scholarly journals 3D Modeling of the Cultural Heritage: Between Opportunity and Necessity

2020 ◽  
Vol 10 (1) ◽  
pp. 27-30
Author(s):  
G.V. Herman ◽  
T. Caciora ◽  
Dorina Camelia Ilies ◽  
A. Ilies ◽  
Anca Deac ◽  
...  

AbstractRomania, due to its historical background, has many vestigial belongings to the cultural heritage, out of which the most noticeable (by number, age, architecture, symbolism and representation) are the wooden churches. Under these circumstances the role of the current study is to emphasize certain practical aspects (focused on the need to assess, preserve, restore and valorize) regarding the use of modern technology based on photogrammetry and 3D scanning. The case study was represented by the “Saint Martyrs Constantin Brȃncoveanu and His Sons” wooden church from Oradea Municipality, Bihor County, Romania; the edifice being included on the list of historical monuments ever since 2010. The final goal being to create 3D models for both the exterior and interior of the monument for research, restoration in case of need, sharing for education, entertainment, tourism purposes etc.

Resources ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 43
Author(s):  
Pavel Hronček ◽  
Bohuslava Gregorová ◽  
Dana Tometzová ◽  
Mário Molokáč ◽  
Ladislav Hvizdák

The study provides a methodology for 3D model processing of historic mining landscape, and its features as mining digital cultural heritage with the possibility of using new visualization means in mining tourism. Historic mining landscapes around the towns of Gelnica (eastern Slovakia) had been chosen for the case study. The underground mining spaces around Gelnica, which are currently inaccessible to clients of mining tourism, were processed using 3D modeling. Historically, correctly processed 3D models of mining spaces enable customers of mining tourism to virtually travel not only in space, but what is most important, in time as well. The up-to-date computer-generated virtual mining heritage in the form of 3D models can be viewed via the Internet from different perspectives and angles. The models created this way are currently the latest trend in developing mining tourism.


2021 ◽  
Vol 11 (2) ◽  
pp. 121-126
Author(s):  
Florentina-Cristina Merciu ◽  
C. Păunescu ◽  
G.-L. Merciu ◽  
A.E. Cioacă

Abstract The characteristics of the industrial heritage (antiquity, architectural, cultural, technological value) determined its inscription in the category of historical monuments. In recent years, non-invasive digital technologies have been used in studies focused on documenting, digitizing, preserving elements of industrial heritage. Also, another objective of digitizing the industrial heritage is to facilitate its promotion as a cultural resource among the general public. The purpose of this study is to promote the railway station of Curtea de Argeş through non-invasive technology. The analyzed industrial monument represents a symbolic building of the neo-Romanian architectural style. The building is also associated with a remarkable historical value: the railway station was also used by the Romanian royal family. Based on the use of terrestrial photogrammetry (versatile GNSS RTK GS18 I sensor) and aerial (photogrammetric flight), the authors created the 3D model of the station, obtaining a high-resolution modeling. The results of this study reflect the usefulness of modern technology for documenting, 3D modeling and promoting an industrial monument inscribed on the list of national cultural heritage. The accuracy and optimal performance of the measurements made, using GNSS technology and aerial photogrammetry, allowed highlighting the remarkable architectural and volumetric characteristics of the railway station of Curtea de Argeş Municipality.


Author(s):  
Dario Allegra ◽  
Giovanni Gallo ◽  
Laura Inzerillo ◽  
Marcella Lombardo ◽  
Filippo L. M. Milotta ◽  
...  

In the last years 3D scanning has become an important resource in many fields, in particular it has played a key role in study and preservation of Cultural Heritage. Moreover today, thanks to the miniaturization of electronic components, it has been possible produce a new category of 3D scanners, also known as handheld scanners. Handheld scanners combine a relatively low cost with the advantage of the portability. The aim of this chapter is two-fold: first, a survey about the most recent 3D handheld scanners is presented. As second, a study about the possibility to employ the handheld scanners in the field of Cultural Heritage is conducted. In this investigation, a doorway of the Benedictine Monastery of Catania, has been used as study case for a comparison between stationary Time of Flight scanner, photogrammetry-based 3D reconstruction and handheld scanning. The study is completed by an evaluation of the meshes quality obtained with the three different kinds of technology and a 3D modeling reproduction of the case-study doorway.


2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Jerzy Montusiewicz ◽  
Marek Miłosz ◽  
Jacek Kęsik ◽  
Kamil Żyła

AbstractHistorical costumes are part of cultural heritage. Unlike architectural monuments, they are very fragile, which exacerbates the problems of their protection and popularisation. A big help in this can be the digitisation of their appearance, preferably using modern techniques of three-dimensional representation (3D). The article presents the results of the search for examples and methodologies of implementing 3D scanning of exhibited historical clothes as well as the attendant problems. From a review of scientific literature it turns out that so far practically no one in the world has made any methodical attempts at scanning historical clothes using structured-light 3D scanners (SLS) and developing an appropriate methodology. The vast majority of methods for creating 3D models of clothes used photogrammetry and 3D modelling software. Therefore, an innovative approach was proposed to the problem of creating 3D models of exhibited historical clothes through their digitalisation by means of a 3D scanner using structural light technology. A proposal for the methodology of this process and concrete examples of its implementation and results are presented. The problems related to the scanning of 3D historical clothes are also described, as well as a proposal how to solve them or minimise their impact. The implementation of the methodology is presented on the example of scanning elements of the Emir of Bukhara's costume (Uzbekistan) from the end of the nineteenth century, consisting of the gown, turban and shoes. Moreover, the way of using 3D models and information technologies to popularise cultural heritage in the space of digital resources is also discussed.


2021 ◽  
Vol 11 (10) ◽  
pp. 4610
Author(s):  
Simone Berneschi ◽  
Giancarlo C. Righini ◽  
Stefano Pelli

Glasses, in their different forms and compositions, have special properties that are not found in other materials. The combination of transparency and hardness at room temperature, combined with a suitable mechanical strength and excellent chemical durability, makes this material indispensable for many applications in different technological fields (as, for instance, the optical fibres which constitute the physical carrier for high-speed communication networks as well as the transducer for a wide range of high-performance sensors). For its part, ion-exchange from molten salts is a well-established, low-cost technology capable of modifying the chemical-physical properties of glass. The synergy between ion-exchange and glass has always been a happy marriage, from its ancient historical background for the realisation of wonderful artefacts, to the discovery of novel and fascinating solutions for modern technology (e.g., integrated optics). Getting inspiration from some hot topics related to the application context of this technique, the goal of this critical review is to show how ion-exchange in glass, far from being an obsolete process, can still have an important impact in everyday life, both at a merely commercial level as well as at that of frontier research.


2016 ◽  
Vol 23 (1) ◽  
pp. 71-97 ◽  
Author(s):  
Christina Maags ◽  
Heike Holbig

Abstract:Since “intangible cultural heritage” (ICH) became the new focal point in the global heritage discourse, governments and scholars in many countries have begun to promote this new form of “immaterial” culture. The People’s Republic of China has been one of the most active state parties implementing the new scheme and adapting it to domestic discourses and practices. Policies formulated at the national level have become increasingly malleable to the interests of local government-scholar networks. By conducting a comparative case study of two provinces, this article aims to identify the role of local elite networks in the domestic implementation of the 2003 Convention for the Safeguarding of Intangible Cultural Heritage, focusing on the incentives of scholars and officials to participate in ICH policy networks. It finds that the implementation of the Convention has not removed the power asymmetry between elite and popular actors but, instead, has fostered an elite-driven policy approach shaped by symbiotic, mutually legitimizing government–scholar networks.


Antiquity ◽  
1981 ◽  
Vol 55 (214) ◽  
pp. 106-114 ◽  
Author(s):  
P. J. Fowler

My original title deliberately contained several layers of ambiguity. First, my paper is official and ‘on the record’. Secondly, it refers incidentally to RCHM'S ‘track record’ and makes a few observations about the Commission's achievements and failures. Thirdly, and most importantly, it discusses the nature and future of that part of the national record of England's cultural heritage for which the Commission has the prime responsibility. That responsibility, implicit in the original 1908 Royal Warrant, and made explicit in its revised Warrant of 1963, involves the acquisition, storage and dissemination of information about the country's historic monuments and constructions in the widest sense of the phrase. The development of such a national record was envisaged by those who, in the later nineteenth and early twentieth centuries, agitated for the setting up of a Commission-type body. The record was to be the basis on which such a body could carry out its most pressing function, that is to assess the nation's monumental heritage in order to advise on what is worthy of preservation. A whole history could be written on how and why things turned out differently, but what I want to do here is to adumbrate the new framework for the changing emphases in the role of the Commission in the later twentieth century.


2022 ◽  
Vol 56 (3) ◽  
pp. 41-55
Author(s):  
Daria Bręczewska-Kulesza

The article focuses on issues demonstrating the role of architecture in the development of Prussian psychiatry in the nineteenth and the early twentieth century. The Provincial Treatment and Care Institution Allenberg (now Znamensk, Russian Federation) is used as a case study to demonstrate the perception of model solutions used in Prussian asylums located in distant provinces. The asylum discussed in this article met the contemporary requirements, proving that these models and newest trends reached East Prussia very quickly. The asylum complex in Allenberg was a testimony to the development of Prussian and European architectural thought in the service of medicine. Unfortunately, today the former asylum remains in a poor condition and is treated as unwanted legacy rather than a cultural monument.


2020 ◽  
Vol 2 ◽  
pp. 93-109
Author(s):  
Marta Salvador i Almela ◽  
Núria Abellan Calvet

Currently, many are the phenomena that occur around intangible cultural heritage (ICH), related to its politics and legacy. With a critical analysis perspective, this article aims to describe the processes of patrimonialisation, commodification, and touristification of ICH, especially of the Guatemalan Mayan fabrics. The ongoing movement of Guatemalan weavers to protect and vindicate the cultural value of this art brings to light the role of different actors that intervene in intangible cultural heritage and, of greater relevance, indigenous communities. The following analysis framework on the diverse conceptualisations of heritage, authenticity, commodification and touristification allows for a deeper understanding of the Mayan weavers’ situation. The methodology used in this article consists on a case study, through which the following main conclusions arise: the lack of protection of ICH of this case study given the complex definitions and categorisations; the need to identify the consequences of commodification and touristification of ancestral tapestries, highlighting the importance of tourism management from the communities; and, finally, the key role of women as transmitters and protectors of ICH, who have headed a process of movement and empowerment.


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