A Performance

Pelestarian sebuah kesenian rakyat untuk tetap mempertahankan identitas sebuah kelompok merupakah hal yang penting untuk keberlanjutan hidup sebuah komunitas. Sebuah komunitas yang hidup, sejahtera pula anggota kelompok tersebut. Dengan berkembangnya sebuah kelompok dan daerah, berkembang pula sebuah bangsa dan negara. Pemupukan identitas sebuah bangsa dimulai dari kelompok terkecil masyarakat di dalamnya. Dalam bidang kesenian, musik tidak dapat dilepaskan karena merupakan salah satu unsur utama dalam kesenian yang menghibur. Alat musik tradisional yang dimiliki oleh Kelompok Kesenian Rakyat Kuda Lumping REKSO BUDOYO Desa Galengdowo Kecamatan Wonosalam Kabupaten Jombang ini telah mengalami kerusakan akibat vakum selama kurang lebih 1 tahun belakangan ini karena Pandemi Covid-19. Jika mengharapkan kelompok kesenian ini tidak mati, maka salah satu unsur penting dari sebuah pertunjukan harus dapat diupayakan tetap terjaga keberadaan dan kualitasnya, yaitu alat musik tradisional. Selain itu terkait dengan tujuan bangsa untuk melestarikan unsur identitas sebuah bangsa yang dimulai dari wilayah terkecil di dalamnya, regenerasi kepemimpinan dan kepengurusan yang memiliki karakteristik sesuai dengan tuntutan zaman saat ini demi keeksistensian sebuah kelompok kesenian rakyat perlu pula dilakukan. Preservation of a folk art to maintain the identity of a group is important for the sustainability of a community. A living community, the members of the group prosper. With the development of a group and a region, a nation and a country also develop. Cultivating the identity of a nation starts from the smallest group of people in it. In the field of art, music cannot be separated because it is one of the main elements in entertaining art. This traditional musical instrument owned by the Kuda Lumping Folk Art Group REKSO BUDOYO Galengdowo Village, Wonosalam District, Jombang Regency has been damaged due to a vacuum for approximately 1 year due to the Covid-19 Pandemic. If you hope that this art group will not die, then one of the important elements of a performance must be strived to maintain its existence and quality, namely traditional musical instruments. In addition, related to the nation's goal to preserve the elements of a nation's identity starting from the smallest area in it, regeneration of leadership and management that has characteristics in accordance with the demands of today's era for the existence of a folk-art group also needs to be done.

ANALISIS WACANA PADA BERITA NONTON FILM SAKINAH, MAHASISWA UIN YOGYAKARTA BERI PUJIAN (ANALISIS MIKROSTRUKTURAL)

2019 ◽  
Vol 7 (4) ◽  
pp. 57
Author(s):  
Resdianto Permata Raharjo ◽  
Maranita Anjarsari
Keyword(s):  
Data Analysis ◽  
Online News ◽  
Analysis Method ◽  
Literature Study ◽  
Lexical Cohesion ◽  
News Discourse ◽  
Qualitative Descriptive ◽  
Descriptive Approach ◽  
Method Analysis ◽  
Descriptive Method

This study aims to describe 1) the form of cohesion contained in the news Watching Sakinah Movies, UIN Yogyakarta Give Praise Students and 2) describing the forms of coherence contained in the news Watching Sakinah Film, Students of UIN Yogyakarta Give Praise. The subjects used in this study were news of watching Sakinah film, UIN Yogyakarta students giving praise, and the objects used were sentences containing grammatical cohesion, a form of lexical cohesion. The approach used in this study is a qualitative descriptive approach. The data in this study are sentences in the news of Watching Sakinah Movies, This student is a method of literature study. While the method of data analysis in this study is descriptive method analysis method, the method used to analyze and describe cohesion markers and analyze markers of coherence. Test The results of the study show that in the news of watching Sakinah films, UIN Yogyakarta Beri Pujian students have varied markers of cohesion and coherence in the Tebuireng Online news discourse. Cohesion markers were found to reference (3), substitution (1), ellipsis (2), conjunction (3), collocation (1), and markers of coherence found cause-effect relationships (2), relationship coherence suggestions — goals (1), coherence temporal relations (1), and coherence of causal relationships (1).

Analisis Efektivitas Distribusi Zakat Produktif Dalam Meningkatkan Kesejahteraan Mustahik (Studi Kantor Cabang Rumah Zakat Sumatera Utara)

2019 ◽  
Vol 4 (1) ◽  
pp. 137
Author(s):  
Mulkan Syah Riza
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Qualitative Analysis ◽  
Field Research ◽  
Qualitative Approach ◽  
North Sumatra ◽  
Descriptive Method ◽  
Descriptive Qualitative

This study aims to explain how the distribution of productive zakat in the Rumah Zakat North Sumatra and how the effectiveness of productive zakat distribution in improving the welfare of mustahik in the Rumah Zakat North Sumatra. This study uses a qualitative approach with a type of descriptive method, which is a problem that guides researchers to explore and photograph situations that will be thoroughly investigated, broadly and deeply. Data collection techniques with field research, while the tools used are observation, interviews and documentation. Data analysis used is descriptive qualitative analysis. The results of this study inform that in distributing productive zakat funds, Rumah Zakat is in accordance with Law No. 23 of 2011 concerning Management of Zakat. The distribution of productive zakat carried out by the Rumah Zakat North Sumatra through the Senyum Mandiri Program to mustahik in Medan Helvetia Subdistrict has been effective, because it can improve the welfare of mustahik, this is evidenced by the income of eight of thirteen mustahik people in total, five people whose income is fixed and four out of eight people whose income has increased has reached the level of muzaki.

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