scholarly journals Dynamic-and-Systemic Principles of Synergetics in Functional Linguistics.

2021 ◽  
Vol 7 (3) ◽  
pp. 24-33
Author(s):  
V. L. Malakhova

Th article describes the specifis, principles and methods of synergetics as a promising area of modern research. Synergetics is presented by the author as a holistic integral paradigm used in many sciences which confims its interdisciplinary and even universal nature. Th object of this paradigm is the interaction of complex systems, and since the mere concept ‘system’ is widely used in many scientifi filds, the relevance of synergetics is beyond doubt. Th author describes the main characteristics of the structure and functioning of a system. Th key concepts of synergetics and their explanation are also given. Further, the article discusses the branches of linguistics which use principles of synergetics – linguosynergetics and functional linguosynergetics as its variety. Since the study of text and discourse and their parameters as complex systems is of particular interest to many linguists, linguosynergetics has become one of the demanded scientifi paradigms in this area of research. Th author points out the objectives and tasks of linguistic synergetics, and functional linguosynergetics in particular, their basic concepts, principles and methods. Attention is also paid to the functioning of linguistic means, as well as the formation and interpretation of meaning depending on certain discursive space. Th author comes to the conclusion that thanks to synergetics language can be studied from specifi angles, and the application of its principles greatly contributes to the theory of the evolution of language. Linguosynergetics provides ample opportunities for describing language/text/discourse as a complex dynamic open system, and functional linguosynergetics, in turn, helps describe the features of its functioning and evolution.

This book provides an objective look into the dynamic world of debt markets, products, valuation, and analysis. It also provides an in-depth understanding about this subject from experts in the field, both practitioners and academics. The coverage extends from discussing basic concepts and their application to increasingly intricate and real-world situations. This volume spans the gamut from theoretical to practical, while attempting to offer a useful balance of detailed and user-friendly coverage. The book has several distinguishing features. It blends the contributions of a global array of scholars and practitioners into a single review of some of the most important topics in this area. The book follows an internally consistent approach in format and style. Hence, it is collectively much more than a compilation of chapters from an array of different authors. It presents theory without unnecessary abstraction, quantitative techniques using basic bond mathematics, and conventions at a useful level of detail. It also incorporates how investment professionals analyze and manage fixed income portfolios. The book emphasizes empirical evidence involving debt securities and markets so it is understandable to a wide array of readers. Each chapter contains discussion questions to help reinforce key concepts. The end of the book contains guideline answers to each question. Readers interested in a broad survey will benefit as will those looking for more in-depth presentations of specific areas within this field of study. In summary, the book provides a fresh look at this intriguing and dynamic but often complex subject.


2000 ◽  
Vol 6 (2) ◽  
pp. 129-143 ◽  
Author(s):  
Tracy K. Teal ◽  
Charles E. Taylor

Abstract For many adaptive complex systems information about the environment is not simply recorded in a look-up table, but is rather encoded in a theory, schema, or model, which compresses information. The grammar of a language can be viewed as such a schema or theory. In a prior study [Teal et al., 1999] we proposed several conjectures about the learning and evolution of language that should follow from these observations: (C1) compression aids in generalization; (C2) compression occurs more easily in a “smooth”, as opposed to a “rugged”, problem space; and (C3) constraints from compression make it likely that natural languages evolve towards smooth string spaces. This previous work found general, if not complete support for these three conjectures. Here we build on that study to clarify the relationship between Minimum Description Length (MDL) and error in our model and examine evolution of certain languages in more detail. Our results suggest a fourth conjecture: that all else being equal, (C4) more complex languages change more rapidly during evolution.


Author(s):  
Yorghos Apostolopoulos

This chapter contextualizes the volume and describes its organization. It begins by delving into the limitations of the prevailing reductionist paradigm in population health science and the need for a transition from a typically risk factor–based science to a science that recognizes the whole and relationships among parts of pressing population health problems. Next, it walks readers through distinctions between public and population health on the one hand and key concepts of complexity on the other, while offering a shared understanding of population health science and complex systems science. The chapter also lays out the design of and potential audiences for this book.


Babel ◽  
2010 ◽  
Vol 56 (2) ◽  
pp. 168-185 ◽  
Author(s):  
Liu Yang

Translation is to reproduce the meaning and style of a source language text in a target language text in consideration of the cultural differences. Because of dramatic differences between the cultures, translators have to sacrifice something, such as time, religious connotation, and the wording of the original poem to obtain its aesthetic value and its original beauty. In this paper the author examines the poetry translation focusing on the basic concepts of cultural translation and the difficulties of Chinese poetry translation, and special attentions are paid on losses and the strategies in the translation. Beginning from the basic concepts of cultural translation, the paper expounds the essence of the cultural translation in order to lay a sound foundation for the following analysis of the poetry translation. In Part 2, the paper points out the difficulties of Chinese poetry translation that arise from the differences between Chinese and English cultures .Part 3 is a tentative analysis of the losses in the English translation of Chinese poetry and categorizes the losses into four groups:the loss of time;the loss of religious connotation ;the loss in wording; the loss of allusion. To address the losses, the author proposes several strategies such as free translation , transfer of allusion and annotation.


Author(s):  
David L. Streiner ◽  
Geoffrey R. Norman ◽  
John Cairney

This chapter begins by introducing the readers to finding existing scales that may meet their needs. It briefly summarizes the key concepts they should look for in a scale—reliability, validity, and feasibility. It discusses what is meant by these various terms and how they are measured. The chapter also contrasts the categorical versus the dimensional approaches to diagnosis and classification. Finally, it compares the medical versus the psychometric ways of trying to reduce measurement error.


Entropy ◽  
2020 ◽  
Vol 22 (8) ◽  
pp. 885 ◽  
Author(s):  
Mariano Bizzarri ◽  
Oleg Naimark ◽  
José Nieto-Villar ◽  
Valeria Fedeli ◽  
Alessandro Giuliani

The “magic” word complexity evokes a multitude of meanings that obscure its real sense. Here we try and generate a bottom-up reconstruction of the deep sense of complexity by looking at the convergence of different features shared by complex systems. We specifically focus on complexity in biology but stressing the similarities with analogous features encountered in inanimate and artefactual systems in order to track an integrative path toward a new “mainstream” of science overcoming the actual fragmentation of scientific culture.


2021 ◽  
pp. 196-204
Author(s):  
Larysa Fedorenko

The article is devoted to the drama of Bertolt Brecht (1898–1956), the peculiarities of its genre palette and analysis of the main factors of the playwright's artistic method. To achieve this goal, the following research methods were used: descriptive; matching method; literary analysis and synthesis. The Brecht Theater is represented by genre varieties of theatrical forms: expressionist drama, musical, opera, operetta, Lehrstück, epic and dialectic theater. The article proves that dialectics is the ideological soil and the conceptual core of the Brecht Theater. The dialectic poetics of a playwright should be understood as the method of analysis and argumentation presented by the Hegelian triad: thesis – antithesis – synthesis. In accordance with the dialectical concept, the Brecht theater puts in the center primarily the principle of contradiction, aimed at a multifaceted understanding of phenomena, overcoming a frozen, ossified way of thinking. The study defines the key concepts and principles of creating the drama of Bertolt Brecht, namely the «alienation effect» (Verfremdungseffekt) and assemblage (composition). The principle of the «alienation effect» is that a familiar phenomenon appears in the theater from an unexpected perspective, and therefore requires awareness of the viewer’s novelty. The means of this is the constant violation of theatrical illusion, the reality of what is happening on stage. The assemblage stipulates that the theatrical action is not a homogeneous system, but is a «made», «constructed» plane of various heterogeneous «materials»: dialogical discourse is interrupted by lyro-epic components (songs); in the musical plan, which is designed in the same style, jazz elements are suddenly «mounted», actors exchange roles during the performance, elements of the cinema «penetrate» the event plane, the causal course of the events depicted is interrupted by the demonstration of banners or posters with provocative appeals. The prospects for further research are the literary analysis of post-Brecht theater, that is, drama, which appeared as an imitation or negation of the dramatic principles of Brecht's theater.


2020 ◽  
Vol 8 (3) ◽  
pp. 890-899
Author(s):  
Fadlil Munawwar Manshur

Purpose: The formal objective of this study is to explore the beauty and ugliness contained within the poetry collection Maulīd Al-Diba'i, an Arabic-language text that conveys messages of beauty and ugliness in its verses. The material of this study is the poetry collection Maulīd Al-Diba'i, which was written by Imam Wajihuddin 'Abdur Rahman bin Muhammad bin 'Umar bin 'Ali bin Yusuf bin Ahmad bin 'Umar ad-Diba'ieasy-Syaibani al-Yamani az-Zabidiasy-Syafi'i (henceforth Abdur Rahman Al-Diba'i). Methodology: The current research is descriptive that explains the crux of poetry. For this purpose the poetry collection Maulīd Al-Diba' I was used and analysed. To achieve the objective analytical method was used. .Main Findings: Based on the analysis, it may be concluded that the poetry collection Maulīd Al-Diba'i is a work of Arabic-language Islamic literature that was influenced by the verses of the Qur'an and their beauty. The verses of Maulīd Al-Diba'i are conveyed through the language of prayers, hopes, and blessings. These prayers, hopes, and blessings contain within them their beauty, both at the surface and below it. The poet, Abdurrahman Al-Diba'i, readily conveys his prayers, hopes, and blessings by briefly retelling the story of the Prophet Muhammad's travels to spread Islam throughout the Arabian Peninsula. Implications/Applications: This article applies the theory of aesthetic realism, which contains within it two key concepts: physical beauty and divine beauty. Physical beauty is related to the perceptions of the senses, and is cognitive, cultural, and natural, whereas divine beauty is perceived through the mind and promotes awareness and mental experience. Novelty/Originality of this study: This research will uncover the facts that on what basis, in the poetry collection Maulīd Al-Diba'i, is there a dominant message of beauty that is expressed explicitly and opposed with a message of ugliness that is expressed implicitly. It will also add to literature explaining that the text Maulīd Al-Diba'i may be understood as a tool for satisfying the spiritual demands of readers and enabling them to contemplate their religion.


Author(s):  
E. Ricky Odoom

Real-time Fault Detection and Diagnosis of modern dynamic process plants are continuously receiving increasing attention both theoretically and practically. In recent years, attempts have been made to apply Artificial Intelligence techniques to the Fault Detection Diagnosis task for improving the operational reliability of complex dynamic plants. The aim of this paper is to discuss the basic concepts, issues and tools of some of the emerging intelligence technologies for Fault Detection and Diagnosis schemes. The emphasis is given to the methods, which are based on Artificial Intelligent systems and which are appropriate for diagnosing faults in complex dynamic plants.


2020 ◽  
Vol 36 (17) ◽  
pp. 4660-4661
Author(s):  
Miłosz Wieczór ◽  
Adam Hospital ◽  
Genis Bayarri ◽  
Jacek Czub ◽  
Modesto Orozco

Abstract Motivation High-quality dynamic visuals are needed at all levels of science communication, from the conference hall to the classroom. As scientific journals embrace new article formats, many key concepts—particularly, in structural biology—are also more easily conveyed as videos than still frames. Notwithstanding, the design and rendering of a complex molecular movie remain an arduous task. Here, we introduce Molywood, a robust and intuitive tool that builds on the capabilities of Visual Molecular Dynamics (VMD) to automate all stages of movie rendering. Results Molywood is a Python-based script that uses an integrated workflow to give maximal flexibility in movie design. It implements the basic concepts of actions, layers, grids and concurrency and requires no programming experience to run. Availability and implementation The script is freely available on GitLab (gitlab.com/KomBioMol/molywood) and PyPI (through pip), and features an extended documentation, tutorial and gallery hosted on mmb.irbbarcelona.org/molywood.


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