scholarly journals Wisdom and Mystical Thoughts on The Mirror-Tiles Art in Safavid Architectural Space and its Relationship With Sufism

2021 ◽  
Vol 19 (2) ◽  
pp. 291-314
Author(s):  
Naeim Sepehri
Keyword(s):  
Early Period ◽  
Contemporary History ◽  
Symbolic Expression ◽  
Historical Process ◽  
Traditional Art ◽  
Architectural Space ◽  
Mystical Literature ◽  
The Way ◽  
Architectural Spaces

The Mirror-tiles artwork is one of the latest initiatives of Iranian spiritual art which with its symbolic expression and mysterious character, conveys the revelations and mystical thoughts in the cover of matter and form to its audience and affects them consciously and unconsciously. This art is an esoteric language to convey intuitive concepts and to remind the way of their inherited life from the predecessors as traditional art has always been based on symbols and allegories and expresses the spirit of its time. The first peak of the Mirror-tiles used in architectural spaces in Iran coincided with the fusion of Sufism and Shi’ism in the early period of the Safavid Empire. The Safavid dynasty had Sufi roots and lineage, and among the Sufis, the inner language is the language of Shari’a and Truth, and the tools of that language are the symbol and indication. Has been rejected or neglected due to a lack of interest and attention to the registration of special documents, the secrets governing this system, new historical conditions, and profound and obvious developments in the realm of contemporary history. With the aim of the influence of the Persian mystical thoughts about the Mirror, this study with the available historical and contemporary sources and analyzing them deals with the hidden meanings in this art and reveals its connection with Sufism and Mysticism through mystical literature and its historical process.

scholarly journals The Sustainability of Regenerative Cafes Utilizing Idle Industrial Facilities in South Korea

2021 ◽  
Vol 13 (9) ◽  
pp. 4784
Author(s):  
Jun-Sik Eom ◽  
Sung-Hoon Yoon ◽  
Dai-Whan An
Keyword(s):  
South Korea ◽  
Cultural Heritage ◽  
Space Utilization ◽  
Industrial Facilities ◽  
Architectural Space ◽  
Tourist Destinations ◽  
Architectural Spaces

This study investigates the sustainable values of cafes established using idle industrial facilities that are a part of the cultural heritage of South Korea in terms of the characteristics of the architectural space and consumers’ space utilization. Twenty regenerative cafes in five regions were selected, and five of them were analyzed by comparing their characteristics with those of the conventional cafes. Unlike conventional cafes, regenerative cafes have architectural spaces that seem to be non-everyday and elicit a feeling of the passage of time. Users utilized these cafes as spaces for activities and experiences for long periods compared to conventional cafes. Consequently, regenerative cafes were found to contain sustainable values as complex networking spaces, as cultural heritage that can be experienced and as independent tourist destinations. Regenerative cafes have become unique differentiated architectural spaces utilized by several users.

‘TRANS-’ APPROACH TO ARCHITECTURE AND MUSIC INTERACTION: THE RELATIONSHIP BETWEEN MARCOS NOVAK’S LIQUID ARCHITECTURE AND MUSIC

2020 ◽  
Vol 0 (21) ◽  
pp. 0-0
Author(s):  
Gizem ÖZKAN ÜSTÜN ◽  
Pınar DİNÇ KALAYCI
Keyword(s):  
Case Studies ◽  
Historical Process ◽  
Music And Architecture ◽  
New Form ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship ◽  
Architecture And Music ◽  
Process Method ◽  
The Way

Aim: The aim of this research is to identify the Novak’s relationship of ‘liquid architecture and music’ as an approach that diverges from the architecture music relationships that have been built throughout the historical process. Method: In describing the approach, initially, the intellectual and critical foundations and features of liquid architecture were emphasized, and subsequently, its relationship with music was discussed through case studies in comparison to the current relationship between architecture and music. Results: When the current relationships of the architecture and music are evaluated, the attitude apart from the arising sensations and affections doesn’t exist within the relationship of liquid architecture and music. Liquid architecture, which has characteristics such as continuity, timelessness, plurality, poetry and obscurity, acquires the characteristics of the individual varying based on his/her body, senses, perceptions, and emotions as the way of producing architecture. It is claimed that the liquidity approach will influence music and architecture in different ways than is known, and that music will transform into a new form of architecture, while architecture becoming a new form of music. In this context, it extends ‘beyond (trans-)’ the limits of current approaches. Conclusion: The sixth category of methodical approaches in architecture music interaction can be defined as the relationship of liquid architecture and music. The way it relates to music and the way it produces architecture also suggests a direction of development to concrete architecture and virtually warns about renewing its theory and tools.

Inside the discipline, outside the paradigm: keeping track of the New Art History

1997 ◽  
Vol 22 (3) ◽  
pp. 12-18 ◽  
Author(s):  
Lyn Korenic
Keyword(s):  
Graduate Student ◽  
Art History ◽  
Interdisciplinary Approach ◽  
Point Of View ◽  
The Internet ◽  
Historical Sources ◽  
Traditional Art ◽  
New Methodologies ◽  
The Web ◽  
The Way

From the point of view of a student of art history in the 1980s re-entering the discipline as a graduate student, the ‘new’ art history represents a dramatically wider field of enquiry involving new methodologies, although ‘old’ art history is still pursued by some academics. The ‘new’ art history employs an interdisciplinary approach which embraces materials far beyond ‘traditional’ art historical sources, and so information has to be sought outside the art library and via the Internet. Librarians responsible for supporting art history studies need to keep in touch with teachers, with curriculum developments, and with the discipline itself; it may also be helpful to get involved in staff/student use of the Web, and to collaborate with other Humanities librarians. The way in which the ‘new’ art history branches out in all directions parallels the hypertext linkages of the Web and the complexity of our globally-connected world.

scholarly journals The importance of lighting in the interpretations of Christian sacral architecture of the second half of the XX century

2020 ◽  
pp. 104-115
Author(s):  
Danira Sovilj
Keyword(s):  
Theoretical Analysis ◽  
Central Element ◽  
Significant Component ◽  
Artificial Lighting ◽  
Architectural Space ◽  
Ways Of Thinking ◽  
The Given ◽  
Insight Into ◽  
Planned Activities ◽  
Architectural Spaces

The character of architectural space is dependent on the range of aspects that define it. Lighting presents a very significant component of architectural space. Apart from being functionally necessary for carrying out the planned activities, lighting also has a very important role in determining the ambient value of the segments or the entirety of the space. That role becomes even more important and dramatically evident in those architectural spaces that are meant to provide an intense experience for users, as in the case of sacral architecture. For centuries lighting has been a topic present in sacral architecture, and its significance becomes especially noticeable in newer interpretations of rigidly subdued contemplative spaces. The refined aesthetics of the architectural forms of the second half of the XX century often gives way to lighting as the central element of the architectural composition, which determines the mystical and suggestive ambiances that direct users to contemplation. The study is, in the first part, conducted through a theoretical analysis of the phenomena of natural and artificial lighting in architecture. Then, in the second part, an analysis of prominent examples of sacral architecture from the given period is applied in order to explore models of treating lighting as a key element in building expressive architectural spaces that invite spiritual reflections and contemplation. The goal of this research is to examine the potentials of lighting beyond its utilitarian function, and research the possibilities and potential of utilizing lighting as a carrier of the meditative and transcendental character of sacral architecture. The result of the research is a confirmation of the importance of lighting in sacral architecture, and an insight into the ways of thinking about light in the context of shaping suggestive and meditative architectural spaces that intensify the hyperphysical experience.

scholarly journals Entanglement

2013 ◽  
Vol 10 (1-2) ◽  
pp. 7-13
Author(s):  
Marina Gržinić
Keyword(s):  
Social Sciences ◽  
Contemporary History ◽  
European Context ◽  
Social Sciences And Humanities ◽  
History Of Art ◽  
History Of ◽  
The Way

My intention is to expose the way in how gender, class and race and media were and are overdeterminated, but without falling into a simplification that they are simply “contradictory.” I will make recourse to some contemporary performative practices and political spaces in Europe that dismantles the singular established contemporary history of art and performative practices in European context. Author(s): Marina Gržinić Title (English): Entanglement Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 10, No. 1-2 (Summer-Winter 2013) Publisher: Institute of Social Sciences and Humanities – Skopje  Page Range: 7-13 Page Count: 7 Citation (English): Marina Gržinić, “Entanglement,” Identities: Journal for Politics, Gender and Culture, Vol. 10, No. 1-2 (Summer-Winter 2013): 7-13.

scholarly journals Escritura de mujeres, escritura de las diferencias

2016 ◽  
Vol 1 (1) ◽  
pp. 107 ◽  
Author(s):  
Francesca Gargallo
Keyword(s):  
Latin American ◽  
Sexual Difference ◽  
Women's Writing ◽  
The Body ◽  
Contemporary History ◽  
Narrative Poetry ◽  
Literatura Latinoamericana ◽  
The Family ◽  
History Of ◽  
The Way

Resumen: Se rastrea la historia contemporánea de la literaturalatinoamericana escrita por mujeres, mostrando temáticas queprofundizan en la diferencia sexual y sus consecuencias parala escritura. Se exploran las consecuencias para la narrativa yla poética de las autoras, de temas como la eroticidad femeninay la especificidad del cuerpo de la mujer, y el lugar que ésteocupa en las historias familiar, nacional y continental. Seindaga asimismo sobre las formas en las cuales sus narracionescontribuyeron al meta-relato del patriarcado latinoamericano.A la vez, en este trabajo se registran las huellas dejadas en lanarrativa y la poética de estas autoras por las resistenciasfemeninas frente al orden patriarcal.Palabras clave: Escritura de mujeres, Diferencia sexual, Feminismo,Literatura latinoamericana, Narrativa, PoéticaAbstract: The contemporary history of Latin American literaturewritten by women is traced, showing the themes that delve intosexual difference and its consequences for writing. Theconsequences of feminine eroticism and the specificity ofwomen’s bodies for the writers’ narratives and poetry areexplored, as well as the place the body occupies in the family,national and continental histories. The way in which theirnarratives contributed to the meta-story of Latin Americanpatriarchy is taken into account. At the same time, this paperrecords the imprints feminine resistance to the patriarchal orderleaves in these authors’ narrative and poetic work.Key words: Women’s writing, sexual difference, feminism,Latina American literatura, narrative, poetry

The evolution of trinity images to the medieval period

2017 ◽  
Vol 13 ◽  
pp. 93-110
Author(s):  
Balderstone Susan
Keyword(s):  
Early Period ◽  
Medieval Period ◽  
Abstract Ideas ◽  
Artistic Works ◽  
Theological Debate ◽  
Catholic Churches ◽  
The Trinity ◽  
The Way

This paper investigates an association between the iconography used in artistic works and theological positions in the great debates over the nature of Christ and the Trinity. It looks at how the iconography evolved up to the medieval period with the schism between the Orthodox and Catholic churches and beyond. It is proposed that there was dogmatic intent which related to the ongoing theological debate. This is demonstrated by the chronological correlation between specific markers in the debate and changes in the way the Trinity was depicted. Acknowledged authority Andre Grabar considered that changes were due to the essential inadequacy of pictorial means to depict abstract ideas, and a striving by artists and image makers to capture them in different ways. He did not relate dated images to events in theological history, but referred to a "general confusion" of ideas in the early period due to the theological debates. However, it can be seen that there was a correlation between the chronology of the debate and iconographic development of all four main 'types' of the Trinity.

Perlambangan dalam Hiasan Tekstil Tradisional Minangkabau

SUHUF ◽  
2015 ◽  
Vol 2 (1) ◽  
pp. 113-126
Author(s):  
Wesnina Wesnina
Keyword(s):  
Daily Life ◽  
Traditional Teaching ◽  
Way Of Life ◽  
Firm Formation ◽  
Cultural System ◽  
Traditional Art ◽  
The Social ◽  
Ornamental Art ◽  
Holy Book ◽  
The Way

Traditional teaching has its impact on the creation of the art of traditional ornament of Minangkabau. That phenomenon is reflected in the effort and creation of the art designer to create traditional art motive which strictly hold to the way of life and the social and cultural system society. Traditional ornamental art of Minangkabau is a visual expression which consists of the teachings becoming the way of life of Minangkabau people in their daily life; traditional teachings and religious teachings. The philosophy of the Minangkabau tradition has its firm formation when Islam entered Minangkabau. It is reflected in the motto of the Minangkabau people in implementing their tradition and religion in their life. The motto,  adat basandi syara’, syara basandi kitabullah  (tradition is based the religious teachings and religious teachings are based on the Holy Book of God) is a concept which reflects that in its implementation, tradition will adjust its practice with the Islamic teachings.

Reflections on Melvin Richter’s Tocqueville and the Two Napoleons

2021 ◽  
Vol 42 (2) ◽  
pp. 29-42
Author(s):  
Cheryl B. Welch
Keyword(s):  
Public Affairs ◽  
Contemporary History ◽  
Administrative State ◽  
Political Career ◽  
Historical Method ◽  
Center Stage ◽  
The Waves ◽  
The Way

This essay explores the significance of Napoleon for contemporary history and public affairs by reflecting on the career of Melvin Richter (1921-2020) and his forthcoming Tocqueville and the Two Napoleons. Richter maintains that Tocqueville’s ever-deepening analysis of the Napoleonic model, a new and sinister form of the administrative state, achieved dystopian dimensions in his thought and serves as an important thread by which we can re-assess Tocqueville’s entire oeuvre and political career. The article argues that Tocqueville’s historical method, which takes center stage in Richter’s reconstruction of the way in which Tocqueville submits Napoleon to the discipline of history, continues to inspire, even as contemporary concerns shift away from the dangers of the administrative state. It also speculates that the mythical Napoleon who transcended time, a figure inevitably neglected in “Tocquevillian” histories but made compelling by a generation of romantic writers, is newly relevant in a world of mysterious affective attachments to populist leaders and the waves of expressive violence in which such attachments are enmeshed.

Holiness and Sanctity in the Early Church

2011 ◽  
Vol 47 ◽  
pp. 1-18 ◽  
Author(s):  
Andrew Louth
Keyword(s):  
Late Antiquity ◽  
Early Christianity ◽  
Early Period ◽  
The Other ◽  
Early Church ◽  
Western Society ◽  
The World ◽  
And Function ◽  
Holy Man ◽  
The Way

In 1971 Peter Brown published his justly famous article, ‘The Rise and Function of the Holy Man in Late Antiquity’. It is no exaggeration to say that this article — and the host of articles and books that succeeded it — have transformed the way we think about saints and their cult in late antiquity. This change is part of a wider transformation of the study of the world of early Christianity, a change that has much to do with the changing, not to say declining, place of Christianity in Western society. The very words Peter Brown used in the title of his article are emblematic of this changed perspective: holy, man, late antiquity. Others have noted the change of words from what one might have expected, or from what one would have expected a few decades, even years, earlier. Averil Cameron spoke of Peter Brown ‘rightly avoiding the term “saint”, for in this early period there were no formal processes of sanctification, and no official bestowal of sainthood’. Put like that, it seems obvious why Brown talked about the ‘holy man’. I want to suggest that the nature of the change involved is much less easy to track down, and furthermore that awareness of the specific suggestions implicit in Brown’s choice of words will enable us to contemplate the world of late antiquity from the perspective Brown was largely inaugurating, while not losing the other perspectives that were implicit in the language and concepts laid aside.

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