scholarly journals WADAH AKTIVITAS MASYARAKAT DI TANAH SEREAL

2020 ◽  
Vol 2 (1) ◽  
pp. 339
Author(s):  
Chantika Mayadewi ◽  
Dewi Ratnaningrum
Keyword(s):  
Open Space ◽  
Development Program ◽  
Social Needs ◽  
Activity Space ◽  
Work Place ◽  
Urban Farming ◽  
Third Place ◽  
Output Data ◽  
Urban Green Spaces ◽  
The Third

As social beings, humans naturally need social interaction with others, but often do not have a proper place to support the interaction. Especially in densely populated settlements with limited open space such as in Tanah Sereal, Tambora District, West Jakarta, where community makes the streets and narrow alleys as a place to do various activities. On the other hand, modern times with increasingly evolving technology make society more inclusive and individual, so a facility is needed where residents can carry out joint activities outside the place of residence (first place) and work place (second place) reffered to as the third place that can answer various social needs and urban green spaces in densely populated areas. The method that is used in this study is the conventional method of analysis-synthesis which includes data collection (input), analysis (process), and synthesis (output). Data is obtained from grounded observations, interviews with local residents, literature studies, as well as regional mappings. The third place project in Tanah Sereal is titled Tanah Sereal Commuity Activity Space, which is intended to provide a place of activities for residents of dense settlements in having a shared activity space or a third place that is intergrated with green alley to address social and environmental problems in densely populated areas. The main program of the building is hydroponic planting areas (urban farming), equipped with foodcourt, play areas, teenage discussion areas, communal areas, seminar room, temporary event room, as well as community development program such as hydroponic workshop and garment workshop aimed at improving the skills, productivity, and standard of living of surrounding communities. AbstrakSebagai makhluk sosial, manusia tentunya membutuhkan interaksi sosial dengan sesamanya, namun seringkali tidak memiliki wadah yang layak untuk mendukung terjadinya interaksi tersebut. Terutama di permukiman padat penduduk dengan keterbatasan lahan terbuka seperti di Kelurahan Tanah Sereal, Kecamatan Tambora, Jakarta Barat, di mana masyarakat menjadikan jalan dan gang-gang sempit sebagai tempat untuk melakukan berbagai aktivitas. Di sisi lain, zaman modern dengan teknologi yang semakin berkembang membuat masyarakat menjadi semakin inklusif dan individual, sehingga diperlukan fasilitas di mana warga dapat melaksanakan kegiatan bersama sebagai kegiatan di luar tempat tinggal (first place) dan tempat kerja (second place) disebut sebagai tempat ketiga atau third place yang dapat menjawab berbagai kebutuhan sosial dan ruang hijau kota di kawasan padat penduduk. Pada penelitian ini metode yang digunakan adalah metode konvensional yaitu analisis-sintesis yang meliputi pengumpulan data (input), analisis (proses), dan sintesis (output). Data didapat dari pengamatan grounded ke lapangan, wawancara dengan warga sekitar, kajian literatur, serta mapping kawasan. Proyek third place yang ada di Tanah Sereal ini berjudul Wadah Aktivitas Masyarakat di Tanah Sereal, bertujuan untuk menyediakan sebuah wadah aktivitas bagi warga permukiman padat dalam memiliki ruang aktivitas bersama atau third place yang terintegrasi dengan gang hijau untuk mengatasi permasalahan sosial dan lingkungan di kawasan padat penduduk. Proyek ini memiliki program utama yaitu area tanam hidroponik (urban farming), dilengkapi dengan foodcourt, area bermain, area diskusi remaja, area komunal, ruang seminar, balai serbaguna, serta program pengembangan masyarakat seperti workshop hidroponik dan workshop garmen untuk meningkatkan skill, produktivitas, dan taraf hidup masyarakat sekitar.

scholarly journals MUSEUMS BEYOND WALLS IN THE CONTEXT OF THE THIRD PLACE’S CONCEPT

Muzealnictwo ◽  
2018 ◽  
Vol 59 ◽  
pp. 123-131
Author(s):  
Katarzyna Jagodzińska
Keyword(s):  
Public Space ◽  
Open Space ◽  
Museum Of Modern Art ◽  
Great Good ◽  
Third Places ◽  
Third Place ◽  
The Third ◽  
Gathering Place ◽  
Ray Oldenburg ◽  
Coffee Shops

The article focuses on museums’ activity that reaches beyond the walls of their premises in the context of a concept of the so-called third place. The third place – as a gathering place which is neither one’s home, i.e. first place, nor workplace, i.e. second place – was described by an American sociologist Ray Oldenburg in 1999 in his book The Great Good Place: Cafes, Coffee Shops, Bookstores, Bars, Hair Salons, and Other Hangouts at the Heart of a Community. Three study cases have been used in the article: Museum Forum (project carried out by the National Museum in Kraków), Bródno Sculpture Park (project co-conducted by the Museum of Modern Art in Warsaw), and the method of work implemented by the Ethnographic Museum in Kraków, including in particular the project Dzikie Planty (Wild “Planty” Park). I discuss assumptions the projects have been based on, how they fit in an overall strategy of the museums, and reasons why they have been undertaken. Finally, I wonder whether having been conducted in a fully accessible public space and conducive to users’ interaction make it justified to categorise them as the third places in the meaning given by Oldenburg. Although Oldenburg’s concept has been regarded by museum theorists as not applicable to museums, I have come to the conclusion that projects conducted by museums in a non-committal context of an open space meet the conditions the third places do.

scholarly journals RUANG KETIGA DAN KONSEP KONTEKSTUAL PERANCANGAN RUANG SENI DI SENEN

2020 ◽  
Vol 2 (2) ◽  
pp. 1527
Author(s):  
Fille Tamalazare Yuma ◽  
Maria Veronica Gandha
Keyword(s):  
Social Interaction ◽  
Performing Arts ◽  
Social Needs ◽  
Analysis Method ◽  
City Center ◽  
Third Place ◽  
Site Analysis ◽  
The Third ◽  
The City ◽  
Modern Era

In the modern era, the loss of third place in the city center, such as the city of Jakarta, has resulted in increasingly mushrooming shopping centers and increasing market gimmicks. This causes the level of social interaction between fellow humans decreases so that exclusivity is formed in each individual. In meeting social needs in that era, a social forum is needed as a place for communities to eliminate exclusivity and restore human nature which is basically a social creature that needs to interact. From this, architecture talks about ways to meet the needs of the community in the third place as a means of community existence. The presence of Art Space is intended to present communities where individuals can fuse and increase social interaction. Art Space raised the topic of art which is one of the characteristics of the Senen Kelurahan, Senen District, Central Jakarta. Art will be used as a medium and a tool to interact and communicate with each other. Making an entertainment center for art that is inclusive so that it can be enjoyed by all groups of people both artists, connoisseurs of art or the general public. The choice of performing arts is based on the high public interest in the Senen Village. The design of Art Space is designed with site analysis method so that the building pays attention to the surrounding context so as to strengthen the contextual concept. Combining typologies adapted from the habits or approaches of the needs of the surrounding community. Bluring boundaries between private closeness and public opensess. It is expected that Art Space can attract people to visit so that it presents social interaction. Keywords: Art Space; Social Interaction; Third Place Abstrak Pada era yang serba modern hilangnya third place pada pusat kota seperti kota Jakarta mengakibatkan pusat perbelanjaan semakin menjamur dan market gimmick yang terus meningkat. Hal tersebut menyebabkan tingkat interaksi sosial antara sesama manusia menurun sehingga terbentuklah eksklusifitas pada setiap individu. Dalam pemenuhan kebutuhan sosial di era tersebut, maka dibutuhkan wadah sosial sebagai wadah komunitas-komunitas untuk menghilangkan ekslusifitas dan mengembalikan hakekat manusia yang pada dasarnya adalah mahluk sosial yang perlu berinteraksi. Dari hal tersebut, arsitektur berbicara tentang cara untuk memenuhi kebutuhan komunitas pada third place sebagai sarana eksistensi masyarakat. Kehadiran Art Space dimaksudkan untuk menghadirkan komunitas-komunitas  di mana individu dapat melebur dan meningkatkan interaksi sosial. Art Space  mengangkat topik seni yang merupakan salah satu karakteristik kawasan Kelurahan Senen, Kecamatan Senen, Jakarta Pusat. Seni akan digunakan sebagai media dan alat untuk berinteraksi serta berkomunikasi antara sesama manusia. Menjadikan pusat hiburan seni yang inklusif sehingga dapat dinikmati oleh seluruh golongan masyarakat baik seniman, penikmat seni atau khalayak umum. Pemilihan jenis seni pertunjukan didasarkan oleh tingginya animo masyarakat pada Kelurahan Senen. Perancangan Art Space didesain dengan metode site analysis agar bangunan memperhatikan konteks sekitar sehingga memperkuat konsep kontekstual. Mengkombinasikan tipologi yang diadaptasi dari kebiasaan atau pendekatan kebutuhan masyarakat sekitar. Meleburkan batasan diantara private closeness dan public opensess. Diharapkan Art Space dapat menarik masyarakat untuk berkunjung sehingga menghadirkan interaksi sosial.

scholarly journals THE AESTHETICS OF PLACE IN THE ALCHEMIST'S NOVEL FOR PAULO COELHO

2021 ◽  
Vol 2 (1) ◽  
pp. 40-51
Author(s):  
Salwa Gerges SALMAN
Keyword(s):  
Open Space ◽  
The Novel ◽  
Third Place ◽  
Human Community ◽  
The Third ◽  
Real Place ◽  
The Aesthetic ◽  
Aesthetic Characteristics ◽  
Relationship Of ◽  
The Relationship

This paper aims to identify the aesthetic characteristics of the element of place in the novel (The Alchemist) through the process of influence, being affected, and revealing contradictions that existing in the human community. The plan involves an introduction and two chapters. The introduction came in two axes: the first: the place, linguistically and idiomatically, and the second axis: the summary of the novel. Whereas the first chapter, which is labeled (types of place), is based on four topics: - The first: the domesticated place - the non-domesticated place. - The second: the open space - the closed place - Third: Place of residence - place of relocation - Fourth: the real place - the imaginary place Moreover, the second chapter entitled (Description), it included three sections: - The first: the relationship of place to the character. - The second: the relationship of the place to the event. - The third: the relationship of the character to the event. At the end we conclude the conclusion of the paper with the most important results.

scholarly journals RUANG KOMUNITAS IBU DAN PASAR DI KRENDANG

2020 ◽  
Vol 2 (1) ◽  
pp. 271
Author(s):  
Thao Phing ◽  
Suwardana Winata
Keyword(s):  
Open Space ◽  
Third Places ◽  
Third Place ◽  
The Third ◽  
The People ◽  
Social Market ◽  
Children In The Middle ◽  
The City ◽  
Modern Era

The city has traces of human civilization from time to time with various phenomena that occur. As time goes by, the existence of Third Place in Jakarta remains limited. The activities among those Third Places tend to be less interactive. Most of Third Places aim to address the concept of green and open space, but it fails to communicate its crucial purposes as platfrom activities for the community. In this modern era, the concept is change necessary where it accomodates public needs and no longer be depicted a mere open space. Krendang needs a facility to accommodate motherhood and children activities as the third place. As the people become more individualistic and don't want to socialize, it is more difficult to find leisure and creativity facilities. Motherhood Community and Social Market in Krendang was designed to facilitate the activities of mother and children in the middle of densely population in Krendang, Tambora, West Jakarta.  Abstrak Kota memiliki rekam jejak peradaban manusia dari waktu ke waktu dengan berbagai fenomena yang terjadi di dalamnya. Seiring berjalanya waktu, Third Place di kota Jakarta masih terbatas. Kegiatan yang ditawarkan didalamnya cenderung tidak interaktif. Kebanyakan Third Place di Jakarta mencoba menampilkan sisi ruang terbuka dan penghijauan saja namun tidak berbicara mengenai kegiatan atau wadah bagi masyarakat itu sendiri. Dalam perjalanannya menuju era yang lebih modern, perlu adanya sebuah perubahan terhadap konsep Third Place dimana konsep ini tidak hanya sebagai ruang terbuka saja atau mall melainkan harus dapat mewadahi kegiatan yang dibutuhkan oleh masyarakat disekitarnya. Fasilitas bagi kaum ibu yakni memasak dan bagi anak – anak yakni bermain dan berkreativitas harus menjadi perhatian utama Third Place pada kawasan Krendang. Pada era modern ini masyarakat mulai cenderung menjadi kaum yang individualistis dan terkesan tidak ingin bersosialisasi. Motherhood Community and Social Market in Krendang diciptakan karena adanya fenomena kepadatan yang terjadi dan menyebabkan manusia tidak lagi memiliki wadah untuk mereka beraktivitas dengan baik pada kehidupa sehari – hari mereka. Selain itu hal ini juga terjadi karena sering adanya masalah seperti kebakaran di kawasan Krendang. Maka dari itu Motherhood Community and Social Market in Krendang di harapkan dapat menghadirkan fasilitas bagi kaum ibu dan anak yang layak dan juga agar terciptanya suatu kondisi sosial yang baik pada Third Place. 

scholarly journals PERANCANGAN TAMAN OLAHRAGA DI KELAPA GADING

2020 ◽  
Vol 2 (1) ◽  
pp. 1101
Author(s):  
Devi Septiani ◽  
Tony Winata
Keyword(s):  
Public Space ◽  
Urban Areas ◽  
Open Space ◽  
Healthy Lifestyle ◽  
Third Space ◽  
Third Place ◽  
The Third ◽  
Recreational Facility ◽  
Almost All ◽  
The City

Reduced public open space due to competition in urban areas has resulted in reduced community gathering activities (third place). Many big cities in Indonesia are aggressively building new parks or revitalizing old parks, like in the city of Jakarta. This is because the population density reaches 15,663 people / km2. The population continues to grow from 4.5 million people (1970) to double that, which is 9.6 million in 2010, while now it has reached 10.4 million people and is estimated to be 11-15 million by 2020-2030. As a result, almost all of the surface of the city has been devoured by buildings and changed the function of its designation Kelapa Gading sub-district with an area of 161.21 ha, this district has several shopping centers whose area exceeds the existing green space, namely, an area of 996,215 m2, through the results of observational studies that have been carried out then a proposed project that can meet the needs of the ivory coconut community for a healthy lifestyle with limited land as a means of sports that can accommodate various groups of people. Not only as a sports facility, but as a recreational facility and container that can accommodate interactions in the ivory coconut community. By looking at the parameters that exist in designing the third space, this design is adjusted to the ivory community's need for public space as the third space. AbstrakBerkurangnya ruang terbuka publik akibat persaingan lahan di perkotaan mengakibatkan berkurangnya aktivitas berkumpul bagi masyarakat (third place). Banyak kota – kota besar di Indonesia yang gencar untuk membangun taman baru atau merevitalisasi taman lama, seperti di Kota Jakarta. Hal ini dikarenakan tingkat kepadatan penduduk yang mencapai 15.663 jiwa/km2. Populasi terus bertambah dari 4.5 juta jiwa (1970) hingga menjadi dua kali lipatnya, yaitu 9.6 juta pada tahun 2010, sedangkan sekarang telah mencapai 10.4 juta orang dan diperkirakan untuk menjadi 11 – 15 juta pada tahun 2020 – 2030 mendatang. Akibatnya hampir seluruh permukaan kota telah habis dimakan bangunan dan berubah fungsi peruntukannya Kecamatan Kelapa gading dengan luasan wilayah 161,21 ha, kecamatan ini memiliki beberapa pusat perbelanjaan yang luasnya melebihi RTH yang ada yaitu, seluas 996.215 m2, melalui hasil studi observasi yang telah dilakukan maka diusulkan proyek yang dapat memenuhi kebutuhan masyarakat kelapa gading akan gaya hidup yang sehat dengan lahan yang terbatas sebagai sarana olahraga yang dapat menampung berbagai kalangan maasyarakat. Tidak hanya sebagai sarana olahraga, tetapi sebagai sarana rekreasi dan wadah yang dapat menampung terjadinya interaksi dalam masyarakat kelapa gading. Dengan melihat parameter yang ada dalam mendesain ruang ketiga maka rancangan ini disesuaikan dengan kebutuhan masyarakat kelapa gading akan ruang publik sebagai ruang ketiga.

scholarly journals RUANG PERTUNJUKAN SENI DI BLOK M

2020 ◽  
Vol 2 (1) ◽  
pp. 919
Author(s):  
Gary Cantonna Tamin ◽  
Petrus Rudi Kasimun
Keyword(s):  
Urban Areas ◽  
Performing Arts ◽  
Local Community ◽  
Contemporary Music ◽  
Social Needs ◽  
Reciprocal Relationship ◽  
Third Place ◽  
Creative People ◽  
The Third ◽  
Ray Oldenburg

As time goes by, people, especially in urban areas, tend to have individualistic characteristics due to their busy daily routines. Where most of the time spent at work, home or shopping centers. Humans as social creatures who should socialize and interact with others to meet social needs. To meet social needs in the current modern era, it takes a social container that can accommodate the activities of the surrounding community. So that people can meet with each other, socialize and also interact through these social media platforms. South Jakarta, precisely in the Blok M area, was known as a place for the gathering of young people of its time. However, at this time Blok M has begun to be abandoned by the community because other regions have more adequate gathering places. Blok M is an area that has a lot of art communities, such as street buskers, Japanese communities, contemporary music and much more. According to Richard Florida, creative people have the desire to do creative things and also get together with other creative people. This has a continuity where The Third place according to Ray Oldenburg, is a place where people can gather and interact with one another to meet their social needs. Blok M is an area that has a lot of art communities, such as street buskers, Japanese communities, contemporary music and much more. Blok M Performing Arts Space is present as the third space or "The Third place" and also as a place to show and hone creativity, where people can gather, interact and move with each other. This project is also intended as a forum for surrounding communities to interact with other communities and also can show their works to the wider community, so there is a reciprocal relationship between the community and the local community. Did not rule out the possibility of also triggering collaboration between these communities, thus bringing up a new and unique collaborative performing arts performance. Abstrak Seiring perkembangannya zaman, masyarakat khususnya di perkotaan cenderung memiliki sifat yang individualis dikarenakan rutinitas sehari-hari yang padat. Dimana sebagian besar waktu dihabiskan di tempat kerja, rumah ataupun pusat perbelanjaan. Manusia sebagai makhluk sosial yang seharusnya bersosialisasi dan berinteraksi dengan sesama untuk memenuhi kebutuhan sosial. Untuk memenuhi kebutuhan sosial di era modern saat ini, dibutuhkan wadah sosial yang dapat menampung aktivitas-aktivitas masyarakat sekitar. Sehingga masyarakat dapat saling bertemu, bersosialisasi dan juga berinteraksi melalui media wadah sosial tersebut. Jakarta Selatan, tepatnya di kawasan Blok M, dikenal sebagai tempat perkumpulan anak-anak muda pada zamannya. Namun, pada saat ini Blok M mulai ditinggalkan oleh masyarakat dikarenakan kawasan-kawasan lain mempunyai tempat berkumpul yang lebih memadai. Blok M merupakan kawasan yang memiliki banyak sekali komunitas seni, seperti pengamen jalanan, komunitas Jepang, musik kontemporer dan masih banyak lagi. Menurut Richard Florida, orang-orang kreatif mempunyai keinginan untuk melakukan hal-hal yang kreatif dan juga berkumpul dengan orang-orang kreatif lainnya. Hal ini mempunyai kesinambungan dimana The Third place menurut Ray Oldenburg, merupakan sebuah tempat dimana orang-orang dapat berkumpul dan saling berinteraksi untuk memenuhi kebutuhan sosial mereka. Blok M merupakan kawasan yang memiliki banyak sekali komunitas seni, seperti pengamen jalanan, komunitas Jepang, musik kontemporer dan masih banyak lagi. Ruang Pertunjukan Seni Blok M hadir sebagai ruang ketiga atau “The Third place” dan juga sebagai tempat untuk menunjukan dan mengasah kreatifitas , dimana masyarakat dapat berkumpul, berinteraksi dan beraktivitas dengan sesamanya.Proyek ini juga ditujukan sebagai wadah bagi komunitas-komunitas sekitar untuk berinteraksi dengan komunitas lainnya dan juga dapat menunjukan karya-karya mereka ke masyarakat luas, sehingga terjadi hubungan timbal balik antara masyarakat dengan komunitas setempat. Tidak menutup kemungkinan juga memicu timbulnya kolaborasi antara komunitas-komunitas tersebut, sehingga memunculkan sebuah karya pertunjukan seni kolaborasi yang baru dan unik. 

scholarly journals RUANG KOMUNITAS TIONGHOA DI GLODOK

2020 ◽  
Vol 2 (2) ◽  
pp. 1847
Author(s):  
Leonardo Leonardo ◽  
Dewi Ratnaningrum
Keyword(s):  
Local Community ◽  
Social Space ◽  
Design Method ◽  
Personal Space ◽  
Social Needs ◽  
Third Place ◽  
Modern Times ◽  
The Third ◽  
Social Media Platforms ◽  
Modern Era

The development of modern urban society tends to have an individual nature and is more aloof to its personal space, where humans should be created as social beings who need interaction and socialization with people around them. Modern times with their technologies make society more selfish and as if they do not need others. To meet social needs in the current modern era, it takes a social container that can accommodate the activities of the surrounding community. The community can meet with each other, socialize and also interact through these social media platforms. Glodok is known as a Chinatown in Jakarta, the majority of the population are Chinese. The Chinese Community Room in Glodok is present as the third room or "The Third Place", where the third place as a place for people to gather, interact and move with each other. The project is intended as a forum for local people and migrants to interact together, and create an atmosphere like the old days full of fun, comfort, and free to be visited by anyone, such as entertainment venues, games, dance performances and dance. The idea of the program planned in this project will be a place to be able to enjoy performances and recreation for the local community and its surroundings with programs in it such as performance areas, parks, food culinary, games, and art galleries. This project design method takes contextuality around the site and takes local Chinese elements into account. Keywords:  community; interaction; social; space AbstrakPerkembangan masyarakat kota modern cenderung memiliki sifat yang individual dan lebih menyendiri terhadap personal space-nya, dimana seharusnya manusia diciptakan sebagai makhluk sosial yang membutuhkan interaksi dan sosialisasi dengan orang disekitarnya. Zaman modern dengan teknologi-teknologinya membuat masyarakat lebih mementingkan diri mereka sendiri dan seakan tidak membutuhkan orang lain. Untuk memenuhi kebutuhan sosial di era modern saat ini, dibutuhkan wadah sosial yang dapat menampung aktivitas-aktivitas masyarakat sekitar. Masyarakat dapat saling bertemu, bersosialisasi dan juga berinteraksi melalui media wadah sosial tersebut. Glodok dikenal sebagai pecinan di Jakarta, Mayoritas penduduk nya adalah kaum Tionghoa. Ruang Komunitas Tionghoa di Glodok hadir sebagai ruang ketiga atau “The Third Place”, dimana tempat third place sebagai tempat untuk masyarakat dapat berkumpul, berinteraksi dan beraktivitas dengan sesamanya. Proyek ditujukan sebagai wadah bagi masyarakat setempat maupun pendatang untuk berinteraksi bersama, dan membangkitkan suasana seperti dahulu kala yang penuh dengan rasa senang, nyaman, dan bebas untuk dikunjungi oleh siapapun, seperti tempat hiburan, permainan, pertunjukan barongsai dan tari-tarian. Ide dari program yang direncanakan dalam proyek ini akan menjadi tempat untuk dapat menikmati pertunjukan dan rekreasi bagi masyarakat setempat dan sekitarnya dengan program yang di dalamnya seperti area pertunjukan, taman, kuliner makanan, permainan, dan galeri seni. Metode perancangan proyek ini mengambil kontekstual pada sekitar tapak dan mengambil unsur-unsur Tionghoa kawasan setempat.

scholarly journals RUANG KREATIF KRAMAT

2020 ◽  
Vol 2 (1) ◽  
pp. 509
Author(s):  
Bella Octavia Darmawan ◽  
Suryono Herlambang
Keyword(s):  
Design Method ◽  
Urban Life ◽  
Work Place ◽  
Third Place ◽  
Community Activities ◽  
The Third ◽  
The Social ◽  
Big City ◽  
Local Residents ◽  
The Impact

Urban life is synonymous with routine and high activity in which competition between individual communities continues to increase. The routine and busyness that continues to accumulate by each individual approves fatigue and demands less productive work / study. The third place is present to balance the lives of people outside the home and work place. That way, third place is needed in the big city area which is also adjusted to the needs of the community. This project supports the balance of life in the communities around the Kramat village, Senen with programs that suit their needs. The program that emerges according to the Kramat region is a creative space because the local residents who have a profession as ondel - ondel craftsmen but do not have a place to channel these talents.The design method includes data collection techniques through observation and interviews with the results applied to the transformation design method. Kramat Creative Place in Senen is the third place planned to serve the needs of the surrounding community in the social and creativity fields in order to address the issue of urban life due to daily busyness. This project provides several facilities that facilitate community activities in education, eating places, and meeting / socializing places. This project is planned so that all groups of people, especially in the Kramat district can use it so that it is not only a place to release fatigue but also a place to interact with each other to establish stronger relationships in the community so that it can be useful for the future. The community has also become aware of the impact of natural damage, so this project will be designed environmentally friendly. AbstrakKehidupan perkotaan identik dengan rutinitas dan kesibukan tinggi dimana persaingan antar individu masyarakat terus meningkat. Rutinitas dan kesibukan yang terus terakumulasi oleh setiap individu memicu kepenatan dan mengakibatkan sikap kerja/belajar yang kurang produktif. Third place hadir untuk menyeimbangkan kehidupan masayarakat diluar rumah dan tempat kerja. Dengan begitu, third place diperlukan dalam kawasan kota besar yang disesuaikan pula dengan kebutuhan masyarakatnya. Proyek ini mendukung keseimbangan hidup masyarakat di sekitar kelurahan Kramat, Senen dengan program – program yang sesuai kebutuhan. Program yang muncul sesuai kawasan Kramat yaitu ruang kreatif karena warga sekitar yang telah menjalani profesi  sebagai pengrajin ondel – ondel namun tidak tersedianya wadah untuk menyalurkan bakat tersebut. Metode perancangan meliputi teknik pengumpulan data melalui observasi dan wawancara dengan hasil yang diaplikasikan ke dalam metode perancangan tarnsformasi. Ruang Kreatif Kramat di kawasan Senen ini merupakan third place yang direncanakan untuk melayani kebutuhan masyarakat sekitar dalam bidang sosial dan kreativitas guna menjawab isu kehidupan perkotaan karena kesibukan sehari-hari. Proyek ini menyediakan beberapa fasilitas yang mewadahi kegiatan masyarakat pada pendidikan, tempat makan, dan tempat berkumpul/bersosialisasi. Proyek ini direncanakan agar semua golongan masyarakat terutama di kelurahan Kramat dapat menggunakannya sehingga bukan hanya sebagai tempat pelepas penat namun juga tempat untuk saling berinteraksi agar terjalin hubungan yang lebih kuat dalam masyarakat sehingga bisa berguna bagi kedepannya. Masyarakat pun telah menyadari dampak kerusakan alam maka proyek ini akan dirancang ramah lingkungan.

scholarly journals BANJARBARU YOUTH CENTER

2021 ◽  
Vol 10 (1) ◽  
pp. 196-203
Author(s):  
Rifda Ulvia ◽  
Gusti Novi Sarbini
Keyword(s):  
Open Space ◽  
Environmentally Friendly ◽  
Third Place ◽  
Continue Development ◽  
Design Problems ◽  
Design Elements ◽  
Healthy Environment ◽  
The Third ◽  
Public Open Space ◽  
The City

Banjarbaru is a developing city, also known as the City of Students, where this is of course closely related to students, the majority of whom are teenagers, which then become the nation's potential and assets as the next generation to continue development. Banjarbaru Youth Center is a public open space to accommodate teenagers so they can learn and develop in a positive and healthy environment. In this design, the authors uses park as an open space for adolescents as an answers to design problems by using the third place method so that the design elements are personalized to the conditions, needs, and activities in accordance with the characteristics of today's youth to be able become a space of expression place for adolescents to doing activities and develop in a social and environmentally friendly space.

Current trends in the structure of eye injuries

2020 ◽  
Vol 21 (3) ◽  
pp. 106-108
Author(s):  
M. N. Ponomareva ◽  
◽  
S. V. Sakharova ◽  
E. M. Pochinok ◽  
E. V. Fomina ◽  
...  
Keyword(s):  
Medical Records ◽  
Young Patients ◽  
Present Stage ◽  
Eye Injuries ◽  
Third Place ◽  
The Third ◽  
Eye Trauma ◽  
Current Trends ◽  
The Poor ◽  
Leading Position

Aim. To identify current trends in hospital eye trauma based on the materials of the specialized ophthalmology department of a round-the-clock hospital. Materials and methods. The analysis of medical records of patients treated in the round-the-clock specialized ophthalmology department of the state medical establishment OKB No. 2 in the period since January 2017-2019. Results. During the analyzed period, 4948 patients were treated, of which 218 patients (5.6%) were identified for nosologies belonging to the category of eye trauma. Men are most often exposed to eye injuries (84%), in addition, in 62% of cases, these are young patients (18-44 years). The structure of eye trauma is almost unchanged: the leading position is occupied by penetrating wounds of the eyeball and contusions, the third place is occupied by burns, through wounds of the eyeball are rare. Conclusions. Given the poor prognosis of the outcome of a severe eyeball injury, it requires the introduction of modern types of microsurgical intervention using endovitreal surgery at the present stage.

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