scholarly journals PROBLEMOWE UCZENIE SIĘ JAKO ŚRODEK PRZYWRACANIA FUNKCJI SPOŁECZNYCH GRUPOM WYALIENOWANYM Z PRZESTRZENI MIEJSKIEJ

2021 ◽  
Vol 37 ◽  
pp. 53-63
Author(s):  
Karolina Kozłowska ◽  
Paula Gabin Peinado ◽  
Alejandro Garcia Gigato ◽  
Sławomir Rybka

The article refers to the process of creating a project by designers from two culturally different countries during the Erazmus project. The project, set in the centre of urban space, aims to limit the alienation of the homeless from the urban environment and to slowly restore their social functions. The aim of the cooperation was to create a space in which designers would use not only technical and compositional knowledge but would consciously introduce information from social sciences. This project for homeless people, is sited in the city of Rzeszow, Poland. The inspiration to do this project was the nature and C2C theory. The architecture of the project is based on a modular architecture which, if necessary in the future, can be easily modified, for example, by adding new elements and thus respond to the current needs of the residents. Self-sufficiency is another important part of the project. They are also eco-buildings made of straw bales or recycled materials such as plastic bottles. Thanks to these efforts, a project was created not only for the homeless but for all the residents of the city.

2019 ◽  
Author(s):  
Агриппина Александровна Дорофеева ◽  
Алексей Валерьевич Алтухов ◽  
Алексей Дмитриевич Федоров

Городская среда один из важнейших предметов исследования урбанистики, рассматривается как целостный природно-антропогенный комплекс, подкрепленный развитыми технологическим, научным, производственным, социально-культурным потенциалом города. The urban environment is an integral natural and anthropogenic complex, supported by developed technological, scientific, industrial, social and cultural potentials of the city.


GEOgraphia ◽  
2010 ◽  
Vol 8 (16) ◽  
Author(s):  
Miguel Ângelo Ribeiro

O objetivo que permeia a presente pesquisa é utilizar a Fortaleza de Santa Cruz, localizada no bairro de Jurujuba, em Niterói, construída em 1555, na entrada da barra da Baía de Guanabara, como foco de antílise, ressaltando a importância deste fixo social enquanto atração turística e de lazer, incluindo a cidade de Niterói no circuito destas atividades, complementares à cidade do Rio de Janeiro; além de abordar conceitos e categorias analíticas, oriundos das ciências sociais, principalmente provenientes da Geografia, pertinentes ao estudo das atividades em tela. Neste contexto, na dinâmica espacial da cidade de Niterói, o processo de mudança de função dos fixos sociais têm sido extraordinário. Residencias unifamiliares, prédios e até mesmo fortificações militares, verdadeiras monumentalidades, foram refuncionalizadas, passando por um processo de turistificação. Assim, a refuncionalização da respectiva Fortaleza em espaço cultural toma-se um importante atrativo da história, do patrimônio, da cultura, marcando no espaço urbano sua expressões e monumentalidade, criada pelo homem como símbolo de seus ideais, objetivos e atos, constituindo-se em um legado as gerações futuras, formando um elo entre passado, presente e futuro. Abstract This paper focuses on Santa Cruz Fortress, built in 1555 in Jurujuba (Niterói), to guard the entrance of Guanabara bay, and stresses its role as a towist attraction and leisure' area, as a social fix which links the city of Niterói to the complementary circuit of these activities in the city of Rio de Janeiro. The study uses important concepts and analytic categories fiom social sciences, particularly fiom Geography.In the spatial dynamic of the city of Niterói, change in functions of social fuces has been extraordinary. Single-family dwellings, buildings and even military installations have been re-functionalized, undergoing a process of touristification. In that way, the refunctionalization of the Fortress as a cultural space provides an important attraction in the domains of history, patrimony, and culture, providing the urban space with an expression of monumentality, created by man as a symbol of his ideals, aims and actions, a legacy to future generations forming a link between past, present and future.


2017 ◽  
pp. 93-97
Author(s):  
A. M. Tormakhova

One of the leading trends in contemporary cultural studies is the appealto the field of visual. Thepurpose of the article is to investigate the range of problems associated withthe existence, functioning of various visual practices in the urban space and the disclosure of the specifics of communication carried out through their intermediation. In urban space, there are many forms, such as monumental architecture, urban sculpture, outdoor illumination, landscape art, street art, graffiti and others. These artifacts are the subject of cultural research within different disciplines - aesthetics, cultural studies, design, and art. It may be noted that in recentdecades, significant development gets such a direction as Urban Studies, in which the focus of research serves the city. The methodology of the study includes an appeal to an interdisciplinary approach that relies on the achievements of practical cultural studies, Urban studies,and aesthetics theory by Ukrainian and Western authors. Scientific novelty consists in analyzing the connection ofactual visual practices presented in the urban space and forming of Internet activity, which facilitates the mutual influence of these spheres one on another. The author noted that urban space is gradually becoming not only interactive, but also fully assuming the characteristics of WEB 2.0, which means active rethinking and transforming the environment, urban residents involvement in decision-making that becomes a norm of everyday life. City is a kind of text that reflects changing tastes, politicaland economic factors in visualform. Town and city public spaces play an important role in shaping the interaction within society. One of the pressing problems of practical cultural studies in general and urban areas in particular, should be integrated into organization of the urban environment and design the image of the city. The practical significance lies in the fact that the results of the research can beused in developing the urban sphere in particular and in actualizing the issue of organizing the urban environment and constructing the image of the city.


2010 ◽  
Vol 38 (109) ◽  
pp. 55-69
Author(s):  
Hjørdis Havsteen Brandrup

CULTURAL DYNAMIC IN THE URBAN EXPERIENCE SCAPE – AN ANALYSIS OF BRANDTS KLÆDEFABRIKBrandts Klædefabrik (Brandt’s Textile Mill) is a cultural cluster in the city of Odense, Denmark. The cultural experiences available at Brandts Klædefabrik cover a wide field and are relevant for people of all levels of education and all ages, embracing as they do not only fine culture but also triviality and excitement. Brandts Klædefabrik is therefore a culturally inclusive place, although its symbolic power is dominated by a cultural and economic elitetrying to maintain an exclusively controlled social and physical order in the urban space. However, Brandts Klædefabrik is part of a city which contains a wide range of cultural groups: a Danish cultural elite, immigrants, homeless people and drug addicts. In this cultural multiplicity Brandts Klædefabrik is a cultural cluster and an urban entertainment district which does not include marginalised groups. Paradoxically, the attempt to maintainan exclusive order to satisfy an audience with buying power runs against the creative profile of the area, in which cultural and social multiplicity are important values. The area around Brandts Klædefabrik is a public space; but if it is going to be a public domain and the scene of cultural exchanges between different groups in the city, it needs to become more culturally inclusive. Brandts Klædefabrik may turn into a public domain if a cultural dynamic and multiplicity are given the chance to unfold there.


2020 ◽  
Vol 12 (13) ◽  
pp. 5487 ◽  
Author(s):  
Simona Totaforti

The research presented in this article adopts an urban sociology perspective to explore the relationship between spaces designed with biophilic principles and people’s pro-environmental values and behaviors. The research hypothesized that biophilic design and planning promote connectedness with nature and are positively related to pro-environmental and more sustainable values and behaviors. The contemporary city asserts the need for new paradigms and conceptual frameworks for reconfiguring the relationship between the urban environment and the natural environment. In order to understand whether biophilic design, planning, and policies can meet the global challenges regarding the future existence on earth of humans, focus groups were conducted to investigate how people’s relationship with the built-up space and the natural landscape is perceived, and to what extent the inclusion of nature and its patterns at various levels of urban planning meets people’s expectations. The results suggest that biophilic design and planning can be considered a useful paradigm to deal with the challenges that are posed by the city of the future, also in terms of sustainability, by reinterpreting and enhancing the human–nature relation in the urban context.


2018 ◽  
Vol 33 ◽  
pp. 01031
Author(s):  
Rifat Alihodzic ◽  
Domen Zupančič

Being aware of the surrounding we live in, among other things, means establishing of spatial relationships between oneself and the environment, equally important as relationship between oneself and others. Environment consists of facilities and space. Space, „gift by itself“, is defined by terrain topography, sky horizon, plants and animals. The architecture, as a profession, is interested in space created distinctively. Perception, as elementary process of consciousness and psychological life, deals with being conscious about something. In this case, physical structures that create a city. Psychological experience of urban environment is important factor having effect on perception, memorising and orientation in urban space. Gestalt psychology of perceiving is area applying to and significant for architecture either. The importance of vertical lies in its perceiving the gravitation, forming perceiving focus, landmark, for urban units and subunits to be memorised, creating spatial hierarchy and perception logics, remembering and orientation in space. This work analyses reasons for building upright with comparative analyses in their participation in space and on human psychology. This paper’s purpose is to, using fundamental facts, show the importance of vertical buildings, not as a spatial use phenomenon, but also as significant phenomenon.


AmeriQuests ◽  
2006 ◽  
Vol 2 (1) ◽  
Author(s):  
Justin Armstrong

This is a paper on street art and its role as a form of artistic insurrection that challenges popular understandings of public space and urban visual culture. I would like to think of it as a field guide to urban seeing, a means of revising the way in which we view the cityscape and its imagery. It is a way of imagining the city as a canvas onto which ideas may be inscribed and reinterpreted, where resistance percolates up to those who look for it. It is here, in what Kathleen Stewart has called a “place by the side of the road” that the work of the street artist exists, slowly gurgling up through the cracks in the sidewalk and briefly illuminated by the yellow-white glow of the street lights. Street art most often takes the form of adhesive stickers, spray-painted stencils, and wheat-pasted posters, and while it shares many similar aesthetic and cultural characteristics with graffiti, street art embodies a unique ideology. Graffiti represents a territorialization of space (‘tagging’, or reclaiming urban spaces through the use of pseudonyms as territorial markings); street art represents a reterritorialization of space. Rather than taking space, street art attempts to re-purpose the existing urban environment. This paper seeks to reflect the changing dynamic of urban space through an analysis of the practice of street art. By examining the roles that street artists play in disrupting the flow of visual noise in the city, I will illuminate the cultural value and significance of this form of urban artistic resistance.


Author(s):  
Maria Burganova ◽  
Chris Uffelen

We are pleased to present an interview with an outstanding writer, urbanist and architectural historian, Chris van Uffelen, the author of a number of books on the history and theory of architecture. The space of the city in all its manifestations - from the history of architecture to the analysis of global street navigation, from current problems of adapting the urban environment to a man’s personal space to the aggressive or positive impact of a person on a megapolis, is the sphere of his professional interests. Chris van Uffelen is distinguished by his broadmindedness and takes an active position in the field of a professional and public conversation about architecture. His articles are presented in authoritative publications on architecture. He is an encyclopedist professionally analyzing both the architecture of the Middle Ages and the space of modern cities. Editor-in-chief Maria Burganova talks with Chris van Uffelen about architecture - its purpose, its past, and the future. The topics that concern many of us today - the change in architectural and cultural space, a person who influences a city, and a city that changes a person, are reflected in this conversation. We thank Sophia Romanova for professional support and assistance in arranging the interview with Chris van Uffelen.


Discourse ◽  
2020 ◽  
Vol 6 (4) ◽  
pp. 46-61
Author(s):  
A. A. Beschasnaya ◽  
N. N. Pokrovskaia

Introduction. The social practice of participativeness, active participation in the transformation of urban space in the interests of residents, is gaining popularity among the urban population. The study of this phenomenon is interest for obvious integration with management decisions. Expanding the practice of implementing social activity of the population and studying the components of participativeness determine the goal of writing the paper-the formation of a theoretical and methodological basis for studying this phenomenon.Methodology and source. The paper presents a review of classical and modern sociological theories that reveal the potential of empirical study of aspects of the manifestation of participation of urban residents. Among the mentioned by the authors are the theory of social action, social solidarity, phenomenology, social constructivism.Results and discussion. The problematic nature of living in cities and the penetration of these problems into the daily interaction of citizens forms the origins of solidary participation of citizens-individual and private interests form collective actions-processes. Multiple individual forms of citizens' activity on urban improvement are transformed into participativeness – institutionalized joint activity. Its participants can take differentiated positions in the social structure of the urban community according to the criteria of having a diverse experience of interaction, i.e. exchange, with the urban environment and taking a position in the city management structure, which determines the level of regulated authority to make managerial decisions. The problems of urban life that are common to different categories of citizens and the typification of social activity to solve them order the interaction of participants, organize and “produce” the urban space.Conclusion. In the process of reasoning, a theoretical model of the formation of participativeness is presented, which allows us to trace the transformation of activity of the urban population into the right to the city and the formation of a favorable urban environment.


2020 ◽  
Vol 217 ◽  
pp. 02005
Author(s):  
Valentina Kurochkina

Recently, housing construction in cities has been carried out at a high rate. Increasingly, urban abandoned and flooded depressive spaces near water bodies (often rivers), which were previously used as industrial facilities or temporarily used, are becoming the sphere of architectural and landscape transformations. The restoration of such territories helps to improve the quality of urban space and improve its ecological properties. Correct development of territories near rivers and various water bodies has a great health-improving effect on the urban environment, improves its natural and climatic conditions. In addition, social and economic factors play an important role in this process, since such transformed territories and territories adjacent to them significantly increase investment attractiveness. This paper examines modern approaches to the development of urban public spaces, based on the formation of architectural environments that ensure the relationship of urban development with water bodies and adjacent territories. The paper notes that water bodies are not only an important component of the natural-ecological framework, but are also the basis for the framework of urban-planning natural-technogenic systems as a whole. And the creation of a continuous urban fabric is impossible without the organization of a ‘water’ line of development, provision of compositional, functional and communication interconnection of open urban and water spaces, which is actively being introduced today in architectural and urban planning practice. The paper examines the role of water bodies in the ecological system of the city, as well as in its structure as a whole. The aim of the study is to identify the features of the formation of a public urban space, to determine the patterns of its development, to identify criteria that reflect the nature, scale and features of the impact of urbanization on a water body. Some principles of revitalization of coastal areas, as well as the creation of a system of publicly accessible, compositionally expressive spaces are considered. The principles of space transformation aimed at the formation of a holistic image of the city, as well as the impact of such a spatial arrangement of urban and water bodies on the safety and quality of the urban environment are considered.


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