scholarly journals The Image of Digital China in the Russian Media

2020 ◽  
Vol 1 (10) ◽  
pp. 26-36
Author(s):  
Lijun Guo

The texts published in the Russian mass media on the digitalization processes in China are analysed in the article. The relevance of the study is due to the attention of the Chinese government to the implementation of international cooperation with various countries, including Russia. It is noted that the “Chinese theme” is one of the most relevant in Russian publications. Attention is paid to one of the most popular and dynamically developing areas — digitalization. The author proceeds from the assumption that the media not only reflect news information, but also in a certain way form ideas about a particular object being described. The author notes that significant attention is paid to the development of digitalization in the PRC in Russian newspapers and magazines. It is shown that in the publications of the Russian media, China is represented by one of the world leaders in digitalization, which is supported by the state and its citizens. The contexts, indicating that digitalization is penetrating into different spheres of the country’s life: education, industry, trade, etc., are given. The author comes to the conclusion that an exclusively positive image of digital China is being constructed in the Russian media.

Author(s):  
Е. Гнездилова ◽  
E. Gnezdilova

The article discusses the media discourse, analyzes its role in shaping the picture of the world of modern person: the typological features of the media text, the means and techniques of speech impact on the audience are highlighted. In the study of media texts, the author used the method of discursive analysis. As a result of an experimental study, linguistic techniques and means were revealed by which mass media influence the formation of public opinion, control communication in society. After analyzing publications in Russian media, the author comes to the conclusion that many of the linguistic techniques used in socio-political discourse today are mostly manipulative in nature, and are a powerful tool in the information confrontation. The identification of these tools and techniques, their systematization allows us to understand the specifics of the formation of the picture of the world of modern person, especially communication in society.


Author(s):  
Antonio Sandu ◽  
◽  
Polixenia Nistor ◽  
◽  

Mass media affects its consumers primarily in their cognitive dimension, by changing the image of the world - in this sense that the media becomes a vector of social influence, by changing the cognitions of individuals - but also by changing the shared social constructs within membership groups. The stated role of the media is to inform target audiences about events of interest in the field-specific to the activity of the media trust, but also to convey opinions, ideas, and views on those events in a way that is as complete and as complex as possible, allowing recipients to build their own opinions or adhere to one or another of the opinions expressed. This article deals with the ethics of mass communication when faced with a window of opportunity which allows an easier promotion of ideas or interests, taking into account the theory of life as a spectacle promoted by Erwin Goffman.


2019 ◽  
Vol 8 (5) ◽  
Author(s):  
Murshida Kh. Fatykhova ◽  
Regina I. Gazizova

The dynamic development of traditional media: print, radio, television, the emergence of new computer information technologies, the globalization of the world information space makes a huge impact on the current state of the language. Mass media are the most important tool in the development and the preservation of the language. On the one hand, all the latest language changes are reflected in the media, and on the other hand, the media influence language changes and development. This article outlines the results of the study concerning the role of regional media in the distribution and popularization of the national language. A full description is given to modern Tatar-language media within the Russian media space. Nowadays, despite an active distribution of network mass media, television remains one of the main communication channels. For a large part of the Russian population, including the viewers of the Republic of Tatarstan, it is one of the most accessible ways to obtain the information in native language. In this regard, in the course of the study, they studied the experience of the main Tatar-language television and radio companies in the popularization of the national language


2018 ◽  
Vol 6 (1) ◽  
pp. 1-39
Author(s):  
Anton Holzer ◽  
Elisabeth Lauffer

Between the mid-1920s and the early 1930s German photojournalism experienced a profound, far-reaching upheaval. Up until this time, the illustrated mass media had favoured the reproduction of single photos, but during this brief period the photo-essay rose to prominence. Photographs and texts were integrated into a new, complex narrative unity: photoreportage. This article aims to reconstruct the historical conditions under which modern photo-reportage arose during the Weimar Republic. It will also revise certain accepted judgements about the history of photojournalism between the world wars. The development of modern photojournalism has until now been identified almost exclusively with the achievements of individual protagonists, mainly prominent photographers. Although these individuals played an important role in the production process of photoreportage, they were rarely consulted regarding editorial questions and layout. In order to better understand the economic development of photoreportage and its growth as a medium, it is necessary to examine the editorial work being done behind the scenes at the magazines and newspapers of the time. This article will therefore focus more on the development of the media and economic macrostructures at play in the emergence and growth of photo-reportage, and less on individual photographers’ contributions and photojournalistic output. It ultimately shows that the consolidation of modern photo-reportage was the result of closely connected media-related and social developments, commercial strategies and aesthetic decisions that went far beyond the agency of individuals.


Author(s):  
Viktor Ivanovich Shahovsky

The article views a circle of issues connected with the responsibility of contemporary work of media for the quality of information. The metalanguage actual for the new Russian media sphere is generalized. All types of up-to-date information resources are viewed and classified. The types and forms of their content variation are analysed. Special attention is paid to a new information phenomenon – infonoise – whose harmful nature is revealed. Among intended and unintended fluctuations of the language norm there is a process of constructing createmes as a means of communicative freedom, expressivisation and emotionalisation of the media discourse. The journalists are reminded of their responsibility for the quality of information presented to the public. A most significant definition of responsibility including all its necessary notional specifiers is introduced. The absence of these specifiers is illustrated in the information materials, which impedes adequate understanding of them by the mass media consumers and does not lead to the unified reflection. It is stated that the most important of these specifiers is the truthfulness of information. Special attention is paid to the ecological risks of the irresponsibility of some journalists in regard to their fishing, transmitting and broadcasting low-quality information. Emphasis is put on the fact that the practice of journalists represents a specific communicative sphere, which often disorients information consumers. This fact is mostly obvious in connection with incompliance of mass media in a common methodology of presenting information, which has resulted in destruction of the dialogue function of mass media: only the Internet still preserves this function. Highlighted is the role of the language in creating linguistic reality as opposed to the objective one.


2021 ◽  
pp. 18-32
Author(s):  
Myroslava Mamych ◽  

This article gives a detailed account of one of the topical issues of modern integrative linguistic stylistics, i.e., substantiation of the content of the latest concepts that are formed within the interrelated disciplines. Attention is specifically paid to the terms media stylistics, verbal and linguocultural content of the media. The author elaborates on the concept of linguocultural content of the media text interpreting it as linguistic and aesthetic signs of culture, components of linguistic and informational pictures of the world, i.e., a value-content meaning of the mass media which unfolds and concretizes the general and nationally marked concepts, and as a regular manifestation of the language norm. The data of the magazine A Woman shows that the verbal content is a significant, specific segment of the functioning of the modern Ukrainian literary language in the media space. It reflects the universal stratification of the language of national professional, social, every day, and artistic culture, the synergy of its mediatopes and media genres, broadcasts a hierarchy of social (socio-political, gender), psychological and economic stereotypes, and human needs. They are all united by the Ukrainian-centric linguocultural platform which consists of both value-semantic signs of culture and structural-level units of the literary-linguistic continuum. In terms of media stylistics, the language of Ukrainian-language media is analyzed in two complementary perspectives: 1) via metaphorical-associative field structures with specific core nominations; 2) via the principles of realization of the media structural-level norm in the mass media. Keywords: media stylistics, verbal content, linguocultural indicator of value, metaphorical-associative field, language norm, sign of culture.


2021 ◽  
Vol 7 (Extra-D) ◽  
pp. 67-75
Author(s):  
Vladimir I. Kurbatov ◽  
Darya A. Mamina ◽  
Andrey V. Bedrik ◽  
Ilya V. Pechkurov ◽  
Vladimir I. Mareev

This work discusses the trends of the world migration processes development in the context of global COVID-19 pandemic reflected in mass-media practices, network communication and scientific analyses. The methodology of this research is based on systematic methods of evaluating messages in the media and social networks, as well as network analysis techniques, mass media practices and migrant rhetoric in public materials by highlighting, comparing, evaluating and conceptualizing the trends in transformation of migration processes under the influence of global changes caused by the pandemic. The study proves that the global migration processes and migration in the Russian Federation are in crisis under the influence of the global COVID-19 pandemic.


2021 ◽  
pp. 151-155
Author(s):  
О. N. Goryacheva

In the world of virtual reality, it becomes quite difficult for the recipient of information to understand how much the image he uses, created in media reality, corresponds to the phenomenon of social reality, of which it is a reflection. The construction of media reality in the media is of particular interest for research in the field of sociology, cultural studies, psychology, linguistics, advertising, PR. The study of the genesis of media reality in the paradigm of mass media is the basis for identifying the main trends in the development of communication science. Of interest is the interdependence of the agenda and the means of influencing consumers of information used in the media. The relevance of the work is associated with the understanding that the construction of media reality turns into a media process. The allocation of priority information in the media stream becomes problematic: the consciousness of the recipient is significantly overloaded the individual does not have time to analyze the information received, but only gives him a superficial emotional assessment. The article analyses mass media materials that reflect the agenda and affect the construction of media reality. The practical significance of the study of the potential of mass media in the construction of media reality is to identify priority topics for the agenda of publications that affect the consumer of information content.


2019 ◽  
Vol 3 (4) ◽  
pp. 53-65
Author(s):  
Irina Erofeeva ◽  
Alexey Muravyov

The article presents a linguoculturological analysis of key concepts of national vision in the Russian and Chinese mass media. It offers substantiation of a conceptual view of the world objectified in a media discourse. The concepts, as cognitive-linguistic structures, are supported by the background knowledge of the addressee and the addresser, involve the meanings of the proto-text, stimulate an adequate interpretation of the media text and ensure the effectiveness of its impact on the cognitive, emotional and behavioral levels of consumer’s perception. The space of such a media text forms a mental landscape, which is a set of values that reflect the spectrum of people’s life on a certain territory and that are broadcast over time in the paradigm of «past – present – future». Based on research in the field of cognitive linguistics and psycholinguistics, journalism, social philosophy, it is argued that the new media technologies, textual and formatted ones are controlled by a collective cultural memory. The empirical base of the study was more than 500 texts of Russian and Chinese mass media. The cultural landscape of the media discourse is represented by texts in which the nuclear concepts of the national view of the world in Russia and China are embedded: collectivism (collegiality), patriotism. The article describes the features of these concepts’ representation in conjunction with the process of objectification of the dominant cultural values of China and Russia. An intensive representation of the concepts in mass media provides necessary national identification in Russian and Chinese societies, allows to implement the cultural hereditary function of the media and to protect the primordial traditions of the society, to transmit the ideals and cultural heritage of the previous generations.


2021 ◽  
Author(s):  
Kate Butler

In the twenty-first century, the mass media is increasingly seen as having a very pervasive influence: the extent and reach if it simply cannot be ignored. In communities large and small, and in countries all over the world, the mass media has the ability to set agendas and influence public opinion. In North America, the mass media is particularly ubiquitous; from television, to the internet, to newspapers, it has become difficult to avoid mass media products.


Sign in / Sign up

Export Citation Format

Share Document