scholarly journals TRADISI DAN SIMBOL YANG SERUPA: STUDI PERBANDINGAN PADA GAMBAR CADAS MUDA DI INDO-MALAYSIA

AMERTA ◽  
2020 ◽  
Vol 38 (1) ◽  
pp. 31-48
Author(s):  
Irsyad Leihitu
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
19Th Century ◽  
Rock Art ◽  
Peninsular Malaysia ◽  
Upper Paleolithic ◽  
New Findings ◽  
And Behavior ◽  
The 19Th Century

Abstract. The Similarity of Traditions and Symbols: Comparative Study of Recent Rock Art in Indo-Malaysia. As an ancient art, rock art, in general, is always associated with the prehistoric hunter-gatherer communities in the upper Paleolithic period or about 40,000 years ago. However, it was later discovered that the tradition of drawing/painting inside the cave was still practiced by modern hunter-gatherer communities in the 19th century, especially in the Indo-Malaysian region. This article seeks to conduct a comparative study of "recent" rock art in Lenggong Region, Perak, Peninsular Malaysia with the new findings of "recent" rock art from Bukit Bulan Region, Sarolangun, Jambi, Sumatera Island, Indonesia. The method used is a comparative analysis that seeks similarities from attributes such as techniques, motifs, sizes, and characters. The results show that both recent “young” rock art in the two regions are somehow alike. Also, contextual studies show the existence of similar traditions and behavior between modern hunter-gatherer communities in both regions.   Abstrak. Gambar cadas sebagai kesenian purba pada umumnya selalu dikaitkan dengan manusia prasejarah, yakni pemburu-peramu pada masa paleolitik atas atau sekitar 40.000 tahun yang lalu. Setelah itu, belakangan telah diketahui bahwa tradisi menggambar di dalam gua masih dilakukan oleh  masyarakat pemburu-peramu modern pada abad ke-19, khususnya di wilayah Indo-Malaysia. Artikel ini dimaksudkan untuk melakukan studi perbandingan terhadap gambar cadas “muda” di Kawasan Lenggong, Perak, Semenanjung Malaysia, dengan temuan baru berupa gambar cadas “muda” di Kawasan Bukit Bulan, Sarolangun, Jambi, Pulau Sumatra, Indonesia. Metode yang digunakan adalah analisis komparatif untuk mencari kesamaan dari atribut, seperti teknik, motif, ukuran, dan karakter. Hasilnya menunjukkan bahwa banyak kesamaan atribut pada gambar cadas “muda” pada kedua situs. Selain itu, kajian kontekstual juga menunjukkan adanya tradisi dan pola perilaku yang serupa antara masyarakat pemburu-peramu modern di kedua wilayah tersebut.

THE DEVELOPMENT OF AMERICAN SHIP-ACCOUNTING PRACTICES TO 1900: A COMPARATIVE STUDY OF THREE VESSELS

1999 ◽  
Vol 26 (1) ◽  
pp. 27-51
Author(s):  
Jan Richard Heier
Keyword(s):  
Comparative Study ◽  
Environmental Change ◽  
20Th Century ◽  
19Th Century ◽  
Business Environment ◽  
Accounting Model ◽  
Types Of Information ◽  
The 19Th Century ◽  
The U.S

Accounting has always been utilitarian in nature. It adapts to the changes in the business environment by meeting the need for new types of information. The change in waterborne transportation in the U.S. during the 19th century provides an example of such an environmental change that led to a need for accounting adaptation. With the advent of the steamboat, old accounting methods were modified and new ones created to meet the changes in the business environment. In the process, a standardized ships-accounting model was developed. The model can be seen in the accounting records of three ships that sailed at the beginning of the 20th century.

scholarly journals Un paisaje sacralizado por grabados rupestres protohistóricos e históricos en las hoces del río Mesa (Calmarza, Zaragoza) = A Sacralized Landscape by Protohistoric and Historical Rock Engravings in the Gorges of the River Mesa (Calmarza, Zaragoza)

2020 ◽  
pp. 105
Author(s):  
José Ignacio Royo Guillén ◽  
Francisco José Navarro Cabeza ◽  
Serafín Benedí Monge
Keyword(s):  
19Th Century ◽  
Iron Age ◽  
Rock Art ◽  
Archaeological Remains ◽  
The Third ◽  
Christian Iconography ◽  
Siglo Xix ◽  
Del Rio ◽  
The 19Th Century

Los estudios sobre grabados rupestres al aire libre de cronología postpaleolítica, adolecen de importantes carencias que, en el valle medio del Ebro, se han visto superadas con la llegada del tercer milenio. Con la presentación de este trabajo se pretende dar a conocer un nuevo núcleo de grabados rupestres, localizado en el extremo suroeste de la provincia de Zaragoza, en las gargantas calcáreas del río Mesa. Entre los nuevos enclaves rupestres, destacan los abrigos con grabados protohistóricos, pero muy especialmente los de cronología medieval andalusí y los de iconografía cristiana entre los siglos XIV y XVIII, con perduraciones hasta mediados del siglo XIX y algunas escenas relacionadas con la primera Guerra Carlista en Aragón. La distribución de los hallazgos, su tipología e iconografía y los restos arqueológicos asociados, permiten documentar una importante ocupación del territorio desde la Iª Edad del Hierro y la sacralización del paisaje a través del arte rupestre, con pervivencias que se perpetúan a lo largo de la Edad Media y Moderna, destacando como novedad la presencia de un importante conjunto de inscripciones epigráficas islámicas que deben situarse entre los siglos XI y XII. AbstractThe studies on open-air rock engravings in post-Paleolithic chronology suffer from important deficiencies, which in the middle valley of the Ebro, have been overcome with the arrival of the third millennium.With the presentation of this work, the aim is to make known a new nucleus of rock engravings, located in the extreme southwest of the province of Zaragoza, in the limestone gorges of the River Mesa. Among the new rock engravings, the shelters with protohistoric engravings stand out, but especially those with a medieval Andalusian chronology and those with Christian iconography between the 14th and 18th centuries, which lasted until the middle of the 19th century and some scenes related to the first Carlist War in Aragon. The distribution of the findings, their typology and iconography and the associated archaeological remains, allow us to document an important occupation of the territory since the First Iron Age and the sacralization of the landscape through rock art, with survivals that are perpetuated throughout the Middle and Modern Ages, highlighting as a novelty the presence of an important set of Islamic epigraphic inscriptions that must be located between the 11th and 12th centuries.

scholarly journals Agrarian reforms of Russia at the turn of the XIX–XX centuries in the coverage of economists of the XX century

2021 ◽  
pp. 141-144
Author(s):  
I. K. Shcherbakova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
19Th Century ◽  
Economic Reforms ◽  
Research Paper ◽  
Russian Empire ◽  
Agrarian Reforms ◽  
The Russian Empire ◽  
The 19Th Century ◽  
Different Parts

The article analyses the features of the development of agriculture in Russia at the end of the 19th century - the beginning of the 20th century. The paper studies and considers attempts to solve the agrarian issue in the specified period. The study considers the course and results of the reform of 1861, as well as economic reforms of the beginning of the 20th century. The author gives an assessment of these reforms, as well as the situation of the peasantry made by the leading economists of that time: N.D. Kondrat'ev, S.L. Maslov, A.V. Peshekhonov, A.V. Chayanov, and also analyses the measures aimed at alleviating the situation of the peasantry and solving the agrarian problems of that period. The research paper also presents a comparative analysis of the consequences of the 1861 reform, its impact on the solution of the agrarian issue in different parts of the Russian Empire, in particular in Poland after the Polish Uprising of 1863.

The Great Temple of Berenike: new findings of the Berenike Temple Project

2018 ◽  
Vol 26 (2) ◽  
pp. 133-145
Author(s):  
Martin Hense
Keyword(s):  
19Th Century ◽  
Back Wall ◽  
Stone Wall ◽  
New Findings ◽  
Small Test ◽  
The 19Th Century ◽  
The Temple

A reinvestigation of the so-called Serapis temple of Berenike produced proof for the existence of undisturbed archaeology around and even inside the building. Until recently it was assumed that this temple was completely excavated during the several, poorly documented, excavations of the 19th century. A small test trench against the back wall of the temple uncovered the remains of a secondary stone wall and parts of a small statue. The excavation of the northwest room resulted in the find of architectural details never published by the early excavators.

Taxing stock transfers in the first golden age of financial capitalism: political salience and the limits on the power of finance

2017 ◽  
Vol 17 (3) ◽  
pp. 503-522 ◽  
Author(s):  
Elsa Massoc
Keyword(s):  
New York ◽  
Comparative Analysis ◽  
19Th Century ◽  
The State ◽  
Current Debate ◽  
Privileged Position ◽  
The Us ◽  
Financial Transactions ◽  
The 19Th Century ◽  
Financial Capitalism

Abstract The current debate about taxing financial transactions is often presented as a brand new one. It is not. At the turn of the 19th century, a similar tax was debated in France and the US Financial actors fought the tax mightily. Those actors were very powerful. Yet, they lost. A tax on stock transfers (STT) was established. Why? Through a comparative analysis of France and the State of New York, this article argues that the tax was adopted because politicians interested in capitalizing on public discontent endeavored to publicize and frame the STT in simple and antagonizing terms. Strong but heterogeneous public hostility against finance got focused on the explicitly politicized issue of the tax. Political salience disrupted the logics of ‘quiet politics’ and momentarily undermined the privileged position of finance. Despite intense lobbying and threats to relocate from financiers, elected officials chose to vote for the STT.

scholarly journals Um estudo comparativo entre a Fundição de Typos Henrique Rosa e a Funtimod | A comparative study between Henrique Rosa Type Foundry and Funtimod

2019 ◽  
Vol 16 (3) ◽  
pp. 419-433
Author(s):  
Isabella Aragão ◽  
Edna Lucia Cunha Lima
Keyword(s):  
Comparative Study ◽  
19Th Century ◽  
Rio De Janeiro ◽  
Sao Paulo ◽  
São Paulo ◽  
Doctoral Research ◽  
History Of ◽  
The 19Th Century

A partir do começo do século 19, o Brasil abrigou fundições tipográficas habilitadas a manufaturar ou comercializar todo tipo de material utilizado nas oficinas tipográficas, entre elas encontra-se a Fundição de Typos Henrique Rosa, do Rio de Janeiro, e Funtimod – Fundição de Tipos Modernos, de São Paulo. Recentemente, as duas autoras deste artigo desenvolveram pesquisas com foco na firma carioca. Enquanto Edna Lucia Cunha Lima estava interessada na narrativa da família Rosa, Isabella Ribeiro Aragão intencionava responder questões comerciais, levantadas durante sua pesquisa doutoral sobre a Funtimod. Este artigo, portanto, visa contribuir com a história da tipografia no Brasil por meio da relação dos resultados dos estudos realizados, respectivamente, no Rio de Janeiro e Recife.*****Since the beginning of the 19th century, Brazil has housed type foundries qualified to manufacture or commercialize all types of material used at printing workshops, among them the Fundição de Typos Henrique Rosa, from Rio de Janeiro, and Funtimod – Fundição de Tipos Modernos, from São Paulo. Recently, the two authors of this paper have developed researches with interest in the carioca firm. While Edna Lucia Cunha Lima was interested in the story of the Rosa family, Isabella Ribeiro Aragão intended to answer commercial questions raised during her doctoral research on Funtimod. This paper, therefore, aims to contribute to the history of typography in Brazil by the results of the studies carried out, respectively, in Rio de Janeiro and Recife.

scholarly journals ANTHROPOGENIC LANDSCAPE IN OB-YENISEI WATERWAY IN THE 18–19th CENTURIES

2019 ◽  
Vol 21 (5) ◽  
pp. 53-61 ◽  
Author(s):  
O. G. Litvinova
Keyword(s):  
Comparative Analysis ◽  
19Th Century ◽  
Quantitative Data ◽  
Theoretical Study ◽  
18Th Century ◽  
West Siberia ◽  
Residential Areas ◽  
Settlement System ◽  
Development Stages ◽  
The 19Th Century

The study is carried in the framework of the project “Urban planning retrospective of medium and small settlements of the Ob-Yenisei waterway”, which is aimed at studying the transformation of residential areas of one of the main waterways of Siberia, from Tyumen to Kyakhta. The coastal territory of the Tura, Tobol, Irtysh, Ob, Ket rivers of the Ob basin in West Siberia is studied. The theoretical study identifies and graphically displays medium and small settlements at different development stages of West Siberia. A retrospective of the settlements allows to determine their typhology in the waterway coastal zone in the 18–19th centuries. The quantitative data on each type of settlement are obtained, and the routes of communication are classified. In the 18th century, land directions rarely cross the settlements, most of them locate along the rivers, streams, elders and lakes. In the 19th century, local residential areas (houses, single yards, settlements, villages) along the land routes enlarge and form villages. A comparative analysis shows a high percentage of preserving the location, typhology and planning structure of the small settlements of the modern settlement system. In general, the period of urbanization is described from the late 18th and early 19th centuries.

scholarly journals Raphael’s Genius as Reflected in V. A. Zhukovsky’s and A. S. Pushkin’s Works: to the Issue of W. H. Wackenroder’s Influence on Russian Literature

2021 ◽  
pp. 121-129
Author(s):  
К.А. Поташова
Keyword(s):  
Comparative Analysis ◽  
19Th Century ◽  
Russian Literature ◽  
Work Of Art ◽  
Moral Atmosphere ◽  
The 19Th Century ◽  
The Impact ◽  
Aesthetic Preferences

Новизна исследования связана с раскрытием уникальности синтеза вербального и визуального начал в художественном мышлении В. А. Жуковского и А. С. Пушкина посредством анализа механизмов встраивания живописного произведения в словесный образ. С опорой на анализ стихотворений «Недоконченная картина» А. С. Пушкина, «Преображение» С. П. Шевырёва, очерка В. А. Жуковского «Рафаэлева Мадонна» в сопоставлении с очерком В.-Г. Вакенродера «Видение Рафаэля» рассмотрено влияние эстетической системы Рафаэля на романтическую концепцию творчества художника, природы его вдохновения, заключающейся в ощущении Божественном присутствии. В статье определяется место эстетического очерка Жуковского «Рафаэлева Мадонна» в контексте развития романтического типа экфрасиса, основанного на замене описания визуального образа ассоциативным рядом, возникшим в процессе созерцания картины. Доказывается, что внимание романтиков к личности Рафаэля Санти обусловлено как общей духовно-нравственной атмосферой первой трети XIX века, так и глубоко личностным восприятием живописи В. А. Жуковским и А. С. Пушкиным. The theoretical novelty of the article consists in the investigation of the unique synthesis of verbal and visual aspects of V. A. Zhukovsky’s and A. S. Pushkin’s works. The comparative analysis of A. S. Pushkin’s “Unfinished Painting”, S. P. Shevyrev’s “Transfiguration”, V. A. Zhukovsky’s “The Sistine Madonna” and W. H. Wackenroder’s “Raphael’s Vision” focuses on the impact Raphael’s aesthetics produced on the romantic concept of a painter’s work, and spiritual inspiration. The article investigates Zhukovsky’s aesthetic essay “The Sistine Madonna” through the prism of ekphrastic works, association-based descriptions of a visual work of art. The article maintains that the romantic poets’ infatuation with Raphael Santi can be explained both by the spiritual and moral atmosphere of the first third of the 19th century and by V. A. Zhukovsky’s and A. S. Pushkin’s personal aesthetic preferences.

scholarly journals Editing Shakespeare for the Stage

2003 ◽  
Vol 9 ◽  
Author(s):  
Katalin Tabi
Keyword(s):  
Comparative Analysis ◽  
Cultural Studies ◽  
20Th Century ◽  
19Th Century ◽  
Theatre History ◽  
Romeo And Juliet ◽  
Nineteen Seventies ◽  
Stage Directions ◽  
The 19Th Century ◽  
The Relationship

After the text-based editorial approach of the 17th and 18th centuries, from the end of the 19th century, and even more from the middle of the nineteen-seventies, more and more scholars turned towards the study of stage directions. They started to discover their origins, their meanings, and their impact on the understanding of Shakespeare's plays. These researches led to the fact that Shakespeare criticism could no longer remain within the limited realms of literature, but it had to involve other disciplines such as cultural studies and theatre history in its researches too. The traditions of Elizabethan theatre and the relationship between theatre and literature came into the focus of research. This paper gives a comparative analysis of stage directions in one particular scene, the ballroom-scene (I.iv) of Romeo and Juliet, as they are presented in six prominent 20th-century editions. This study is to prove that nearly all the problems an editor has to face are theatrical in nature and therefore it is necessary to re-establish the relation between page and stage and to make performance-based editions that are useful to theatrical personnel as well as academics.

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